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Oswald Spengler and the Politics of Decline by Ben Lewis Pdf
Oswald Spengler was one of the most important thinkers of the Weimar Republic. In Oswald Spengler and the Politics of Decline, Ben Lewis completely transforms our understanding of Spengler by showing how well-connected this philosopher was and how, at every stage of his career, he attempted to intervene politically in the very real-life events unfolding around him. The volume explains Spengler’s politics as the outcome of a dynamic interplay between his meta-historical considerations on world history on the one hand, and the practical demands and considerations of Realpolitik on the other hand.
The Decline of the West by Oswald Spengler,Arthur Helps,Charles Francis Atkinson Pdf
Spengler's work describes how we have entered into a centuries-long "world-historical" phase comparable to late antiquity, and his controversial ideas spark debate over the meaning of historiography.
Oswald Spengler (1880--1936) is best known for The Decline of the West, in which he propounded his pathbreaking philosophy of world history and penetrating diagnosis of the crisis of modernity. This monumental work launched a seminal attack on the idea of progress and supplanted the outmoded Eurocentric understanding of history. His provocative pessimism seems to be confirmed in retrospect by the twentieth-century horrors of economic depression, totalitarianism, genocide, the dawn of the nuclear age, and the emerging global environmental crisis. In Prophet of Decline, John Farrenkopf takes advantage of the historical perspective the end of the millennium provides to reassess this visionary thinker and his challenging ideas on world history and politics and modern civilization. Farrenkopf's assessment ranges widely, placing Spengler's philosophy in its intellectual historical context and covering Spengler's ideas on democracy, capitalism, science and technology, cities, Western art, social change, and human exploitation of the environment. He also illuminates the implications of Spengler's thought for contemplating from a fresh perspective the future of the United States, the leading power of the West. Prophet of Decline is highly relevant today as many take the opportunity at the turn of the century to ponder again the direction in which humankind and our global community are moving and approach with concern the uncertain future amid globalization, hypercomplexity, and accelerating change. An interdisciplinary book about an interdisciplinary thinker, it is a substantial contribution to the literature of historical philosophy, political science, international relations, and German studies.
Since its first publication in two volumes between 1918-1923, The Decline of the West has ranked as one of the most widely read and most talked about books of our time. In all its various editions, it has sold nearly 100,000 copies. A twentieth-century Cassandra, Oswald Spengler thoroughly probed the origin and "fate" of our civilization, and the result can be (and has been) read as a prophesy of the Nazi regime. His challenging views have led to harsh criticism over the years, but the knowledge and eloquence that went into his sweeping study of Western culture have kept The Decline of the West alive. As the face of Germany and Europe as a whole continues to change each day, The Decline of the West cannot be ignored.The abridgment, prepared by the German scholar Helmut Werner, with the blessing of the Spengler estate, consists of selections from the original (translated into English by Charles Francis Atkinson) linked by explanatory passages which have been put into English by Arthur Helps. H. Stuart Hughes has written a new introduction for this edition.In this engrossing and highly controversial philosophy of history, Spengler describes how we have entered into a centuries-long "world-historical" phase comparable to late antiquity. Guided by the philosophies of Goethe and Nietzsche, he rejects linear progression, and instead presents a world view based on the cyclical rise and decline of civilizations. He argues that a culture blossoms from the soil of a definable landscape and dies when it has exhausted all of its possibilities.Despite Spengler's reputation today as an extreme pessimist, The Decline of the West remains essential reading for anyone interested in the history of civilization.
In the second and more controversial, albeit optimistic, volume of The Decline of the West, Oswald Spengler deals with the world-historical perspectives of his comparative cultural morphology. The periodical calm surrounding the constant and eternally recurring movements, described in the first volume, is over. Spengler develops his theory of "Caesarism" - a tendency towards dictatorship peculiar to mass democracy. According to Spengler, today we live in the decadent stage of civilization. Previously, the people of culture used money for buying and selling while their main thoughts and occupations lay elsewhere. The people of civilization, however, exclusively think in terms of money and nothing else. That is why our period is also marked by rapacious oligarchs, cunning stock market manipulation, a flourishing art trade, and boundless corruption. Only the return of the eternal values of blood and race, through the coming of the Caesars, can destroy the tyranny of the financial mind. Thus Caesarism will bring the victory of strength politics over capital, breaking the pecuniary power and promoting national welfare. The scene is set for the final battle between the forces of plutocracy and chaos and the political will and order of the Caesars.
The decline of the West : Volume 1, Form and actuality by Oswald Spengler Pdf
Explore the Profound Insights of Oswald Spengler's 'The Decline of the West: Volume 1, Form and Actuality' Embark on a journey of intellectual discovery and profound philosophical insight with Oswald Spengler's groundbreaking work, 'The Decline of the West: Volume 1, Form and Actuality.' Delve into the depths of Spengler's thought-provoking analysis as he explores the rise and fall of civilizations, the nature of cultural morphology, and the existential crises facing Western civilization. Uncover the Patterns of History In 'The Decline of the West,' Oswald Spengler offers readers a sweeping panorama of human history, spanning centuries and continents, to uncover the underlying patterns and rhythms that shape the destiny of civilizations. Drawing on insights from philosophy, art, science, and religion, Spengler presents a bold and ambitious theory of cultural morphology that seeks to illuminate the fundamental dynamics of human civilization. Through meticulous scholarship and keen observation, Spengler traces the rise and fall of civilizations across time and space, identifying recurring themes and motifs that transcend individual cultures and epochs. From the ancient civilizations of Egypt and Mesopotamia to the modern empires of Europe and America, Spengler's analysis offers a compelling framework for understanding the cyclical nature of history and the inexorable forces that drive the ebb and flow of human civilization. Contemplate the Fate of Western Civilization At the heart of 'The Decline of the West' lies Spengler's sobering examination of the fate of Western civilization in the modern age. With penetrating insight and prophetic vision, Spengler warns of the existential crises facing Western society, from the erosion of traditional values to the rise of mass culture and the specter of political and economic decline. As readers grapple with Spengler's provocative arguments and unsettling predictions, they are forced to confront uncomfortable truths about the nature of modernity and the fragility of Western civilization. Yet amid the gloom and pessimism, Spengler offers a glimmer of hope, urging readers to transcend the limitations of their historical moment and embrace the eternal truths that lie at the heart of human existence. Why 'The Decline of the West' Is a Timeless Masterpiece: Intellectual Provocation: Challenge your preconceptions and expand your horizons with Oswald Spengler's thought-provoking analysis of human civilization and the fate of the West. Philosophical Depth: Dive into the depths of Spengler's philosophical insights as he grapples with the fundamental questions of existence, meaning, and the human condition. Historical Perspective: Gain a broader understanding of human history and culture through Spengler's sweeping panorama of civilizations, spanning millennia and continents. Relevance Today: Despite being written nearly a century ago, 'The Decline of the West' remains as relevant and timely as ever, offering valuable insights into the challenges facing contemporary society and the enduring quest for meaning and purpose.Don't miss your chance to explore the profound insights and provocative ideas of Oswald Spengler's 'The Decline of the West: Volume 1, Form and Actuality.' Whether you're a scholar, a student of history, or simply a curious reader eager to engage with challenging ideas, this timeless masterpiece is sure to stimulate your mind and inspire deep reflection.
Routledge Revivals: Man and Technics (1932) by Oswald Spengler Pdf
First published in 1932, this book, based on an address delivered in 1931, presents a concise and lucid summary of the philosophy of the author of The Decline of the West, Oswald Spengler. It was his conviction that the technical age — the culture of the machine age — which man had created in virtue of his unique capacity for individual as well as racial technique, had already reached its peak, and that the future held only catastrophe. He argued it lacked progressive cultural life and instead was dominated by a lust for power and possession. The triumph of the machine led to mass regimentation rather than fewer workers and less work — spelling the doom of Western civilization.
Decline of the West, Volume I by Oswald Spengler Pdf
The Decline of the West Volume I: Form and Actuality By Oswald Spengler Contents I-Introduction II-The Meaning of Numbers III-The Problem of World-history--Physiognomic and Systematic IV-The Problem of World-history--The Destiny-idea and the Causality-principle V-Makrokosmos--The Symbolism of the World-picture and the Problem of Space VI-Makrokosmos--Apollinian, Faustian, and Magian Soul VII-Music and Plastic--The Arts of Form VIII-Music and Plastic--Act and Portrait IX-Soul-image and Life-feeling--On the Form of the Soul X-Soul-image and Life-feeling--Buddhism, Stoicism, and Socialism XI-Faustian and Apollinian Nature-Knowledge Introduction In this book is attempted for the first time the venture of predetermining history, of following the still untravelled stages in the destiny of a Culture, and specifically of the only Culture of our time and on our planet which is actually in the phase of fulfilment--the West-European-American. Hitherto the possibility of solving a problem so far-reaching has evidently never been envisaged, and even if it had been so, the means of dealing with it were either altogether unsuspected or, at best, inadequately used. Is there a logic of history? Is there, beyond all the casual and incalculable elements of the separate events, something that we may call a metaphysical structure of historic humanity, something that is essentially independent of the outward forms--social, spiritual and political--which we see so clearly? Are not these actualities indeed secondary or derived from that something? Does world-history present to the seeing eye certain grand traits, again and again, with sufficient constancy to justify certain conclusions? And if so, what are the limits to which reasoning from such premisses may be pushed? Is it possible to find in life itself--for human history is the sum of mighty life-courses which already have had to be endowed with ego and personality, in customary thought and expression, by predicating entities of a higher order like "the Classical" or "the Chinese Culture," "Modern Civilization"--a series of stages which must be traversed, and traversed moreover in an ordered and obligatory sequence? For everything organic the notions of birth, death, youth, age, lifetime are fundamentals--may not these notions, in this sphere also, possess a rigorous meaning which no one has as yet extracted? In short, is all history founded upon general biographic archetypes? The decline of the West, which at first sight may appear, like the corresponding decline of the Classical Culture, a phenomenon limited in time and space, we now perceive to be a philosophical problem that, when comprehended... ------------------------------------------------------------------------------------------------------------------------------------------ Windham Press is committed to bringing the lost cultural heritage of ages past into the 21st century through high-quality reproductions of original, classic printed works at affordable prices. This book has been carefully crafted to utilize the original images of antique books rather than error-prone OCR text. This also preserves the work of the original typesetters of these classics, unknown craftsmen who laid out the text, often by hand, of each and every page you will read. Their subtle art involving judgment and interaction with the text is in many ways superior and more human than the mechanical methods utilized today, and gave each book a unique, hand-crafted feel in its text that connected the reader organically to the art of bindery and book-making. We think these benefits are worth the occasional imperfection resulting from the age of these books at the time of scanning, and their vintage feel provides a connection to the past that goes beyond the mere words of the text.
Since its publication in 1918, Oswald Spengler's The Decline of the West has been the object of academic controversy and opprobrium. In their efforts to dispose of it, scholars have resorted to a variety of tactics: bitter invective, icy scorn, urbane mockery, or simply pretending that the book is not there. Yet generations of readers have refused to be warned off, finding in Spengler a prophetic voice and a source of profound intellectual excitement. H. Stuart Hughes's Oswald Spengler offers a judicious and objective reading of Spengler's works that admirably fills the gap between hypercritical invective and naïve enthusiasm. This pioneering volume makes clear why Spengler's pessimistic reading of the fate of European civilization continues to resonate with contemporary anxieties. Despite the author's self-imposed intellectual and social isolation, Spengler's work was as Hughes demonstrates, a part of the enormous effort of intellectual reevaluation that has characterized the early twentieth century. Viewing Spengler in the broadest possible perspective, the author places his thought in its cultural relationship to that of such predecessors as Giambattista Vico, Friedrich Nietzsche, and Nikolai Danilevsky and contemporaries including Benedetto Croce, Henri Bergson, and Vilfredo Pareto. A chapter of Hughes's book is devoted to Spengler's influence on later cyclical thinkers such as Arnold Toynbee and Pitirim Sorokin. Another chapter clarifies the essentially antagonistic relationship between his thought and Nazi ideology. Throughout, Hughes is carefully attuned to the complex and often bewildering shifts of Spengler's ideas and manner, providing a unified picture of the sober historian; the lofty seer; the cool, detached observer; and the impassioned participant. In his introduction to this new edition, Hughes comments on the timeliness of Spengler's message with respect to technology and environmental issues and draws some unexpected and fascinating parallels between Spengler's thought and that of Ludwig Wittgenstein. Oswald Spengler offers an illuminating view of the achievements and limitations of one of the most influential and representative figures of the twentieth century. It will be of concern to intellectual historians, philosophers, political scientists, and sociologists.
The first volume of Oswald Spengler's The Decline of the West is a classic milestone in the annals of historiography. However, it is not a history book in the traditional sense of recounting events in chronological order. Instead, it tries to explain the mechanisms that make different cultures tick. While classical culture had no concept of the past or future and was only fixated on the present, Western culture is focused on both the past as memory and the future as unconquered territory. Like organisms that are born, mature and eventually die, cultures are the blossoming youth while civilizations usher in senility, decay and demise. When a culture becomes a civilization, decadence sets in and the ensuing downward spiral becomes a Faustian whirlwind of self-destruction. This is inevitable as we can see that each culture's evolution has its parallels in other periods of human history. The endgame for the West has already begun. It is in terminal decline, desperately trying to revive the dead forms and buried traditions that animated its Promethean spirit in its youthful heyday of exuberance. But in old age, it all seems preposterous, and hence in vain as the West has become tired of itself and unable to innovate in either the arts or philosophy. The West is on its way to the grave and what will see the light next must necessarily be something completely new and not just a corpse reanimated.
In The Hour of Decision, Oswald Spengler portrays a brutally critical image of modern Western civilization. According to Spengler, the West is destined for decay and heading towards its demise, poisoned by excessive rationalism, a lack of functioning hierarchies, and widespread alienation. Spengler's observations are rooted in Germany during the interwar period, a time characterized by political unrest and economic chaos. It was clear to Spengler that the world, following the imminent international showdown, would hardly be recognizable. He regarded our era as the most fateful and serious in human history, a phase in which the destiny of peoples and nations would be determined. The Hour of Decision ("Jahre der Entscheidung") quickly became a commercial success when it was published in Germany in 1933. However, it was later banned because Spengler criticized Nazi politics in various ways, including a rejection of their racial-biological foundations.
The Hour of Decision is Oswald Spengler's final book, both a detailed overview of European and world politics in the early to mid 20th century and a prognostication and dire warning of the future that has since proven all too accurate. Spengler cuts through the false labels of ideology and theory to reveal the true forces which determine world events, and paints a sober portrait of the global trends of our lifetime. Provocative, unsparing, and unsentimental, The Hour of Decision remains as relevant now as it was when it was first published. Rogue Scholar Press is proud to offer a completely new edition of this classic work.
The Decline of the West (Volume 1) by Oswald Spengler Pdf
The Decline of the West Volume I: Form and Actuality By Oswald Spengler Contents I-Introduction II-The Meaning of Numbers III-The Problem of World-history--Physiognomic and Systematic IV-The Problem of World-history--The Destiny-idea and the Causality-principle V-Makrokosmos--The Symbolism of the World-picture and the Problem of Space VI-Makrokosmos--Apollinian, Faustian, and Magian Soul VII-Music and Plastic--The Arts of Form VIII-Music and Plastic--Act and Portrait IX-Soul-image and Life-feeling--On the Form of the Soul X-Soul-image and Life-feeling--Buddhism, Stoicism, and Socialism XI-Faustian and Apollinian Nature-Knowledge Introduction In this book is attempted for the first time the venture of predetermining history, of following the still untravelled stages in the destiny of a Culture, and specifically of the only Culture of our time and on our planet which is actually in the phase of fulfilment--the West-European-American. Hitherto the possibility of solving a problem so far-reaching has evidently never been envisaged, and even if it had been so, the means of dealing with it were either altogether unsuspected or, at best, inadequately used. Is there a logic of history? Is there, beyond all the casual and incalculable elements of the separate events, something that we may call a metaphysical structure of historic humanity, something that is essentially independent of the outward forms--social, spiritual and political--which we see so clearly? Are not these actualities indeed secondary or derived from that something? Does world-history present to the seeing eye certain grand traits, again and again, with sufficient constancy to justify certain conclusions? And if so, what are the limits to which reasoning from such premisses may be pushed? Is it possible to find in life itself--for human history is the sum of mighty life-courses which already have had to be endowed with ego and personality, in customary thought and expression, by predicating entities of a higher order like "the Classical" or "the Chinese Culture," "Modern Civilization"--a series of stages which must be traversed, and traversed moreover in an ordered and obligatory sequence? For everything organic the notions of birth, death, youth, age, lifetime are fundamentals--may not these notions, in this sphere also, possess a rigorous meaning which no one has as yet extracted? In short, is all history founded upon general biographic archetypes? The decline of the West, which at first sight may appear, like the corresponding decline of the Classical Culture, a phenomenon limited in time and space, we now perceive to be a philosophical problem that, when comprehended... ------------------------------------------------------------------------------------------------------------------------------------------ Windham Press is committed to bringing the lost cultural heritage of ages past into the 21st century through high-quality reproductions of original, classic printed works at affordable prices. This book has been carefully crafted to utilize the original images of antique books rather than error-prone OCR text. This also preserves the work of the original typesetters of these classics, unknown craftsmen who laid out the text, often by hand, of each and every page you will read. Their subtle art involving judgment and interaction with the text is in many ways superior and more human than the mechanical methods utilized today, and gave each book a unique, hand-crafted feel in its text that connected the reader organically to the art of bindery and book-making. We think these benefits are worth the occasional imperfection resulting from the age of these books at the time of scanning, and their vintage feel provides a connection to the past that goes beyond the mere words of the text.
