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Other Renaissances by B. Schildgen,Z. Gang,S. Gilman Pdf
Other Renaissances is a collection of twelve essays discussing renaissances outside the Italian and Italian prompted European Renaissance of the fifteenth and sixteenth centuries. The collection proposes an approach to reframing the Renaissance in which the European Renaissance becomes an imaginative idea, rather than a particular moment in time
This title offers a cultural translation of modern Italian intellectual and philosophical history, a development book-ended by Giambattista Vico and Antonio Gramsci. It shows Italian philosophy to have emerged during the age of the Risorgimento in reaction to 18th century French revolutionary and rationalist standards in politics and philosophy and in critical assimilation of the German reaction to the same, mainly Hegelian idealism and, eventually, Heideggerian existentialism. This is the story of modern Italian philosophy told through the lens of Renaissance scholarship.
Birds and Other Creatures in Renaissance Literature by Rebecca Ann Bach Pdf
This book explores how humans in the Renaissance lived with, attended to, and considered the minds, feelings, and sociality of other creatures. It examines how Renaissance literature and natural history display an unequal creaturely world: all creatures were categorized hierarchically. However, post-Cartesian readings of Shakespeare and other Renaissance literature have misunderstood Renaissance hierarchical creaturely relations, including human relations. Using critical animal studies work and new materialist theory, Bach argues that attending closely to creatures and objects in texts by Shakespeare and other writers exposes this unequal world and the use and abuse of creatures, including people. The book also adds significantly to animal studies by showing how central bird sociality and voices were to Renaissance human culture, with many believing that birds were superior to some humans in song, caregiving, and companionship. Bach shows how Descartes, a central figure in the transition to modern ideas about creatures, lived isolated from humans and other creatures and denied ancient knowledge about other creatures’ minds, especially bird minds. As significantly, Bach shows how and why Descartes’ ideas appealed to human grandiosity. Asking how Renaissance categorizations of creatures differ so much from modern classifications, and why those modern classifications have shaped so much animal studies work, this book offers significant new readings of Shakespeare’s and other Renaissance texts. It will contribute to a range of fields, including Renaissance literature, history, animal studies, new materialism, and the environmental humanities.
Victoria University (Toronto, Ont.). Centre for Reformation and Renaissance Studies
Author : Victoria University (Toronto, Ont.). Centre for Reformation and Renaissance Studies Publisher : Centre for Reformation and Renaissance Studies Page : 320 pages File Size : 51,5 Mb Release : 2003 Category : Art ISBN : 0772720193
The Renaissance in the Nineteenth Century by Victoria University (Toronto, Ont.). Centre for Reformation and Renaissance Studies Pdf
The nineteenth century witnessed rapid economic and social developments, profound political and intellectual upheaval, and startling innovations in art and literature. As Europeans peered into an uncertain future, they drew upon the Renaissance for meaning, precedents, and identity. Many claimed to find inspiration or models in the Renaissance, but as we move across the continent's borders and through the century's decades, we find that the Renaissance was many different things to many different people. This collection brings together the work of sixteen authors who examine the many Renaissances conceived by European novelists and poets, artists and composers, architects and city planners, political theorists and politicians, businessmen and advertisers. The essays fall into three groups: "Aesthetic Recoveries of Strategic Pasts"; "The Renaissance in Nineteenth-Century Culture Wars"; and "Material Culture and Manufactured Memories."
A Companion to the Worlds of the Renaissance by Guido Ruggiero Pdf
This volume brings together some of the most exciting renaissance scholars to suggest new ways of thinking about the period and to set a new series of agendas for Renaissance scholarship. Overturns the idea that it was a period of European cultural triumph and highlights the negative as well as the positive. Looks at the Renaissance from a world, as opposed to just European, perspective. Views the Renaissance from perspectives other than just the cultural elite. Gender, sex, violence, and cultural history are integrated into the analysis.
An original, illuminating history of the northern European Renaissance in art, science, and philosophy, which often rivaled its Italian counterpart. It is generally accepted that the European Renaissance began in Italy. However, a historical transformation of similar magnitude also took place in northern Europe at the same time. This "Other Renaissance" was initially centered on the city of Bruges in Flanders (modern Belgium), but its influence was soon being felt in France, the German states, London, and even in Italy itself. The northern Renaissance, like the southern Renaissance, largely took place during the period between the end of the Medieval age (circa mid-14th century) and the advent of the Age of Enlightenment (circa end of 17th century). Following a sequence of major figures, including Copernicus, Gutenberg, Luther, Catherine de' Medici, Rabelais, van Eyck, and Shakespeare, Paul Strathern tells the fascinating story of how this "Other Renaissance" played as significant a role as the Italian renaissance in bringing our modern world into being.
BLACK AND WHITE EDITION On All The Other Days is a memoir of the multi-dimensional renaissance journey of author, Clint Ward. It is a rare glimpse "behind the curtain" of a life well-lived, interwoven with epic proportions of high flying adventure, sportsmanship and world travel. After high school, a short stint in Canada's Royal Canadian Air Force set him on his vocation as a professional aviator. Throughout a career that spanned nearly 40 years with Trans Canada Airlines and Air Canada, he piloted seven different aircraft, including 12 years as a Captain on the Boeing 747. In his spare time, he embraced a love for the melodic, dramatic flair and an innate passion for the creative: writing, storytelling, theatre and film, revealing the quest of a man who truly embodies the art of reinventing life in real time. Revel in the details of this literary and photographic odyssey of the best and worst of times penned by a prairie boy from Saskatoon growing up in the 30's and chronicling eight decades of determination, luck, ambition, ultimate achievement and bloody mindedness! Clint enjoys life in a faster lane than most at 86 and is grateful for an opportunity to share his story that is still unfolding...On All The Other Days.
How the far North offered a different kind of terra incognita for the Renaissance imagination. European narratives of the Atlantic New World tell stories of people and things: strange flora, wondrous animals, sun-drenched populations for Europeans to mythologize or exploit. Yet, as Christopher Heuer explains, between 1500 and 1700, one region upended all of these conventions in travel writing, science, and, most unexpectedly, art: the Arctic. Icy, unpopulated, visually and temporally “abstract,” the far North—a different kind of terra incognita for the Renaissance imagination—offered more than new stuff to be mapped, plundered, or even seen. Neither a continent, an ocean, nor a meteorological circumstance, the Arctic forced visitors from England, the Netherlands, Germany, and Italy, to grapple with what we would now call a “non-site,” spurring dozens of previously unknown works, objects, and texts—and this all in an intellectual and political milieu crackling with Reformation debates over art's very legitimacy. In Into the White, Heuer uses five case studies to probe how the early modern Arctic (as site, myth, and ecology) affected contemporary debates over perception and matter, representation, discovery, and the time of the earth—long before the nineteenth century Romanticized the polar landscape. In the far North, he argues, the Renaissance exotic became something far stranger than the marvelous or the curious, something darkly material and impossible to be mastered, something beyond the idea of image itself.
"The Renaissance is usually portrayed as a period dominated by the extraordinary achievements of great men: rulers, philosophers, poets, painters, architects and scientists. Leading scholar Margaret King recasts the Renaissance as a more complex cultural movement rooted in a unique urban society that was itself the product of many factors and interactions: commerce, papal and imperial ambitions, artistic patronage, scientific discovery, aristocratic and popular violence, legal precedents, peasant migrations, famine, plague, invasion and other social factors. Together with literary and artistic achievements, therefore, today's Renaissance history includes the study of power, wealth, gender, class, honour, shame, ritual and other categories of historical investigation opened up in recent years. Tracing the diffusion of the Renaissance from Italy to the rest of Europe, Professor King marries the best work of the last generation of scholars with the findings of the most recent research, including her own. Ultimately, she points to the multiple ways in which this seminal epoch influenced the later development of Western culture and society."--Jacket.
Giovanni Della Casa,Victoria University (Toronto, Ont.). Centre for Reformation and Renaissance Studies
Author : Giovanni Della Casa,Victoria University (Toronto, Ont.). Centre for Reformation and Renaissance Studies Publisher : Centre for Reformation and Renaissance Studies Page : 104 pages File Size : 49,7 Mb Release : 1994 Category : History ISBN : 0969751222
Other Hollywood Renaissance by Lennard Dominic Lennard Pdf
In the late 1960s, the collapse of the classic Hollywood studio system led in part, and for less than a decade, to a production trend heavily influenced by the international art cinema. Reflecting a new self-consciousness in the US about the national film patrimony, this period is known as the Hollywood Renaissance. However, critical study of the period is generally associated with its so-called principal auteurs, slighting a number of established and emerging directors who were responsible for many of the era's most innovative and artistically successful releases.With contributions from leading film scholars, this book provides a revisionist account of this creative resurgence by discussing and memorializing twenty-four directors of note who have not yet been given a proper place in the larger history of the period. Including filmmakers such as Hal Ashby, John Frankenheimer, Mike Nichols, and Joan Micklin Silver, this more expansive approach to the auteurism of the late 1960s and 1970s seems not only appropriate but pressing - a necessary element of the re-evaluation of 'Hollywood' with which cinema studies has been preoccupied under the challenges posed by the emergence and flourishing of new media.
Music History During the Renaissance Period, 1520-1550 by Blanche M. Gangwere Pdf
This annotated chronology of western music is the third in a series of outlines on the history of music in western civilization. It contains a 120-page annotated bibliography, followed by a detailed, documented outline that is divided into ten chapters. Each chapter is written in chronological order with every line being documented by means of abbreviations that refer to the annotated bibliography. There are short biographies of the theorists and detailed discussions of their works. The information on music is organized by classes of music rather than by composer. Also included are lists of manuscripts with descriptions of their contents and notations as to where they may be found. The material for the outline has been taken from primary and secondary sources along with articles from periodicals. Like the other two volumes in this series, Music History from the Late Roman through the Gothic Periods, 313-1425 and Music History During the Renaissance Period, 1425-1520, this volume will be an important research tool for anyone interested in music history.
This is a fascinating collection of essays focusing on humanism and thought and other key aspects of Renaissance culture such as philology, political thought and scholastic and platonic philosophy. An essential read for all students of this era.
An elegant and entertaining account of the transformations of the Greek gods across the ages, from antiquity to the Renaissance and the present day The gods of Olympus are the most colorful characters of Greek civilization: even in antiquity, they were said to be cruel, oversexed, mad, or just plain silly. Yet for all their foibles and flaws, they proved to be tough survivors, far outlasting classical Greece itself. In Egypt, the Olympian gods claimed to have given birth to pharaohs; in Rome, they led respectable citizens into orgiastic rituals of drink and sex. Under Christianity and Islam they survived as demons, allegories, and planets; and in the Renaissance, they triumphantly emerged as ambassadors of a new, secular belief in humanity. Their geographic range, too, has been little short of astounding: in their exile, the gods and goddesses of Olympus have traveled east to the walls of cave temples in China and west to colonize the Americas. They snuck into Italian cathedrals, haunted Nietzsche, and visited Borges in his restless dreams. In a lively, original history, Barbara Graziosi offers the first account to trace the wanderings of these protean deities through the millennia. Drawing on a wide range of literary and archaeological sources, The Gods of Olympus opens a new window on the ancient world, religion, mythology, and its lasting influence.
