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Author : Arnaldo Momigliano
Publisher : Ed. di Storia e Letteratura
Page : 474 pages
File Size : 54,5 Mb
Release : 1987
Category : History
ISBN : 888711420X
Author : Arnaldo Momigliano
Publisher : Ed. di Storia e Letteratura
Page : 420 pages
File Size : 53,7 Mb
Release : 1955
Category : History
ISBN : 8210379456XXX
Author : Arnaldo Momigliano
Publisher : Ed. di Storia e Letteratura
Page : 810 pages
File Size : 54,6 Mb
Release : 1992
Category : Greece
ISBN : 8863723435
Author : Arnaldo Momigliano
Publisher : Unknown
Page : 548 pages
File Size : 46,6 Mb
Release : 1984
Category : Civilization, Ancient
ISBN : UCAL:B4887130
Author : Arnaldo Momigliano
Publisher : Ed. di Storia e Letteratura
Page : 752 pages
File Size : 50,7 Mb
Release : 1969
Category : Electronic
ISBN : 8210379456XXX
Author : Arnaldo Momigliano
Publisher : Ed. di Storia e Letteratura
Page : 540 pages
File Size : 42,6 Mb
Release : 1966
Category : History
ISBN : 8884983630
Author : Arnaldo Momigliano
Publisher : Ed. di Storia e Letteratura
Page : 490 pages
File Size : 45,5 Mb
Release : 1980
Category : Civilization, Ancient
ISBN : 8210379456XXX
Author : Arnaldo Momigliano
Publisher : Unknown
Page : 395 pages
File Size : 43,7 Mb
Release : 1980
Category : Electronic
ISBN : OCLC:247664652
Author : Arnaldo Momigliano
Publisher : Ed. di Storia e Letteratura
Page : 392 pages
File Size : 41,8 Mb
Release : 1975
Category : Greece
ISBN : 8210379456XXX
Author : Arnaldo Momigliano
Publisher : Ed. di Storia e Letteratura
Page : 504 pages
File Size : 50,9 Mb
Release : 1984
Category : Classical philology
ISBN : 8210379456XXX
Author : Giovanna Ceserani
Publisher : Oxford University Press
Page : 348 pages
File Size : 41,7 Mb
Release : 2012-02-07
Category : History
ISBN : 9780190453961
Italy's Lost Greece is the untold story of the modern engagement with the ancient Greek settlements of South Italy--an area known since antiquity as Magna Graecia. This "Greater Greece," at once Greek and Italian, has continuously been perceived as a region in decline since its archaic golden age, and has long been relegated to the margins of classical studies. Giovanna Ceserani's evocative and nuanced analysis recovers its significance within the history of classical archaeology. It was here that the Renaissance first encountered an ancient Greek landscape, and during the "Hellenic turn" of eighteenth-century Europe the temples of Paestum and the painted vases of South Italy played major roles, but since then, Magna Graecia--lying outside the national boundaries of modern Greece, and sharing in the complicated regional dynamic of the Italian Mezzogiorno--has fitted awkwardly into the commonly accepted paradigms of Hellenism. The unfolding of this process provides a unique insight into three developments: the humanist investment in the ancient past, the evolution of modern Hellenism, and the making of classical archaeology. Drawing on antiquarian and archaeological writings, histories and travelogues about Magna Graecia, and recent rewritings of the history and imagining of the South, Italy's Lost Greece sheds new light on well known figures in the history of archaeology while recovering forgotten ones. This is an Italian story of European resonance, which transforms our understanding of the transition from antiquarianism to archaeology, of the relationship between nation-making and institution-building in the study of the ancient past, and of the reconstruction of classical Greece in the modern world.
Author : James H. Richardson,Federico Santangelo
Publisher : Oxford Readings in Classical S
Page : 383 pages
File Size : 41,9 Mb
Release : 2014
Category : History
ISBN : 9780199657858
This volume provides students with an introduction to a range of important problems in the study of ancient Rome during the Regal and Republican periods in one accessible collection, bringing together a diverse range of influential papers.
Author : M. Vatter
Publisher : Springer Science & Business Media
Page : 355 pages
File Size : 46,9 Mb
Release : 2013-04-17
Category : Philosophy
ISBN : 9789401593373
Before Machiavelli, political freedom was approached as a problem of the best distribution of the functions of ruler and ruled. Machiavelli changed the terms of freedom, requiring that its discourse address the demand for no-rule or non-domination. Political freedom would then develop only through a strategy of antagonism to every form of legitimate domination. This leads to the emergence of modern political life: any institution that wishes to rule legitimately must simultaneously be inscribed with its immanent critique and imminent subversion. For Machiavelli, the possibility of instituting the political form is conditioned by the possibility of changing it in an event of political revolution. This book shows Machiavelli as a philosopher of the modern condition. For him, politics exists in the absence of those absolute moral standards that are called upon to legitimate the domination of man over man. If this understanding lies open to relativism and historicism, it does so in order to render effective the project of reinventing the sense of human freedom. Machiavelli's legacy to modernity is the recognition of an irreconcilable tension between the demands of freedom and the imperatives of morality.
Author : Alan Sica
Publisher : Routledge
Page : 383 pages
File Size : 49,9 Mb
Release : 2017-09-08
Category : Psychology
ISBN : 9781351506557
The most profound and enduring social theorist of sociology's classical period, Max Weber speaks as cogently to concerns of the new century as he did to those of the past. In Max Weber and the New Century, Alan Sica demonstrated Weber's preeminent position and lasting vitality within social theory by applying his ideas to a broad range of topics of contemporary concern. Max Weber: A Comprehensive Bibliography is a companion volume that offers some 4,600 bibliographic listings of work on Weber, making it the most complete guide to the literature in English and a testament to the continued vitality of Weber's thought. Sica's work supersedes all previous bibliographical efforts covering the Weber literature, both in the quantity and accuracy of its references, and the clarity and convenience of its format. In order to demonstrate the enormous variety of Weberiana in English, Sica has adopted a liberal criterion for inclusion, rather than a critical one, choosing to mix the best with what may be more routine work. Following a preface in which previous bibliographies and bibliographic problems are discussed, the volume opens with a series of five specialized bibliographies. The first lists Weber's works in English translation. The second lists reviews of Weber's major works including those translated into English, while the third covers reviews of recent books and other work on Weber. The fourth section contains a selection of dissertations and theses relating to Weber or his ideas. The fifth includes primary and secondary sources treating Weber on rationality and rationalization processes. The last and largest section offers a comprehensive Weber bibliography of works in English. This large-scale endeavor attempts to identify with accuracy and completeness the entire universe of Weber scholarship in English. It will be an essential scholarly tool for sociologists, historians, economists, and students of cultural and intellectual history.
Author : Anthony Grafton
Publisher : Harvard University Press
Page : 438 pages
File Size : 50,9 Mb
Release : 2009
Category : Education
ISBN : 0674032578
Italian cinemas after the war were filled by audiences who had come to watch domestically-produced films of passion and pathos. These highly emotional and consciously theatrical melodramas posed moral questions with stylish flair, redefining popular ways of feeling about romance, family, gender, class, Catholicism, Italy, and feeling itself. The Operatic and the Everyday in Postwar Italian Film Melodrama argues for the centrality of melodrama to Italian culture. It uncovers a wealth of films rarely discussed before including family melodramas, the crime stories of neorealismo popolare and opera films, and provides interpretive frameworks that position them in wider debates on aesthetics and society. The book also considers the well-established topics of realism and arthouse auteurism, and re-thinks film history by investigating the presence of melodrama in neorealism and post-war modernism. It places film within its broader cultural context to trace the connections of canonical melodramatists like Visconti and Matarazzo to traditions of opera, the musical theatre of the sceneggiata, visual arts, and magazines. In so doing it seeks to capture the artistry and emotional experiences found within a truly popular form.