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Author : William Wordsworth
Publisher : Unknown
Page : 252 pages
File Size : 42,5 Mb
Release : 1870
Category : Electronic
ISBN : BL:A0026240405
Author : Anonim
Publisher : Unknown
Page : 128 pages
File Size : 53,7 Mb
Release : 1864
Category : Electronic
ISBN : OCLC:999550386
Author : William Wordsworth
Publisher : Unknown
Page : 248 pages
File Size : 51,9 Mb
Release : 1864
Category : Lake District (England)
ISBN : UCAL:B5189702
Author : William Wordsworth
Publisher : Unknown
Page : 262 pages
File Size : 41,9 Mb
Release : 1868
Category : Electronic
ISBN : BL:A0021927316
Author : William Wordsworth
Publisher : Unknown
Page : 264 pages
File Size : 44,7 Mb
Release : 1864
Category : Cumbria (England)
ISBN : BL:A0022484388
Author : Helen Groth
Publisher : Oxford University Press, USA
Page : 266 pages
File Size : 46,8 Mb
Release : 2003
Category : Literary Criticism
ISBN : 0199256241
"Photography symbolized the possibility of creating an ideal archive to many Victorians, an archive in which no moment or experience need be forgotten. This seductive idea had particular appeal for a generation of writers preoccupied with their own mortality and the erosion of tradition in an age distracted by the ever-changing spectacle of the present. many early photographers and publishers shared this temporal anxiety and the nostalgic archival proclivities it induced, and these mutual preoccupations resulted in the production of the early photographically illustrated books, verse anthologies, lantern shows, guide books, magazines and cartes de visite collections which are the subject of this book. Groth argues that these various early forms of photlographic illustration reflected and contributed to a growing alignment of reading with taking a moment out of time, and of literary experience with the nostalgic reinventions of an emerging heritage culture. Nostalgia operates both creatively and regressively in this context, providing the catalyst for new cultural forms and memory practices, whilst nurturing an intrinsically conservative desire to find a refuge from the exigencies of the present in an increasingly idealized world of tradition, family, nature, and community; a world where time appeared, for a moment at least, to stand still"--Dust jacket.
Author : Thomas Ogle
Publisher : Unknown
Page : 206 pages
File Size : 51,6 Mb
Release : 2010-09
Category : Electronic
ISBN : 0857927604
This is a facsimile reprint of the original book by Thomas Ogle, rebuilt using the latest technology. There are no poor, missing or blurred pages and all photographic images have been professionally restored. At Yokai Publishing we believe that by restoring this title to print it will live on for generations to come.
Author : Saeko Yoshikawa
Publisher : Routledge
Page : 280 pages
File Size : 44,7 Mb
Release : 2016-02-17
Category : Literary Criticism
ISBN : 9781134767922
In her study of the opening of the English Lake District to mass tourism, Saeko Yoshikawa examines William Wordsworth’s role in the rise and development of the region as a popular destination. For the middle classes on holiday, guidebooks not only offered practical information, but they also provided a fresh motive and a new model of appreciation by associating writers with places. The nineteenth century saw the invention of Robert Burns’s and Walter Scott’s Borders, Shakespeare’s Stratford, and the Brontë Country as holiday locales for the middle classes. Investigating the international cult of Wordsworthian tourism, Yoshikawa shows both how Wordsworth’s public celebrity was constructed through the tourist industry and how the cultural identity of the Lake District was influenced by the poet’s presence and works. Informed by extensive archival work, her book provides an original case study of the contributions of Romantic writers to the invention of middle-class tourism and the part guidebooks played in promoting the popular reputations of authors.
Author : William Wordsworth
Publisher : Palala Press
Page : 234 pages
File Size : 51,5 Mb
Release : 2016-05-17
Category : Electronic
ISBN : 1356797261
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author : John O. Jordan,Robert L. Patten
Publisher : Cambridge University Press
Page : 358 pages
File Size : 40,9 Mb
Release : 2003-07-28
Category : Language Arts & Disciplines
ISBN : 0521893933
This wide-ranging and innovative collection of essays addresses important issues in cultural studies and the history of the book. Multidisciplinary in approach, the essays consider different aspects of the production, circulation, and consumption of printed texts throughout the nineteenth century. Topics studied include market trends, modes of publication, the use of pseudonyms by women writers, readerships and reading ideologies, and copyright law; and the book examines a wide range of printed materials, from valentines, advertisements, illustrations, and fashionable annuals, to the more traditional literary genres of poetry, fiction and periodical essays. The authors under discussion include Dickens, the Brontës, George Eliot, Meredith, and Walter Pater. Contributors draw on speech-act, reader-response, and gender theory in addition to various historical, narratological, materialist, and bibliographical perspectives.
Author : John Parker Anderson
Publisher : Unknown
Page : 496 pages
File Size : 55,7 Mb
Release : 1881
Category : British Isles
ISBN : OXFORD:590021417
Author : John Parker Anderson
Publisher : BoD – Books on Demand
Page : 494 pages
File Size : 46,5 Mb
Release : 2024-04-26
Category : Fiction
ISBN : 9783385430143
Reprint of the original, first published in 1881.
Author : Scott Hess
Publisher : University of Virginia Press
Page : 296 pages
File Size : 41,8 Mb
Release : 2012
Category : Literary Criticism
ISBN : 9780813932309
In William Wordsworth and the Ecology of Authorship, Scott Hess explores Wordsworth's defining role in establishing what he designates as "the ecology of authorship" a primarily middle-class, nineteenth-century conception of nature associated with aesthetics, high culture, individualism, and nation. Instead of viewing Wordsworth as an early ecologist, Hess places him within a context that is largely cultural and aesthetic. The supposedly universal Wordsworthian vision of nature, Hess argues, was in this sense specifically male, middle-class, professional, and culturally elite--factors that continue to shape the environmental movement today.
Author : Tom Mole
Publisher : Princeton University Press
Page : 334 pages
File Size : 47,8 Mb
Release : 2020-06-09
Category : History
ISBN : 9780691202921
This insightful and elegantly written book examines how the popular media of the Victorian era sustained and transformed the reputations of Romantic writers. Tom Mole provides a new reception history of Lord Byron, Felicia Hemans, Sir Walter Scott, Percy Bysshe Shelley, and William Wordsworth—one that moves beyond the punctual historicism of much recent criticism and the narrow horizons of previous reception histories. He attends instead to the material artifacts and cultural practices that remediated Romantic writers and their works amid shifting understandings of history, memory, and media. Mole scrutinizes Victorian efforts to canonize and commodify Romantic writers in a changed media ecology. He shows how illustrated books renovated Romantic writing, how preachers incorporated irreligious Romantics into their sermons, how new statues and memorials integrated Romantic writers into an emerging national pantheon, and how anthologies mediated their works to new generations. This ambitious study investigates a wide range of material objects Victorians made in response to Romantic writing—such as photographs, postcards, books, and collectibles—that in turn remade the public’s understanding of Romantic writers. Shedding new light on how Romantic authors were posthumously recruited to address later cultural concerns, What the Victorians Made of Romanticism reveals new histories of appropriation, remediation, and renewal that resonate in our own moment of media change, when once again the cultural products of the past seem in danger of being forgotten if they are not reimagined for new audiences.
Author : Deidre Lynch
Publisher : University of Chicago Press
Page : 335 pages
File Size : 54,7 Mb
Release : 2015
Category : History
ISBN : 9780226183701
"Of the many charges laid against contemporary literary scholars, one of the most common--and perhaps the most wounding--is that they simply don't love books. And while the most obvious response is that, no, actually the profession of literary studies does acknowledge and address personal attachments to literature, that answer risks obscuring a more fundamental question: Why should they? That question led Deidre Shauna Lynch into the historical and cultural investigation of Loving Literature. How did it come to be that professional literary scholars are expected not just to study, but to love literature, and to inculcate that love in generations of students? What Lynch discovers is that books, and the attachments we form to them, have long played a role in the formation of private life--that the love of literature, in other words, is neither incidental to, nor inextricable from, the history of literature. Yet at the same time, there is nothing self-evident or ahistorical about our love of literature: our views of books as objects of affection have clear roots in late eighteenth-century and nineteenth-century publishing, reading habits, and domestic history."--Publisher's Web site.
