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Our Fathers, Sons, Lovers and Little Brothers by Makambe K. Simamba Pdf
Slimm, a seventeen-year-old Black boy in a hoodie suddenly finds himself in the first moments of his afterlife. He calls out for God. God does not respond. What happens next is a sacred journey through the unknown, as Slimm grapples with the truth of the life he lived and the death he didn't choose. Our Fathers, Sons, Lovers and Little Brothers is a protest for all Black life beyond headlines and hashtags, a prayer for all families left behind, and a promise to the community that all Black lives matter.
When Arkady Petrovich comes home from college, his father finds his eager, naive son changed almost beyond recognition, for the impressionable Arkady has fallen under the powerful influence of the friend he has brought with him. A self-proclaimed nihilist, the ardent young Bazarov shocks Arkady's father by criticizing the landowning way of life and by his outspoken determination to sweep away traditional values of contemporary Russian society. Turgenev's depiction of the conflict between generations and their ideals stunned readers when Fathers and Sons was first published in 1862. But many could also sympathize with Arkady's fascination with its nihilist hero whose story vividly captures the hopes and regrets of a changing Russia.
The acclaimed author of "Jewel" "observes and beautifully renders those small moments that can change a life" ("The New York Times Book Review"), in this sweeping true saga of the ties that bind. Photos. Father's Day tie in.
Claudia is "an official pre-teen" still reeling from her parents' divorce. Her father is getting re-married, she has a science fair project coming due, and she is in the physical and emotional throes of puberty. Finding refuge in the basement of her school, Alcudia discovers the pain at the center of her brimming child 's heart. Some important adults in Claudia 's life -her grandfather, her father 's new girlfriend and the school custodian -shed light on her situation.
With his stunning debut novel, She's Come Undone, Wally Lamb won the adulation of critics and readers with his mesmerizing tale of one woman's painful yet triumphant journey of self-discovery. Now, this brilliantly talented writer returns with I Know This Much Is True, a heartbreaking and poignant multigenerational saga of the reproductive bonds of destruction and the powerful force of forgiveness. A masterpiece that breathtakingly tells a story of alienation and connection, power and abuse, devastation and renewal--this novel is a contemporary retelling of an ancient Hindu myth. A proud king must confront his demons to achieve salvation. Change yourself, the myth instructs, and you will inhabit a renovated world. When you're the same brother of a schizophrenic identical twin, the tricky thing about saving yourself is the blood it leaves on your bands--the little inconvenience of the look-alike corpse at your feet. And if you're into both survival of the fittest and being your brother's keeper--if you've promised your dying mother--then say so long to sleep and hello to the middle of the night. Grab a book or a beer. Get used to Letterman's gap-toothed smile of the absurd, or the view of the bedroom ceiling, or the influence of random selection. Take it from a godless insomniac. Take it from the uncrazy twin--the guy who beat the biochemical rap. Dominick Birdsey's entire life has been compromised and constricted by anger and fear, by the paranoid schizophrenic twin brother he both deeply loves and resents, and by the past they shared with their adoptive father, Ray, a spit-and-polish ex-Navy man (the five-foot-six-inch sleeping giant who snoozed upstairs weekdays in the spare room and built submarines at night), and their long-suffering mother, Concettina, a timid woman with a harelip that made her shy and self-conscious: She holds a loose fist to her face to cover her defective mouth--her perpetual apology to the world for a birth defect over which she'd had no control. Born in the waning moments of 1949 and the opening minutes of 1950, the twins are physical mirror images who grow into separate yet connected entities: the seemingly strong and protective yet fearful Dominick, his mother's watchful "monkey"; and the seemingly weak and sweet yet noble Thomas, his mother's gentle "bunny." From childhood, Dominick fights for both separation and wholeness--and ultimately self-protection--in a house of fear dominated by Ray, a bully who abuses his power over these stepsons whose biological father is a mystery. I was still afraid of his anger but saw how he punished weakness--pounced on it. Out of self-preservation I hid my fear, Dominick confesses. As for Thomas, he just never knew how to play defense. He just didn't get it. But Dominick's talent for survival comes at an enormous cost, including the breakup of his marriage to the warm, beautiful Dessa, whom he still loves. And it will be put to the ultimate test when Thomas, a Bible-spouting zealot, commits an unthinkable act that threatens the tenuous balance of both his and Dominick's lives. To save himself, Dominick must confront not only the pain of his past but the dark secrets he has locked deep within himself, and the sins of his ancestors--a quest that will lead him beyond the confines of his blue-collar New England town to the volcanic foothills of Sicily 's Mount Etna, where his ambitious and vengefully proud grandfather and a namesake Domenico Tempesta, the sostegno del famiglia, was born. Each of the stories Ma told us about Papa reinforced the message that he was the boss, that he ruled the roost, that what he said went. Searching for answers, Dominick turns to the whispers of the dead, to the pages of his grandfather's handwritten memoir, The History of Domenico Onofrio Tempesta, a Great Man from Humble Beginnings. Rendered with touches of magic realism, Domenico's fablelike tale--in which monkeys enchant and religious statues weep--becomes the old man's confession--an unwitting legacy of contrition that reveals the truth's of Domenico's life, Dominick learns that power, wrongly used, defeats the oppressor as well as the oppressed, and now, picking through the humble shards of his deconstructed life, he will search for the courage and love to forgive, to expiate his and his ancestors' transgressions, and finally to rebuild himself beyond the haunted shadow of his twin. Set against the vivid panoply of twentieth-century America and filled with richly drawn, memorable characters, this deeply moving and thoroughly satisfying novel brings to light humanity's deepest needs and fears, our aloneness, our desire for love and acceptance, our struggle to survive at all costs. Joyous, mystical, and exquisitely written, I Know This Much Is True is an extraordinary reading experience that will leave no reader untouched.
Busting The Myths Of Mars And Venus by Veronica Schwarz Pdf
Down to Earth: Busting the Myths of Mars and Venus blasts the lid off the myths of gender roles and stereotypes, and the damage they do to people and our planet. The book also offers strategies for changing the lives of women and men, girls and boys, for the better. Veronica Schwarz tells it like it is, with blistering clarity, anecdotes, statistics and humor, highlighting the points with her own illustrations. Busting The Myths of Mars and Venus is the result of ten years of research in fields ranging from anthropology to sociology, history to literature, folklore to psychology, medicine and neuroscience, myth, philosophy and religion. It offers you, the reader, an unforgettable experience and can change your life. Once you see it, you will never unsee it.
Lewis Carroll,Charles Dickens,Oscar Wilde,Robert Louis Stevenson,William Shakespeare,George MacDonald,Bram Stoker,Charlotte Brontë,Emily Brontë,George Grossmith,Weedon Grossmith,Arthur Conan Doyle,Frances Hodgson Burnett,Joseph Conrad,Jane Austen,George Eliot,Laurence Sterne,Thomas Hardy,Jonathan Swift,Daniel Defoe,Henry Fielding,Kenneth Grahame,Wilkie Collins,William Makepeace Thackeray,John Milton,John Keats,James Joyce,Ann Ward Radcliffe,H. G. Wells,W. B. Yeats,J. M. Barrie,G. K. Chesterton,T. S. Eliot,D. H. Lawrence,E. M. Forster,Sir Walter Scott,George Bernard Shaw,Mary Shelley,P. B. Shelley,Elizabeth von Arnim
Author : Lewis Carroll,Charles Dickens,Oscar Wilde,Robert Louis Stevenson,William Shakespeare,George MacDonald,Bram Stoker,Charlotte Brontë,Emily Brontë,George Grossmith,Weedon Grossmith,Arthur Conan Doyle,Frances Hodgson Burnett,Joseph Conrad,Jane Austen,George Eliot,Laurence Sterne,Thomas Hardy,Jonathan Swift,Daniel Defoe,Henry Fielding,Kenneth Grahame,Wilkie Collins,William Makepeace Thackeray,John Milton,John Keats,James Joyce,Ann Ward Radcliffe,H. G. Wells,W. B. Yeats,J. M. Barrie,G. K. Chesterton,T. S. Eliot,D. H. Lawrence,E. M. Forster,Sir Walter Scott,George Bernard Shaw,Mary Shelley,P. B. Shelley,Elizabeth von Arnim Publisher : Good Press Page : 9536 pages File Size : 46,9 Mb Release : 2023-12-02 Category : Fiction ISBN : EAN:8596547684565
The Greatest British Classics by Lewis Carroll,Charles Dickens,Oscar Wilde,Robert Louis Stevenson,William Shakespeare,George MacDonald,Bram Stoker,Charlotte Brontë,Emily Brontë,George Grossmith,Weedon Grossmith,Arthur Conan Doyle,Frances Hodgson Burnett,Joseph Conrad,Jane Austen,George Eliot,Laurence Sterne,Thomas Hardy,Jonathan Swift,Daniel Defoe,Henry Fielding,Kenneth Grahame,Wilkie Collins,William Makepeace Thackeray,John Milton,John Keats,James Joyce,Ann Ward Radcliffe,H. G. Wells,W. B. Yeats,J. M. Barrie,G. K. Chesterton,T. S. Eliot,D. H. Lawrence,E. M. Forster,Sir Walter Scott,George Bernard Shaw,Mary Shelley,P. B. Shelley,Elizabeth von Arnim Pdf
Good Press presents to you this unique collection, designed and formatted to the highest digital standards and adjusted for readability on all devices: Hamlet (Shakespeare) Romeo and Juliet (Shakespeare) Macbeth (Shakespeare) Paradise Lost (John Milton) Gulliver's Travels (Jonathan Swift) Robinson Crusoe (Daniel Defoe) The History of Tom Jones, a Foundling (Henry Fielding) Tristram Shandy (Laurence Sterne) Pride & Prejudice (Jane Austen) Sense and Sensibility (Jane Austen) Vanity Fair (William Makepeace Thackeray) Ode to the West Wind (P. B. Shelley) Frankenstein (Mary Shelley) Odes (John Keats) Jane Eyre (Charlotte Brontë) Wuthering Heights (Emily Brontë) Middlemarch (George Eliot) David Copperfield (Charles Dickens) Great Expectations (Charles Dickens) Tess of the d'Urbervilles (Thomas Hardy) Jude the Obscure (Thomas Hardy) The Enchanted April (Elizabeth von Arnim) Sons and Lovers (D. H. Lawrence) The Mysteries of Udolpho (Ann Ward Radcliffe) Dracula (Bram Stoker) A Study in Scarlet (Arthur Conan Doyle) Heart of Darkness (Joseph Conrad) The Picture of Dorian Gray (Oscar Wilde) Alice in Wonderland (Lewis Carroll) The Secret Garden (Frances Hodgson Burnett) The Lion, the Witch, and the Wardrobe (C. S. Lewis) Diary of a Nobody (George and Weedon Grossmith) The Time Machine (H. G. Wells) The War of the Worlds (H. G. Wells) The Woman in White (Wilkie Collins) The Innocence of Father Brown (G. K. Chesterton) Howards End (E. M. Forster) The Waste Land (T. S. Eliot) Ulysses (James Joyce) Pygmalion (George Bernard Shaw) Arms and the Man (George Bernard Shaw) The Second Coming (W. B. Yeats) Ivanhoe (Sir Walter Scott) Strange Case of Dr Jekyll and Mr Hyde (Robert Louis Stevenson) The Wind in the Willows (Kenneth Grahame) Phantastes (George MacDonald) Peter and Wendy (J. M. Barrie)
Presented in English and Tamil, this poetic play is both medical and mystical, drawing a connection between trauma and memory that creates a stark reminder of loss, hope, family, and freedom.
Unwilling to see Asian American women silenced beneath the noisy discourses of feminists, cultural nationalists, and Eurocentric historians, Wendy Ho turns to specific spoken stories of mothers and daughters. Against reductive tendencies of scholarship, she places her own conversations with her China-born grandmother and her U.S.-born mother and her own readings of other Asian American women writers. She finds in the writings of Maxine Hong Kingston, Amy Tan, and Fae Myenne Ng not only complex mother-daughter relationships but many-faceted relationships to fathers, family, community, and culture. Always resisting the simplistic explanations, In Her Mother's House brings Asian American women's experience as mothers and daughters to the forefront of gender and ethnicity.
The Brothers Karamazov, also translated as The Karamazov Brothers, is the final novel by the Russian author Fyodor Dostoyevsky. Dostoyevsky spent nearly two years writing The Brothers Karamazov, which was published as a serial in The Russian Messenger and completed in November 1880. The author died less than four months after its publication. The Brothers Karamazov is a passionate philosophical novel set in 19th century Russia, that enters deeply into the ethical debates of God, free will, and morality. It is a spiritual drama of moral struggles concerning faith, doubt, judgement, and reason, set against a modernizing Russia, with a plot which revolves around the subject of patricide. Dostoyevsky composed much of the novel in Staraya Russa, which inspired the main setting. Since its publication, it has been acclaimed as one of the supreme achievements in world literature.
Malvina, or the Heart’s Intuition by Maria Wirtemberska Pdf
First published in Warsaw in 1816, Malvina, or the Heart's Intuition has been largely—and unjustly—ignored by the Polish literary canon. Ingeniously structured and vividly related by a Tristram Shandy-esque narrator, Maria Wirtemberska's psychologically complex work is often considered Poland's first modern novel. This splendid translation by Ursula Phillips should restore Wirtemberska to her rightful place in the literary pantheon while providing fertile new ground for the study of the international development of the novel. The romantic story of the young widow Malvina and her mysterious lover Ludomir, Malvina combines several literary styles and influences—from the epistolary to the Gothic. Nobel laureate Czeslaw Milosz argues that Malvina is quintessentially a sentimental novel—a model of the genre whose chief aspiration is to promote a change in sensibility and inspire new forces of feeling and imagination. For this reason Wirtemberska may be compared to her English contemporary, Jane Austen. A work of genuine artistic daring and sophistication, Malvina, or the Heart's Intuition has been overlooked by critics for too long, and readers have been denied the pleasure of reading one of literature's major landmarks—until now.