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Conventional screen histories tend to concentrate on New York City and Hollywood in chronicling the evolution of American cinema. Notwithstanding both cities’ tremendous contribution, Syracuse and Central New York also played a strategic—yet little-known—role in early screen history. In 1889 in Rochester, New York, George Eastman registered a patent for perforated celluloid film, a development that would telescope the international race to record motion by means of photography to the immediate future. In addition, the first public film projection occurred in Syracuse, New York, in 1896. Norman O. Keim and David Marc provide a highly readable and richly detailed account of the origins of American film in Central New York, the colorful history of neighborhood theaters in Syracuse, and the famous film personalities who got their start in the unlikely snow belt of New York State. Lavishly illustrated, this book will be treasured by both film buffs and Central New Yorkers.
Since the early 1900s, when the first moving images flickered on the screens of storefront nickelodeons, going to the movies has been an integral part of life across America. By the 1950s, there were over 230 theaters in southern New Jersey, ranging from lavish palaces like the 2,000-seat Stanley in Camden to modest venues like the 350-seat Little in Haddonfield. Today, sadly, less than a dozen remain standing, and most of those are now used for other commercial purposes. Only the Broadway in Pitman continues to operate as the last of the original motion-picture palaces. South Jersey Movie Houses is a pictorial tour of the theaters that once raised their curtains to audiences across the southern part of the state. It offers a nostalgic look at their neon marquees and silver screens, bringing back memories of Saturday matinees, 3-D glasses, and movie date nights.
Real-life all too rarely offers stories that are quite as satisfying as fiction. Bringing Down the House is one of the exceptions. Cheating in casinos is illegal; card-counting - making a record of what cards have so far been dealt to enable the player to make some prediction of what cards remain in the deck - is not. But casinos understandably dislike the practice and make every effort to keep card-counters out of their premises. Bringing Down the House tells the true story of the most successful scam ever, in which teams of brilliant young mathematicians and physicists won millions of dollars from the casinos of Las Vegas, being drawn in the process into the high-life of drugs, high-spending and sex. Bringing Down the House is as readable and as fascinating as Liar's Poker or Barbarians At the Gate, an insight into a closed, excessive and utterly corrupt world.
Designing Hollywood Homes by Stephen Shadley,Patrick Pacheco Pdf
An Architectural Digest Hall of Famer and interior designer to the stars showcases his rare and much-admired ability to set the perfect scene. See inside the beautiful homes of Hollywood icons like Jennifer Aniston, Robert Altman, and Ryan Murphy—with stunning full-color photographs and a foreword by Diane Keaton. Designer extraordinaire Stephen Shadley began his working life as a scenic artist at 20th Century Fox. Throughout a celebrated career (landing a coveted spot on the AD100), his work has been marked continually by the glamour of Hollywood as well as by a kind of visual storytelling that is richly informed by the world of the movie screen and by the artifice and allure of film’s great cinematographers. Inside, you’ll find numerous beautifully designed homes of Hollywood royalty, including: • Diane Keaton’s classic Beverly Hills abode • Robert Altman’s apartment in the legendary Pythian building on New York’s Upper West Side • Jennifer Aniston’s luxurious 1970s home in Beverly Hills • Three greenrooms Shadley designed for the Oscars and Emmy Awards • Plus much more in Southern California, New York, and beyond! Notable for their expression of an exquisite sense of style, Shadley’s designed homes are all expressions of a masterful sense of scale and an appreciation for understated beauty and refined materials that are ultimately warm, inviting, and serene.
Movie Houses of Greater Newark by Philip M. Read Pdf
For decades, Newark and its environs have been lit up by the bright neon lights of grand movie palaces and theaters. In the early 20th century, stages that were originally built for vaudeville acts were turned over to silver screens and the flickering images from motion-picture projectors. This new technology ushered Hollywood movies to the East Coast and made cinema accessible for locals to enjoy. Movie houses and palaces provided moviegoers a new type of viewing experience. With ornate interiors and rich architecture, these institutions offered their patrons a beautiful setting to watch classic films. Over time, these establishments evolved and began hosting burlesque shows and rock concerts. Today, many of these downtown landmarks have been demolished, replaced, or adaptively renovated into the modern multiplexes of today. Images of the Paramount and the Mosque Theater help Movie Houses of Greater Newark tell the story of an era when going to the movies was an event.
Historic Jacksonville Theatre Palaces, Drive-ins and Movie Houses by Dorothy K. Fletcher Pdf
Jacksonville's theatre and performance history is rich with flair and drama. The theatres, drive-ins and movie houses that brought entertainment to its citizens have their own exciting stories. Some have passed into memory. The Dixie Theatre, originally part of Dixieland Park, began to fade in 1909. The Palace Theatre, home to vaudeville acts, was torn down in the '50s. The Alhambra has been everyone's favorite dinner theatre since 1967's debut of Come Blow Your Horn. Local author Dorothy K. Fletcher revives the history of Jacksonville's theatres. Lights, camera, action!
Cinema Treasures by Ross Melnick,Andreas Fuchs Pdf
More than 100 years after the first movie delighted audiences, movie theaters remain the last great community centers and one of the few amusements any family can afford. While countless books have been devoted to films and their stars, none have attempted a truly definitive history of those magical venues that have transported moviegoers since the beginning of the last century. In this stunningly illustrated book, film industry insiders Ross Melnick and Andreas Fuchs take readers from the nickelodeon to the megaplex and show how changes in moviemaking and political, social, and technological forces (e.g., war, depression, the baby boom, the VCR) have influenced the way we see movies.Archival photographs from archives like the Academy of Motion Picture Arts and Sciences and movie theater ephemera (postcards, period ads, matchbooks, and even a "barf bag") sourced from private collections complement Melnick's informative and engaging history. Also included throughout the book are Fuchs' profiles detailing 25 classic movie theaters that have been restored and renovated and which continue to operate today. Each of these two-page spreads is illustrated with marvelous modern photographs, many taken by top architectural photographers. The result is a fabulous look at one way in which Americans continue to come together as a nation. A timeline throughout places the developments described in a broader historical context."We've had a number of beautiful books about the great movie palaces, and even some individual volumes that pay tribute to surviving theaters around the country. This is the first book I can recall that focuses on the survivors, from coast to coast, and puts them into historical context. Sumptuously produced in an oversized format, on heavy coated paper stock, this beautiful book offers a lively history of movie theaters in America , an impressive array of photos and memorabilia, and a heartening survey of the landmarks in our midst, from the majestic Fox Tucson Theatre in Tucson, Arizona to the charming jewel-box that is the Avon in Stamford, Connecticut. I don't know why, but I never tire of gazing at black & white photos of marquees from the past; they evoke the era of moviemaking (and moviegoing) I care about the most, and this book is packed with them. Cinema Treasures is indeed a treasure, and a perfect gift item for the holiday season. - Leonard Maltin"Humble or grandiose, stand-alone or strung together, movie theaters are places where dreams are born. Once upon a time, they were treated with the respect they deserve. In their heyday, historian Ross Melnick and exhibitor Andreas Fuchs write in Cinema Treasures, openings of new motion-picture pleasure palaces that would have dazzled Kubla Khan 'received enormous attention in newspapers around the country. On top of the publicity they generated, their debuts were treated like the gala openings of new operas or exhibits, with critics weighing in on everything from the interior and exterior design to the orchestra.' Handsomely produced and extensively illustrated, Cinema Treasures is detailed without being dull and thoroughly at home with this often neglected subject matter. Its title would have you believe it is a celebration of the golden age of movie theaters. But this book is something completely different: an examination of the history of movie exhibition, which the authors accurately call 'a vastly under-researched topic.'" - Los Angeles Times
Following on the heels of their incredibly successful The Ruins of Detroit, this major new project by the prolific French photographer duo Marchand/Meffre, poignantly eulogizes and celebrates the tattered remains of hundreds of movie theaters across America. They are in every American city and town—grandiose movie palaces, constructed during the heyday of the entertainment industry, that now stand abandoned, empty, decaying, or repurposed. Since 2005, the acclaimed photographic duo Marchand/Meffre have been traveling across the US to visit these early 20th-century relics. In hundreds of lushly colored images, they have captured the rich architectural diversity of the theaters’ exteriors, from neo renaissance to neo-Gothic, art nouveau to Bauhaus, and neo-Byzantine to Jugendstill. They have also stepped inside to capture the commonalities of a dying culture— crumbling plaster, rows of broken crushed-velvet seats, peeling paint, defunct equipment, and abandoned concession stands—as well as their transformation into bingo halls, warehouses, fitness centers, flea markets, parking lots, and grocery stores. Using a large format camera, the photographers’ carefully composed images range from landscape exteriors to starkly beautiful closeups. Presented here in a gorgeous oversized format, exquisitely printed with superior inks and spot varnish, this illustrated eulogy for the American movie palace is certain to become a modern-day classic.
United States. Congress. House. Committee on Education and Labor
Author : United States. Congress. House. Committee on Education and Labor Publisher : Unknown Page : 1270 pages File Size : 46,8 Mb Release : 1967 Category : Educational law and legislation ISBN : UCAL:B3605572
Mexican filmmaking is traced from its early beginnings in 1896 to the present in this book. Of particular interest are the great changes from 1990 to 2004: the confluence of talented and dedicated filmmakers, important changes in Mexican cinematic infrastructure and significant social and cultural transformations. From Nicolas Echevarria's Cabeza de Vaca (1991), to the 1992 releases of Hellboy director Guillermo del Toro's Cronos and Alfonso Arau's Como agua para chocolate, to Alfonso Cuaron's Y tu mama tambien (2001), this work provides a close look at Mexican films that received international commercial success and critical acclaim and put Mexico on the cinematic world map. Arranged chronologically, this edition (originally published in 2005) covers the entire scope of Mexican cinema. The main films and their directors are discussed, together with the political, social and economic contexts of the times.
A Theatre History of Marion, Ohio: John Eberson's Palace & Beyond by Scott L. Hoffman Pdf
One of the last remaining atmospheric theatres in the nation, elegant Marion Palace Theatre holds a storied history behind its curtains. From the "Wigwam," the Grand Opera House and Germania Park Pavilion to nickelodeons, vaudeville houses and movie theatres, performance has been an essential part of Marion's history, and the Palace is the city's jewel. Designed by renowned theatre architect John Eberson, the Palace opened its doors in 1928 to packed audiences of over three thousand patrons. Author Scott L. Hoffman delves into the life and work of John Eberson and the forgotten stories of the Palace that include a police gambling raid, the construction of the theatre and the stars who performed for dazzled audiences there.
Abbas Kiarostami planted Iran firmly on the map of world cinema when he won the Palme d'Or at the Cannes film festival for his film A Taste of Cherry in 1997. In this book Hamid Dabashi examines the growing reputation of Iranian cinema from its origins in the films of Kimiyai and Mehrjui, through the work of established directors such as Kiarostami, Beyzai and Bani-Etemad, to young filmmakers like Samira Makhmalbaf and Bahman Qobadi, who triumphed at the Cannes 2000 festival. Dabashi combines exclusive interviews with directors, detailed and insightful commentary, critical cultural context, an extensive filmography, and generous illustration to provide an indispensable guide to a globally celebrated but little-studied cinematic genre. Book jacket.
Universal Copyright Convention and Implementing Legislation by United States. Congress. Senate. Committee on Foreign Relations. Subcommittee on the Universal Copyright Convention Pdf
