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Outlaws & Desperados by Ann Lacy,Anne Valley-Fox Pdf
Between 1936 and 1940, field workers in the Federal Writers' Project collected many accounts that provide an authentic and vivid picture of the early days of New Mexico. This volume focuses on outlaws and desperados.
Outlaw Tales of the Old West: Fifty True Stories of Desperados, Crooks, Criminals, and Bandits by Erin H. Turner Pdf
This collection of fifty outlaw tales includes well-knowns such as Butch Cassidy and the Sundance Kid, Frank and Jesse James, Belle Starr (and her dad), and Pancho Villa, along with a fair smattering of women, organized crime bosses, smugglers, and of course the usual suspects: highwaymen, bank and train robbers, cattle rustlers, snake-oil salesmen, and horse thieves. Men like Henry Brown and Burt Alvord worked on both sides of the law either at different times of their lives or simultaneously. Clever shyster Soapy Smith and murderer Martin Couk survived by their wits, while the outlaw careers of the dimwitted DeAutremont brothers and bigmouthed Diamondfield Jack were severely limited by their intellect, or lack thereof. Nearly everyone in these pages was motivated by greed, revenge, or a lethal mixture of the two. The most bloodthirsty of the bunch, such as the heartless (and, some might argue, soulless) Annie Cook and trigger-happy Augustine Chacón, surely had evil written into their very DNA.
The Story of the Outlaw: A Study of the Western Desperado by Emerson Hough Pdf
Energy and action may be of two sorts, good or bad; this being as well as we can phrase it in human affairs. The live wires that net our streets are more dangerous than all the bad men the country ever knew, but we call electricity on the whole good in its action. We lay it under law, but sometimes it breaks out and has its own way. These outbreaks will occur until the end of time, in live wires and vital men. Each land in the world produces its own men individually bad—and, in time, other bad men who kill them for the general good. There are bad Chinamen, bad Filipinos, bad Mexicans, and Indians, and negroes, and bad white men. The white bad man is the worst bad man of the world, and the prize-taking bad man of the lot is the Western white bad man. Turn the white man loose in a land free of restraint—such as was always that Golden Fleece land, vague, shifting and transitory, known as the American West—and he simply reverts to the ways of Teutonic and Gothic forests. The civilized empire of the West has grown in spite of this, because of that other strange germ, the love of law, anciently implanted in the soul of the Anglo-Saxon. That there was little difference between the bad man and the good man who went out after him was frequently demonstrated in the early roaring days of the West. The religion of progress and civilization meant very little to the Western town marshal, who sometimes, or often, was a peace officer chiefly because he was a good fighting man. We band together and "elect" political representatives who do not represent us at all. We "elect" executive officers who execute nothing but their own wishes. We pay innumerable policemen to take from our shoulders the burden of self-protection; and the policemen do not do this thing. Back of all the law is the undelegated personal right, that vague thing which, none the less, is recognized in all the laws and charters of the world; as England and France of old, and Russia to-day, may show. This undelegated personal right is in each of us, or ought to be. If there is in you no hot blood to break into flame and set you arbiter for yourself in some sharp, crucial moment, then God pity you, for no woman ever loved you if she could find anything else to love, and you are fit neither as man nor citizen. As the individual retains an undelegated right, so does the body social. We employ politicians, but at heart most of us despise politicians and love fighting men. Society and law are not absolutely wise nor absolutely right, but only as a compromise relatively wise and right. The bad man, so called, may have been in large part relatively bad. This much we may say scientifically, and without the slightest cheapness. It does not mean that we shall waste any maudlin sentiment over a desperado; and certainly it does not mean that we shall have anything but contempt for the pretender at desperadoism. Who and what was the bad man? Scientifically and historically he was even as you and I. Whence did he come? From any and all places. What did he look like? He came in all sorts and shapes, all colors and sizes—just as cowards do. As to knowing him, the only way was by trying him. His reputation, true or false, just or unjust, became, of course, the herald of the bad man in due time. The "killer" of a Western town might be known throughout the state or in several states. His reputation might long outlast that of able statesmen and public benefactors.
Early outlaws tell their own raw tales of holdups, shootouts, and desperate flights from the law. Witness the cruel confessions of California bandits during the opening days of the Gold Rush, stage robbers, and California highwaymen. These tales of harrowing and sometimes hilarious antics are accompanied by many rare photographs.
The Story of the Outlaw: A Study of the Western Desperado, with Historical Narratives of Famous Outlaws; The Stories of Noted Border Wars; Vigi by Anonymous Pdf
Though born in Iowa, author Emerson Hough moved to rural New Mexico and practiced as a frontier lawyer there for many years. Along the way, he met some very interesting characters, including many of the Wild West's most infamous outlaws. This volume includes biographies and narrative sketches that detail the lives and misdeeds of some of the most notorious desperadoes.
STORY OF THE OUTLAW by Emerson 1857-1923 Hough Pdf
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Wyatt Earp, Billy the Kid, Doc Holliday—such are the legendary names that spring to mind when we think of the western gunfighter. But in the American West of the late nineteenth and early twentieth centuries, thousands of grassroots gunfighters straddled both sides of the law without hesitation. Deadly Dozen tells the story of twelve infamous gunfighters, feared in their own times but almost forgotten today. Now, noted historian Robert K. DeArment has compiled the stories of these obscure men. DeArment, a life-long student of law and lawlessness in the West, has combed court records, frontier newspapers, and other references to craft twelve complete biographical portraits. The combined stories of Deadly Dozen offer an intensive look into the lives of imposing figures who in their own ways shaped the legendary Old West. More than a collective biography of dangerous gunfighters, Deadly Dozen also functions as a social history of the gunfighter culture of the post-Civil War frontier West. As Walter Noble Burns did for Billy the Kid in 1926 and Stuart N. Lake for Wyatt Earp in 1931, DeArment—himself a talented writer—brings these figures from the Old West to life. John Bull, Pat Desmond, Mart Duggan, Milt Yarberry, Dan Tucker, George Goodell, Bill Standifer, Charley Perry, Barney Riggs, Dan Bogan, Dave Kemp, and Jeff Kidder are the twelve dangerous men that Robert K. DeArment studies in Deadly Dozen: Twelve Forgotten Gunfighters of the Old West.
California was a wild and lawless place in the 1850s, and San Luis Obispo County was no exception. Outlaws and bandits passed along the El Camino Real, now Highway 101, leaving a trail of victims. Despite attempts to stem the tide of crime with a vigilante committee and a string of executions, notorious men continued to be drawn to the central coast well into the next century. The James brothers, the Daltons and even Al Capone made their mark here, while lawmen worked to tame this piece of the western frontier. Author Jim Gregory details nefarious activities lost to time.
The exciting prequel to the bestselling The Boy Who Saved Baseball The fate of a Wild West gold-mining town rests in the hands of two individuals. One is a twelve-year-old boy with a love and instinct for baseball unmatched by any grown-up. The other is the country's most infamous outlaw, on the run and looking for peace of mind. Together, they pair up to prove that heroes can emerge from anywhere. John H. Ritter brings the Old West to life in this prequel to his breakout success, The Boy Who Saved Baseball.
