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Author : Chris E. Cooper Publisher : Oxford University Press Page : 169 pages File Size : 50,9 Mb Release : 2016 Category : Medical ISBN : 9780199581450
Le rabat de la couverture indique : Blood is a vital fluid with a profound cultural and historical significance. Long considered the essence of life, blood pumps through our language and religion, and is a major diagnostic tool in the doctor's armoury. This Very Short Introduction explores early views of blood, our modern understanding of its nature and components, and future possibilities, such as artificial blood. Chris Cooper gets to the heart of this fascinating topic, covering the basic biology of blood, and the role of blood transfusions, blood tests, and the treatment of blood-borne diseases in modern medicine.
A Visual History of HIV/AIDS by Elisabet Björklund,Mariah Larsson Pdf
The Face of AIDS film archive at Karolinska Institutet, Sweden, consists of more than 700 hours of unedited and edited footage, shot over a period of more than thirty years and all over the world by filmmaker and journalist Staffan Hildebrand. The material documents the HIV/AIDS pandemic and includes scenes from conferences and rallies, and interviews with activists, physicians, people with the infection, and researchers. It represents a global historical development from the early years of the AIDS crisis to a situation in which it is possible to live a normal life with the HIV virus. This volume brings together a range of academic perspectives – from media and film studies, medical history, gender studies, history, and cultural studies – to bear on the archive, shedding light on memories, discourses, trauma, and activism. Using a medical humanities framework, the editors explore the influence of historical representations of HIV/AIDS and stigma in a world where antiretroviral treatment has fundamentally altered the conditions under which many people diagnosed with HIV live. Organized into four sections, this book begins by introducing the archive and its role, setting it in a global context. The first part looks at methodological, legal and ethical issues around archiving memories of the present which are then used to construct histories of the past; something that can be particularly controversial when dealing with a socially stigmatized epidemic such as HIV/AIDS. The second section is devoted to analyses of particular films from the archive, looking at the portrayal of people living with HIV/AIDS, the narrative of HIV as a chronic illness and the contemporary context of particular films. The third section looks at how stigma and trauma are negotiated in the material in the Face of AIDS film archive, discussing ideas about suffering and culpability. The final section contributes perspectives on and by the filmmaker as activist and auteur. This interdisciplinary collection is placed at the intersection of medical humanities, sexuality studies and film and media studies, continuing a tradition of studies on the cultural and social understandings of HIV/AIDS.
Lord Saffron, one of the young bloods at Oxford University, is heir to a considerable fortune. But while making a documentary about the exotic lifestyles of the university's over-privileged set, Jemima Shore discovers that this handsome young man, with his lavish dances and sumptuous weekend parties, is not quite what he seems. And when a student is murdered and a series of attempts are made on Saffron's life, Jemima realises that she has started a terrible chain of events...
The “riveting”* true story of the fiery summer of 1970, which would forever transform the town of Oxford, North Carolina—a classic portrait of the fight for civil rights in the tradition of To Kill a Mockingbird *Chicago Tribune On May 11, 1970, Henry Marrow, a twenty-three-year-old black veteran, walked into a crossroads store owned by Robert Teel and came out running. Teel and two of his sons chased and beat Marrow, then killed him in public as he pleaded for his life. Like many small Southern towns, Oxford had barely been touched by the civil rights movement. But in the wake of the killing, young African Americans took to the streets. While lawyers battled in the courthouse, the Klan raged in the shadows and black Vietnam veterans torched the town’s tobacco warehouses. Tyson’s father, the pastor of Oxford’s all-white Methodist church, urged the town to come to terms with its bloody racial history. In the end, however, the Tyson family was forced to move away. Tim Tyson’s gripping narrative brings gritty blues truth and soaring gospel vision to a shocking episode of our history. FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD “If you want to read only one book to understand the uniquely American struggle for racial equality and the swirls of emotion around it, this is it.”—Milwaukee Journal Sentinel “Blood Done Sign My Name is a most important book and one of the most powerful meditations on race in America that I have ever read.”—Cleveland Plain Dealer “Pulses with vital paradox . . . It’s a detached dissertation, a damning dark-night-of-the-white-soul, and a ripping yarn, all united by Tyson’s powerful voice, a brainy, booming Bubba profundo.”—Entertainment Weekly “Engaging and frequently stunning.”—San Diego Union-Tribune
Tyranny, war, corruption, and terrorism follow oil and other natural resources - because of the same law that once allowed the slave trade and genocide, conquest, and apartheid. Political philosopher Leif Wenar shows how the West can lead the world beyond blood oil and conflict minerals to a more united, enlightened future.
An Answer to the exceptions made against the Ld Bp. of Oxford's Charge, by Mr L[aurence] and Dr Brett. ... To which is added, a short account of the sense of the Church of England as to the validity of Lay-Baptism. With an appendix by Anonim Pdf
"Pogroms and blood libels constitute the two classical and most extreme manifestations of tsarist antisemitism. They were often closely intertwined in history and memory, not least because the accusation of blood libel, the allegation that Jews murder Christian children to use their blood for ritual purposes, frequently triggered anti-Jewish violence. Such events were and are considered central to the Jewish experience in late tsarist Russia, the only country on earth with large scale anti-Jewish violence in the early twentieth century. Boasting its break from the tsarist period, the Soviet regime proudly claimed to have eradicated these forms of antisemitism. But, alas, life was much more complicated. The phenomenon and the memory of pogroms and blood libels in different areas of interwar Soviet Union-including Ukraine, Belorussia, Russia and Central Asia-as well as, after World War II, in the newly annexed territories of Lithuania, Western Ukraine and Western Belorussia are a reminder of continuities in the midst of revolutionary ruptures. The persistence, the permutation, and the responses to anti-Jewish violence and memories of violence suggest that Soviet Jews (and non-Jews alike) cohabited with a legacy of blood that did not vanish. This book traces the "afterlife" of these extreme manifestations of antisemitism in the USSR, and in doing so sheds light on the broader question of the changing position of Jews in Soviet society. One notable rupture in manifestations of antisemitism from tsarist to Soviet times included the virtual disappearance-at least during the interwar period-of the tight link between pogroms and blood allegations, indeed a common feature in the waves of anti-Jewish violence that erupted during the late nineteenth and early twentieth centuries." --