Painting And Patronage In Cologne 1300 1500

Author : Brigitte Corley
Publisher : Harvey Miller
Page : 384 pages
File Size : 51,8 Mb
Release : 2000
Category : Art
ISBN : UOM:39015049510574

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Painting and Patronage in Cologne, 1300-1500 by Brigitte Corley Pdf

Cologne in the later Middle Ages was an elegant and wealthy mercantile city much favoured by popes and emperors. The largest town in Northern Europe, the site of an important university and seat of a major archbishopric, it had a cosmopolitan population of painters, illuminators, sculptors and goldsmiths and a patrician class who were sophisticated collectors and knowledgeable patrons of art. This book - the first such study in English - traces the development of the Cologne school of painting over two centuries. It begins with the period before 1400, when the adaption of French ideas to the indige- nous tradition produced an elegant, genteel art, characterized by elongated figures and graceful gestures. A change was heralded by the Veronica Master's introduction of the International Courtly Style around 1400, with its sophisticated iconography, costly pigments, exquisite punchwork, gesso jewels and precious brocade fabrics, and by the Dombild Master's introduction around 1440 of Eyckian proportions and realism. In the final phase of this development, the Master of the St Bartholomew Altarpiece opened the door to the Renaissance with his highly distinctive style and innovative iconography. The book is fully illustrated and accompanied by a translation of the guild regulations; a biographical index of archbishops and lay patrons; and a hand- list of cited panels grouped according to location.

Author : Stefano Zuffi
Publisher : Getty Publications
Page : 384 pages
File Size : 43,8 Mb
Release : 2005
Category : Art
ISBN : 0892368314

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European Art of the Fifteenth Century by Stefano Zuffi Pdf

Influenced by a revival of interest in Greco-Roman ideals and sponsored by a newly prosperous merchant class, fifteenth-century artists produced works of astonishingly innovative content and technique. The International Gothic style of painting, still popular at the beginning of the century, was giving way to the influence of Early Netherlandish Flemish masters such as Jan van Eyck, who emphasized narrative and the complex use of light for symbolic meaning. Patrons favored paintings in oil and on wooden panels for works ranging from large, hinged altarpieces to small, increasingly lifelike portraits. In the Italian city-states of Florence, Venice, and Mantua, artists and architects alike perfected existing techniques and developed new ones. The painter Masaccio mastered linear perspective; the sculptor Donatello produced anatomically correct but idealized figures such as his bronze nude of David; and the brilliant architect and engineer Brunelleschi integrated Gothic and Renaissance elements to build the self-supporting dome of the Florence Cathedral. This beautifully illustrated guide analyzes the most important people, places, and concepts of this early Renaissance period, whose explosion of creativity was to spread throughout Europe in the sixteenth century

Author : Colum Hourihane
Publisher : Unknown
Page : 4064 pages
File Size : 41,6 Mb
Release : 2012
Category : Architecture, Medieval
ISBN : 9780195395365

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The Grove Encyclopedia of Medieval Art and Architecture by Colum Hourihane Pdf

This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.

Author : Anonim
Publisher : BRILL
Page : 912 pages
File Size : 51,9 Mb
Release : 2022-07-18
Category : History
ISBN : 9789047430087

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Art and Architecture of Late Medieval Pilgrimage in Northern Europe and the British Isles by Anonim Pdf

Author : Susie Nash
Publisher : OUP Oxford
Page : 384 pages
File Size : 43,8 Mb
Release : 2008-11-27
Category : Art
ISBN : 9780191540028

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Northern Renaissance Art by Susie Nash Pdf

This book offers a wide-ranging introduction to the way that art was made, valued, and viewed in northern Europe in the age of the Renaissance, from the late fourteenth to the early years of the sixteenth century. Drawing on a rich range of sources, from inventories and guild regulations to poetry and chronicles, it examines everything from panel paintings to carved altarpieces. While many little-known works are foregrounded, Susie Nash also presents new ways of viewing and understanding the more familiar, such as the paintings of Jan van Eyck, Rogier van der Weyden, and Hans Memling, by considering the social and economic context of their creation and reception. Throughout, Nash challenges the perception that Italy was the European leader in artistic innovation at this time, demonstrating forcefully that Northern art, and particularly that of the Southern Netherlands, dominated visual culture throughout Europe in this crucial period.

Author : Malcolm Vale
Publisher : Bloomsbury Publishing
Page : 261 pages
File Size : 43,5 Mb
Release : 2020-04-02
Category : History
ISBN : 9781350145610

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A Short History of the Renaissance in Northern Europe by Malcolm Vale Pdf

The concept of a Northern European 'Renaissance' in the arts, in thought, and in more general culture north of the Alps often evokes the idea of a cultural transplant which was not indigenous to, or rooted in, the society from which it emerged. Classic definitions of the European 'Renaissance' during the 14th, 15th and 16th centuries have often seen it as an Italian import of, for example, humanism and classical learning into the Gothic North. There were certainly differences between North and South which have to be addressed, not least in the development of the visual arts. In this book, Malcolm Vale argues for a Northern Renaissance which, while cognisant of Italian developments, had a life of its own, expressed through such innovations as a rediscovery of pictorial space and representational realism, and which displayed strong continuities with the indigenous cultures of northern Europe. But it also contributed new movements and tendencies in thought, the visual arts, literature, religious beliefs and the dissemination of knowledge which often stemmed from, and built upon, those continuities. A Short History of the Renaissance in Northern Europe – while in no way ignoring or diminishing the importance of the Greek and Roman legacy – seeks other sources, and different uses of classical antiquity, for a rather different kind of 'Renaissance' in the North.

Author : Sarah Blick,Laura Deborah Gelfand
Publisher : BRILL
Page : 1403 pages
File Size : 48,9 Mb
Release : 2011-05-01
Category : Art
ISBN : 9789004205734

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Push Me, Pull You by Sarah Blick,Laura Deborah Gelfand Pdf

Late Medieval and Renaissance art was surprisingly pushy; its architecture demanded that people move through it in prescribed patterns, its sculptures played elaborate games alternating between concealment and revelation, while its paintings charged viewers with imaginatively moving through them. Viewers wanted to interact with artwork in emotional and/or performative ways. This inventive and personal interface between viewers and artists sometimes conflicted with the Church s prescribed devotional models, and in some cases it complemented them. Artists and patrons responded to the desire for both spontaneous and sanctioned interactions by creating original ways to amplify devotional experiences. The authors included here study the provocation and the reactions associated with medieval and Renaissance art and architecture. These essays trace the impetus towards interactivity from the points of view of their creators and those who used them.Contributors include: Mickey Abel, Alfred Acres, Kathleen Ashley, Viola Belghaus, Sarah Blick, Erika Boeckeler, Robert L.A. Clark, Lloyd DeWitt, Michelle Erhardt, Megan H. Foster-Campbell, Juan Luis González García, Laura D. Gelfand, Elina Gertsman, Walter S. Gibson, Margaret Goehring, Lex Hermans, Fredrika Jacobs, Annette LeZotte, Jane C. Long, Henry Luttikhuizen, Elizabeth Monroe, Scott B. Montgomery, Amy M. Morris, Vibeke Olson, Katherine Poole, Alexa Sand, Donna L. Sadler, Pamela Sheingorn, Suzanne Karr Schmidt, Anne Rudloff Stanton, Janet Snyder, Rita Tekippe, Mark Trowbridge, Mark S. Tucker, Kristen Van Ausdall, Susan Ward.

Author : Scott Bradford Montgomery
Publisher : Peter Lang
Page : 258 pages
File Size : 53,5 Mb
Release : 2010
Category : Art
ISBN : 3039118528

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St. Ursula and the Eleven Thousand Virgins of Cologne by Scott Bradford Montgomery Pdf

The cult of St. Ursula and the Eleven Thousand Virgin Martyrs of Cologne was the most widespread relic cult in medieval Europe. The sheer abundance of relics of the Eleven Thousand Virgins, which allowed for the display of immense collections, shaped the notion of corporate cohesion that characterized the cult. Though the primacy of St. Ursula as the leader of this holy band was established by the tenth century, she was conceived as the head of a corporate body. Innumerable inventories and liturgical texts attest to the fact that this cult was commemorated and referenced as a collective mass - Undecim millium virginum. This group identity informed, and was formulated by, the presentation of their relics, as well as much of the imagery associated with this cult. This book explores the visual, textual, performative, and perceptual aspects of this phenomenon, with particular emphasis on painting and sculpture in late medieval Cologne. Examining the ways in which both texts and images worked as vestments, garbing the true core of relics which formed the body of the cult, the book examines the cult from the core outward, seeking to understand hagiographic texts and images in terms of their role in articulating relic cults.

Author : Brian A. Pavlac,Elizabeth S. Lott
Publisher : Bloomsbury Publishing USA
Page : 677 pages
File Size : 48,8 Mb
Release : 2019-06-01
Category : History
ISBN : 9798216098676

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The Holy Roman Empire [2 volumes] by Brian A. Pavlac,Elizabeth S. Lott Pdf

Reference entries, overview essays, and primary source document excerpts survey the history and unveil the successes and failures of the longest-lasting European empire. The Holy Roman Empire endured for ten centuries. This book surveys the history of the empire from the formation of a Frankish Kingdom in the sixth century through the efforts of Charlemagne to unify the West around A.D. 800, the conflicts between emperors and popes in the High Middle Ages, and the Reformation and the Wars of Religion in the Early Modern period to the empire's collapse under Napoleonic rule. A historical overview and timeline are followed by sections on government and politics, organization and administration, individuals, groups and organizations, key events, the military, objects and artifacts, and key places. Each of these topical sections begins with an overview essay, which is followed by alphabetically arranged reference entries on significant topics. The book includes a selection of primary source documents, each of which is introduced by a contextualizing headnote, and closes with a selected, general bibliography.

Author : Domenic Leo
Publisher : BRILL
Page : 445 pages
File Size : 46,5 Mb
Release : 2013-08-16
Category : History
ISBN : 9789004250833

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Images, Texts, and Marginalia in a "Vows of the Peacock" Manuscript (New York, Pierpont Morgan Library MS G24) by Domenic Leo Pdf

The "Vows of the Peacock" - written in 1312 and dedicated to Thibaut de Bar, bishop of Liège - recounts how Alexander the Great comes to the aid of a family of aristocrats threatened by Indians. The poem remained popular throughout the fourteenth century and was soon followed by two sequels. Twenty-six illuminated manuscripts constitute part of a catalogue and concordance of all Peacock manuscripts. One of the most provocative, (PML, MS G24), has twenty-two miniatures which illustrate chivalry and courtly love, as epitomized in the text. An unusually high number of scurrilous marginalia, however, surround them. An interdisciplinary exploration of iconography, reception, image-text-marginalia dynamics, and context reveals their ultimate polysemy as scatological comedians and serious harbingers of sin.

Author : Barbara von Barghahn
Publisher : Pindar Press
Page : 887 pages
File Size : 50,7 Mb
Release : 2013-12-31
Category : Art
ISBN : 9781915837042

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Jan van Eyck and Portugal's 'Illustrious Generation' by Barbara von Barghahn Pdf

This book investigates Jan Van Eyck's patronage by the Crown of Portugal and his role as diplomat-painter for the Duchy of Burgundy following his first voyage to Lisbon in 1428-1429, when he painted two portraits of Infanta Isabella, who became the third wife of Philip the Good in 1430. New portrait identifications are provided for the Ghent Altarpiece (1432) and its iconographical prototype, the lost Fountain of Life. These altarpieces are analysed with regard to King Joao I's conquest of Ceuta, achieved by his sons, who were hailed as an "illustrious generation." Strong family ties between the dynastic houses of Avis and Lancaster explain Lusitania's sustained fascination with Arthurian lore and the Grail quest. Several chapters of this book are overlaid with a chivalric veneer. A second "secret mission" to Portugal in 1437 by Jan van Eyck is postulated and this diplomatic visit is related to Prince Henry the Navigator's expedition to Tangier and King Duarte's attempts to forge an alliance with Alfonso V of Aragon. Late Eyckian commissions are reviewed in the light of this ill-fated crusade and additional new portraits are identified. The most significant artist of Renaissance Flanders appears to have been patronized as much by the House of Avis as by the Duchy of Burgundy. Barbara von Barghahn is Professor of Art History at George Washington University and a specialist in the art history of Portugal, Spain, and their colonial dominions, as well as Flanders. In 1993, she was conferred O Grao Comendador in the Portuguese Order of Prince Henry the Navigator. She has spent nearly a decade completing research about Jan van Eyck's diplomatic visits to the Iberian Peninsula.

Author : Joseph Leo Koerner
Publisher : Reaktion Books
Page : 496 pages
File Size : 45,9 Mb
Release : 2004-02-27
Category : Art
ISBN : 9781861898326

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The Reformation of the Image by Joseph Leo Koerner Pdf

With his 95 Theses, Martin Luther advanced the radical notion that all Christians could enjoy a direct, personal relationship with God—shattering years of Catholic tradition and obviating the need for intermediaries like priests and saints between the individual believer and God. The text of the Bible, the Word of God itself, Luther argued, revealed the only true path to salvation—not priestly ritual and saintly iconography. But if words—not iconic images—showed the way to salvation, why didn't religious imagery during the Reformation disappear along with indulgences? The answer, according to Joseph Leo Koerner, lies in the paradoxical nature of Protestant religious imagery itself, which is at once both iconic and iconoclastic. Koerner masterfully demonstrates this point not only with a multitude of Lutheran images, many never before published, but also with a close reading of a single pivotal work—Lucas Cranach the Elder's altarpiece for the City Church in Wittenberg (Luther's parish). As Koerner shows, Cranach, breaking all the conventions of traditional Catholic iconography, created an entirely new aesthetic for the new Protestant ethos. In the Crucifixion scene of the altarpiece, for instance, Christ is alone and stripped of all his usual attendants—no Virgin Mary, no John the Baptist, no Mary Magdalene—with nothing separating him from Luther (preaching the Word) and his parishioners. And while the Holy Spirit is nowhere to be seen—representation of the divine being impossible—it is nonetheless dramatically present as the force animating Christ's drapery. According to Koerner, it is this "iconoclash" that animates the best Reformation art. Insightful and breathtakingly original, The Reformation of the Image compellingly shows how visual art became indispensable to a religious movement built on words.

Author : Douglas Brine
Publisher : BRILL
Page : 342 pages
File Size : 42,9 Mb
Release : 2015-03-10
Category : Art
ISBN : 9789004288348

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Pious Memories by Douglas Brine Pdf

In Pious Memories Douglas Brine examines the context, function, and meaning of early Netherlandish memorials (in the form of sculptures, paintings, and brasses), and the role they played in commemorating the dead in the Low Countries during the fifteenth century.

Author : Cynthia J. Cyrus
Publisher : University of Toronto Press
Page : 409 pages
File Size : 52,9 Mb
Release : 2009-05-23
Category : Literary Criticism
ISBN : 9781442692060

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The Scribes For Women's Convents in Late Medieval Germany by Cynthia J. Cyrus Pdf

While there has been a great tradition of scholarship in medieval manuscripts, most studies have focused on the details of manuscript production by male copyists. In this study, Cynthia J. Cyrus demonstrates the prevalence of manuscript production by women monastics and challenges current assumptions of how manuscripts circulated in the late medieval period. Drawing on extensive research into the surviving manuscripts of over 450 women's convents, the author assesses the genres common to women's convent libraries emphasizing a social rather than a codicological understanding of how manuscripts of women's libraries came to be copied. An engaging mix of biography, women's history, and book history, The Scribes for Women's Convents in Late Medieval Germany will change the way medieval manuscripts are understood and studied.

Author : Anne F. Sutton
Publisher : Routledge
Page : 598 pages
File Size : 44,5 Mb
Release : 2016-12-05
Category : History
ISBN : 9781351885706

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The Mercery of London by Anne F. Sutton Pdf

Although mercers have long been recognised as one of the most influential trades in medieval London, this is the first book to offer a comprehensive and detailed analysis of the trade from the twelfth to the sixteenth century. The variety of mercery goods (linen, silk, worsted and small manufactured items including what is now called haberdashery) gave the mercers of London an edge over all competitors. The sources and production of all these commodities is traced throughout the period covered. It was as the major importers and distributors of linen in England that London mercers were able to take control of the Merchant Adventurers and the export of English cloth to the Low Countries. The development of the Adventurers' Company and its domination by London mercers is described from its first privileges of 1296 to after the fall of Antwerp. This book investigates the earliest itinerant mercers and the artisans who made and sold mercery goods (such as the silkwomen of London, so often mercers' wives), and their origins in counties like Norfolk, the source of linen and worsted. These diverse traders were united by the neighbourhood of the London Mercery on Cheapside and by their need for the privileges of the freedom of London. Extensive use of Netherlandish and French sources puts the London Mercery into the context of European Trade, and literary texts add a more personal image of the merchant and his preoccupation with his social status which rose from that of the despised pedlar to the advisor of princes. After a slow start, the Mercers' Company came to include some of the wealthiest and most powerful men of London and administer a wide range of charitable estates such as that of Richard Whittington. The story of how they survived the vicissitudes inflicted by the wars and religious changes of the sixteenth century concludes this fascinating and wide-ranging study.