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Author : J. Russell Harper Publisher : University of Toronto Press Page : 484 pages File Size : 45,8 Mb Release : 1977-01-01 Category : Art ISBN : 0802063071
Since its first appearance in 1967, Russell Harper's classic study of Canadian painting has been recognized as the outstanding authority on the subject. This edition provides a comprehensive survey, generously illustrated, of three centuries of Canadian painting from its beginnings in the seventeenth century. Through a lively combination of entertaining anecdotes, descriptions of the cultural background, biographical accounts, and critical judgement, the reader comes to know intimately the artists, their paintings, and their environments. Included are 173 reproductions - 45 added since the first addition. They all ow the reader to see representative works from all periods, and provide a visual record of the cultural and social history of Canada.
Abstract Painting in Canada by Roald Nasgaard,Art Gallery of Nova Scotia Pdf
In the tradition of the distinguished Douglas & McIntyre art program, this lavishly illustrated and superbly printed book is a rich, readable history of abstract painting in Canada. The story begins in the 1920s with the sometimes eccentric but remarkable work, rooted in symbolism and theosophy, of pioneers such as Kathleen Munn, Bertram Brooker and Lawren Harris. Two decades later the Automatistes-Canada's first truly independent avant-garde art movement-burst onto the scene in Montreal. After the Second World War, the urge to abstraction spread across Canada, manifesting itself in significant regional movements. Vancouver painters retained a British flavour, while in Toronto, the Painters Eleven looked south to New York. Montreal's Plasticiens launched their own razor-edged interpretation of the European tradition of geometric abstraction. In the sixties and seventies, the Prairies were influenced by Clement Greenberg's post-painterly abstraction, while Halifax became a hub of conceptual art and concrete painting. The book continues through the eighties and nineties, during which critics largely denounced painting, and concludes in the twenty-first century, with abstract painting alive and well again in the studios of Canada's young artists. A monumental tome containing 200 color reproductions, it mines a rich vein of art history ripe for international discovery.
This book reveals the magnificent landscape paintings of the Group of Seven and their associates and explores how they contributed to Canada's modern cultural identity. The early decades of the 20th century were marked by artistic, economic, and social transformation in Canada and around the world. Starting in Toronto, a group of young modern artists, including Tom Thomson and Lawren S. Harris, and Emily Carr in British Columbia, desired to create a new painting vocabulary for the young nation coming into its own cultural identity. They turned away from city life and explored Canada's landscape, painting sublime vistas, monumental rivers, ancient forests around the great lakes, the mighty Rocky Mountains, and the arctic tundra, determined to break away from European stylistic traditions. Together, their paintings imagined a mythical Canada, expansive and rugged, that added to their country's growing sense of national pride. Featuring paintings, sketches, photographs, film stills, and documentary material, this catalog examines the language of Canadian modernism. It also includes essays and interviews that offer contemporary indigenous perspectives on the impact of industry on nature, issues surrounding national identity, and modern Canadian landscape painting. This generously illustrated book critically reviews Canada's modernism in art history.
Author : Ian A. C. Dejardin Publisher : Philip Wilson Publishers Page : 0 pages File Size : 42,7 Mb Release : 2012-06-13 Category : History ISBN : 0856676861
Published to accompany exhibition organized by Dulwich Picture Gallery and the National Gallery of Canada, in collaboration with the National Museum of Art, Architecture and Design, Oslo, and the Groninger Museum.
Rethinking Professionalism by Kristina Huneault,Janice Anderson Pdf
The history of women and art in Canada has often been celebrated as a story of progress from amateur to professional practice. Rethinking Professionalism challenges this narrative by questioning the assumptions that underlie the category of artistic professionalism, a construct as influential for artistic practice as it has been for art historical understanding. Through a series of in-depth studies, contributors examine changes to the infrastructure of the art world that resulted from a powerful discourse of professionalization that emerged in the late- nineteenth century. While many women embraced this new model, others fell by the wayside, barred from professional status by virtue of their class, their ethnicity, or the very nature of the artworks they produced. The richly illustrated essays in this collection depict the changing nature of the professional paradigm as it was experienced by women painters, photographers, craftspeople, architects, curators, gallery directors, and art teachers. In so doing, they demonstrate the ongoing power of feminist art history to disrupt patterns of thought that have become naturalized and, accordingly, invisible. Going beyond the narratives of recovery or exclusion that the category of professionalism has traditionally encouraged, Rethinking Professionalism explores the very consequences of telling the history of women's art in Canada through that lens. Contributors include Annmarie Adams (McGill University), Alena Buis (Queen's University), Sherry Farrell Racette (University of Manitoba), Cynthia Hammond (Concordia University), Kristina Huneault (Concordia University), Loren Lerner (Concordia University), Lianne McTavish (University of Alberta), Kirk Niergarth (Mount Royal University), Mary O'Connor (McMaster University), Sandra Paikowsky (Concordia University), Ruth B. Phillips (Carleton University), Jennifer Salahub (Alberta College of Art & Design), and Anne Whitelaw (Concordia University).
Canadian Painters in a Modern World, 1925-1955 by Lora Senechal Carney Pdf
From the Roaring Twenties and the Group of Seven to the Automatistes and the early Cold War, Canadian artists lived through and embodied an era of global tumult and change. With an interweaving of historical narrative, lavish illustrations, and writings by many of Canada's most revered cultural figures, Lora Senechal Carney illuminates the lives, perspectives, and works of the era's painters and provides glimpses of the sculptors, poets, dancers, critics, and filmmakers with whom they associated. Canadian Painters in a Modern World gives readers direct access to a carefully curated selection of writings, artworks, photos, and other documents that help to reconstruct the public spheres in which artists including Paul-Émile Borduas, Emily Carr, Alex Colville, Lawren Harris, David Milne, and Pegi Nicol MacLeod circulated. Each of the book's eight chapters consists of a narrative about a key issue or debate, focusing on the relationship of art to politics and society, and on how these are negotiated in an individual's life. Relating artistic engagement with and responses to the Spanish Civil War, the Second World War, and the Cold War, Senechal Carney discovers a common desire for new connections between art and life. Revealing continuities, ruptures, and watershed moments, Canadian Painters in a Modern World showcases artistic production within specific socio-political contexts to shed new light on Canadian art during three decades of conflict and crisis.
Emily Carr (1871--1945) is one of Canada's most beloved artists. An independent woman and a Westerner who gained prominence at a time when female painters were not recognized internationally, her life and work reflect a profound commitment to the land she knew and loved. Carr's sensitive evocations reveal an artist grappling with spiritual questions inspired by the Canadian sea, land, and people. Although more than half a century has passed since her death, any artist who engages with the West Coast must contend with her legacy. Her paintings continue to inspire generations of artists. Along with the Group of Seven, Carr became a leading figure in Canadian modern art in the early twentieth century. Emily Carr: Life & Work traces the artist's trajectory from her life in Victoria, where she struggled to receive acceptance, to her status as one of Canada's most influential painters. With insight and intelligence, author Lisa Baldissera explores how although during Carr's life she endured hardship, personal isolation, and rejection, she persevered to create an iconic vision for the nation. This book explores how Carr travelled extensively, learning from European, American, and Indigenous forms and receiving formal training at art academies as well as from private tutors. In doing so, she continued to grow in artistic power as a result of her own intense observation and of her vigorous experimentation with a variety of methods and media, reflecting the fusion of wide-ranging influences. Baldissera reveals why Carr's art remains relevant today and its legacy interests many contemporary West Coast artists.
Bateman journeys across all seven regions of Canada, and his art reflects the intrinsically Canadian beauty of the country. The paintings celebrate the history, diversity, and natural wonder. In the introductory comments for each section, Bateman explains how the land has captivated him, as an artist and as a nature lover, for decades
'If you want to learn about gouache, this should keep you satisfied for a very long time.' Artbookreview.net If you love painting with watercolour and are ready to experiment with something different, then the versatile medium of gouache could be just the thing for you. Gouache is water-based, quick-drying and, can be painted light over dark as well as dark over light. Ideal for the beginner, it can be used thinly in a watercolour style, or more thickly as with oils or acrylics. This guide covers all the materials and tools required and has a comprehensive techniques section that includes overlaying colours, colour blending and troubleshooting. Experienced author Jeremy Ford takes you through three simple, step-by-step projects, each showcasing a unique style of painting with gouache. Numerous finished paintings are included to demonstrate the range of subjects, styles and techniques that you can achieve, and encourage you to develop your own style of painting using this exciting medium.
Meet the Group of Seven by David Wistow,Kelly McKinley,Art Gallery of Ontario Pdf
A beautiful introduction to Canada’s famous artists. In 1920, a group of Toronto artists exhibited their work together for the first time. They called themselves the Group of Seven. Their paintings were very different from the art of the time. Some people were excited by their unique styles, and some were horrified. It took years for their work to be fully appreciated. But today, the Group of Seven are some of Canada’s best-loved artists. Here’s a must-have reference to the artists who changed the landscape of Canadian art forever.
