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Author : David Rosand
Publisher : Unknown
Page : 346 pages
File Size : 45,7 Mb
Release : 1982
Category : Painting, Italian
ISBN : 0300026269
Author : David Rosand
Publisher : Unknown
Page : 0 pages
File Size : 50,5 Mb
Release : 1982
Category : Painting, Italian
ISBN : OCLC:1392311438
Author : Mark W. Roskill,Renaissance Society of America
Publisher : University of Toronto Press
Page : 372 pages
File Size : 48,5 Mb
Release : 2000-01-01
Category : Art
ISBN : 0802083331
Dolce's Dialogo della pittura first appeared in Venice in 1557 and consists of a three-part dialogue between two Venetians, Aretino and Fabrini, on the particular merits of works of art and artists, including Michaelangelo, Raphael, and Donatello.
Author : David Rosand
Publisher : Unknown
Page : 279 pages
File Size : 54,8 Mb
Release : 1997
Category : Language Arts & Disciplines
ISBN : 0521562864
A study of sixteenth-century Venetian painting, concentrating on the work of Titian, Veronese, and Tintoretto.
Author : AndaleebBadiee Banta
Publisher : Routledge
Page : 245 pages
File Size : 50,8 Mb
Release : 2017-07-05
Category : Art
ISBN : 9781351544900
Venetian artistic giants of the sixteenth century, such as Giorgione, Vittore Carpaccio, Titian, Jacopo Sansovino, Jacopo Tintoretto, Paolo Veronese, and their contemporaries, continued to shape artistic development, tastes in collecting, and modes of display long after their own practices ended. The robust reverberation of the Venetian Renaissance spread far beyond the borders of the lagoon to inform and influence artists, authors, and collectors who spent very little or even no time in Venice proper. The Enduring Legacy of Venetian Renaissance Art investigates the historical resonance of Venetian sixteenth-century art and explores its afterlife and its reinvention by artists working in its shadow. Despite being a frequently acknowledged truism, the pervasive legacy of Venetian sixteenth-century art has not received comprehensive treatment in recent publication history. The broad scope of the topics covered in these essays, from Titian's profound influence on the development of landscape painting to the effects of Carpaccio's historical paintings on early twentieth-century fashion, illustrates the persistence and adaptability of the Venetian Renaissance's legacy. In addition to analyzing the effects of individual artists on each other, this volume offers insight into the shifting characterizations and reception of Venice as a center for artistic innovation and inspiration throughout the early modern period, providing a nuanced and multifaceted view of the singular lagoon city and its indelible imprint on the history of art.
Author : Mark Wentworth Roskill
Publisher : Unknown
Page : 374 pages
File Size : 48,6 Mb
Release : 1968
Category : Painting
ISBN : UOM:39015014057692
"Ludovico Dolce's Dialogo della pittura first appeared in Venice in 1557. L'Aretino, by which the work is known today, consists of a three-part dialogue between two Venetians, Aretino and Fabrini, on the particular merits of works of art and artists, including Michaelangelo, Raphael, and Donatello. It is based largely on Aretino's letters". --Publisher.
Author : Corrado Ricci
Publisher : Unknown
Page : 264 pages
File Size : 40,7 Mb
Release : 1976
Category : Art
ISBN : UVA:X000647572
Author : Jodi Cranston
Publisher : Brepols Publishers
Page : 168 pages
File Size : 53,5 Mb
Release : 2015
Category : Antiques & Collectibles
ISBN : UIUC:30112119155981
Collection of essays that focus on the Venetian style of painting and the influence of Venetian painters.
Author : Sydney Joseph Freedberg
Publisher : Yale University Press
Page : 768 pages
File Size : 52,8 Mb
Release : 1993-01-01
Category : Art
ISBN : 0300055870
'Art', declared Vasari in Lives of the Artists, has been reborn and reached perfection in our time'. Indeed the roster of great names in painting of the Cinquecento, which only begins with those of Leonardo, Michelangelo, and Raphael, appears to justify this grand claim. Professor Freedberg here discusses the individual painters and analyses the hallmarks of their work. He traces the classical style of the High Renaissance, the Mannerism that succeeded it, and the events, in North Italy especially, that resist stylistic categories. He has given order to this diversity, but at the same time has preserved the intense individuality of the works of art.
Author : Sydney Joseph Freedberg
Publisher : [Harmondsworth ; Middlesex ; Baltimore] : Penguin Books
Page : 772 pages
File Size : 42,8 Mb
Release : 1971
Category : Art
ISBN : 0140560351
This book is an account of painting in Italy during the period of the High and the Late Renaissance, the period which included the most remarkable concentration of accomplishments in the artistic history of Italy. No other time and place can offer a roster like the Cinquecento: Leonardo, Michelangelo, Raphael, Giorgione, Titian, and Correggio are the exalted luminaries in the constellation, and around them there is company of the magnitude of Sarto, Rosso, Pontormo, Bronzino, Parmigianino, Lotto, Tintoretto, and Veronese, to mention only some. The diversity of achievement of the painters is as remarkable as its quality; probably no earlier period offers so complex a picture of self-conscious differences of artistic style, in which an ethical attitude is often a major factor within an aesthetic one. The author delineates the painters' individualities and characterizes their important works. At the same time, however, he relates these individual events to categories and patterns that appear to a more general view of Cinquecento art. In ten carefully interwoven chapters he discusses the history of the classical style of the High Renaissance in the earlier decades of the century, the rise, spread, and eventual adulteration of the Mannerist style, and the events, in Venice and North Italy especially, that resist generalization and help make up the whole rich historical texture that is called the Late Renaissance. -- Inside jacket flap.
Author : Frederick Ilchman,Linda Borean
Publisher : Gower Publishing Company, Limited
Page : 324 pages
File Size : 43,7 Mb
Release : 2009
Category : Painting, Italian
ISBN : UCSD:31822036281608
"For nearly four decades in the sixteenth century, the careers of Renaissance Venice's three greatest painters - Titian, Tintoretto, and Veronese - overlapped, encouraging mutual influences and bitter rivalries that changed the course of art history. Venice was then among Europe's richest cities, and its plentiful commissions fostered an exceptionally fertile and innovative climate. In this environment, the three artists - brilliant, ambitious, and fiercely competitive - vied with each other for primacy, deploying the new combination of oil on canvas, with its unique expressive possibilities, and such new approaches as a personal and identifiable signature touch. They also pioneered the use of easel painting, a newly portable format that allowed for unprecedented fame in their lifetimes. With more than 160 stunning examples by the three masters and their contemporaries, Titian, Tintoretto, Veronese elucidates the technical and aesthetic innovations that helped define the "Venetian style"--Characterized by loose technique. rich coloring, and often sensual subject matter - as well as the social, political, and economic context in which it flourished. Essays range from examinations of new approaches to studies of such crucial institutions as state commissions and the private patronage system. Most of all, by concentrating on the lives and careers of Venice's three greatest painters, the volume presents a vibrant human portrait - one brimming with intense competition, one-upmanship, humor, and passion."--Jacket.
Author : Tom Nichols
Publisher : Reaktion Books
Page : 400 pages
File Size : 53,9 Mb
Release : 2015-10-01
Category : Art
ISBN : 9781780234816
Jacopo Tintoretto (1518–94) is an ambiguous figure in the history of art. His radically unorthodox paintings are not readily classifiable, and although he was a Venetian by birth, his standing as a member of the Venetian school is constantly contested. But he was also a formidable maverick, abandoning the humanist narratives and sensuous color palette typical of the great Venetian master, Titian, in favor of a renewed concentration on core Christian subjects painted in a rough and abbreviated chiaroscuro style. This generously illustrated book offers an extensive analysis of Tintoretto’s greatest paintings, charting his life and work in the context of Venetian art and the culture of the Cinquecento. Tom Nichols shows that Tintoretto was an extraordinarily innovative artist who created a new manner of painting, which, for all of its originality and sophistication, was still able to appeal to the shared emotions of the widest possible audience. This compact, pocket edition features sixteen additional illustrations and a new afterword by the author, and it will continue to be one of the definitive treatments of this once grossly overlooked master.
Author : Peter Humfrey
Publisher : Yale University Press
Page : 338 pages
File Size : 44,5 Mb
Release : 1995-01-01
Category : Art
ISBN : 0300067151
The Renaissance was a golden age in the long history of Venetian painting, and the art that came from Venice during that era includes some of the most visually exciting works in the whole of western art. This attractive book - a comprehensive account of painting in Venice from Bellini to Titian to Tintoretto - is an accessible introduction to the paintings of this period. Peter Humfrey surveys the development of a distinctly Venetian artistic tradition from the middle years of the fifteenth century to the end of the sixteenth century. He discusses the work of Jacopo and Giovanni Bellini, Giorgione, Titian, Veronese and Tintoretto as well as the paintings of those less well known - such as the three Vivarini, Cima, Carpaccio, Palma Vecchio, Lorenzo Lotto and Jacopo Bassano. Humfrey analyses these painters' works in terms of their pictorial style, technique, subject matter, patronage and function. He also sets the art against the background of the political, social and religious conditions of Renaissance Venice, as outlined in his Introduction. The book includes an appendix that provides brief biographies of thirty-six of the most important painters active in Renaissance Venice.
Author : Leatrice Mendelsohn
Publisher : Unknown
Page : 354 pages
File Size : 44,5 Mb
Release : 1982
Category : Art
ISBN : UOM:39015015801544
Author : Kamini Vellodi
Publisher : Bloomsbury Publishing
Page : 240 pages
File Size : 53,9 Mb
Release : 2019-02-27
Category : Philosophy
ISBN : 9781350083080
A provocative account of the philosophical problem of 'difference' in art history, Tintoretto's Difference offers a new reading of this pioneering 16th century painter, drawing upon the work of the 20th century philosopher Gilles Deleuze. Bringing together philosophical, art historical, art theoretical and art historiographical analysis, it is the first book-length study in English of Tintoretto for nearly two decades and the first in-depth exploration of the implications of Gilles Deleuze's philosophy for the understanding of early modern art and for the discipline of art history. With a focus on Deleuze's important concept of the diagram, Tintoretto's Difference positions the artist's work within a critical study of both art history's methods, concepts and modes of thought, and some of the fundamental dimensions of its scholarly practice: context, tradition, influence, and fact. Indicating potentials of the diagrammatic for art historical thinking across the registers of semiotics, aesthetics, and time, Tintoretto's Difference offers at once an innovative study of this seminal artist, an elaboration of Deleuze's philosophy of the diagram, and a new avenue for a philosophical art history.