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A palimpsest is "a written document, usually on vellum or parchment, that has been written upon several times, often with remnants of erased writing still visible". Originally published in France in 1982, Gerard Genette's PALIMPSESTS examines the manifold relationships a text may have with prior texts on the same document.
Identity Palimpsests by Dominique Daniel,Amalia S. Levi Pdf
At the theoretical level, the chapters discuss the impact of ethnic studies and evolving theories of ethnicity on archiving practices; the effect of ethnic archiving on historical research; and the emergence of memory studies as a lens for understanding identity. Both contemporary and historical perspectives are included.
Knox’ in-situ studies present 50 especially significant city districts from the whole of Europe in words and pictures. His field research focuses on typologically outstanding city districts that have developed a high degree of individuality. Cities are the symbiosis of diverse districts: the smaller units serve to provide an important identity function: business centers and amusement districts such as the City and the West End in London, technology and science quarters (Adlershof in Berlin), designer districts such as the Zona Tortona in Milan and the Fashion District in New York. Two other factors that play a major role are the conversion of industrial wastelands and new districts colored by a supranational capitalism or a sustainable or dubious planning – such as the Vauban residential quarter in Freiburg in South Germany or the Lower Ninth District in New Orleans. Paul Knox also always analyzes how and why these districts have turned out the way they are: outlining their visible and also their hidden and often blurred "biography". A fascinating journey through space and time!
Palimpsests and the Literary Imagination of Medieval England by Tatjana Silec,R. Chai-Elsholz,L. Carruthers Pdf
Witnesses to the disappearance of a text, palimpsest manuscripts bear the marks of their own genesis, with their original inscription rubbed out and written over on the same parchment. This collection explores analogies of erasure and rewriting observed in editorial and literary practices underlying the production of texts from medieval England.
Cities as Palimpsests? by Elizabeth Key Fowden,Suna Çağaptay,Edward Zychowicz-Coghill,Louise Blanke Pdf
The metaphor of the palimpsest has been increasingly invoked to conceptualize cities with deep, living pasts. This volume seeks to think through, and beyond, the logic of the palimpsest, asking whether this fashionable trope slyly forces us to see contradiction where local inhabitants saw (and see) none, to impose distinctions that satisfy our own assumptions about historical periodization and cultural practice, but which bear little relation to the experience of ancient, medieval or early modern persons. Spanning the period from Constantine’s foundation of a New Rome in the fourth century to the contemporary aftermath of the Lebanese civil war, this book integrates perspectives from scholars typically separated by the disciplinary boundaries of late antique, Islamic, medieval, Byzantine, Ottoman and modern Middle Eastern studies, but whose work is united by their study of a region characterized by resilience rather than rupture. The volume includes an introduction and eighteen contributions from historians, archaeologists and art historians who explore the historical and cultural complexity of eastern Mediterranean cities. The authors highlight the effects of the multiple antiquities imagined and experienced by persons and groups who for generations made these cities home, and also by travelers and other observers who passed through them. The independent case studies are bound together by a shared concern to understand the many ways in which the cities’ pasts live on in their presents.
Palimpsests in Ethnic and Postcolonial Literature and Culture by Yiorgos D. Kalogeras,Johanna C. Kardux,Monika Mueller,Jopi Nyman Pdf
This volume explores ways in which the literary trope of the palimpsest can be applied to ethnic and postcolonial literary and cultural studies. Based on contemporary theories of the palimpsest, the innovative chapters reveal hidden histories and uncover relationships across disciplines and seemingly unconnected texts. The contributors focus on diverse forms of the palimpsest: the incarceration of Native Americans in military forts and their response to the elimination of their cultures; mnemonic novels that rework the politics and poetics of the Black Atlantic; the urban palimpsests of Rio de Janeiro, Marseille, Johannesburg, and Los Angeles that reveal layers of humanity with disparities in origin, class, religion, and chronology; and the palimpsestic configurations of mythologies and religions that resist strict cultural distinctions and argue against cultural relativism.
Four decades ago, the Cuban revolution captured the world’s attention and imagination. Its impact around the world was as much cultural as geopolitical. Within Cuba, the state developed a strictly defined national and collective memory that led directly from a colonial past to a utopian future, but this narrative came to a halt in the early 1990s. The collapse of Cuba’s sponsor, the Soviet Union, and the end of the Cold War preceded the so- called “Special Period in Times of Peace,” a euphemistic phrase that masked the genuine anxiety shared by leaders and people about the nation’s future. In Cuban Palimpsests, José Quiroga explores the sites, both physical and imaginative, where memory bears upon Cuba’s collective history in ways that illuminate this extended moment of uncertainty. Crossing geographical, political, and cultural borders, Quiroga moves with ease between Cuba, Miami, and New York. He traces generational shifts within the exile community, contrasts Havana’s cultural richness with its economic impoverishment, follows the cloak-and-dagger narratives of revolutionary and counterrevolutionary spy fiction and film, and documents the world’s ongoing fascination with Cuban culture. From the nostalgic photographs of Walker Evans to the iconic stature of Fidel Castro, from the literary expressions of despair to the beat of Cuban musical rhythms, from the haunting legacy of artist Ana Mendieta to the death of Celia Cruz and the reburial of Che Guevara, Cuban Palimpsests memorializes the ruins of Cuba’s past and offers a powerful meditation on its enigmatic place within the new world order. José Quiroga is professor and department chair of Spanish and Portuguese at Emory University. He is the author of Understanding Octavio Paz and Tropics of Desire: Interventions from Queer Latino America.
This book analyzes the relation of public memory to history, forgetting, and selective memory in three late-twentieth-century cities that have confronted major social or political traumas—Berlin, Buenos Aires, and New York.
In the Cities of Coin and Spice and In the Night Garden introduced readers to the unique and intoxicating imagination of Catherynne M. Valente. Now she weaves a lyrically erotic spell of a place where the grotesque and the beautiful reside and the passport to our most secret fantasies begins with a stranger’s kiss.… Between life and death, dreaming and waking, at the train stop beyond the end of the world is the city of Palimpsest. To get there is a miracle, a mystery, a gift, and a curse—a voyage permitted only to those who’ve always believed there’s another world than the one that meets the eye. Those fated to make the passage are marked forever by a map of that wondrous city tattooed on their flesh after a single orgasmic night. To this kingdom of ghost trains, lion-priests, living kanji, and cream-filled canals come four travelers: Oleg, a New York locksmith; the beekeeper November; Ludovico, a binder of rare books; and a young Japanese woman named Sei. They’ve each lost something important—a wife, a lover, a sister, a direction in life—and what they will find in Palimpsest is more than they could ever imagine.
Przesnicki, an Eastern-European immigrant writer, has survived long Soviet toilet paper lines, the loss of his lover Ernest Hemingway following a passionate affair, and the beatings of the Antarctic literary community for his forays into novel-writing in their native tongue. In The Palimpsests, Aleksandra Lun's stunning debut novel, we find him languishing in a Belgium asylum (a country, we are persistently reminded, that has had no government for the past year!), undergoing Bartlebian therapy to strip away his knowledge of any language that is not Polish, his native tongue. Despite or perhaps because of its absurdity (by turns comic and tragic), The Palimpsests is characterized by an unquestionable timeliness, relevant to today's discussions about immigration, senses of cultural belonging and ownership, and personal relationships to language, complicated and simple, adopted and native. Peppered with darkly comic cameos from famous writers like Vladimir Nabokov, Samuel Beckett, Joseph Conrad, and of course, Przesnicki's former lover Ernest Hemingway, it is the perfect book for lovers of language and the act of writing. Originally written in Spanish by Polish writer Aleksandra Lun, The Palimpsests has been expertly translated into English by Elizabeth Bryer.
Palimpsests by Nadja Aksamija,Clark Maines,Philip Wagoner Pdf
The 'Palimpsests' volume will contain thirteen chapters divided into five sections. The first section consists on a single overview study by Finbarr Barry Flood that addresses recognizing palimpsests in architectural contexts. The second section, entitled Monuments Inscribed, contains three studies that take what might be called a traditional approach. Each of them examines textual palimpsests added to the interior and exterior of buildings well after the completion of their construction. The third section, entitled Building Transformations, contains three studies that each present the palimpsestual transformation of built architecture. These studies address the transformation of either the original monument or the palimpsestual addition to it. The fourth section, called Site Transformations, considers how a palimpsest is used to transform not a single building, but rather a site as a whole. The final section, entitled Restoration and Rewriting, looks critically at the role of restoration as a process of rewriting in the remaking of older architectural monuments. The Palimpsests volume concludes with summary remarks and outlines directions for future research into monuments and sites as palimpsests, emphasizing the longue duree biography as the primary mode for monument and site studies.
While exploring an ancient site used by Neanderthal Man, a young anthropologist stumbles upon a mysterious metal cube made of an unknown alloy, an artifact that can yield a clue to the secrets of time travel
Early Medieval Palimpsests by Georges Declercq Pdf
Palimpsests are texts from which the primary text has been effaced to make room for fresh writing. The practice was particularly important in the early Middle Ages, when numerous, often precious, books were subjected to this treatment. As a result, many ancient texts lay hidden in European libraries for centuries. Ever since the first palimpsests were discovered in the seventeenth century, scholars have been fascinated by the possibility of discovering hitherto unknown texts. For a long time, the lower script of palimpsests could only be brought back to the light of day through the use of chemical reagents that proved very detrimental to the manuscripts. The great advance away from these destructive techniques came at the beginning of the twentieth century with the application of ultra-violet photography. Today, striking advances in this field are again being made with the development of digital imaging. The contributions in this volume focus mainly on the cultural evidence offered by palimpsests from the early Middle Ages. Some contributors have examined particular manuscripts in great detail (the London palimpsest of Jerome's Chronicle or the Munich palimpsest codex from Benediktbeuern); others have looked at specific types of texts that have suffered deletion in this way (liturgical palimpsests, Carolingian letters). The volume also contains a handlist of all known palimpsested manuscripts in Beneventan script.
American Routes provides a comparative and historical analysis of the migration and integration of white and free black refugees from nineteenth century St. Domingue/Haiti to Louisiana and follows the progress of their descendants over the course of two hundred years. The refugees reinforced Louisiana's tri-racial system and pushed back the progress of Anglo-American racialization by several decades. But over the course of the nineteenth century, the ascendance of the Anglo-American racial system began to eclipse Louisiana's tri-racial Latin/Caribbean system. The result was a racial palimpsest that transformed everyday life in southern Louisiana. White refugees and their descendants in Creole Louisiana succumbed to pressure to adopt a strict definition of whiteness as purity that conformed to standards of the Anglo-American racial system. Those of color, however, held on to the logic of the tri-racial system which allowed them to inhabit an intermediary racial group that provided a buffer against the worst effects of Jim Crow segregation. The St. Domingue/Haiti migration case foreshadows the experiences of present-day immigrants of color from Latin-America and the Caribbean, many of whom chafe against the strictures of the binary U.S. racial system and resist by refusing to be categorized as either black or white. The St. Domingue/Haiti case study is the first of its kind to compare the long-term integration experiences of white and free black nineteenth century immigrants to the U.S. In this sense, it fills a significant gap in studies of race and migration which have long relied on the historical experience of European immigrants as the standard to which all other immigrants are compared.
