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Palpasa Café tells the story of an artist, Drishya, during the height of the Nepalese Civil War. The novel is partly a love story of Drishya and the first generation American Nepali, Palpasa, who has returned to the land of her parents after 9/11. It is often called an anti-war novel, and describes the effects of the civil war on the Nepali countryside that Drishya travels to.
Hilarious And Disturbing & I Have Never Read Anything Like It & Joshi Is A Genius Khushwant Singh A Thin, Short Man With Illusions Of Grandeur, Khashtivallabh Pant, Dubbul Ma, Is A School Teacher In A Remote Kumaoni Village, Where He Is Mockingly Referred To As T Ta Professor. A Great Admirer Of The Englishman S Attire, T Ta Is Also Deeply In Awe Of The White Man S Language. He Always Carries A Notebook To Jot Down English Words That He Hears For The First Time, Acknowledging A Word As Acceptable Only After He Has Consulted His Oxford Dictionary. His Vanity Makes Him A Terrific Target For Lampooning And The Narrator In This Novel, A Writer Who Never Manages To Finish The Stories He Sets Out To Write, Is Determined To Produce A Biting Satire , And Wastes No Time Finding Out More About T Ta S Life. When T Ta Starts To Tell His Tale, What Begins As An Innocent Idyll Turns Quickly Into An Erotic And Scatological Romp, And T Ta Turns From A Ridiculous Comic Character Into A Pathetic Pervert. As The Story Unravels, The Multiple Narratives Reveal A Complex Figure, Comic And Tragic By Turns, And The Novel Changes Gear And Darkens Into A Gothic Bleakness Of Unimaginable Dimensions.
Mountains Painted with Turmeric by Līla Bahādura Kshatrī Pdf
Since its publication in the late 1950s, Mountains Painted with Turmeric has struck a chord in the hearts of hundreds of thousands of Nepali readers. Set in the hills of far eastern Nepal, the novel offers readers a window into the lives of the people by depicting in subtle detail the stark realities of village life. Carefully translated from the original text, Mountains Painted with Turmeric tells the story of a peasant farmer named Dhané (which means, ironically, "wealthy one") who is struggling to provide for his wife and son and arrange the marriage of his beautiful younger sister. Unable to keep up with the financial demands of the "big men" who control his village, Dhané and his family suffer one calamity after another, and a series of quarrels with fellow villagers forces them into exile. In haunting prose, Lil Bahadur Chettri portrays the dukha, or suffering and sorrow, endured by ordinary peasants; the exploitation of the poor by the rich and powerful; and the social conservatism that twists a community into punishing a woman for being the victim of a crime. Chettri describes the impoverishment, dispossession, and banishment of Dhané's family to expose profound divisions between those who prosper and those who are slowly stripped of their meager possessions. Yet he also conveys the warmth and intimacy of village society, from which Dhané and his family are ultimately excluded.
Karnali Blues, by Buddhisagar, is the most widely read Nepali novel to have appeared in the last twenty years. As it recounts the evolution of a father-son relationship-a son's search for approval, a father's small acts of kindness and forgiveness, a son's fears for his father's dignity as his fortunes and faculties begin to fail-the reader is deeply drawn into young Brisha Bahadur's world. His father is kind and idealistic; his mother, though she is kind too, is often frustrated and irascible. The characters in this book are some of the most carefully drawn and authentic in all of Nepali literature. In a backwater district of a country about to undergo radical social, political and cultural change, Brisha's dreams, his games and his mischief, his loves, his hopes and his fears come alive. Translated from the Nepali by Michael Hutt, this highly original piece of work, with the simplicity of its language and its emotional range, holds the power to take your breath away. Its principal themes-the love between a son and his father, the joys and sorrows of childhood, the daily struggle for survival-are universal, and will resonate with readers the world over.
The forests of India are not only home to a wide variety of animals and birds, but they also teem with committed conservationists, naturalists and nature lovers. And after having spent many years with wildlife, these men and women have fascinating stories to tell. Cliff Rice is one such animal-explorer. He lived for two years in the mountains of Kerala, befriending the Nilgiri tahr, an endangered species of mountain goat, with fistfuls of salt. Ralph Morris, one of the first British coffee planters in the Biligirirangan Hills, went on a 'tiger beat' and chased a pair of tigers towards his daughter Monica , who was given little pebbles to throw at them if defence became necessary. Sally Walker spent years with tiger cubs in zoos, and proved that kindness is more effective than fierce authority; Rom Whitaker set off on an international hunt for giant crocodiles, which took him from Orissa to Egypt; and Manish Chandi tells a fascinating tale about Meroe, the rumbling Nicobar island, where he studied sea turtles and other wildlife.
The Maoist Insurgency in Nepal by Mahendra Lawoti,Anup Kumar Pahari Pdf
The book deals with the dynamics and growth of a violent 21st century communist rebellion initiated in Nepal by the Communist Party of Nepal (Maoist) – CPN(M). It contextualizes and explains why and how a violent Maoist insurgency grew in Nepal after the end of the Cold War, in contrast to the decline of other radical communist movements in most parts of the world. Scholars from diverse disciplinary backgrounds employ a wide variety of approaches and methods to unravel different aspects of the rebellion. Individual chapters analyze the different causes of the insurgency, factors that contributed to its growth, the organization, agency, ideology and strategies employed by the rebels and the state, and the consequences of the insurgency. New issues are analysed in conjunction with the insurgency, such as the role of the Maoist student organization, Maoist's cultural troupes, the organization and strategies of the People's Army and the Royal Nepal Army, indoctrination and recruitment of rebels, and international factors. Based on original field work and a thorough analysis of empirical data, this book fills an existing gap in academic analyses of the insurgency in Nepal.
Emotions work to define who we are as well as shape what we do and this is no more powerfully at play than in the world of politics. Ahmed considers how emotions keep us invested in relationships of power, and also shows how this use of emotion could be crucial to areas such as feminist and queer politics. Debates on international terrorism, asylum and migration, as well as reconciliation and reparation, are explored through topical case studies. In this book the difficult issues are confronted head on. The Cultural Politics of Emotion is in dialogue with recent literature on emotions within gender studies, cultural studies, sociology, psychology and philosophy. Throughout the book, Ahmed develops a theory of how emotions work, and the effects they have on our day-to-day lives. New for this editionA substantial 15,000-word Afterword on 'Emotions and Their Objects' which provides an original contribution to the burgeoning field of affect studiesA revised BibliographyUpdated throughout.
The Ceaseless Chatter of Demons by Ashok Ferrey Pdf
‘I was born ugly. That’s what my mother always said.’ So begins the story of young Sonny Mahadewala who lives a dual life: between his adoptive England where he lives in eccentric union with a privileged American, and the mixed bliss of the Mahadewala Walauwa, the big house on the mountain belonging to his father’s family in Kandy— the ancient capital of Sri Lanka—where he has both cachet and awful memories. For Sonny’s mother, a wonderfully maleficent anti-heroine, is convinced that demons possess this awfully ugly son of hers. Demons and the devil himself are the playing field of this book, whether seated in the draughty chapels of Oxford or roaming the Kandyan countryside and, through their clever interplay, they speak of larger horrors with able grace. Who is utterly good or utterly evil—and who, indeed, is the devil?
The Country Without a Post Office by Agha Shahid Ali Pdf
Here Is A Haunted And Haunting Volume That Establishes Agha Shahid Ali As A Seminal Voice Writing In English. Amidst Rain And Fire And Ruin, In A Land Of `Doomed Addresses`, The Poet Evokes The Tragedy Of His Birth Place, Kashmir.
NEW YORK TIMES BESTSELLER A superb love story from Anna Quindlen, the #1 New York Times bestselling author of Rise and Shine, Blessings, and A Short Guide to a Happy Life Still Life with Bread Crumbs begins with an imagined gunshot and ends with a new tin roof. Between the two is a wry and knowing portrait of Rebecca Winter, a photographer whose work made her an unlikely heroine for many women. Her career is now descendent, her bank balance shaky, and she has fled the city for the middle of nowhere. There she discovers, in a tree stand with a roofer named Jim Bates, that what she sees through a camera lens is not all there is to life. Brilliantly written, powerfully observed, Still Life with Bread Crumbs is a deeply moving and often very funny story of unexpected love, and a stunningly crafted journey into the life of a woman, her heart, her mind, her days, as she discovers that life is a story with many levels, a story that is longer and more exciting than she ever imagined. Look for special features inside. Join the Random House Reader’s Circle for author chats and more. “There comes a moment in every novelist’s career when she . . . ventures into new territory, breaking free into a marriage of tone and style, of plot and characterization, that’s utterly her own. Anna Quindlen’s marvelous romantic comedy of manners is just such a book. . . . Taken as a whole, Quindlen’s writings represent a generous and moving interrogation of women’s experience across the lines of class and race. [Still Life with Bread Crumbs] proves all the more moving because of its light, sophisticated humor. Quindlen’s least overtly political novel, it packs perhaps the most serious punch. . . . Quindlen has delivered a novel that will have staying power all its own.”—The New York Times Book Review “[A] wise tale about second chances, starting over, and going after what is most important in life.”—Minneapolis Star Tribune “Quindlen’s astute observations . . . are the sorts of details every writer and reader lives for.”—Chicago Tribune “[Anna] Quindlen’s seventh novel offers the literary equivalent of comfort food. . . . She still has her finger firmly planted on the pulse of her generation.”—NPR “Enchanting . . . [The protagonist’s] photographs are celebrated for turning the ‘minutiae of women’s lives into unforgettable images,’ and Quindlen does the same here with her enveloping, sure-handed storytelling.”—People “Charming . . . a hot cup of tea of a story, smooth and comforting about the vulnerabilities of growing older . . . a pleasure.”—USA Today “With spare, elegant prose, [Quindlen] crafts a poignant glimpse into the inner life of an aging woman who discovers that reality contains much more color than her own celebrated black-and-white images.”—Library Journal “Quindlen has always excelled at capturing telling details in a story, and she does so again in this quiet, powerful novel, showing the charged emotions that teem beneath the surface of daily life.”—Publishers Weekly “Quindlen presents instantly recognizable characters who may be appealingly warm and nonthreatening, but that only serves to drive home her potent message that it’s never too late to embrace life’s second chances.”—Booklist “Profound . . . engaging.”—Kirkus Reviews
From “a major new talent” come short stories set in modern Nepal, about arranged marriages, forbidden desires, and the universal yearning for human connection (Amitav Ghosh). Set in a city where gods are omnipresent, privacy is elusive, and family defines identity, these are stories of men and women caught between their own needs and the demands of their society and culture. Psychologically rich and astonishingly acute, with “a masterful narrative style” (Ian MacMillan), Arresting God in Kathmandu introduces a potent new voice in contemporary fiction. “Upadhyay brings to readers the flavor of Nepal and its culture in this impressive collection of nine short stories. Like Ha Jin’s Bridegroom, Upadhyay’s stories portray the lives of simple yet psychologically complex characters and reveal much about the universal human condition in us all. . . . Upadhyay’s stories leave the reader with much food for thought and will make a good choice for book discussion groups.” —Library Journal
The book focuses on a central character Deepak, a journalist and the stories are woven around the characters during the insurgency period of Nepal. The book has themes of lost childhood, love, sex, marital infidelity, war, guilt and more.