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The non-violent defiance of Te Whiti-o-Rongomai, Tohu Kakahi and their followers at Parihaka is one of the great New Zealand narratives. This extract from the book by journalist Dick Scott that brought the story to the wider Pākehā world describes what happened when troops and settler volunteers invaded the village of Parihaka on 5 November 1881.
History of Maori of Nelson and Marlborough by Hilary Mitchell,John Mitchell Pdf
Te Ara Hou - The New Society is the second volume in the history of Maori in Nelson and Marlborough. This history details Maori participation in the European settlement society, from commitment to Christianity to enthusiasm for commerce and relationships with Europeans. It shows how Maori fared under European institutions, struggled to survive and how Maori culture and language were swamped by assimilation and Anglicisation.
The present volume contains general essays on: unequal African/Western academic exchange; the state and structure of postcolonial studies; representing male violence in Zimbabwe's wars; parihaka in the poetic imagination of Aotearoa New Zealand; Middle Eastern, Nigerian, Moroccan, and diasporic Indian women's writing; community in post-Independence Maltese poetry in English; key novels of the Portuguese colonies; the TV series The Kumars at No. 42; fictional representations of India; the North in western Canadian writing; and a pedagogy of African-Canadian literature. As well as these, there is a selection of poems from Malta by Daniel Massa, Adrian Grima, Norbert Bugeja, Immanuel Mifsud, and Maria Grech Ganado, and essays providing close readings of works by the following authors and filmmakers: Thea Astley, George Elliott Clarke, Alan Duff, Francis Ebejer, Lorena Gale, Romesh Gunesekera, Sahar Khalīfah, Anthony Minghella, Michael Ondaatje, Caryl Phillips, Edgar Allan Poe, Salman Rushdie, Ghādah al-Sammān, Meera Syal, Lee Tamahori. Contributors: Leila Abouzeid, Hoda Barakat, Amrit Biswas, Thomas Bonnici, Stella Borg Barthet, Ivan Callus, Devon Campbell-Hall, Saviour Catania, George Elliott Clarke, Brian Crow, Pilar Cuder-Domínguez, Bärbel Czennia, Hilary P. Dannenberg, Pauline Dodgson-Katiyo, Bernadette Falzon, Daphne Grace, Adrian Grima, Kifah Hanna, Janne Korkka, T. Vijay Kumar, Chantal Kwast-Greff, Maureen Lynch Pèrcopo, Kevin Stephen Magri, Isabel Moutinho, Melanie A. Murray, Taiwo Oloruntoba-Oju, Gerhard Stilz, Jesús Varela Zapata, Christine Vogt-William.
A wonderfully surprising, inventive and deeply moving riff on fact and fiction, history and imagination from one of New Zealand's finest and most memorable storytellers. There has never been a New Zealand novel quite like The Parihaka Woman. Richly imaginative and original, weaving together fact and fiction, it sets the remarkable story of Erenora against the historical background of the turbulent and compelling events that occurred in Parihaka during the 1870s and 1880s. Parihaka is the place Erenora calls home, a peaceful Taranaki settlement overcome by war and land confiscation. As her world is threatened, Erenora must find within herself the strength, courage and ingenuity to protect those whom she loves. And, like a Shakespearean heroine, she must change herself before she can take up her greatest challenge and save her exiled husband, Horitana.
Parihaka was a place and an event that could be lost and found, over and over. It moved into view, then disappeared, just like the mountain. In 1881, over 1,500 colonial troops invaded the village of Parihaka near the Taranaki coast. Many people were expelled, buildings destroyed, and chiefs Te Whiti o Rongomai and Tohu Kākahi were jailed. In this BWB Text, Rachel Buchanan tells her own, deeply personal story of Parihaka. Beginning with the death of her father, a man with affiliations to many of Taranaki’s eight iwi, she describes her connection to Taranaki, the land and mountain; and the impact of confiscation. Buchanan discusses the apologies and settlements that have taken place since te pāhuatanga, the invasion of Parihaka.
&‘You approach family stories with caution and care, especially when a thing long forgotten is uncovered in the telling.'In this deft memoir, Richard Shaw unpacks a generations-old family story he was never told: that his ancestors once farmed land in Taranaki which had been confiscated from its owners and sold to his great-grandfather, who had been with the Armed Constabulary when it invaded Parihaka on 5 November 1881.Honest, and intertwined with an examination of Shaw's relationship with his father and of his family's Catholicism, this book's key focus is urgent: how, in a decolonizing world, Pakeha New Zealanders wrestle with, and own, the privilege of their colonial pasts.
Parihaka by Te Miringa Hohaia,Gregory O'Brien,Lara Strongman Pdf
"Drawing on previously unpublished manuscripts, many of the teachings and sayings of Te Whiti and Tohu - in Maori and English - are reproduced in full with extensive annotation by Te Miringa Hohaia. Parihaka: The Art of Passive Resistance reaches beyond the art and literary worlds to engage with cultural issues important to all citizens of Aotearoa New Zealand."--Jacket.
Beacons of Light is a priceless and inspiring gift from the good and open heart of one of the global interfaith movement's wisest and most respected leaders, Marcus Braybrooke. It is impossible to read without being spiritually enriched. Your heart and mind will be opened by this treasure of a book that shines with the brightness of 100 of humanity's greatest lights.
Maori music records and analyses ancient Maori musical tradition and knowledge, and explores the impact of European music on this tradition. Mervyn McLean draws on diverse written and oral sources gathered over more than 30 years of scholarship and field work that yielded some 1300 recorded songs, hundreds of pages of interviews with singers, and numerous eye-witness accounts. The work is illustrated throughout with photos and music examples.
"The Mana of the Maori is by water. No one, here, carrying the same thing that I'm carrying today." --Titi Tihu In living memory, before the Whanganui River became a tawny mass seeming to flow upside down, the river bed was clean stone and the water of the river "tasted like kowhai. The trees used to grow over the river and drop into the water, and the water tasted like kowhai." This is a book of many river people--a "hidden" prophet, living with over a thousand followers at a place now deserted; a Pakeha-Maori, making gunpowder using charcoal made from willows grown from cuttings taken from Napoleon's grave; a riverboat magnate, building a fiefdom on 'the Rhine of Maoriland'; a highly decorated soldier, fighting as a kupapa yet fighting for tino rangatiratanga; arsenic and flour poisoners--and always, the river itself.
Buying the Land, Selling the Land by Richard Boast Pdf
Studying Crown Maori land policy and practice in the period 1869–1929, from the establishment of the Native Land Court power until the cessation of large-scale Crown purchasing by Gordon Coates, this investigation chronicles the bleak and grim tidal wave of Crown purchasing that dominated the Maori people under very difficult circumstances. While recognizing that the government purchasing of Maori land was in its own way driven by genuine, if blinkered, idealism, this work's deep research on land purchasing policy gives renewed insight on the significant politicians of the era, such as Sir Donald McLean, John Balance, and John McKenzie who were strong advocates of expanded and state-controlled land purchasing.
Intersecting Cultures in Music and Dance Education by Linda Ashley,David Lines Pdf
This volume looks forward and re-examines present day education and pedagogical practices in music and dance in the diverse cultural environments found in Oceania. The book also identifies a key issue of how teachers face the prospect of taking a reflexive view of their own cultural legacy in music and dance education as they work from and alongside different cultural worldviews. This key issue, amongst other debates that arise, positions Intersecting Cultures as an innovative text that fills a gap in the current market with highly appropriate and fresh ideas from primary sources. The book offers commentaries that underpin and inform current pedagogy and bigger picture policy for the performing arts in education in Oceania, and in parallel ways in other countries.
Revolutionary Nonviolence by Professor Richard Jackson,Joseph Llewellyn,Griffin Manawaroa Leonard,Aidan Gnoth,Tonga Karena Pdf
Revolutionary Nonviolence: Concepts, Cases and Controversies provides an advanced introduction to the central philosophy, ideas, themes, controversies and challenges of applying revolutionary nonviolence in political struggles today, with a particular emphasis on reframing nonviolence through a postcolonial lens. Bringing together an eminent group of researchers and activist-scholars, this collection focuses on a number of important questions: Is a commitment to radical nonviolence a necessity for generating revolutionary change in society? Should revolutionary movements abandon their reliance on political violence as a tool of change? What are some of the practical and theoretical challenges of adopting revolutionary nonviolence today? What can we learn from groups, actors and cases of people who have used revolutionary nonviolence to struggle against injustice? With a mix of theoretical and case study based chapters, the volume explores these and other important questions about how to generate necessary and lasting revolutionary change today.
