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SHORTLISTED FOR THE CUNDILL HISTORY PRIZE 2021 AN ECONOMIST AND HISTORY TODAY BOOK OF THE YEAR 2020 'Compelling and highly original ... The Asia that we see today is the product of the 'underground' which Harper describes with skill and empathy in this monumental work' Rana Mitter, Literary Review The story of the hidden struggle waged by secret networks around the world to destroy European imperialism The end of Europe's empires has so often been seen as a story of high politics and warfare. In Tim Harper's remarkable new book the narrative is very different: it shows how empires were fundamentally undermined from below. Using the new technology of cheap printing presses, global travel and the widespread use of French and English, young radicals from across Asia were able to communicate in ways simply not available before. These clandestine networks stretched to the heart of the imperial metropolises: to London, to Paris, to the Americas, but also increasingly to Moscow. They created a secret global network which was for decades engaged in bitter fighting with imperial police forces. They gathered in the great hubs of Asia - Calcutta, Singapore, Batavia, Hanoi, Tokyo, Shanghai, Canton and Hong Kong - and plotted with ceaseless ingenuity, both through persuasion and terrorism, the end of the colonial regimes. Many were caught and killed or imprisoned, but others would go on to rule their newly independent countries. Drawing on an amazing array of new sources, Underground Asia turns upside-down our understanding of twentieth-century empire. The reader enters an extraordinary world of stowaways, false identities, secret codes, cheap firearms, assassinations and conspiracies, as young Asians made their own plans for their future. 'Magnificent - it reads like a thriller and was difficult to put down' Peter Frankopan, History Today
This book stretches and challenges current canonical configurations of modernism by considering the centrality of black artists, writers and intellectuals as core presences in the development of a modernist avant-garde; and by interrogating 'blackness' as
The racist legacy behind the Western idea of freedom The era of the Enlightenment, which gave rise to our modern conceptions of freedom and democracy, was also the height of the trans-Atlantic slave trade. America, a nation founded on the principle of liberty, is also a nation built on African slavery, Native American genocide, and systematic racial discrimination. White Freedom traces the complex relationship between freedom and race from the eighteenth century to today, revealing how being free has meant being white. Tyler Stovall explores the intertwined histories of racism and freedom in France and the United States, the two leading nations that have claimed liberty as the heart of their national identities. He explores how French and American thinkers defined freedom in racial terms and conceived of liberty as an aspect and privilege of whiteness. He discusses how the Statue of Liberty—a gift from France to the United States and perhaps the most famous symbol of freedom on Earth—promised both freedom and whiteness to European immigrants. Taking readers from the Age of Revolution to today, Stovall challenges the notion that racism is somehow a paradox or contradiction within the democratic tradition, demonstrating how white identity is intrinsic to Western ideas about liberty. Throughout the history of modern Western liberal democracy, freedom has long been white freedom. A major work of scholarship that is certain to draw a wide readership and transform contemporary debates, White Freedom provides vital new perspectives on the inherent racism behind our most cherished beliefs about freedom, liberty, and human rights.
Excerpt from Paris Sees It Through: A Diary, 1914-1919 On the other hand, if the universe is an accident, and emanates from no mind at all, this life is all we have, and we cling to it. We do our best to make safe the thing we believe in. This world for the materialist; the next for the devout; the inner world for the thinker and the emotionalist. The human spirit may be all that it is said to be a dauntless and heroic affair, equal to facing any odds. The human body, however, which is the casket of the spirit, is unfortunately softer than the greater part of inanimate substances. Had it been harder than the earth, than iron, than steel, we might have made a show of safety in our arrangements. But there would have remained lightning and ice and fog, and the possibility of meteorites, which can go to rest in a granite mountain like a fat man jumping into a feather-bed. The fact is, we are searching for a thing we cannot conceive. Safety is as much outside our conscious ness as some star of which we have never heard. We cannot conceive, by the highest efforts of our brains, what it would be like for one instant to have the esh of our body safe in this world or the comfort of our spirit assured in the next. The sensation, if it were imparted to us by a. Miracle, would probably kill us. The nearest approach to it known to us is the ecstasy of a revivalist meeting, which usually bears an ample aftermath of lunacy on the one hand and crime on the other. Those who are strong enough to survive the feeling of being saved without losing their mental balance quite frequently go and commit some Specially vile kind of offence. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."
Poet, actor, playwright, surrealist, drug addict, asylum inmate—Antonin Artaud (1896–1949) is one of the twentieth century’s most enigmatic personalities and idiosyncratic thinkers. In this biography, David A. Shafer takes readers on a voyage through Artaud’s life, which he spent amid the company of France’s most influential cultural figures, even as he stood apart from them. Shafer casts Artaud as a person with tenacious values. Even though Artaud was born in the material comfort of a bourgeois family from Marseille, he uncompromisingly rejected bourgeois values and norms. Becoming famous as an actor, director, and author, he would use his position to challenge contemporary assumptions about the superiority of the West, the function of speech, the purpose of culture, and the individual’s agency over his or her body. In this way—as Shafer points out—Artaud embodied the revolutionary spirit of France. And as Shafer shows, although Artaud was immensely productive, he struggled profoundly with his creative process, hindered by narcotics addiction, increasing paranoia, and an overwhelming sense of alienation. Situating Artaud’s contributions within the frenzy of his life and that of the twentieth century at large, this book is a compelling and fresh biography that pays tribute to its subject’s lasting cultural reverberations.
Léger by Christian Derouet,Maria Gough,Spyros Papapetros,Jennifer Wild Pdf
An insightful look at the dynamic relationship between modern art and modern urban life in 1920s Paris through the lens of Fernand Léger's masterpiece The City With his landmark 1919 painting The City, Fernand Léger (1881-1955) inaugurated a vitally experimental decade during which he and others redefined the practice of painting in confrontation with the forms of cultural production that were central to urban life, ranging from graphic and advertising design to theater, dance, film, and architecture. This catalogue casts new light on the painting (reproducing all of its studies together for the first time), the avant-garde use of print media, and Léger's fascination with cinema and architecture, and contextualizes a network of international avant-gardes--including Blaise Cendrars, Le Corbusier, Jean Epstein, Piet Mondrian, Amédée Ozenfant, Francis Picabia, and Theo van Doesburg--in relation to Léger. Featuring nearly 250 images of paintings, architectural designs, models, posters, set designs, and film stills and an anthology of relevant historical texts not previously published in English, this handsome volume conveys the spirit of experimentation of the 1920s. Scholars in the fields of art, architecture, and film history offer a deeper understanding of the relationship between art and the modern urban experience that defined this significant chapter in the history of modern art. Published in association with the Philadelphia Museum of Art Exhibition Schedule: Philadelphia Museum of Art (10/14/13-01/05/14)
The Elements of the Spiritual Life by F.P. Harton Pdf
ÒMy aim in writing this book has been to give to my brethren of the Anglican Communion what we do not at present possess, a comprehensive study of the Christian spiritual life. The need of such a work is becoming increasingly clear; there are signs in many quarters of a real desire for the spiritual life, and priests are beginning to discover the vital and practical importance of a knowledge of ascetical theology. . . . ÒThe plan of the book is simple. Part I deals with the action of God in the soul by grace; Part II with the human resistance to the divine will and the means whereby that resistance may be overcome; Part III is a brief outline of the divine economy of the sacraments; Part IV is concerned with the life of prayer, and in Part V we consider the end of the spiritual life and the ways by which that end may be reached, concluding with a chapter on the guidance of souls with some consideration of the qualities of the ideal director.Ó --from the Preface
Sword of the Spirit, Shield of Faith by Andrew Preston Pdf
A first major work of history on a crucial but under-examined topic, Sword of the Spirit, Shield of Faith explores the role of religion in American foreign policy. From the first colonists to the presidents of the 21st Century, Andrew Preston's unparalleled study show us how religion has always shaped America's relationships with other nations, and what to expect in the future. During the presidency of George W. Bush, many Americans and others around the world viewed the entrance of religion into foreign policy discourse, especially with regard to the wars in Iraq and Afghanistan, as a "new" development. But despite the official division between church and state, the presence of religion in American foreign policy has been a constant since before the Founding Fathers. Yet aside from leaders known to be personally religious, such as Bush, Jimmy Carter and Woodrow Wilson, few realize how central faith has always been to American governance and diplomacy--and indeed to the idea of America itself. In Sword of the Spirit, Shield of Faith, Andrew Preston starts at the beginning, and with revelatory findings, shows us how and why.
The Right in France from the Third Republic to Vichy by Kevin Passmore Pdf
Provides a new history of parliamentary conservatism and the extreme right in France during the successive crises of the years from 1870 to 1945. Charts royalist opposition to the newly established Republic, the emergence of the nationalist extreme right in the 1890s, and the parallel development of republican conservatism.