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Takes readers on a ride into the old medieval quarter of Paris with its winding streets, ghosts and secrets buried in history. Not only an homage to the crime fiction genre, Paris Noir is also an invitation to some of the best French fiction and offers readers an explosive and poetic cocktail of crime, gunfights and twisted love stories.
Following the success of Paris Noir, the Akashic Noir Series has expanded to include the famously diverse and sometimes controversial suburbs of this legendary city. "Dark tales shine a bright light on some little-seen parts of greater Paris." --Kirkus Reviews "Paris's suburbs--a mix of slums, posh neighborhoods, fading industrial centers, and the city's notorious housing projects that lie out of the sight of most tourists--provide the setting for [these] 13 tales." --Publishers Weekly Featuring brand-new stories by: Cloé Mehdi, Karim Madani, Insa Sané, Christian Roux, Marc Villard, Jean-Pierre Rumeau, Timothée Demeillers, Rachid Santaki, Marc Fernandez, Guillaume Balsamo, Anne Secret, Anne-Sylvie Salzman, and Patrick Pécherot. (All stories were written in French and translated into English by Katie Shireen Assef, David Ball, Nicole Ball, and Paul Curtis Daw.) From the introduction by Hervé Delouche: The term Greater Paris is in vogue today, for it has an administrative cachet and seems to denote a simple extension of the capital--as if a ravenous Paris need only extend her web. However, it was not our goal to embrace the tenets of the metro area's comprehensive plan, aka the Grand Projet, envisioned as a future El Dorado by the planners and developers. Rather, our aim was to depict the Parisian suburbs in all their plurality and diversity. Without pretending to encompass every spot on the map, we instead opted to give voice and exposure to the localities chosen by the writers who have been part of this adventure. Thus, we decided to adopt the word "suburbs"-- in the plural, obviously, for the periphery of the capital is not a homogeneous bloc, nor is it reducible to a cliché like "the suburban ring" . . . Here are thirteen stories, decidedly noir, to be savored without sugar or sweetener.
"The dank and sweaty crime scenes in Paris Noir testify to the fact that the French invented 'noir.' Among the jarring images in this story collection, Didier Daeninckx's murky view of the after-hours scene in Porte Saint-Denis and Marc Villard's gritty look at the sex trade in Les Halles are correctives to all those persistent romantic fantasies about the city." —New York Times Featuring brand-new stories by: Didier Daeninckx, Jean-Bernard Pouy, Marc Villard, Chantal Pelletier, Patrick Pécherot, DOA, Hervé Prudon, Dominique Mainard, Salim Bachi, Jérôme Leroy, Laurent Martin, and Christophe Mercier. From the editor's introduction: "Paris is a city that lives, and thus dies, every day. No point hiding behind history or war memories. What is a threat to Paris, to its noir dimension even, is potential 'museumification,' the possibility of the city turning into a big theme park. In Paris, after all, everything is still there. All you have to do is look around with eyes wide open . . . "Beyond the lights, beyond the cafés and bars, Paris is sometimes like a grave. It's a city you run away from, or at least dream of running away from. But on every street corner, the past jumps at your throat like a grimacing hyena . . . You don't inhabit your city, you dream it. All I can do now is invite you to enter the dream."
Following the success of Paris Noir, the Akashic Noir Series has expanded to include the famously diverse and sometimes controversial suburbs of this legendary city. "A treasure chest of resources for any noir author seeking a more gruesome approach or a more relentless destruction of the soul. One might hope the real Paris suburbs are not so dark and blood drenched. But by the end of the collection, that hope seems almost foolish, and the body found on the quay seems to be the lucky guy in the story." —New York Journal of Books "The short stories center on the suburbs of Paris, fertile soil for all sorts of resentment and violence. . . .For lovers of crime noir short fiction, these are 12 stories of life lived in the raw." —Library Journal "Dark tales shine a bright light on some little-seen parts of greater Paris." —Kirkus Reviews "Paris’s suburbs—a mix of slums, posh neighborhoods, fading industrial centers, and the city’s notorious housing projects that lie out of the sight of most tourists—provide the setting for [these] 13 tales." —Publishers Weekly Featuring brand-new stories by: Cloé Mehdi, Karim Madani, Insa Sané, Christian Roux, Marc Villard, Jean-Pierre Rumeau, Timothée Demeillers, Rachid Santaki, Marc Fernandez, Guillaume Balsamo, Anne Secret, Anne-Sylvie Salzman, and Patrick Pécherot. (All stories were written in French and translated into English by Katie Shireen Assef, David Ball, Nicole Ball, and Paul Curtis Daw.) From the introduction by Hervé Delouche: The term Greater Paris is in vogue today, for it has an administrative cachet and seems to denote a simple extension of the capital—as if a ravenous Paris need only extend her web. However, it was not our goal to embrace the tenets of the metro area’s comprehensive plan, aka the Grand Projet, envisioned as a future El Dorado by the planners and developers. Rather, our aim was to depict the Parisian suburbs in all their plurality and diversity. Without pretending to encompass every spot on the map, we instead opted to give voice and exposure to the localities chosen by the writers who have been part of this adventure. Thus, we decided to adopt the word “suburbs”— in the plural, obviously, for the periphery of the capital is not a homogeneous bloc, nor is it reducible to a cliché like “the suburban ring” . . . Here are thirteen stories, decidedly noir, to be savored without sugar or sweetener.
Streets of Paris, Streets of Murder by Jacques Tardi,Jean-Patrick Manchette Pdf
The first of two volumes presenting all of the world-renowned hardboiled crime graphic novels (one of which has never before been collected in English!). In the never-before-collected Griffu, the titular character is a legal advisor, not a private eye, but even he knows that when a sultry blonde appears in his office after hours, he shouldn't trust her ― and she doesn't disappoint. Griffu is soon ensnared in a deadly web of sexual betrayal, real estate fraud, and murder. In West Coast Blues, a young sales executive goes to the aid of an accident victim, and finds himself sucked into a spiral of violence involving an exiled war criminal and two hired assassins. This volume also offers a bonus, 21-page unfinished story by Manchette and Tardi, as well as a single page introduction to another incomplete story, both appearing in English for the first time.
Paris Noir is a collection of new stories about the dark side of Paris, with contributions by leading French, British and American authors who have all either lived or spent a significant amount of time in Paris. Edited by Maxim Jakubowski, the stories range from quietly menacing to spectacularly violent, and include contributions from some of the most famous crime writers from both sides of the Atlantic, as well as the other side of the Channel.
Rendezvous Eighteenth marks the emergence of an exciting voice in crime fiction. Ricky Jenks gave up life in the U.S. years ago and is content, if not happy, with his life as a piano player in a small café in the Montmartre neighborhood of Paris. He has many friends among the other African-Americans living in Paris and is happily, if casually, involved with a French Muslim woman. But then everything changes. His American life comes crashing down on him when his estranged cousin wants help finding his runaway wife, whom he thinks might have come to Paris, even though he's vague about why. That same night Ricky finds a prostitute dead in his apartment building in Paris's Eighteenth Arrondissment, one of the most multicultural sections of Paris. That these two events could be connected is something he never imagines. This intricate, absorbing thriller is ultimately much more than a suspense novel. Lamar's detailed and vibrant portrait of life in Paris is as much the story of a black man's alienation and redemption-indeed, the story of an entire community searching for a home-as it is a taut thriller about revenge, obsession, and murder
Jody Blake demonstrates in this book that although the impact of African-American music and dance in France was constant from 1900 to 1930, it was not unchanging. This was due in part to the stylistic development and diversity of African-American music and dance, from the prewar cakewalk and ragtime to the postwar Charleston and jazz. Successive groups of modernists, beginning with the Matisse and Picasso circle in the 1900s and concluding with the Surrealists and Purists in the 1920s, constructed different versions of la musique and la danse negre. Manifested in creative and critical works, these responses to African-American music and dance reflected the modernists' varying artistic agendas and historical climates.
Black France / France Noire by Trica Danielle Keaton Pdf
In Black France / France Noire, scholars, activists, and novelists address the paradox of race in France: the state does not acknowledge race as a meaningful category, but experiences of antiblack racism belie claims of color-blindness.
“Navigates the seedy side of Marseille with 14 stories that range from the creepily introspective to the downright brutal.” —Publishers Weekly The Akashic Noir series first ventured into France with Paris Noir—and now moves one step deeper . . . A crossroads for the people of Europe and the Mediterranean, Marseille is a city that does not discriminate. It embodies the down-and-dirty, tough-guy side of France, but what it lacks in sophistication, it makes up for in spirit. Still, in its shadows lurks a not-so-distant darkness . . . one that can be found in stories translated from French by David Ball and Nicole Ball and written by: François Beaune, Philippe Carrese, Patrick Coulomb, Cédric Fabre, René Frégni, Christian Garcin, Salim Hatubou, Rebecca Lighieri, Emmanuel Loi, Marie Neuser, Pia Petersen, Serge Scotto, Minna Sif, and François Thomazeau. “Gritty from east to west, Marseille is the perfect venue for the latest in Akashic’s venerable Noir series. While earlier entries in this 70-volume series have sometimes been bleak and atmospheric, this one is all red meat. . . . Just as Marseille is tailor-made for noir, this dark banquet is tailor-made for noir fans.” —Kirkus Reviews “The stories . . . are united by vivid and evocative writing, as well as by a distinctive take on the city. Another strong entry in a series that should be required reading for crime fans.” —Booklist
"Paris Noir fills a grievous gap in the absorbing chronicle of American expatriates who chose to live in Paris in the twentieth century. For alongside Ernest Hemingway and Gertrude Stein and Henry Miller was an avant-garde and tightly knit community of black American writers, artists, musicians, and political exiles who found in Paris the creative and personal freedom denied them back home." "A welcoming refuge for writers, Paris embraced Richard Wright, Chester Himes, James Baldwin, Countee Cullen, and Claude McKay. A score of all-important jazz musicians lit up the city at night, from Miles Davis to Charlie Parker to Sidney Bechet, while Josephine Baker dazzled audiences with the Danse Sauvage in the Revue Negre. Leaving an equally important mark were the painters and artists who found inspiration in the Paris scene: Henry Ossawa Tanner, Lois Mailou Jones, Ed Clark, Jean-Michel Basquiat, and Barbara Chase-Riboud." "Paris Noir brings this vibrant world to life, beginning with the doughboys who returned to Paris after World War I and moving on through the Jazz Age, the Depression, the years of the Harlem Renaissance, World War II, and the postwar boom."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
For much of the twentieth century, Americans had a love/hate relationship with France. While many admired its beauty, culture, refinement, and famed joie de vivre, others thought of it as a dilapidated country populated by foul-smelling, mean-spirited anti-Americans driven by a keen desire to part tourists from their money. We'll Always Have Paris explores how both images came to flourish in the United States, often in the minds of the same people. Harvey Levenstein takes us back to the 1930s, when, despite the Great Depression, France continued to be the stomping ground of the social elite of the eastern seaboard. After World War II, wealthy and famous Americans returned to the country in droves, helping to revive its old image as a wellspring of sophisticated and sybaritic pleasures. At the same time, though, thanks in large part to Communist and Gaullist campaigns against U.S. power, a growing sensitivity to French anti-Americanism began to color tourists' experiences there, strengthening the negative images of the French that were already embedded in American culture. But as the century drew on, the traditional positive images were revived, as many Americans again developed an appreciation for France's cuisine, art, and urban and rustic charms. Levenstein, in his colorful, anecdotal style, digs into personal correspondence, journalism, and popular culture to shape a story of one nation's relationship to another, giving vivid play to Americans' changing response to such things as France's reputation for sexual freedom, haute cuisine, high fashion, and racial tolerance. He puts this tumultuous coupling of France and the United States in historical perspective, arguing that while some in Congress say we may no longer have french fries, others, like Humphrey Bogart in Casablanca, know they will always have Paris, and France, to enjoy and remember.