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Patronage and Poetry in the Islamic World by Jocelyn Sharlet Pdf
Introduction -- Chapter 1: The Rhetoric of Patronage: Building Possibilities -- Chapter 2: Panegyric Discourse: Elaborating on Possibilities -- Chapter 3: Awareness of Patronage Relationships in Panegyric Poetry -- Chapter 4: Connections of Interaction -- Chapter 5: Uncertainty and Flexibility in Patronage -- Chapter 6: Flexibility and Social Mobility in Patronage.
Patronage and Poetry in the Islamic World by Jocelyn Sharlet Pdf
Panegyric poetry, in both Arabic and Persian, was one of the most important genres of literature in the medieval Middle East and Central Asia. Jocelyn Sharlet argues that panegyric poetry is important not only because it provides a commentary on society and culture in the medieval Middle East, but also because panegyric writing was one of the key means for individuals to gain social mobility and standing during this period. This is particularly so within the context of patronage, a central feature of social order during these times. Sharlet places the medieval Arabic and Persian panegyric firmly within its cultural context, and identifies it as a crucial way of gaining entry to and movement within this patronage network. This is an important contribution to the fields of pre-modern Middle Eastern and Central Asian literature and culture.
Patronate And Patronage in Early And Classical Islam by Monique Bernards,John Abdallah Nawas Pdf
This book deals with patronate and patronage ("wal?'") of early and classical Islam. Though "Webster's Third" has the term "mawla," the concept remains very difficult to come to grips with. Fourteen contributions by renowned scholars analyze the social and cultural phenomenon of "wal?'" from various angles. As a whole, the book conveys what we presently know about patronate and patronage during the first four centuries of Islam. Inasmuch as the contributors have used different methods - from a close rereading of primary sources to the application of social theory and quantitative analysis - the book additionally offers an overview of methodologies current in the field of Islamic Studies.
Warfare and Poetry in the Middle East by Hugh Kennedy Pdf
Part of the rich legacy of the Middle East is a poetic record stretching back five millennia. This unparalleled repository of knowledge - across different languages, cultures and religions - allows us to examine continuity and change in human expression from the beginnings of writing to the present day. In Warfare and Poetry in the Middle East leading scholars draw upon this legacy to explore the ways in which poets, from the third millennium bc to the present day, have responded to effects of war. The contributors deal with material in a wide variety of languages - including Sumerian, Hittite, Akkadian, biblical and modern Hebrew, and classical and contemporary Arabic - and range from the Sumerian lament on the destruction of Ur and the Assyrian conquest of Jerusalem to the al-R?miyy?t of the poet and warrior prince Ab? Fir?s al-?amd?n?, the popular Arabic epics and romances that form the siyar, to the contemporary poetry of Hamas and Hezbollah. Some of the poems are heroic in tone celebrating victory and the prowess of warriors and soldiers; others reflect keenly on the pity and destruction of warfare, on the grief and suffering that war causes.The result is a work that provides a unique reflection upon the ways in which this most violent and pervasive of human activities has been reflected in different cultures. The history of war begins in the Middle East - the earliest reported conflict in human history was fought between the neighbouring city states of Lagash and Umma in ancient Iraq. At a time when the Middle East seems to be permanently at war and wracked by violence, it is salutary to look back at the ancient roots of modern attitudes and to see that in the past, as in the present, these attitudes are much more varied, and the emotions more subtle, than often realised.
A constant feature of Jewish culture in the medieval Mediterranean was the dedication of panegyric texts in Hebrew, Judeo-Arabic, and other languages to men of several ranks: scholars, communal leaders, courtiers, merchants, patrons, and poets. Although the imagery of nature and eroticism in the preludes to these poems is often studied, the substance of what follows is generally neglected, as it is perceived to be repetitive, obsequious, and less aesthetically interesting than other types of poetry from the period. In Dominion Built of Praise, Jonathan Decter demurs. As is the case with visual portraits, panegyrics operate according to a code of cultural norms that tell us at least as much about the society that produced them as the individuals they portray. Looking at the phenomenon of panegyric in Mediterranean Jewish culture from several overlapping perspectives—social, historical, ethical, poetic, political, and theological—he finds that they offer representations of Jewish political leadership as it varied across geographic area and evolved over time. Decter focuses his analysis primarily on Jewish centers in the Islamic Mediterranean between the tenth and thirteenth centuries and also includes a chapter on Jews in the Christian Mediterranean through the fifteenth century. He examines the hundreds of panegyrics that have survived: some copied repeatedly in luxurious anthologies, others discarded haphazardly in the Cairo Geniza. According to Decter, the poems extolled conventional character traits ascribed to leaders not only diachronically within the Jewish political tradition but also synchronically within Islamic and, to a lesser extent, Christian civilization and political culture. Dominion Built of Praise reveals more than a superficial and functional parallel between Muslim and Jewish forms of statecraft and demonstrates how ideas of Islamic political legitimacy profoundly shaped the ways in which Jews conceptualized and portrayed their own leadership.
A Revolution in Rhyme: Poetic Co-option under the Islamic Republic offers, for the first time, an original, timely examination of the pivotal role poetry plays in policy, power and political legitimacy in modern-day Iran. Through a compelling chronological and thematic framework, Shams presents fresh insights into the emerging lexicon of coercion and unrest in the modern Persian canon. Analysis of the lives and work of ten key poets traces the evolution of the Islamic Republic, from the 1979 Revolution, through to the Iran-Iraq War, the death of a leader and the rise of internal conflicts. Ancient forms jostle against didactic ideologies, exposing the complex relationship between poetry, patronage and literary production in authoritarian regimes, shedding light on a crucial area of discourse that has been hitherto overlooked.
The story of Maecenas and his role in the evolution and continuing legacy of ancient Roman poetry and culture An unelected statesman with exceptional powers, a patron of the arts and a luxury-loving friend of the emperor Augustus: Maecenas was one of the most prominent and distinctive personalities of ancient Rome. Yet the traces he left behind are unreliable and tantalizingly scarce. Rather than attempting a conventional biography, Emily Gowers shows in Rome’s Patron that it is possible to tell a different story, one about Maecenas’s influence, his changing identities and the many narratives attached to him across two millennia. Rome’s Patron explores Maecenas’s appearances in the central works of Augustan poetry written in his name—Virgil’s Georgics, Horace’s Odes and Propertius’s elegies—and in later works of Latin literature that reassess his influence. For the Roman poets he supported, Maecenas was a mascot of cultural flexibility and innovation, a pioneer of gender fluidity and a bearer of imperial demands who could be exposed as a secret sympathizer with their own values. For those excluded from his circle, he represented either favouritism and indulgence or the lost ideal of a patron in perfect collaboration with the authors he championed. As Gowers shows, Maecenas had and continues to have a unique cachet—in the fantasies that still surround the gardens, buildings and objects so tenuously associated with him; in literature, from Ariosto and Ben Johnson to Phillis Wheatley and W. B. Yeats; and in philanthropy, where his name has been surprisingly adaptable to more democratic forms of patronage.
Medieval Islamic Civilization by Josef W. Meri Pdf
Examines the socio-cultural history of the regions where Islam took hold between the 7th and 16th century. This two-volume work contains 700 alphabetically arranged entries, and provides a portrait of Islamic civilization. It is of use in understanding the roots of Islamic society as well to explore the culture of medieval civilization.
Early Islamic Poetry and Poetics by Suzanne Pinckney Stetkevych Pdf
This volume brings together a set of key studies on classical Arabic poetry (ca. 500-1000 C.E.), published over the last thirty-five years; the individual articles each deal with a different approach, period, genre, or theme. The major focus is on new interpretations of the form and function of the pre-eminent classical poetic genre, the polythematic qasida, or Arabic ode, particularly explorations of its ritual, ceremonial and performance dimensions. Other articles present the typology and genre characteristics of the short monothematic forms, especially the lyrical ghazal and the wine-poem. After thus setting out the full poetic genres and their structures, the volume turns in the remaining studies to the philological, rhetorical, stylistic and motival elements of classical Arabic poetry, in their etymological, symbolic, historical and comparatist dimensions. Suzanne Pinckney Stetkevych's Introduction places the articles within the context of the major critical and methodological trajectories of the field and in doing so demonstrates the increasing integration of Arabic literary studies into contemporary humanistic scholarship. The Selected Bibliography complements the Introduction and the Articles to offer the reader a full overview of the past generation of Western literary and critical scholarship on classical Arabic poetry.
Eastward Bound looks at travel and travelers in the medieval period. An international range of distinguished contributors offer discussions on a wide range of themes, from the experiences of Crusaders on campaign, to the lives of pilgrims, missionaries and traders in the Middle East. It examines their modes of travel, equipment and methods of navigation, and considers their expectations and experiences en route. The contributions also look at the variety of motives--public and private--behind the decision to travel eastwards. Other essays discuss the attitudes of Middle-Eastern rulers to their visitors. In so doing they provide a valuable perspective and insight into the behavior of the Europeans and non-Europeans alike.
A Day in a Working Life [3 volumes] by Gary Westfahl Pdf
Ideal for high school and college students studying history through the everyday lives of men and women, this book offers intriguing information about the jobs that people have held, from ancient times to the 21st century. This unique book provides detailed studies of more than 300 occupations as they were practiced in 21 historical time periods, ranging from prehistory to the present day. Each profession is examined in a compelling essay that is specifically written to inform readers about career choices in different times and cultures, and is accompanied by a bibliography of additional sources of information, sidebars that relate historical issues to present-day concerns, as well as related historical documents. Readers of this work will learn what each profession entailed or entails on a daily basis, how one gained entry to the vocation, training methods, and typical compensation levels for the job. The book provides sufficient specific detail to convey a comprehensive understanding of the experiences, benefits, and downsides of a given profession. Selected accompanying documents further bring history to life by offering honest testimonies from people who actually worked in these occupations or interacted with those in that field.
This book is a direct window onto the workshop of Abū Manṣūr al-Thaʿālibī (350–429/961–1039), an anthologist from the second half of the fourth/tenth century, and focuses on the making of his magnum opus, Yatīmat al-dahr, and its sequel, Tatimmat al-Yatīma.
The Princeton Encyclopedia of Islamic Political Thought by Gerhard Bowering,Patricia Crone,Wadad Kadi,Mahan Mirza,Devin J. Stewart,Muhammad Qasim Zaman Pdf
"In 2012, the year 1433 of the Muslim calendar, the Islamic population throughout the world was estimated at approximately a billion and a half, representing about one-fifth of humanity. In geographical terms, Islam occupies the center of the world, stretching like a big belt across the globe from east to west."--P. vii.
The Poetics of Islamic Legitimacy by Suzanne Pinckney Stetkevych Pdf
"... transcends the realm of literature and poetic criticism to include virtually every field of Arabic and Islamic studies." -- Roger Allen Throughout the classical Arabic literary tradition, from its roots in pre-Islamic Arabia until the end of the Golden Age in the 10th century, the courtly ode, or qasida, dominated other poetic forms. In The Poetics of Islamic Legitimacy, Suzanne Stetkevych explores how this poetry relates to ceremony and political authority and how the classical Arabic ode encoded and promoted a myth and ideology of legitimate Arabo-Islamic rule. Beginning with praise poems to pre-Islamic Arab kings, Stetkevych takes up poetry in praise of the Prophet Mohammed and odes addressed to Arabo-Islamic rulers. She explores the rich tradition of Arabic praise poems in light of ancient Near Eastern rites and ceremonies, gender, and political culture. Stetkevych's superb English translations capture the immediacy and vitality of classical Arabic poetry while opening up a multifaceted literary tradition for readers everywhere.
Articulating the Ḥijāba: Cultural Patronage and Political Legitimacy in al-Andalus by Mariam Rosser-Owen Pdf
In Articulating the Ḥijāba, Mariam Rosser-Owen analyses for the first time the artistic and cultural patronage of the ‘Amirid regents of the last Cordoban Umayyad caliph, Hisham II, a period rarely covered in the historiography of al-Andalus. Al-Mansur, the founder of this dynasty, is usually considered a usurper of caliphal authority, who pursued military victory at the expense of the transcendental achievements of the first two caliphs. But he also commissioned a vast extension to the Great Mosque of Cordoba, founded a palatine city, conducted skilled diplomatic relations, patronised a circle of court poets, and owned some of the most spectacular objects to survive from al-Andalus, in ivory and marble. This study presents the evidence for a reconsideration of this period.
