Patterns Of Evolution In Nineteenth Century French Poetry
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Patterns of evolution in nineteenth-century French poetry by Rosemary Lloyd,Lawrence J. Watson Pdf
This book comprises a collection of papers given at the international colloquium Le Parnasse: Preparations et Prolongements held at Cambridge University in September 1988 under the presidency of Claude Pichois.
Historical Dictionary of French Literature by John Flower Pdf
With the possible exception of Great Britain, France can justifiably lay claim to possess the richest literary history of any country in Western Europe. This book covers the authors and their works, literary movements, and philosophical and social developments that have had a direct impact on style or content, and major historical events such as the two world wars, the Franco-Prussian War, the Algerian War, or the events of May 1968 that are directly reflected in a substantial body of imaginative writing. Historical Dictionary of French Literature, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 500 cross-referenced entries on individual writers and key texts, significant movements, groups, associations, and periodicals, and on the literary reactions to major national and international events such as revolutions and wars. This book is an excellent resource for students, researchers, and anyone wanting to know more about French literature.
Crossroad of Arts, Crossroad of Cultures by Maria Rubins Pdf
Crossroad of Arts, Crossroad of Cultures is the first book-length study of the aesthetic similarities between the French Parnassians, a 19th-century group of poets led by Théophile Gautier, and the Russian Acmeist poets, including Osip Mandelstam and Anna Akhmatova, who were active in the second decade of the 20th century. The Acmeists shared with the Parnassians a classical sensibility, an aspiration to state-of-the-art verbal craftsmanship, and a keen interest in the three-dimensional, physical world. Their love of plastic beauty as embodied in painting, sculpture, and architecture found natural release in verse about works of art. The book shows how Acmeist texts document aspects of Russian Modernist culture while continuing the Parnassian tradition of poetry inspired by visual art.
Theodore de Banville (1823-1891) was a prolific poet, dramatist, critic and prose fiction writer whose significant contribution to poetic and aesthetic debates in nineteenth-century France has long been overlooked. Despite his profound influence on major writers such as Baudelaire, Rimbaud, Verlaine and Mallarme, Banville polarised critical opinion throughout his fifty-year career. While supporters championed him as a virtuoso of French verse, many critics dismissed his formal pyrotechnics, effervescent rhythms and extravagant rhymes as mere clowning. This book explores how Banville's remarkably coherent body of verse theory and practice, full of provocative energy and mischievous humour, shaped debates about poetic value and how to identify it during a period of aesthetic uncertainty caused by diverse social, economic, political and artistic factors. It features a detailed new reading of Banville's most infamous and misunderstood text, the Petit Traitede poesie francaise, as well as extended analyses of verse collections such as Les Stalactites, Odes funambulesques, Les Exiles, Trente-six Ballades and Rondels, illuminated by wide reference to Banville's plays, fiction and journalism. Evans elucidates not only aesthetic tensions at the heart of nineteenth-century French verse, but also a centuries-old tension between verse mechanisms and an unquantifiable, mysterious and elusive poeticity which emerges as one of the defining narratives of poetic value from the Middle Ages, via the Grands Rhetoriqueurs and Dada, to the experiments of the OuLiPo and beyond.
Upon his death in 1898, the French Symbolist poet Stephane Mallarmé (b. 1842) left behind a body of published work which though modest in quantity was to have a seminal influence on subsequent poetry and aesthetic theory. He also enjoyed an unparalleled reputation for extending help and encouragement to those who sought him out. Rosemary Lloyd has produced a fascinating literary biography of the poet and his period, offering a subtle exploration of the mind and letters of one of the giants of modern European poetry.Every Tuesday, from the late 1870s on, Mallarmé hosted gatherings that became famous as the "Mardis" and that were attended by a cross section of significant writers, artists, thinkers, and musicians in fin-de-siecle France, England, and Belgium. Through these gatherings and especially through a voluminous correspondence—eventually collected in eleven volumes—Mallarmé developed and recorded his friendships with Paul Valery, Andre Gide, Berthe Morisot, and many others. Attractively written and scrupulously documented, Mallarme: The Poet and His Circle is unique in offering a biographical account of the poet's literary practice and aesthetics which centers on that correspondence.
In a narrative gracefully combining intellectual and cultural history, Richard Cándida Smith unfolds the legacy of Stéphane Mallarmé (1842-1898), the poet who fathered the symbolist movement in poetry and art. The symbolists found themselves in the midst of the transition to a world in which new media devoured cultural products and delivered them to an ever-growing public. Their goal was to create and oversee a new elite culture, one that elevated poetry by removing it from a direct relationship to experience. Instead, symbolist poetry was dedicated to exploring discourse itself, and its practitioners to understanding how language shapes consciousness. Cándida Smith investigates the intellectual context in which symbolists came to view artistic practice as a form of knowledge. He relates their work to psychology, especially the ideas of William James, and to language and the emergence of semantics. Through the lens of symbolism, he focuses on a variety of subjects: sexual liberation and the erotic, anarchism, utopianism, labor, and women's creative role. Paradoxically, the symbolists' reconfiguration of elite culture fit effectively into the modern commercial media. After Mallarmé was rescued from obscurity, symbolism became a valuable commodity, exported by France to America and elsewhere in the market-driven turn-of-the-century world. Mallarmé's Children traces not only how poets regarded their poetry and artists their art but also how the public learned to think in new ways about cultural work and to behave differently as a result.
Envy, Rosemary Lloyd says, involves what one would like to have but does not; jealousy, what one has but fears losing. Lloyd demonstrates in Closer and Closer Apart how the passion unleashed by jealousy can illuminate such concepts as self and other, gender and society. Jealousy, in her view, exerts a powerful attraction in literature, partly because it distorts the individual's perceptions of the other in highly productive ways, and partly because it serves as paradigms for reading and for storytelling. In this accessible and elegantly crafted book, Lloyd explores sexual jealousy more as a literary devise than as a literary theme. She draws her examples from novels, plays, and poetry spanning many years and from many countries, mainly nineteenth- and twentieth-century France and England but also Russia, Poland, Germany, Italy, the United States, Canada, and Australia. Among the writers she treats are Proust, Tolstoy, Dostoyevsky, Charlotte Brontë, Trollope, Barthes, and Baudelaire. After discussing various portraits of the jealous lover, Lloyd asks to what extent the literary experience of jealousy has been colored by conventional images of male and female roles. She also examines the ways in which the jealous lover deals with the "other"—whether beloved or rival. Finally, she looks at jealousy as a desire for control, represented through images of incorporation and possession.
Japan, France, and East-West Aesthetics by Jan Hokenson Pdf
Japan, France is the first comprehensive history of the idea of Japan in France, as tracked through close readings of canonical French writers and thinkers from the 1860s to the present. The focus is literary and intellectual, the context cultural. The discovery of Japanese woodblock prints in Paris, following the opening of Japan to the West in 1854, was a startling aesthetic encounter that played a crucial role in the Impressionists' and Post-Impressionists' invention of Modernism. French writers also experimented with Japanese aesthetics in their own work, in ways that similarly thread into the foundations of literary Modernism. Japonisme (the practice of adapting Japanese aesthetics to creative work in the West) became a sustained French tradition, in texts by such writers as Zola and Proust through Barthes and Bonnefoy. Each generation discovered new Japanese arts and genres, commented on the work of their predecessors in this vein, and broke still more ground in East-West aesthetics to innovate in the forms of Western literature and thought. To read literary history in this way unsettles Eurocentric assumptions about many of the French writers who are commonly considered the
Winner of the SCMLA 2017 Book Award Beginning in the late nineteenth century, French visual artists began incorporating Japanese forms into their work. The style, known as Japonisme, spanned the arts. Identifying a general critical move from a literal to a more metaphoric understanding and presentation of Japonisme, Pamela A. Genova applies a theory of "aesthetic translation" to a broad response to Japanese aesthetics within French culture. She crosses the borders of genre, field, and form to explore the relationship of Japanese visual art to French prose writing of the mid- to late 1800s. Writing Japonisme focuses on the work of Edmond de Goncourt, Joris-Karl Huysmans, Émile Zola, and Stéphane Mallarmé as they witnessed, incorporated, and participated in an unprecedented cultural exchange between France and Japan, as both creators and critics. Genova’s original research opens new perspectives on a fertile and influential period of intercultural dynamics.
Rhythm, Illusion and the Poetic Idea: Baudelaire, Rimbaud, Mallarmé by David Evans Pdf
Rhythm, Illusion and the Poetic Idea explores the concept of rhythm and its central yet problematic role in defining modern French poetry. Forging innovative lines of inquiry linking the detailed analysis of poetic form to the evolution of fundamental aesthetic principles, David Evans offers extensive new readings of the literary and critical writings of the three major poets at the centre of France’s most important poetic revolution. The volume is of interest to all students and readers of Baudelaire, Rimbaud and Mallarmé, since here is presented for the first time a thorough comparative study of developments in each writer’s poetic form and theory, focusing on the themes of illusion, deception and the musical metaphor. The book is also intended to stimulate wider critical debate on the interpretation of metrical verse, prose poetry and vers libre, and offers original analytical methods which facilitate the study of poetic form. The author proposes a radical shift in our understanding of the role and mechanisms of poetic rhythm, suggesting that its very resistance to definition and fixity provides a conveniently opaque veil over the difficulties of defining poetry in the nineteenth and twentieth centuries.
Historical Dictionary of Romanticism in Literature by Paul Varner Pdf
The Historical Dictionary of Romanticism in Literature provides a large overview of the Romantic Movement that seemed at the time to have swept across Europe from Russia to Germany and France, to Britain, and across the Atlantic to the United States. The Romantics saw themselves as inaugurating a new era. They frequently referred to themselves or their contemporaries as Romantics and their art as Romantic. From the early stirrings in Germany, to the last decade of the eighteenth century in England with the political radicals and the Lake Poets, to the Transcendental Club in Massachusetts, the leaders of the age acknowledged their new Romantic attitudes. This volume takes a close and comprehensive look at romanticism in literature through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 800 cross-referenced entries on the writers and the poems, novels, short stories and essays, plays, and other works they produced; the leading trends, techniques, journals, and literary circles and the spirit of the times are also covered. This book is an excellent access point for students, researchers, and anyone wanting to know more romanticism in literature.
Author : Heather Williams Publisher : Peter Lang Page : 184 pages File Size : 41,8 Mb Release : 2004 Category : Foreign Language Study ISBN : 3039101625
Mallarmé's Ideas in Language by Heather Williams Pdf
In this book, the author discusses the sheer improbability of Mallarmé's joint concern with concepts, or ideas, on the one hand, and with language as it behaves within the constraints of poetic convention on the other.
This first comparative study of the Symbolist use of myth in France, Germany, and Russia closely examines a selected range of poetic and pictorial works created between c. 1860 and 1910. The focus of the discussion is on a constellation of five artists, linked by a complex network of influences: Gustave Moreau, José-Maria de Heredia, and Jean Moréas (France); Stefan George (Germany); and Valerii Bryusov (Russia). By analysing myth in painting and poetry, the book gives a new insight into the significance of heroic and aesthetic ideals in late nineteenth- and early twentieth-century European culture. International and interdisciplinary in its comparative approach, the study reassesses the distinction between Symbolism and Decadence by shedding new light on the role of myth within the paradoxical interaction of classical and modernist values in Symbolist art. In the course of the argument, Symbolist mythological art emerges as a significant link between the cultural heritage of classical Greece and the creative agonies of twentieth-century European society. The book will appeal not only to scholars of literature and art, but also to a wider academic public concerned with cross-cultural transaction in Europe.
Nineteenth-century French Poets by Robert Lawrence Beum Pdf
Essays on French poets during a vital and prolific era. Covers Romanticism, lyricism, Ultraroyalisme and Eclaircissement, the Parnassians, Decadents, symbolists, intimistes and realists, as well as the proliferation of poetic sects aligned with major idioms, in many cases incorporating something from each other.
Nineteenth-Century French Poetry by Christopher Prendergast Pdf
This volume of essays, written by scholars from a wide range of critical and theoretical viewpoints, presents a fresh approach to the study of nineteenth-century French poetry. Each of the eleven essays, on different poets from Lamartine to Mallarmé and Laforgue, focuses on the detailed organisation of a single poem. The method of close reading has been adopted in order to effect an introduction to the analysis of the 'basics' of poetic language (sound, metre, syntax, etc.), and in order to explore and illustrate some of the claims and arguments about poetry arising from developments in the prevailing literary theory. Theoretical positions are posed and tested in the terms of practical analysis and interpretation. Christopher Prendergast's introduction to the volume situates the essays in a series of general perspectives and contexts, and Clive Scott has provided an appendix on French versification.