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Author : Chengbei Xu
Publisher : Cambridge University Press
Page : 139 pages
File Size : 46,6 Mb
Release : 2012-03-09
Category : History
ISBN : 9780521188210
Peking Opera provides a comprehensive illustrated introduction to the origins and development of this unique performance art.
Author : Tan See Kam
Publisher : Hong Kong University Press
Page : 256 pages
File Size : 47,8 Mb
Release : 2016-05-01
Category : Performing Arts
ISBN : 9789888208869
Part historical drama, part thriller, and part comedy, Tsui Hark's Peking Opera Blues (1986) invites--if not demands--examinations from multiple perspectives. Tan See Kam rises to the challenge in this study by first situating Tsui in a Sinophone context. The diasporic director explores different dimensions of "Chineseness" in the film by depicting competing versions of Chinese nationalism and presenting characters speaking two Chinese languages, Cantonese and Mandarin. In the process he compels viewers to recognize the multiplicities of the Chinese identity and rethink what constitutes cultural Chineseness. The challenge to a single definition of "Chinese" is also embodied by the playful pastiches of diverse materials. In a series of intertextual readings, Tan reveals the full complexity of Peking Opera Blues by placing it at the center of a web of texts consisting of Tsui's earlier film Shanghai Blues (1984), Hong Kong's Mandarin Canto-pop songs, the "three-women" films in Chinese-language cinemas, and of course, traditional Peking opera, whose role-types, makeup, and dress code enrich the meaning of the film. In Tan's portrayal, Tsui Hark is a filmmaker who makes masterly use of postmodernist techniques to address postcolonial concerns. More than a quarter of a century after its release, Tan shows, Peking Opera Blues still reverberates in the present time.
Author : Nancy Guy
Publisher : University of Illinois Press
Page : 254 pages
File Size : 43,7 Mb
Release : 2005
Category : Operas, Chinese
ISBN : 9780252029738
Peking Opera and Politics in Taiwan tells the peculiar story of an art caught in a sea of ideological ebbs and flows. Nancy Guy demonstrates the potential significance of the political environment for an art form's development, ranging from determining the smallest performative details (such as how a melody can or cannot be composed) to whether a tradition ultimately thrives or withers away.When Chiang Kai-shek's Nationalist government and military retreated to Taiwan in 1949, they brought along numerous Peking opera performers. Expecting that this symbolically important art would strengthen regime legitimacy and authority, they generously supported Peking opera's perpetuation in exile. Valuing mainland Chinese culture above Taiwanese culture, the Nationalists generously supported Peking opera to the virtual exclusion of local performing traditions, despite their wider popularity. Later, as Taiwan turned toward democracy, the island's own "indigenous" products became more highly valued and Peking opera found itself on a tenuous footing. Finally, in 1995, all of its opera troupes and schools (formerly supported by the Ministry of Defense) were dismantled.Nancy Guy investigates the mechanisms through which Peking Opera was perpetuated, controlled, and ultimately disempowered, and explores the artistic and political consequences of the state's involvement as its primary patron. Her study provides a unique perspective on the interplay between ideology and power within Taiwan's dynamic society.Nancy Guy is an associate professor of music at the University of California, San Diego.
Author : Chengbei Xu
Publisher : Unknown
Page : 130 pages
File Size : 52,6 Mb
Release : 2017
Category : Electronic
ISBN : 7508537238
Author : David Rolston
Publisher : BRILL
Page : 817 pages
File Size : 42,8 Mb
Release : 2021-08-09
Category : History
ISBN : 9789004463394
What was the most influential mass medium in China before the internet reaching both literate and illiterate audiences? The answer may surprise you...it’s Jingju (Peking opera). This book traces the tradition’s increasing textualization and the changes in authorship, copyright, performance rights, and textual fixation that accompanied those changes.
Author : Wander Stories
Publisher : WanderStories
Page : 128 pages
File Size : 43,5 Mb
Release : 2014-10-14
Category : Travel
ISBN : 9789949516858
Dear Traveler, Welcome to the WanderStories™ guide to Peking opera. We, at WanderStories™, are storytellers. We don’t tell you where to eat or sleep, we don’t intend to replace a typical travel reference guide. Our mission is to be the best local guide that you would wish to have by your side when visiting the sights. So, we meet you at the sight and take you on a tour. WanderStories™ travel guides are unique because our storytelling style puts you alongside the best local guide who tells you fascinating stories and unusual facts recreating the passion and sacrifice that forged the beauty of these places right here in front of you, while a wealth of high quality photos, historic pictures, and illustrations brings your tour vividly to life. Our promise: • when you visit China with this travel guide you will have the best local guide at your fingertips • when you read this travel guide in the comfort of your armchair you will feel as if you are actually visiting China with the best local guide Let’s go! Your guide, WanderStories
Author : Alexandra B Bonds
Publisher : Routledge
Page : 632 pages
File Size : 43,9 Mb
Release : 2019-01-17
Category : Performing Arts
ISBN : 9781351380454
Beijing Opera Costumes: The Visual Communication of Character and Culture illuminates the links between theatrical attire and social customs and aesthetics of China, covering both the theory and practice of stage dress. Distinguishing attributes include an introduction to the performance style, the delineation of the costume conventions, an analysis of the costumes through their historical precedents and theatrical modifications, and the use of garment shape, color, and embroidery for symbolic effect. Practical information covers dressing the performers and a costume plot, the design and creation of the make-up and hairstyles, and pattern drafts of the major garments. Photographs from live performances, as well as details of embroidery, and close-up photographs of the headdresses thoroughly portray the stunning beauty of this incomparable performance style. Presenting the brilliant colors of the elaborately embroidered silk costumes together with the intricate makeup and glittering headdresses, this volume embodies the elegance of the Beijing opera.
Author : Joshua Goldstein
Publisher : Univ of California Press
Page : 384 pages
File Size : 46,8 Mb
Release : 2007-01-14
Category : Music
ISBN : 9780520247529
Describes the formation of the Peking opera in late Qing and its subsequent rise and re-creation as the epitome of the Chinese national culture in Republican era China. This book looks into the lives of some of the opera's key actors, and explores their methods for earning a living, and their status in an ever-changing society.
Author : Colin Mackerras
Publisher : Oxford University Press, USA
Page : 104 pages
File Size : 50,8 Mb
Release : 1997
Category : Architecture
ISBN : UOM:39015045627828
Born in the grandeur of the Qing dynasty, Peking Opera is known the world over for its lively music, colourful costumes, and thrilling displays of acrobatic prowess. Although reflective of the many changes that have occurred in Chinese society, Peking Opera today retains the drama and action that have charmed generations of audiences. Peking Opera's success rests on a fine integration of performance, plotting, and music. This illustrated introduction traces the developments of the genre from its roots in Chinese folk and high-art dramas to its situation in the present day. It features explanations of the opera's common character types, short descriptions of selected pieces, and discussions of the common stage settings and music that support the performance art.
Author : Ruru Li
Publisher : Hong Kong University Press
Page : 369 pages
File Size : 52,6 Mb
Release : 2010-05-01
Category : Performing Arts
ISBN : 9789622099951
"This book will act as a powerful introduction to the story of Beijing Opera over the course of the twentieth century with a particularly strong emphasis on the Communist period and its influence on contemporary performance. Using excellent oral history research and with a strong focus on practice and performance techniques, Li Ruru places the genre in both its historical and global context: not a timeless Chinese tradition, but a product of China's turbulent twentieth century and the global interactions that were a key part of that history." Henrietta Harrison, Harvard University "This meticulously researched and colourful account of the highly complex performance form, jingju, will be of interest to a wide constituency of theatre scholars and cultural historians. Writing from the unique dual perspective of`insider/practitioner' and academic, Li Ruru deftly weaves oral and cultural histories together with detailed performance analyses, including a fascinating chapter on the secrets of jingju training. This book promises to raise significantly the profile of this Chinese total theatre for English-speaking audiences."Jonathan Pitches, founding co-editor of Theatre, Dance and Performance Training "Li Ruru's unique and valuable perspective combines the critical eye of the imaginative researcher with the intimate perspective of a true jingju insider-the daughter of one of the twentieth century's leading female performers. Impeccably researched, passionate and personal, this aptly titled book provides readers with an exciting and thought provoking look at jingju history and performance practice through its focus on the lives and work of six controversial leading artists." Elizabeth Wichmann-Walczak, University of Hawai'i at Manoa Any traditional theatre has to engage the changing world to avoid becoming a living fossil. How has Beijing Opera --- a highly stylized theatre with breath-taking acrobatics and martial arts, fabulous costumes and striking makeup --- survived into the new millennium while coping with a century of great upheavals and competition from new entertainment forms? Li Ruru's The Soul of Beijing Opera answers that question, looking at the evolution of singing and performance styles, make-up and costume, audience demands, as well as stage and street presentation modes amid tumultuous social and political changes. Li's study follows a number of major artists' careers in mainland China and Taiwan, drawing on extensive primary print sources as well as personal interviews with performers and their cultural peers. One chapter focuses on the illustrious career of Li's own mother and how she adapted to changes in Communist ideology. In addition, she explores how performers as social beings have responded to conflicts between tradition and modernity, and between convention and innovation. Through performers' negotiation and compromises. Beijing Opera has undergone constant re-examination of its inner artistic logic and adjusted to the demands of the external world.
Author : Red Earth
Publisher : Unknown
Page : 48 pages
File Size : 51,9 Mb
Release : 2018-11-13
Category : Electronic
ISBN : 1731274947
Peking Opera is recognized as one of the most representative of Chinese art; Peking Opera Mask is a special makeup method with Chinese cultural characteristics. Since each historical character or a certain type of character has a pattern, just like singing and playing, you have to follow the mode, it is called "facial painting"."Beijing Opera Mask 1" is the basic introduction to the facial painting series of books, including:◎ 9 kinds of "the color of facial painting"◎ 4 kinds of "Beijing opera roles" ◎ 3 kinds of "Skills in drawing Beijing Opera facial paintings"◎Selected 20 kinds of "historical figure" coloringThrough simple guidance and hands-on portrayal, you will be able to appreciate the fun of Peking Opera's facial painting and at the same time be closer to the wonderful Chinese art.(If you want to know the color of facial painting, we also have URL for your reference)
Author : William H. Nienhauser
Publisher : Indiana University Press
Page : 1108 pages
File Size : 53,8 Mb
Release : 1986
Category : Literary Collections
ISBN : 0253329833
"A vertitable feast of concise, useful, reliable, and up-to-dateinformation (all prepared by top scholars in the field), Nienhauser's now two-volumetitle stands alone as THE standard reference work for the study of traditionalChinese literature. Nothing like it has ever been published." --Choice The second volume to The Indiana Companion to TraditionalChinese Literature is both a supplement and an update to the original volume. VolumeII includes over 60 new entries on famous writers, works, and genres of traditionalChinese literature, followed by an extensive bibliographic update (1985-1997) ofeditions, translations, and studies (primarily in English, Chinese, Japanese, French, and German) for the 500+ entries of Volume I.
Author : Kang-i Sun Chang,Stephen Owen
Publisher : Cambridge University Press
Page : 830 pages
File Size : 53,8 Mb
Release : 2010
Category : Chinese literature
ISBN : 0521855594
Stephen Owen is James Bryant Conant Professor of Chinese at Harvard University. --Book Jacket.
Author : Laikwan Pang
Publisher : University of Hawaii Press
Page : 264 pages
File Size : 53,8 Mb
Release : 2007-10-31
Category : History
ISBN : 9780824830939
The Distorting Mirror analyzes the multiple and complex ways in which urban Chinese subjects saw themselves interacting with the new visual culture that emerged during the turbulent period between the 1880s and the 1930s. The media and visual forms examined include lithography, photography, advertising, film, and theatrical performances. Urbanites actively engaged with and enjoyed this visual culture, which was largely driven by the subjective desire for the empty promises of modernity—promises comprised of such abstract and fleeting concepts as new, exciting, and fashionable. Detailing and analyzing the trajectories of development of various visual representations, Laikwan Pang emphasizes their interactions. In doing so, she demonstrates that visual modernity was not only a combination of independent cultural phenomena, but also a partially coherent sociocultural discourse whose influences were seen in different and collective parts of the culture. The work begins with an overall historical account and theorization of a new lithographic pictorial culture developing at the end of the nineteenth century and an examination of modernity’s obsession with the investigation of the real. Subsequent chapters treat the fascination with the image of the female body in the new visual culture; entertainment venues in which this culture unfolded and was performed; how urbanites came to terms with and interacted with the new reality; and the production and reception of images, the dynamics between these two being a theme explored throughout the book. Modernity, as the author shows, can be seen as spectacle. At the same time, she demonstrates that, although the excessiveness of this spectacle captivated the modern subject, it did not completely overwhelm or immobilize those who engaged with it. After all, she argues, they participated in and performed with this ephemeral visual culture in an attempt to come to terms with their own new, modern self.
Author : Andrea Goldman
Publisher : Stanford University Press
Page : 387 pages
File Size : 41,7 Mb
Release : 2013-12-10
Category : History
ISBN : 9780804782623
In late imperial China, opera transmitted ideas across the social hierarchy about the self, family, society, and politics. Beijing attracted a diverse array of opera genres and audiences and, by extension, served as a hub for the diffusion of cultural values. It is in this context that historian Andrea S. Goldman harnesses opera as a lens through which to examine urban cultural history. Her meticulous yet playful account takes up the multiplicity of opera types that proliferated at the time, exploring them as contested sites through which the Qing court and commercial playhouses negotiated influence and control over the social and moral order. Opera performance blurred lines between public and private life, and offered a stage on which to act out gender and class transgressions. This work illuminates how the state and various urban constituencies manipulated opera to their own ends, and sheds light on empire-wide transformations underway at the time.