Perception And Cognition Of Music

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Perception And Cognition Of Music

Irene Deliege,John A. Sloboda
Perception And Cognition Of Music Book PDF

Author : Irene Deliege,John A. Sloboda
Publisher : Psychology Press
Page : 523 pages
File Size : 46,9 Mb
Release : 2004-08-02
Category : Psychology
ISBN : 9781135472238

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Perception And Cognition Of Music by Irene Deliege,John A. Sloboda Pdf

This text comprises of reviews of work relating to music and mind. It presents a range of approaches from the psychological through the computational, to the musicological. The reviews were selected from papers submitted at the Third International Conference on Music Perception and Cognition Liege 1994 to illustrate the wide range of perspectives now being adopted in studying how humans make and respond to music. The book is divided ino five sections. The first part illustrates the role of analysis and ethnomusicology in understanding cultural determinants of musical behaviour. The second part charts what is known about aquisition of musical competence, from pre-birth through to the expert performer. The evidence accumulated about specific areas of the brain which control musical thinking and behaviour is examined in Part Three. The fourth part examines how neurological, behavioural and artificial intelligence approaches are converging to shed light on processes in auditory perception. Finally, Part Five highlights the important developments in how we conceptualize the way in which musical structures are represented in the mind.

Music Perception

Mari Riess Jones,Richard R. Fay,Arthur N. Popper
Music Perception Book PDF

Author : Mari Riess Jones,Richard R. Fay,Arthur N. Popper
Publisher : Springer Science & Business Media
Page : 264 pages
File Size : 54,6 Mb
Release : 2010-08-17
Category : Medical
ISBN : 9781441961143

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Music Perception by Mari Riess Jones,Richard R. Fay,Arthur N. Popper Pdf

The Springer Handbook of Auditory Research presents a series of comprehensive and synthetic reviews of the fundamental topics in modern auditory research. The v- umes are aimed at all individuals with interests in hearing research including advanced graduate students, post-doctoral researchers, and clinical investigators. The volumes are intended to introduce new investigators to important aspects of hearing science and to help established investigators to better understand the fundamental theories and data in fields of hearing that they may not normally follow closely. Each volume presents a particular topic comprehensively, and each serves as a synthetic overview and guide to the literature. As such, the chapters present neither exhaustive data reviews nor original research that has not yet appeared in pe- reviewed journals. The volumes focus on topics that have developed a solid data and conceptual foundation rather than on those for which a literature is only beg- ning to develop. New research areas will be covered on a timely basis in the series as they begin to mature.

Psychology of Music

Diana Deutsch
Psychology of Music Book PDF

Author : Diana Deutsch
Publisher : Elsevier
Page : 542 pages
File Size : 49,7 Mb
Release : 2013-10-22
Category : Music
ISBN : 9781483292731

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Psychology of Music by Diana Deutsch Pdf

The Psychology of Music draws together the diverse and scattered literature on the psychology of music. It explores the way music is processed by the listener and the performer and considers several issues that are of importance both to perceptual psychology and to contemporary music, such as the way the sound of an instrument is identified regardless of its pitch or loudness, or the types of information that can be discarded in the synthetic replication of a sound without distorting perceived timbre. Comprised of 18 chapters, this book begins with a review of the classical psychoacoustical literature on tone perception, focusing on characteristics of particular relevance to music. The attributes of pitch, loudness, and timbre are examined, and a summary of research methods in psychoacoustics is presented. Subsequent chapters deal with timbre perception; the subjective effects of different sound fields; temporal aspects of music; abstract structures formed by pitch relationships in music; different tests of musical ability; and the importance of abstract structural representation in understanding how music is performed. The final chapter evaluates the relationship between new music and psychology. This monograph should be a valuable resource for psychologists and musicians.

Psychology of Music

Siu-Lan Tan,Peter Pfordresher,Rom Harré
Psychology of Music Book PDF

Author : Siu-Lan Tan,Peter Pfordresher,Rom Harré
Publisher : Routledge
Page : 350 pages
File Size : 48,9 Mb
Release : 2017-11-02
Category : Psychology
ISBN : 9781317299776

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Psychology of Music by Siu-Lan Tan,Peter Pfordresher,Rom Harré Pdf

In Psychology of Music: From Sound to Significance (2nd edition), the authors consider music on a broad scale, from its beginning as an acoustical signal to its different manifestations across cultures. In their second edition, the authors apply the same richness of depth and scope that was a hallmark of the first edition of this text. In addition, having laid out the topography of the field in the original book, the second edition puts greater emphasis on linking academic learning to real-world contexts, and on including compelling topics that appeal to students’ natural curiosity. Chapters have been updated with approximately 500 new citations to reflect advances in the field. The organization of the book remains the same as the first edition, while chapters have been updated and often expanded with new topics. 'Part I: Foundations' explores the acoustics of sound, the auditory system, and responses to music in the brain. 'Part II: The Perception and Cognition of Music' focuses on how we process pitch, melody, meter, rhythm, and musical structure. 'Part III: Development, Learning, and Performance' describes how musical capacities and skills unfold, beginning before birth and extending to the advanced and expert musician. And finally, 'Part IV: The Meaning and Significance of Music' explores social, emotional, philosophical and cultural dimensions of music and meaning. This book will be invaluable to undergraduates and postgraduate students in psychology and music, and will appeal to anyone who is interested in the vital and expanding field of psychology of music.

Musical Perceptions

Annette Aiello
Musical Perceptions Book PDF

Author : Annette Aiello
Publisher : Neuroscience
Page : 290 pages
File Size : 53,8 Mb
Release : 1994
Category : Language Arts & Disciplines
ISBN : 0195064763

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Musical Perceptions by Annette Aiello Pdf

This introduction to the perception and cognition of music has been designed for both psychology and music students. The chapters are prefaced by editorial comments that give readers a background to the research discussed by the contributors.

Music Cognition

W. Jay Dowling,J. L. Harwood
Music Cognition Book PDF

Author : W. Jay Dowling,J. L. Harwood
Publisher : Academic Press
Page : 258 pages
File Size : 44,9 Mb
Release : 1986-01-11
Category : Music
ISBN : 0122214307

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Music Cognition by W. Jay Dowling,J. L. Harwood Pdf

Academic Press Series in Cognition and Perception: A Series of Monographs and Treatises: Music Cognition focuses on the perception and cognition of music. The book first elaborates on the sense and perception of sound and timbre, consonance, and dissonance. Discussions focus on timbre, consonance and dissonance, sound waves, loudness, localization, music materials, music, cognition, and culture. The text then takes a look at musical scales and melody, including memory for melodic features, scales in other cultures, absolute pitch, Western scales and equal temperament, and alternative accounts. The manuscript ponders on melodic organization, rhythm and organization of time, emotion, and meaning, and cultural contexts of musical experience. Topics include function of music in society, description from within cultures, a cognitive theory of emotion, temporal experience, perception of rhythm, and cross-cultural studies. The book is a dependable reference for music experts and researchers interested in music cognition.

Musical Cognition

Henkjan Honing
Musical Cognition Book PDF

Author : Henkjan Honing
Publisher : Routledge
Page : 167 pages
File Size : 51,5 Mb
Release : 2017-07-28
Category : Music
ISBN : 9781351504126

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Musical Cognition by Henkjan Honing Pdf

Why do people attach importance to the wordless language we call music? Musical Cognition suggests that music is a game. In music, our cognitive functions such as perception, memory, attention, and expectation are challenged; yet, as listeners, we often do not realize that the listener plays an active role in reaching the awareness that makes music so exhilarating, soothing, and inspiring. In reality, the author contends, listening does not happen in the outer world of audible sound, but in the inner world of our minds and brains.Recent research in the areas of psychology and neuro-cognition allows Henkjan Honing to be explicit in a way that many of his predecessors could not. His lucid, evocative writing style guides the reader through what is known about listening to music while avoiding jargon and technical diagrams. With clear examples, the book concentrates on underappreciated musical skills—sense of rhythm and relative pitch—skills that make people musical creatures. Research on how living creatures respond to music supports the conviction that all humans have a unique, instinctive attraction to music. Everyone is musical.Musical Cognition includes a selection of intriguing examples from recent literature exploring the role that an implicit or explicit knowledge of music plays when one listens to it. The scope of the topics discussed ranges from the ability of newborns to perceive a beat, to the unexpected musical expertise of ordinary listeners. The evidence shows that music is second nature to most human beings—biologically and socially. This paperback edition contains a new afterword that details cutting-edge research on musicality and language.

Foundations in Music Psychology

Peter Jason Rentfrow,Daniel J. Levitin
Foundations in Music Psychology Book PDF

Author : Peter Jason Rentfrow,Daniel J. Levitin
Publisher : MIT Press
Page : 961 pages
File Size : 50,9 Mb
Release : 2019-03-12
Category : Music
ISBN : 9780262039277

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Foundations in Music Psychology by Peter Jason Rentfrow,Daniel J. Levitin Pdf

A state-of-the-art overview of the latest theory and research in music psychology, written by leaders in the field. This authoritative, landmark volume offers a comprehensive state-of-the-art overview of the latest theory and research in music perception and cognition. Eminent scholars from a range of disciplines, employing a variety of methodologies, describe important findings from core areas of the field, including music cognition, the neuroscience of music, musical performance, and music therapy. The book can be used as a textbook for courses in music cognition, auditory perception, science of music, psychology of music, philosophy of music, and music therapy, and as a reference for researchers, teachers, and musicians. The book's sections cover music perception; music cognition; music, neurobiology, and evolution; musical training, ability, and performance; and musical experience in everyday life. Chapters treat such topics as pitch, rhythm, and timbre; musical expectancy, musicality, musical disorders, and absolute pitch; brain processes involved in music perception, cross-species studies of music cognition, and music across cultures; improvisation, the assessment of musical ability, and singing; and music and emotions, musical preferences, and music therapy. Contributors Fleur Bouwer, Peter Cariani, Laura K. Cirelli, Annabel J. Cohen, Lola L. Cuddy, Shannon de L'Etoile, Jessica A. Grahn, David M. Greenberg, Bruno Gingras, Henkjan Honing, Lorna S. Jakobson, Ji Chul Kim, Stefan Koelsch, Edward W. Large, Miriam Lense, Daniel Levitin, Charles J. Limb, Psyche Loui, Stephen McAdams, Lucy M. McGarry, Malinda J. McPherson, Andrew J. Oxenham, Caroline Palmer, Aniruddh Patel, Eve-Marie Quintin, Peter Jason Rentfrow, Edward Roth, Frank A. Russo, Rebecca Scheurich, Kai Siedenburg, Avital Sternin, Yanan Sun, William F. Thompson, Renee Timmers, Mark Jude Tramo, Sandra E. Trehub, Michael W. Weiss, Marcel Zentner

Selected Theories of Music Perception

Harold E. Fiske
Selected Theories of Music Perception Book PDF

Author : Harold E. Fiske
Publisher : Lewiston , N.Y. ; Queenston, Ont. : E. Mellen Press
Page : 192 pages
File Size : 51,7 Mb
Release : 1996
Category : Musical perception
ISBN : STANFORD:36105019481451

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Selected Theories of Music Perception by Harold E. Fiske Pdf

This study is an historical and philosophical analysis of eight major theories that concern music perception, cognition, and meaning. These theories, developed in the 20th century, are among those most often cited by the music psychology and philosophy research literature. Included are Carl Seashore's theory of musical inheritance, Information theory, Mary Louise Serafine's theory of music as thought, music cognition versus speech cognition, neural network and Connectionist theory, and the musical meaning and communication theories of Susanne Langer, Leonard Meyer, and Peter Kivy.

Music Cognition

W. Jay Dowling,J. L. Harwood
Music Cognition Book PDF

Author : W. Jay Dowling,J. L. Harwood
Publisher : Academic Press
Page : 258 pages
File Size : 42,7 Mb
Release : 1986-01-11
Category : Music
ISBN : 0122214307

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Music Cognition by W. Jay Dowling,J. L. Harwood Pdf

Academic Press Series in Cognition and Perception: A Series of Monographs and Treatises: Music Cognition focuses on the perception and cognition of music. The book first elaborates on the sense and perception of sound and timbre, consonance, and dissonance. Discussions focus on timbre, consonance and dissonance, sound waves, loudness, localization, music materials, music, cognition, and culture. The text then takes a look at musical scales and melody, including memory for melodic features, scales in other cultures, absolute pitch, Western scales and equal temperament, and alternative accounts. The manuscript ponders on melodic organization, rhythm and organization of time, emotion, and meaning, and cultural contexts of musical experience. Topics include function of music in society, description from within cultures, a cognitive theory of emotion, temporal experience, perception of rhythm, and cross-cultural studies. The book is a dependable reference for music experts and researchers interested in music cognition.

Musical Cognition

Henkjan Honing
Musical Cognition Book PDF

Author : Henkjan Honing
Publisher : Routledge
Page : 167 pages
File Size : 46,5 Mb
Release : 2017-12-04
Category : Music
ISBN : 9781351297349

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Musical Cognition by Henkjan Honing Pdf

Why do people attach importance to the wordless language we call music? Musical Cognition suggests that music is a game. In music, our cognitive functions such as perception, memory, attention, and expectation are challenged; yet, as listeners, we often do not realize that the listener plays an active role in reaching the awareness that makes music so exhilarating, soothing, and inspiring. In reality, the author contends, listening does not happen in the outer world of audible sound, but in the inner world of our minds and brains. Recent research in the areas of psychology and neuro-cognition allows Henkjan Honing to be explicit in a way that many of his predecessors could not. His lucid, evocative writing style guides the reader through what is known about listening to music while avoiding jargon and technical diagrams. With clear examples, the book concentrates on underappreciated musical skills-"sense of rhythm" and "relative pitch"-skills that make people musical creatures. Research on how living creatures respond to music supports the conviction that all humans have a unique, instinctive attraction to music. Everyone is musical. Musical Cognition includes a selection of intriguing examples from recent literature exploring the role that an implicit or explicit knowledge of music plays when one listens to it. The scope of the topics discussed ranges from the ability of newborns to perceive a beat, to the unexpected musical expertise of ordinary listeners. The evidence shows that music is second nature to most human beings-biologically and socially.

Music Cognition: The Basics

Henkjan Honing
Music Cognition The Basics Book PDF

Author : Henkjan Honing
Publisher : Routledge
Page : 198 pages
File Size : 54,8 Mb
Release : 2021-09-30
Category : Psychology
ISBN : 9781000451566

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Music Cognition: The Basics by Henkjan Honing Pdf

Why do people attach importance to the wordless language we call music? Music Cognition: The Basics considers the role of our cognitive functions, such as perception, memory, attention, and expectation in perceiving, making, and appreciating music. In this volume, Henkjan Honing explores the active role these functions play in how music makes us feel; exhilarated, soothed, or inspired. Grounded in the latest research in areas of psychology, biology, and cognitive neuroscience, and with clear examples throughout, this book concentrates on underappreciated musical skills such as sense of rhythm, beat induction, and relative pitch, that make people intrinsically musical creatures—supporting the conviction that all humans have a unique, instinctive attraction to music. The scope of the topics discussed ranges from the ability of newborns to perceive a beat, to the unexpected musical expertise of ordinary listeners. It is a must read for anyone studying the psychology of music, auditory perception, or simply interested in why we enjoy music the way we do.

Timbre: Acoustics, Perception, and Cognition

Kai Siedenburg,Charalampos Saitis,Stephen McAdams,Arthur N. Popper,Richard R. Fay
Timbre Acoustics Perception and Cognition Book PDF

Author : Kai Siedenburg,Charalampos Saitis,Stephen McAdams,Arthur N. Popper,Richard R. Fay
Publisher : Springer
Page : 389 pages
File Size : 55,7 Mb
Release : 2019-05-07
Category : Medical
ISBN : 9783030148324

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Timbre: Acoustics, Perception, and Cognition by Kai Siedenburg,Charalampos Saitis,Stephen McAdams,Arthur N. Popper,Richard R. Fay Pdf

Roughly defined as any property other than pitch, duration, and loudness that allows two sounds to be distinguished, timbre is a foundational aspect of hearing. The remarkable ability of humans to recognize sound sources and events (e.g., glass breaking, a friend’s voice, a tone from a piano) stems primarily from a capacity to perceive and process differences in the timbre of sounds. Timbre raises many important issues in psychology and the cognitive sciences, musical acoustics, speech processing, medical engineering, and artificial intelligence. Current research on timbre perception unfolds along three main fronts: On the one hand, researchers explore the principal perceptual processes that orchestrate timbre processing, such as the structure of its perceptual representation, sound categorization and recognition, memory for timbre, and its ability to elicit rich semantic associations, as well as the underlying neural mechanisms. On the other hand, timbre is studied as part of specific scenarios, including the perception of the human voice, as a structuring force in music, as perceived with cochlear implants, and through its role in affecting sound quality and sound design. Finally, computational acoustic models are sought through prediction of psychophysical data, physiologically inspired representations, and audio analysis-synthesis techniques. Along these three scientific fronts, significant breakthroughs have been achieved during the last decade. This volume will be the first book dedicated to a comprehensive and authoritative presentation of timbre perception and cognition research and the acoustic modeling of timbre. The volume will serve as a natural complement to the SHAR volumes on the basic auditory parameters of Pitch edited by Plack, Oxenham, Popper, and Fay, and Loudness by Florentine, Popper, and Fay. Moreover, through the integration of complementary scientific methods ranging from signal processing to brain imaging, the book has the potential to leverage new interdisciplinary synergies in hearing science. For these reasons, the volume will be exceptionally valuable to various subfields of hearing science, including cognitive auditory neuroscience, psychoacoustics, music perception and cognition, but may even exert significant influence on fields such as musical acoustics, music information retrieval, and acoustic signal processing. It is expected that the volume will have broad appeal to psychologists, neuroscientists, and acousticians involved in research on auditory perception and cognition. Specifically, this book will have a strong impact on hearing researchers with interest in timbre and will serve as the key publication and up-to-date reference on timbre for graduate students, postdoctoral researchers, as well as established scholars.

Psychology for Musicians

Robert H. Woody
Psychology for Musicians Book PDF

Author : Robert H. Woody
Publisher : Oxford University Press
Page : 369 pages
File Size : 52,8 Mb
Release : 2021
Category : Music
ISBN : 9780197546598

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Psychology for Musicians by Robert H. Woody Pdf

Part I. Musical Learning. Introduction to Music Psychology ; Development ; Motivation ; Practice -- Part II. Musical Skills. Learning and Remembering Musical Works ; Expressing and Interpreting ; Composing and Improvising ; Managing Performance Anxiety -- Part III. Musical Roles. The Performer ; The Teacher ; The Listener ; The User.

Psychology and Music

W. Jay Dowling,Thomas J. Tighe
Psychology and Music Book PDF

Author : W. Jay Dowling,Thomas J. Tighe
Publisher : Psychology Press
Page : 237 pages
File Size : 41,9 Mb
Release : 2014-02-24
Category : Psychology
ISBN : 9781317785576

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Psychology and Music by W. Jay Dowling,Thomas J. Tighe Pdf

This book deals with the complex cognitive processes involved in understanding two "horizontal" aspects of music perception, melody and rhythm, both separately and together. Focusing on the tonal framework for pitch material in melodies, the first section provides evidence that mere exposure to music organized in a particular way is sufficient to induce the auditory system to prepare itself to receive further input conforming to the patterns already experienced. Its chapters also offer evidence concerning elaborations of those basic schemes that come about through specialized training in music. Continuing themes from the first section -- such as the hypothesis that melodies must be treated as integral wholes and not mere collections of elements -- the second section discusses the integration of melody and rhythm. In these chapters there is an underlying concern for clarifying the relation -- central to aesthetic questions -- between physical patterns of sound energy in the world and our psychological experience of them. The chapters in the third section provide excellent examples of the new, scientific literature that attempts to objectively study early musical abilities. Their data establish that infants and young children are far more perceptive and skilled appreciators of music than was thought a decade ago.