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When his music fills your heart, note by note, beat by beat, and your harmonies entwine, effortless, complete. That’s how you’ll know you’ve found the perfect tenor. A cosy festive romance set in the world of Hiding Behind The Couch.
Author : Anna Maria Busse Berger Publisher : University of California Press Page : 304 pages File Size : 46,7 Mb Release : 2019-10-08 Category : Music ISBN : 9780520314276
Medieval Music and the Art of Memory by Anna Maria Busse Berger Pdf
Winner of the ASCAP Deems Taylor Award and Society of Music Theory's Wallace Berry Award This bold challenge to conventional notions about medieval music disputes the assumption of pure literacy and replaces it with a more complex picture of a world in which literacy and orality interacted. Asking such fundamental questions as how singers managed to memorize such an enormous amount of music and how music composed in the mind rather than in writing affected musical style, Anna Maria Busse Berger explores the impact of the art of memory on the composition and transmission of medieval music. Her fresh, innovative study shows that although writing allowed composers to work out pieces in the mind, it did not make memorization redundant but allowed for new ways to commit material to memory. Since some of the polyphonic music from the twelfth century and later was written down, scholars have long assumed that it was all composed and transmitted in written form. Our understanding of medieval music has been profoundly shaped by German philologists from the beginning of the last century who approached medieval music as if it were no different from music of the nineteenth century. But Medieval Music and the Art of Memory deftly demonstrates that the fact that a piece was written down does not necessarily mean that it was conceived and transmitted in writing. Busse Berger's new model, one that emphasizes the interplay of literate and oral composition and transmission, deepens and enriches current understandings of medieval music and opens the field for fresh interpretations.
The main function of western musical notation is incidental: it prescribes and records sound. But during the fourteenth and fifteenth centuries, notation began to take on an aesthetic life all its own. In the early fifteenth century, a musician might be asked to sing a line slower, faster, or starting on a different pitch than what is written. By the end of the century composers had begun tasking singers with solving elaborate puzzles to produce sounds whose relationship to the written notes is anything but obvious. These instructions, which appear by turns unnecessary and confounding, challenge traditional conceptions of music writing that understand notation as an incidental consequence of the desire to record sound. This book explores innovations in late-medieval music writing as well as how modern scholarship on notation has informedsometimes erroneouslyideas about the premodern era. Drawing on both musical and music-theoretical evidence, this book reframes our understanding of late-medieval musical notation as a system that was innovative, cutting-edge, and dynamicone that could be used to generate music, not just preserve it.
Counterpoint and Compositional Process in the Time of Dufay by Kevin N. Moll Pdf
During the 1950s and 1960s, Austro-German scholars made decisive advances in developing concepts to account for harmonic processes in late medieval music. Despite the considerable potential these ideas hold for analysis and criticism of early music, they have hitherto exerted little influence outside their countries of origin. In order to render this valuable literature more immediately accessible to English-speaking students and scholars, this book presents translations of twelve seminal articles that originally appeared during the years 1948-1967, along with a comprehensive introductory chapter detailing the evolution of competing theories and terminology.
On the Sensations of Tone as a Physiological Basis for the Theory of Music ... Translated ... from the Third German Edition with Additions and Notes ... by A. J. Ellis by Hermann von Helmholtz Pdf
My Grandfather’s Mill – Journey to Freedom is a true story — part history, part biography. It focuses on two families and their two infant children, Andrew and Chrystyna, born in Western Ukraine at the height of the Second World War. Their parents fought for Ukrainian independence throughout the years of Polish occupation, the invasion of Stalin’s Bolshevik forces and during the years of Hitler’s Nazi terror. Members of both their families were murdered by one or another of the occupying armies. Family accounts of concentration camps, refugee camps; of war crimes, brutality and uncertainty, of hope, courage and unexpected generosity are interwoven with the historical realities of the time. They were among the lucky ones who found freedom in North America. Half a century after they left their homeland, Andrew and Chrystyna returned. They discovered the villages of their birth, found family members they didn’t know existed, experienced their culture fi rst-hand and fi nally began to make sense of their place in history. This book is written for future generations, for all those who have lived in two very different worlds, for victims of wars, present day refugees, immigrants and especially for those who were born and have always lived in a free country and never experienced the horrors of war.
The Works of John Owen, D.D. Edited by T. Russell. With Memoirs of His Life and Writings, by W. Orme. (Funeral Sermon ... by D. Clarkson.). by John OWEN (D.D.) Pdf