Performing Commedia Dell Arte 1570 1630

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Performing Commedia dell'Arte, 1570-1630

Natalie Crohn Schmitt
Performing Commedia dell Arte 1570 1630 Book PDF

Author : Natalie Crohn Schmitt
Publisher : Routledge
Page : 112 pages
File Size : 50,8 Mb
Release : 2019-09-23
Category : Performing Arts
ISBN : 9780429663062

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Performing Commedia dell'Arte, 1570-1630 by Natalie Crohn Schmitt Pdf

Performing Commedia dell’Arte, 1570-1630 explores the performance techniques employed in commedia dell’arte and the ways in which they served to rapidly spread the ideas that were to form the basis of modern theatre throughout Europe. Chapters include one on why, what, and how actors improvised, one on acting styles, including dialects, voice and gesture; and one on masks and their uses and importance. These chapters on historical performance are followed by a coda on commedia dell’arte today. Together they offer readers a look at both past and present iterations of these performances. Suitable for both scholars and performers, Performing Commedia dell’Arte, 1570-1630 bears on essential questions about the techniques of performance and their utility for this important theatrical form.

Seventeenth-Century Opera and the Sound of the Commedia Dell’Arte

Emily Wilbourne
Seventeenth Century Opera and the Sound of the Commedia Dell Arte Book PDF

Author : Emily Wilbourne
Publisher : University of Chicago Press
Page : 240 pages
File Size : 53,7 Mb
Release : 2016-11-21
Category : History
ISBN : 9780226401577

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Seventeenth-Century Opera and the Sound of the Commedia Dell’Arte by Emily Wilbourne Pdf

In this book, Emily Wilbourne boldly traces the roots of early opera back to the sounds of the commedia dell’arte. Along the way, she forges a new history of Italian opera, from the court pieces of the early seventeenth century to the public stages of Venice more than fifty years later. Wilbourne considers a series of case studies structured around the most important and widely explored operas of the period: Monteverdi’s lost L’Arianna, as well as his Il Ritorno d’Ulisse and L’incoronazione di Poppea; Mazzochi and Marazzoli’s L’Egisto, ovvero Chi soffre speri; and Cavalli’s L’Ormindo and L’Artemisia. As she demonstrates, the sound-in-performance aspect of commedia dell’arte theater—specifically, the use of dialect and verbal play—produced an audience that was accustomed to listening to sonic content rather than simply the literal meaning of spoken words. This, Wilbourne suggests, shaped the musical vocabularies of early opera and facilitated a musicalization of Italian theater. Highlighting productive ties between the two worlds, from the audiences and venues to the actors and singers, this work brilliantly shows how the sound of commedia performance ultimately underwrote the success of opera as a genre.

Befriending the Commedia dell'Arte of Flaminio Scala

Natalie Crohn Schmitt
Befriending the Commedia dell Arte of Flaminio Scala Book PDF

Author : Natalie Crohn Schmitt
Publisher : University of Toronto Press
Page : 343 pages
File Size : 53,7 Mb
Release : 2014-01-01
Category : Drama
ISBN : 9781442648999

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Befriending the Commedia dell'Arte of Flaminio Scala by Natalie Crohn Schmitt Pdf

Schmitt demonstrates that the commedia dell'arte relied as much on craftsmanship as on improvisation and that Scala's scenarios are a treasure trove of social commentary on early modern daily life in Italy.

The Dramaturgy of Commedia dell'Arte

Olly Crick
The Dramaturgy of Commedia dell Arte Book PDF

Author : Olly Crick
Publisher : Routledge
Page : 190 pages
File Size : 55,6 Mb
Release : 2021-12-30
Category : Performing Arts
ISBN : 9781000533293

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The Dramaturgy of Commedia dell'Arte by Olly Crick Pdf

This book examines Commedia dell'Arte as a performative genre, and one that should be analysed through the framework of dramaturgy and dramaturgical practice. This volume examines the way Commedia has been explored in the twentieth and twenty-first centuries, and details its reinventors’ dramaturgic approaches, both focusing in on specific examples such as Jacques Lecoq, Dario Fo and Antonio Fava, and also suggesting how modern discoveries may aid the study of historical performance practice. It also discusses how audiences read and receive masks; the relationship between the different masked and unmasked roles; the range of performance activities that come under the umbrella term ‘improvisation’; the performative construction of a role performed ‘live’ from a scenario; the role of language and embodied locality in performance; and the performative relationship between performative commedia and literary tragicomedy. Its focus is dramaturgy, and so it may be read both as a text describing various theatrical practices from 1946 onwards and as a way of creating one’s own contemporary Commedia practice. It is an important read for any student or scholar of Commedia dell'Arte and theatre historians grappling with the status of this unique and influential performance form.

Commedia dell'Arte in Context

Christopher B. Balme,Piermario Vescovo,Daniele Vianello
Commedia dell Arte in Context Book PDF

Author : Christopher B. Balme,Piermario Vescovo,Daniele Vianello
Publisher : Cambridge University Press
Page : 709 pages
File Size : 44,7 Mb
Release : 2018-04-05
Category : Drama
ISBN : 9781108670579

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Commedia dell'Arte in Context by Christopher B. Balme,Piermario Vescovo,Daniele Vianello Pdf

The commedia dell'arte, the improvised Italian theatre that dominated the European stage from 1550 to 1750, is arguably the most famous theatre tradition to emerge from Europe in the early modern period. Its celebrated masks have come to symbolize theatre itself and have become part of the European cultural imagination. Over the past twenty years a revolution in commedia dell'arte scholarship has taken place, generated mainly by a number of distinguished Italian scholars. Their work, in which they have radically separated out the myth from the history of the phenomenon remains, however, largely untranslated into English (or any other language). The present volume gathers together these Italian and English-speaking scholars to synthesize for the first time this research for both specialist and non-specialist readers. The book is structured around key topics that span both the early modern period and the twentieth-century reinvention of the commedia dell'arte.

The Five Continents of Theatre

Eugenio Barba,Nicola Savarese
The Five Continents of Theatre Book PDF

Author : Eugenio Barba,Nicola Savarese
Publisher : BRILL
Page : 420 pages
File Size : 51,9 Mb
Release : 2019-02-11
Category : Drama
ISBN : 9789004392939

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The Five Continents of Theatre by Eugenio Barba,Nicola Savarese Pdf

The Five Continents of Theatre undertakes the exploration of the material culture of the actor, which involves the actors’ pragmatic relations and technical functionality, their behaviour, the norms and conventions that interact with those of the audience and the society in which actors and spectators equally take part.

The Art of Commedia

M. A. Katritzky
The Art of Commedia Book PDF

Author : M. A. Katritzky
Publisher : Rodopi
Page : 626 pages
File Size : 48,7 Mb
Release : 2006
Category : Art
ISBN : 9789042017986

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The Art of Commedia by M. A. Katritzky Pdf

Italian comedians attracted audiences to performances at every level, from the magnificent Italian, German and French court festival appearances of Orlando di Lasso or Isabella Andreini, to the humble street trestle lazzi of anonymous quacks. The characters they inspired continue to exercise a profound cultural influence, and an understanding of the commedia dell'arte and its visual record is fundamental for scholars of post-1550 European drama, literature, art and music. The 340 plates presented here are considered in the light of the rise and spread of commedia stock types, and especially Harlequin, Zanni and the actresses. Intensively researched in public and private collections in Oxford, Munich, Florence, Venice, Paris and elsewhere, they complement the familiar images of Jacques Callot and the Stockholm Recueil Fossard within a framework of hundreds of significant pictures still virtually unknown in this context. These range from anonymous popular prints to pictures by artists such as Ambrogio Brambilla, Sebastian Vrancx, Jan Bruegel, Louis de Caulery, Marten de Vos, and members of the Valckenborch and Francken clans. This volume, essential for commedia dell'arte specialists, represents an invaluable reference resource for scholars, students, theatre practitioners and artists concerned with commedia-related aspects of visual, dramatic and festival culture, in and beyond Italy.

Theatre and Knowledge

David Kornhaber
Theatre and Knowledge Book PDF

Author : David Kornhaber
Publisher : Bloomsbury Publishing
Page : 84 pages
File Size : 55,9 Mb
Release : 2019-12-04
Category : Performing Arts
ISBN : 9781352008319

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Theatre and Knowledge by David Kornhaber Pdf

From Plato onwards, philosophers the world over have pondered the fraught relationship between the illusory practices of the stage and the rational pursuit of knowledge. In this engaging and accessible volume, David Kornhaber sheds new light on this ancient quarrel. Drawing on a global array of theatrical traditions and spanning millennia-from the Sanskrit dramas of classical India to Shakespeare and Greek tragedy, from the Noh drama of Japan to West End comedies and avant-grade performances.Theatre & Knowledge vividly demonstrates how questions of knowledge have long animated the theatre and continue to motivate some of its most innovative practices. As much as philosophy itself, the theatre has always been instrumental in probing the boundaries of what we can possibly know. Concise yet thought-provoking, this is essential reading for undergraduate and postgraduate students of Theatre and Philosophy.

A History of Italian Theatre

Joseph Farrell,Paolo Puppa
A History of Italian Theatre Book PDF

Author : Joseph Farrell,Paolo Puppa
Publisher : Cambridge University Press
Page : 376 pages
File Size : 46,8 Mb
Release : 2006-11-16
Category : Drama
ISBN : 9780521802659

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A History of Italian Theatre by Joseph Farrell,Paolo Puppa Pdf

A history of Italian theatre from its origins to the the time of this book's publication in 2006. The text discusses the impact of all the elements and figures integral to the collaborative process of theatre-making. The distinctive nature of Italian theatre is expressed in the individual chapters by highly regarded international scholars.

Staging 'Euridice'

Tim Carter,Francesca Fantappiè
Staging Euridice Book PDF

Author : Tim Carter,Francesca Fantappiè
Publisher : Cambridge University Press
Page : 283 pages
File Size : 54,5 Mb
Release : 2021-12-02
Category : Music
ISBN : 9781316515402

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Staging 'Euridice' by Tim Carter,Francesca Fantappiè Pdf

Newly-discovered evidence underpins this comprehensive account of the creation and staging of the earliest surviving 'opera', Euridice.

Commedia dell' Arte and the Mediterranean

Erith Jaffe-Berg
Commedia dell Arte and the Mediterranean Book PDF

Author : Erith Jaffe-Berg
Publisher : Routledge
Page : 202 pages
File Size : 47,9 Mb
Release : 2016-03-09
Category : Literary Criticism
ISBN : 9781317164012

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Commedia dell' Arte and the Mediterranean by Erith Jaffe-Berg Pdf

Drawing on published collections and also manuscripts from Mantuan archives, Commedia dell' arte and the Mediterranean locates commedia dell' arte as a performance form reflective of its cultural crucible in the Mediterranean. The study provides a broad perspective on commedia dell’ arte as an expression of the various cultural, gender and language communities in Italy during the early-modern period, and explores the ways in which the art form offers a platform for reflection on power and cultural exchange. While highlighting the prevalence of Mediterranean crossings in the scenarios of commedia dell' arte, this book examines the way in which actors embodied characters from across the wider Mediterranean region. The presence of Mediterranean minority groups such as Arabs, Armenians, Jews and Turks within commedia dell' arte is marked on stage and 'backstage' where they were collaborators in the creative process. In addition, gendered performances by the first female actors participated in 'staging' the Mediterranean by using the female body as a canvas for cartographical imaginings. By focusing attention on the various communities involved in the making of theatre, a central preoccupation of the book is to question the dynamics of 'exchange' as it materialized within a spectrum inclusive of both cultural collaboration but also of taxation and coercion.

Theatre History Studies 2021, Vol 40

Lisa Jackson-Schebetta
Theatre History Studies 2021 Vol 40 Book PDF

Author : Lisa Jackson-Schebetta
Publisher : University of Alabama Press
Page : 254 pages
File Size : 53,8 Mb
Release : 2022-01-11
Category : Performing Arts
ISBN : 9780817371159

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Theatre History Studies 2021, Vol 40 by Lisa Jackson-Schebetta Pdf

A peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-America Theatre Conference Introduction —LISA JACKSON-SCHEBETTA, WITH ODAI JOHNSON, CHRYSTYNA DAIL, AND JONATHAN SHANDELL PART I STUDIES IN THEATRE HISTORY Un-Reading Voltaire: The Ghost in the Cupboard of the House of Reason —ODAI JOHNSON Caricatured, Marginalized, and Erased: African American Artists and Philadelphia’s Negro Unit of the FTP, 1936–1939 —JONATHAN SHANDELL Stop Your Sobbing: White Fragility, Slippery Empathy, and Historical Consciousness in Branden Jacobs-Jenkins’s Appropriate —SCOTT PROUDFIT Asia and Alwin Nikolais: Interdisciplinarity, Orientalist Tendencies, and Midcentury American Dance —ANGELA K. AHLGREN PART II WITCH CHARACTERS AND WITCHY PERFORMANCE Editor’s Introduction to the Special Section Shifting Shapes: Witch Characters and Witchy Performances —CHRYSTYNA DAIL To Wright the Witch: The Case of Joanna Baillie’s Witchcraft —JANE BARNETTE Nothing Wicked This Way Comes: Shakespeare’s Subversion of Archetypal Witches in The Winter’s Tale —JESSICA HOLT Of Women and Witches: Performing the Female Body in Caryl Churchill’s Vinegar Tom —MAMATA SENGUPTA (Un)Limited: The Influence of Mentorship and Father-Daughter Relationships on Elphaba’s Heroine Journey in Wicked —REBECCA K. HAMMONDS Immersive Witches: New York City under the Spell of Sleep No More and Then She Fell —DAVID BISAHA PART III Essay from the Conference The Robert A. Schanke Award-Winning Essay, MATC 2020 New Conventions for a New Generation: High School Musicals and Broadway in the 2010s —LINDSEY MANTOAN

The Politics of Interweaving Performance Cultures

Erika Fischer-Lichte,Torsten Jost,Saskya Iris Jain
The Politics of Interweaving Performance Cultures Book PDF

Author : Erika Fischer-Lichte,Torsten Jost,Saskya Iris Jain
Publisher : Routledge
Page : 330 pages
File Size : 48,5 Mb
Release : 2014-01-10
Category : Literary Criticism
ISBN : 9781317935834

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The Politics of Interweaving Performance Cultures by Erika Fischer-Lichte,Torsten Jost,Saskya Iris Jain Pdf

This book provides a timely intervention in the fields of performance studies and theatre history, and to larger issues of global cultural exchange. The authors offer a provocative argument for rethinking the scholarly assessment of how diverse performative cultures interact, how they are interwoven, and how they are dependent upon each other. While the term ‘intercultural theatre’ as a concept points back to postcolonialism and its contradictions, The Politics of Interweaving Performance Cultures explores global developments in the performing arts that cannot adequately be explained and understood using postcolonial theory. The authors challenge the dichotomy ‘the West and the rest’ – where Western cultures are ‘universal’ and non-Western cultures are ‘particular’ – as well as ideas of national culture and cultural ownership. This volume uses international case studies to explore the politics of globalization, looking at new paternalistic forms of exchange and the new inequalities emerging from it. These case studies are guided by the principle that processes of interweaving performance cultures are, in fact, political processes. The authors explore the inextricability of the aesthetic and the political, whereby aesthetics cannot be perceived as opposite to the political; rather, the aesthetic is the political. Helen Gilbert’s essay ‘Let the Games Begin: Pageants, Protests, Indigeneity (1968–2010)’won the 2015 Marlis Thiersch Prize for best essay from the Australasian Drama, Theatre and Performance Studies Association.

Opera in Seventeenth-Century Venice

Ellen Rosand
Opera in Seventeenth Century Venice Book PDF

Author : Ellen Rosand
Publisher : Univ of California Press
Page : 712 pages
File Size : 51,6 Mb
Release : 2007-10-09
Category : Music
ISBN : 9780520254268

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Opera in Seventeenth-Century Venice by Ellen Rosand Pdf

"In this elegantly constructed study of the early decades of public opera, the conflicts and cooperation of poets, composers, managers, designers, and singers—producing the art form that was soon to sweep the world and that has been dominant ever since—are revealed in their first freshness."—Andrew Porter "This will be a standard work on the subject of the rise of Venetian opera for decades. Rosand has provided a decisive contribution to the reshaping of the entire subject. . . . She offers a profoundly new view of baroque opera based on a solid documentary and historical-critical foundation. The treatment of the artistic self-consciousness and professional activities of the librettists, impresarios, singers, and composers is exemplary, as is the examination of their reciprocal relations. This work will have a positive effect not only on studies of 17th-century, but on the history of opera in general."—Lorenzo Bianconi

Listening as Spiritual Practice in Early Modern Italy

Andrew Dell'Antonio
Listening as Spiritual Practice in Early Modern Italy Book PDF

Author : Andrew Dell'Antonio
Publisher : Univ of California Press
Page : 232 pages
File Size : 55,9 Mb
Release : 2011-07-02
Category : Music
ISBN : 9780520269293

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Listening as Spiritual Practice in Early Modern Italy by Andrew Dell'Antonio Pdf

In this volume the author looks at the rise of a cultivated audience whose skill involved listening rather than playing or singing, in the early 17th century.