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This wide-ranging and ground-breaking book, especially relevant given Brexit and renewed Scottish independence campaigning, provides in-depth analysis of ways Scottishness has been performed and modified over the centuries. Alongside theatre, television, comedy, and film, it explores performativity in public events, Anglo-Scottish relations, language and literary practice, the Scottish diaspora and concepts of nation, borders and hybridity. Following discussion of the 1320 Declaration of Arbroath and the real meanings of the 1706/7 Treaty of Union, it examines the differing perceptions of what the ‘United Kingdom’ means to Scots and English. It contrasts the treatment of Shakespeare and Burns as ‘national bards’ and considers the implications of Scottish scholars’ invention of ‘English Literature’. It engages with Scotland’s language politics –rebutting claims of a ‘Gaelic Gestapo’ – and how borders within Scotland interact. It replaces myths about ‘tartan monsters’ with level-headed evidence before discussing in detail representations of Scottishness in domestic and international media.
In this cutting-edge text, Trish Reid offers a concise overview of the shifting roles of theatre and theatricality in Scottish culture. She asks important questions about the relationship between Scottish theatre, history and identity, and celebrates the recent emergence of a generation of internationally successful Scottish playwrights.
Independence has been a contested issue in Scotland since the region was first invaded by England in 1707, and the realm continues to linger between regional status and full sovereignty. The issue of independence has risen to the forefront of Scottish discussion in the past fifty years, and Murray Pittock offers here an examination of modern Scottish nationalism and what it means for the United Kingdom. Pittock charts Scotland’s economic, cultural, and social histories, focusing on the history and cultural impact of Scottish cities and industries, the role of multiculturalism in contemporary Scottish society, and the upheaval of devolution, including the 2007 election of Scotland’s first nationalist government. From the architecture and art of Edinburgh and Glasgow to the Scottish Parliament, the book investigates every aspect of modern Scottish society to explain the striking rise of Scottish nationalism since 1960. Now brought up to date and with a new foreword by Scottish First Minister Alex Salmond, The Road to Independence? reveals a new perspective on modern Scottish culture on the eve of Scotland’s referendum on independence from the UK in September 2014. “Enormously informative and often thought-provoking. . . . This book could hardly be improved on: it’s lively, lucid, witty, beautifully written.”—Scotsman “A well-arranged exposition of the various pressures and stresses Scottish society has faced and faces still.”—Diplomat
The Festival Cities of Edinburgh and Adelaide by Sarah Thomasson Pdf
The Festival Cities of Edinburgh and Adelaide examines how these cities’ world-famous arts events have shaped and been shaped by their long-term interaction with their urban environments. While the Edinburgh International Festival and Adelaide Festival are long-established, prestigious events that champion artistic excellence, they are also accompanied by the two largest open-access fringe festivals in the world. It is this simultaneous staging of multiple events within Edinburgh’s Summer Festivals and Adelaide’s Mad March that generates the visibility and festive atmosphere popularly associated with both places. Drawing on perspectives from theatre studies and cultural geography, this book interrogates how the Festival City, as a place myth, has developed in the very different local contexts of Edinburgh and Adelaide, and how it is challenged by groups competing for the right to use and define public space. Each chapter examines a recent performative event in which festival debates and controversies spilled out beyond the festival space to activate the public sphere by intersecting with broader concerns and audiences. This book forges an interdisciplinary, comparative framework for festival studies to interrogate how festivals are embedded in the social and political fabric of cities and to assess the cultural impact of the festivalisation phenomenon.
This volume emerged from an international research colloquium jointly organised by National Museums Scotland and the Scottish Centre for Diaspora Studies, University of Edinburgh, funded by the Scottish Government and administered by the Royal Society of Edinburgh. Historians and museum curators from Australia, Canada, New Zealand and South Africa were invited to join with their Scottish counterparts to consider the functioning, and the meaning, of 'military Scottishness' in different Commonwealth countries and in Britain from the late Victorian period to the present day, with a particular focus on the impact of the First World War. Another key objective was to throw light on the 'hidden' culture of social networking which potentially operated behind local regiments and military units amongst Scotland's global diaspora. This edited collection provides a comparative overview of the nineteenth century emergence of military Scottishness and explores how the construction and performance of Scottish military identity has evolved in different Commonwealth countries over the late nineteenth and twentieth centuries. In particular, it looks at the ways in which Scottish volunteer regiments in Commonwealth countries variously sought to draw upon, align themselves with or, at certain key moments, redefine the assertions of martial identity which Highland regiments represented.
Performing Childhood in the Early Modern Theatre by Edel Lamb Pdf
This book investigates how the Children of Paul's (1599-1606) and the Children of the Queen's Revels (1600-13) defined their players as children and, via an analysis of their plays and theatrical practices, it examines early modern theatre as a site in which children have the opportunity to articulate their emerging selfhoods.
Made in Scotland by Simon Frith,Martin Cloonan,John Williamson Pdf
Made in Scotland: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, politics, culture, and musicology of twentieth- and twenty-first-century popular music in Scotland. The volume consists of essays by local experts and leading scholars in Scottish music and culture, and covers the major figures, styles, and social contexts of popular music in Scotland. Each essay provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book includes a general introduction to Scottish popular music, followed by essays organized into three thematic sections: Histories, Politics and Policies, and Futures and Imaginings. Examining music as cultural expression in a country that is both a nation and a region within a larger state, this volume uses popular music to analyse Scottishness, independence, and diversity and offers new insights into the complexity of cultural identity, the power of historical imagination, and the effects of power structures in music. It is a vital read for scholars and students interested in how popular music interacts with and shapes such issues both within and beyond the borders of Scotland.
A Companion to Scottish Literature by Gerard Carruthers Pdf
A Companion to Scottish Literature offers fresh readings of major authors and periods of Scottish literary production from the first millennium to the present. Bringing together contributions by many of the world’s leading experts in the field, this comprehensive resource provides the historical background of Scottish literature, highlights new critical approaches, and explores wider cultural and institutional contexts. Dealing with texts in the languages of Scots, English, and Gaelic, the Companion offers modern perspectives on the historical milieux, thematic contexts and canonical writers of Scottish literature. Original essays apply the most up-to-date critical and scholarly analyses to a uniquely wide range of topics, such as Gaelic literature, national and diasporic writing, children’s literature, Scottish drama and theatre, gender and sexuality, and women’s writing. Critical readings examine William Dunbar, Robert Burns, Walter Scott, Robert Louis Stevenson, Muriel Spark and Carol Ann Duffy, amongst others. With full references and guidance for further reading, as well as numerous links to online resources, A Companion to Scottish Literature is essential reading for advanced students and scholars of Scottish literature, as well as academic and non-academic readers with an interest in the subject.
An engaging and authoritative history of Scotland's influence in the world and the world's on Scotland, from the Thirty Years War to the present day Scotland is one of the oldest nations in the world, yet by some it is hardly counted as a nation at all. Neither a colony of England nor a fully equal partner in the British union, Scotland's history has often been seen as simply a component part of British history. But the story of Scotland is one of innovation, exploration, resistance--and global consequence. In this wide-ranging, deeply researched account, Murray Pittock examines the place of Scotland in the world. Pittock explores Scotland and Empire, the rise of nationalism, and the pressures on the country from an increasingly monolithic understanding of "Britishness." From the Thirty Years' War to Jacobite risings and today's ongoing independence debates, Scotland and its diaspora have undergone profound changes. This ground-breaking account reveals the diversity of Scotland's history and shows how, after the country disappeared from the map as an independent state, it continued to build a global brand.
The first full-length ethnographic study of its kind, Highland Homecomings examines the role of place, ancestry and territorial attachment in the context of a modern age characterized by mobility and rootlessness. With an interdisciplinary approach, speaking to current themes in anthropology, archaeology, history, historical geography, cultural studies, migration studies, tourism studies, Scottish studies, Paul Basu explores the journeys made to the Scottish Highlands and Islands to undertake genealogical research and seek out ancestral sites. Using an innovative methodological approach, Basu tracks journeys between imagined homelands and physical landscapes and argues that through these genealogical journeys, individuals are able to construct meaningful self-narratives from the ambiguities of their diasporic migrant histories, and recover their sense of home and self-identity. This is a significant contribution to popular and academic Scottish studies literature, particularly appealing to popular and academic audiences in USA, Canada, Australia, New Zealand and Scotland
Sir Walter Scott (1771-1832) was once a household name, but is now largely forgotten. This book explores how Scott's work became an all-pervasive point of reference for cultural memory and collective identity in the nineteenth century, and why it no longer has this role. Ann Rigney breaks new ground in memory studies and the study of literary reception by examining the dynamics of cultural memory and the 'social life' of literary texts across several generations and multiple media. She pays attention to the remediation of the Waverley novels as they travelled into painting, the theatre, and material culture, as well as to the role of 'Scott' as a memory site in the public sphere for a century after his death. Using a wide range of examples and supported by many illustrations, Rigney demonstrates how remembering Scott's work helped shape national and transnational identities up to World War I, and contributed to the emergence of the idea of an English-speaking world encompassing Scotland, the British Empire, and the United States. Scott's work forged a potent alliance between memory, literature, and identity that was eminently suited to modernization. His legacy continues in the widespread belief that engaging with the past is a condition for transcending it.
Television's Outlander by Mary Ellen Snodgrass Pdf
Over its five seasons on the air, the televised series Outlander has combined romance, adventure, history, and time travel into a classic saga of love, war, and the ties that bind family together. After surviving the 1746 uprising of the Scottish Highlanders, the intrigue-ridden Paris of Charles Stuart, and a sea voyage across the Caribbean, Claire and Jamie Fraser finally settle in the mountains of North Carolina. There, they build a community of immigrant farmers who continue to struggle for justice, democracy, and independence from British colonialism. This companion volume offers detailed information on more than 125 topics including characters, themes, places, events, actors, herbalism, and historical chronology. For fans and scholars alike, it separates fact from fiction and aids in understanding the effects of the 1746 Jacobite uprising on the formation of the United States.
Author : James A. Tyner Publisher : University of Georgia Press Page : 193 pages File Size : 42,7 Mb Release : 2019-01-15 Category : Art ISBN : 9780820354392
The Nature of Revolution provides the first account of art and politics under the brutal Khmer Rouge regime in Cambodia. James A. Tyner repositions Khmer Rouge artworks within their proper political and economic context: the materialization of a political organization in an era of anticolonial and decolonization movements. Consequently, both the organization's policies and practices--including the production of poetry, music, and photography--were incontrovertibly shaped by and created to further the Khmer Rouge's agenda.Theoretically informed and empirically grounded, Tyner's work examines the social dimensions of the Khmer Rouge, while contributing broadly to a growing literature on the intersection of art and politics. Building on the foundational works of theorists such as Jacques Rancière, Theodor Adorno, and Walter Benjamin, Tyner explores the insights of Leon Trotsky and his descriptions of the politics of aesthetics specific to socialist revolutions. Ultimately, Tyner reveals a fundamental tension between individuality and bureaucratic control and its impact on artistic creativity and freedom.
Globalization in English Studies by Maria Giorgieva,Allan James Pdf
Globalization, the concept used to account for the multitude of linkages, interconnections and interdependences that currently transcend territorial and sociocultural boundaries in the world, has been in the centre of continual controversy over its meaning, scope, intensity and social significance for post-modern societies. However, whether considered from the narrow angle of current socio-economic developments, or from the broad perspective of evolutionary processes straddling all spheres of life, globalization is generally acknowledged to refer to a complex set of processes of modernization, technologization, liberalization and integration operationalized through language and in a language shared by all those involved. For a number of geo-historical, socio-political, economic and technological reasons the language that has firmly established itself as the language of international communication is English. As a result, Global English takes a primary place in discussions of the effect of globalization on world societies and culture. The volume Globalization in English Studies addresses the issue of how globalization impacts upon culture, literature, language communication and language learning and use policies, which are taken to constitute the multiplex disciplinary space of English Studies. Written by authors with different language, cultural and theoretical backgrounds, this collection of eleven chapters throws light on how “global” and “local” entities are subtly intertwined, refashioned and rescaled in different geo-political and sociocultural contexts. The book is divided into four parts: The first part, Globalization in Culture, dwells upon the effects of globalization in particular cultural domains and the institutional attempts in some countries at reducing its negative consequences for local practices. The second part, Globalization in Literature, examines the impact of global integration processes on social life. In particular, it focuses on new developments as the “hybridization” and “technologization” of societies that tend to wipe out borders traditionally taken as reference points in building identity and a sense of belonging. The third part, Globalization in Language Communication, focuses on intercultural communication and the opportunities different multi-modal settings offer for the the realisation of intertextuality and interdiscursivity. Of particular interest is how local people select, appropriate , and creatively utilize cultural entities designed for global consumption to make them appear as their “own”. The last part, Global English and English Language Teaching/ Learning Policy, approaches the issue from a pedagogical perspective and examines the changes that globalization has caused for learners, learning environments and ways of speaking. Ranging over a variety of domains subsumed within English Studies, this collection of studies can serve as a good base for the cross-disciplinary synergy of ideas and fruitful debate among scholars and practitioners with a vested interest in Global English.