Performing Tsarist Russia In New York

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Performing Tsarist Russia in New York

Author : Natalie K. Zelensky
Publisher : Indiana University Press
Page : 237 pages
File Size : 45,5 Mb
Release : 2019-04-24
Category : Music
ISBN : 9780253041227

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Performing Tsarist Russia in New York by Natalie K. Zelensky Pdf

An examination of the popular music culture of the post-Bolshevik Russian emigration and the impact made by this group on American culture and politics. Performing Tsarist Russia in New York begins with a rich account of the musical evenings that took place in the Russian émigré enclave of Harlem in the 1920s and weaves through the world of Manhattan’s Russian restaurants, Tin Pan Alley industry, Broadway productions, 1939 World’s Fair, Soviet music distributors, postwar Russian parish musical life, and Cold War radio programming to close with today’s Russian ball scene, exploring how the idea of Russia Abroad has taken shape through various spheres of music production in New York over the course of a century. Engaging in an analysis of musical styles, performance practice, sheet music cover art, the discourses surrounding this music, and the sonic, somatic, and social realms of dance, author Natalie K. Zelensky demonstrates the central role played by music in shaping and maintaining the Russian émigré diaspora over multiple generations as well as the fundamental paradox underlying this process: that music’s sustaining power in this case rests on its proclivity to foster collective narratives of an idealized prerevolutionary Russia while often evolving stylistically to remain relevant to its makers, listeners, and dancers. By combining archival research with fieldwork and interviews with Russian émigrés of various generations and emigration waves, Zelensky presents a close historical and ethnographic examination of music’s potential as an aesthetic, discursive, and social space through which diasporans can engage with an idea of a mythologized homeland, and, in turn, the vital role played by music in the organization, development, and reception of Russia Abroad.

Performing Tsarist Russia in New York

Author : Natalie K. Zelensky
Publisher : Indiana University Press
Page : 254 pages
File Size : 52,7 Mb
Release : 2019-04-24
Category : Music
ISBN : 9780253041203

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Performing Tsarist Russia in New York by Natalie K. Zelensky Pdf

Offering a rare look at the musical life of Russia Abroad as it unfolded in New York City, Natalie K. Zelensky examines the popular music culture of the post-Bolshevik Russian emigration and the impact made by this group on American culture and politics. Performing Tsarist Russia in New York begins with a rich account of the musical evenings that took place in the Russian émigré enclave of Harlem in the 1920s and weaves through the world of Manhattan's Russian restaurants, Tin Pan Alley industry, Broadway productions, 1939 World's Fair, Soviet music distributors, postwar Russian parish musical life, and Cold War radio programming to close with today's Russian ball scene, exploring how the idea of Russia Abroad has taken shape through various spheres of music production in New York over the course of a century. Engaging in an analysis of musical styles, performance practice, sheet music cover art, the discourses surrounding this music, and the sonic, somatic, and social realms of dance, Zelensky demonstrates the central role played by music in shaping and maintaining the Russian émigré diaspora over multiple generations as well as the fundamental paradox underlying this process: that music's sustaining power in this case rests on its proclivity to foster collective narratives of an idealized prerevolutionary Russia while often evolving stylistically to remain relevant to its makers, listeners, and dancers. By combining archival research with fieldwork and interviews with Russian émigrés of various generations and emigration waves, Performing Tsarist Russia in New York presents a close historical and ethnographic examination of music's potential as an aesthetic, discursive, and social space through which diasporans can engage with an idea of a mythologized homeland, and, in turn, the vital role played by music in the organization, development, and reception of Russia Abroad.

Russian Composers Abroad

Author : Elena Dubinets
Publisher : Indiana University Press
Page : 383 pages
File Size : 53,6 Mb
Release : 2021-10-05
Category : Music
ISBN : 9780253057808

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Russian Composers Abroad by Elena Dubinets Pdf

As waves of composers migrated from Russia in the 20th century, they grappled with the complex struggle between their own traditions and those of their adopted homes. Russian Composers Abroad explores the self-identity of these émigrés, especially those who left from the 1970s on, and how aspects of their diasporic identities played out in their music. Elena Dubinets provides a journey through the complexities of identity formation and cultural production under globalization and migration, elucidating sociological perspectives of the post-Soviet world that have caused changes in composers' outlooks, strategies, and rankings. Russian Composers Abroad is an illuminating study of creative ideas that are often shaped by the exigencies of financing and advancement rather than just by the vision of the creators and the demands of the public.

Reclaiming and Redefining American Exhibitions of Russian Art

Author : Roann Barris
Publisher : Taylor & Francis
Page : 171 pages
File Size : 42,7 Mb
Release : 2023-08-23
Category : Art
ISBN : 9781000927610

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Reclaiming and Redefining American Exhibitions of Russian Art by Roann Barris Pdf

This book examines the history of American exhibitions of Russian art in the twentieth century in the context of the Cold War. Because this history reflects changes in museological theory and the role of governments in facilitating or preventing intercultural cooperation, it uncovers a story that is far more complex than a chronological listing of exhibition names and art works. Roann Barris considers questions of stylistic appropriations and influences and the role of museum exhibitions in promoting international and artistic exchanges. Barris reveals that Soviet and American exchanges in the world of art were extensive and persistent despite political disagreements before, during, and after the Cold War. It also reveals that these early exhibitions communicated contradictory and historically invalid pictures of the Russian or Soviet avant-garde. The book will be of interest to scholars working in art history, museum studies, and Russian studies.

In Stravinsky's Orbit

Author : Klara Moricz
Publisher : University of California Press
Page : 309 pages
File Size : 41,7 Mb
Release : 2020-08-04
Category : Music
ISBN : 9780520344426

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In Stravinsky's Orbit by Klara Moricz Pdf

The Bolsheviks’ 1917 political coup caused a seismic disruption in Russian culture. Carried by the first wave of emigrants, Russian culture migrated West, transforming itself as it interacted with the new cultural environment and clashed with exported Soviet trends. In this book, Klára Móricz explores the transnational emigrant space of Russian composers Igor Stravinsky, Vladimir Dukelsky, Sergey Prokofiev, Nicolas Nabokov, and Arthur Lourié in interwar Paris. Their music reflected the conflict between a modernist narrative demanding innovation and a narrative of exile wedded to the preservation of prerevolutionary Russian culture. The emigrants’ and the Bolsheviks’ contrasting visions of Russia and its past collided frequently in the French capital, where the Soviets displayed their political and artistic products. Russian composers in Paris also had to reckon with Stravinsky’s disproportionate influence: if they succumbed to fashions dictated by their famous compatriot, they risked becoming epigones; if they kept to their old ways, they quickly became irrelevant. Although Stravinsky’s neoclassicism provided a seemingly neutral middle ground between innovation and nostalgia, it was also marked by the exilic experience. Móricz offers this unexplored context for Stravinsky’s neoclassicism, shedding new light on this infinitely elusive term.

Performing Femininity

Author : Rachel Morley
Publisher : Bloomsbury Publishing
Page : 342 pages
File Size : 54,7 Mb
Release : 2016-12-15
Category : Social Science
ISBN : 9781786720580

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Performing Femininity by Rachel Morley Pdf

Oriental dancers, ballerinas, actresses and opera singers the figure of the female performer is ubiquitous in the cinema of pre-Revolutionary Russia. From the first feature film, Romashkov's Stenka Razin (1908), through the sophisticated melodramas of the 1910s, to Viskovsky's The Last Tango (1918), made shortly before the pre-Revolutionary film industry was dismantled by the new Soviet government, the female performer remains central. In this groundbreaking new study, Rachel Morley argues that early Russian film-makers used the character of the female performer to explore key contemporary concerns from changing conceptions of femininity and the emergence of the so-called New Woman, to broader questions concerning gender identity. Morley also reveals that the film-makers repeatedly used this archetype of femininity to experiment with cinematic technology and develop a specific cinematic language."

History as Performance

Author : Dietlind Hüchtker
Publisher : Routledge
Page : 307 pages
File Size : 45,6 Mb
Release : 2020-09-06
Category : History
ISBN : 9781000175660

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History as Performance by Dietlind Hüchtker Pdf

This study analyzes history as performance: as the interaction of actors, plays, stages and enactments. By this, it examines women’s politics in Habsburg Galicia around 1900: a Polish woman active in the peasant movement, a Ukrainian feminist, and a Jewish Zionist. It shows how the movements constructed essentialistically regarded collectives, experience as a medially comprehensible form of credibility, and a historically based inevitability of change, and legitimized participation and intervention through social policy and educational practices. Traits shared by the movements included the claim to interpretive sovereignty, the ritualization of participation, and the establishment of truths about past and future.

Performing the East

Author : Amy Bryzgel
Publisher : Bloomsbury Publishing
Page : 384 pages
File Size : 46,7 Mb
Release : 2013-05-30
Category : History
ISBN : 9780857733726

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Performing the East by Amy Bryzgel Pdf

Performance art in Western Europe and North America developed in part as a response to the commercialisation of the art object, as artists endeavoured to create works of art that could not be bought or sold. But what are the roots of performance art in Eastern Europe and Russia, where there was no real art market to speak of? While many artworks created in the 'East' may resemble Western performance art practices, their origins, as well as their meaning and significance, is decidedly different. By placing specific performances from Russia, Latvia and Poland from the late- and post-communist periods within a local and international context, this book pinpoints the nuances between performance art East and West. Performance art in Eastern Europe is examined for the first time as agent and chronicle of the transition from Soviet and satellite states to free-market democracies. Drawing upon previously unpublished sources and exclusive interviews with the artists themselves, Amy Bryzgel explores the actions of the period, from Miervaldis Polis's Bronze Man to Oleg Kulik's Russian Dog performances. Bryzgel demonstrates that in the late-1980s and early 1990s, performance art in Eastern Europe went beyond the modernist critique to express ideas outside the official discourse, shocking and empowering the citizenry, both effecting and mirroring the social changes taking place at the time. Performing the East opens the way to an urgent reassessment of the history, function and meaning of performance art practices in East-Central Europe.

Russian and Soviet Economic Performance and Structure

Author : Paul R. Gregory,Robert C. Stuart
Publisher : Pearson
Page : 520 pages
File Size : 41,8 Mb
Release : 2001
Category : Business & Economics
ISBN : UOM:39015063366937

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Russian and Soviet Economic Performance and Structure by Paul R. Gregory,Robert C. Stuart Pdf

The Seventh Edition of Russian and Soviet Economic Performance and Structure offers students a balanced perspective in understanding the Soviet past and Russia's present and future. With thorough coverage of the Soviet legacy, the transition, and the contemporary Russian economy, the text allows instruction from either ahistorical or contemporary perspective. *NEW! A major update of the critical economic issues in contemporary Russia at the dawn of the twenty-first century. *NEW! Increased coverage of the critical energy and agriculture sectors of key issues such as privatization where more and better evidence is now available. *NEW! An assessment of a full ten years of Russian economic performance under transition, including increased emphasis on the basic issues in transition and the important differences between Russia and other transition economies. *NEW! Updated terminology for easier reference by students. *Allows flexible teaching choices. New contemporary focus still allows instructors the flexibility to teach the course from a historical perspective. *Authors are established, active scholars who are widely known and well respected in the field of comparative economic syste

Stage Fright

Author : Paul Du Quenoy
Publisher : Penn State Press
Page : 306 pages
File Size : 43,7 Mb
Release : 2010-11
Category : Performing Arts
ISBN : 9780271048079

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Stage Fright by Paul Du Quenoy Pdf

"Explores the relationship between culture and power in Imperial Russia. Argues that Russia's performing arts were part of a vibrant public culture that was usually ambivalent or hostile to the tumultuous political events of the revolutionary era"--Provided by publisher.

Modern Theatre in Russia

Author : Stefan Aquilina
Publisher : Bloomsbury Publishing
Page : 241 pages
File Size : 51,7 Mb
Release : 2020-07-09
Category : Performing Arts
ISBN : 9781350066090

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Modern Theatre in Russia by Stefan Aquilina Pdf

What did modern theatre in Russia look like and how did it foreground tradition building and transmission processes? The book challenges conventional historiographical approaches by weaving contemporary theories on cultural transmission into its historical narrative. It argues that processes of transmission – training spaces, acting manuals, photographic evidence, newspaper reports, international networking, informal encounters, cultural memories – contribute to the formation and consolidation of theatre traditions. Through English translations of rare Russian sources, the book expounds on: *side-lined material on Stanislavsky, including his relationship with German actor Ludwig Barnay, use of improvisation at the First Studio, and rehearsal practices for Artists and Admirers (1933); *Valentin Smyshlaev's acting manual The Technique to Process Stage Performance and the creation of hybrid practices; *proletarian theatre as an amateur-professional combination and force in the transformation of everyday life, as seen in the Proletkult's volume Art at the Workers' Clubs; *Meyerhold's Borodin Studio as an early example of Practice as Research, his European tour of 1930, and international persona as depicted in newspapers published in the West; and *Asja Lacis's work with children, which contributes to current efforts to address the gender imbalance that is often characteristic of modernism. This historical-theoretical investigation is combined with practical exercises that provide a more experiential understanding of the modern performance realities involved. In this way, the book speaks not only to theatre scholars and historians, but also to students and practitioners engaged in practical work.

Jewish Public Culture in the Late Russian Empire

Author : Jeffrey Veidlinger
Publisher : Indiana University Press
Page : 408 pages
File Size : 54,6 Mb
Release : 2009-04-14
Category : History
ISBN : 9780253002983

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Jewish Public Culture in the Late Russian Empire by Jeffrey Veidlinger Pdf

In the midst of the violent, revolutionary turmoil that accompanied the last decade of tsarist rule in the Russian Empire, many Jews came to reject what they regarded as the apocalyptic and utopian prophecies of political dreamers and religious fanatics, preferring instead to focus on the promotion of cultural development in the present. Jewish Public Culture in the Late Russian Empire examines the cultural identities that Jews were creating and disseminating through voluntary associations such as libraries, drama circles, literary clubs, historical societies, and even fire brigades. Jeffrey Veidlinger explores the venues in which prominent cultural figures -- including Sholem Aleichem, Mendele Moykher Sforim, and Simon Dubnov -- interacted with the general Jewish public, encouraging Jewish expression within Russia's multicultural society. By highlighting the cultural experiences shared by Jews of diverse social backgrounds -- from seamstresses to parliamentarians -- and in disparate geographic locales -- from Ukrainian shtetls to Polish metropolises -- the book revises traditional views of Jewish society in the late Russian Empire.

The End of Tsarist Russia

Author : Dominic Lieven
Publisher : Penguin
Page : 448 pages
File Size : 47,5 Mb
Release : 2015-08-18
Category : History
ISBN : 9780698195561

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The End of Tsarist Russia by Dominic Lieven Pdf

An Economist Best Book of the Year A Financial Times Best Book of the Year Winner of the the Pushkin House Russian Book Prize Finalist for the Lionel Gelber Prize An Amazon Best Book of the Month (History) One of the world’s leading scholars offers a fresh interpretation of the linked origins of World War I and the Russian Revolution "Lieven has a double gift: first, for harvesting details to convey the essence of an era and, second, for finding new, startling, and clarifying elements in familiar stories. This is history with a heartbeat, and it could not be more engrossing."—Foreign Affairs World War I and the Russian Revolution together shaped the twentieth century in profound ways. In The End of Tsarist Russia, acclaimed scholar Dominic Lieven connects for the first time the two events, providing both a history of the First World War’s origins from a Russian perspective and an international history of why the revolution happened. Based on exhaustive work in seven Russian archives as well as many non-Russian sources, Dominic Lieven’s work is about far more than just Russia. By placing the crisis of empire at its core, Lieven links World War I to the sweep of twentieth-century global history. He shows how contemporary hot issues such as the struggle for Ukraine were already crucial elements in the run-up to 1914. By incorporating into his book new approaches and comparisons, Lieven tells the story of war and revolution in a way that is truly original and thought-provoking.

Russian Culture and Theatrical Performance in America, 1891-1933

Author : V. Hohman
Publisher : Springer
Page : 209 pages
File Size : 53,8 Mb
Release : 2011-08-29
Category : Performing Arts
ISBN : 9780230119901

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Russian Culture and Theatrical Performance in America, 1891-1933 by V. Hohman Pdf

Examining the work of impresarios, financiers, and the press as well as the artists themselves, Hohman demonstrates how a variety of Russian theatrical styles were introduced and incorporated into American theatre and dance during the beginning of the twentieth century.

Soviet and Post-Soviet Economic Structure and Performance

Author : Paul R. Gregory,Robert C. Stuart
Publisher : HarperCollins College
Page : 424 pages
File Size : 52,5 Mb
Release : 1994
Category : Business & Economics
ISBN : STANFORD:36105005106195

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Soviet and Post-Soviet Economic Structure and Performance by Paul R. Gregory,Robert C. Stuart Pdf

This text has been updated to focus on the radical changes which the former Soviet Union has recenly experienced - its reorganization and its transition from a planned to market economy, examining the history of the Soviet Union more succinctly than in previous editions.