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Peter John Stoltzman S Contemporary Piano Class Workbook Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Peter John Stoltzman S Contemporary Piano Class Workbook book. This book definitely worth reading, it is an incredibly well-written.
Author : Peter Stoltzman
Publisher : Unknown
Page : 95 pages
File Size : 41,7 Mb
Release : 2013-01-15
Category : Electronic
ISBN : 0615756433
Author : Anonim
Publisher : Unknown
Page : 94 pages
File Size : 41,6 Mb
Release : 2014-01-20
Category : Electronic
ISBN : 0989852415
A contemporary chord-based approach to piano
Author : Peter Stoltzman
Publisher : Unknown
Page : 128 pages
File Size : 41,6 Mb
Release : 2014-08-15
Category : Electronic
ISBN : 0989852431
Author : Peter Stoltzman
Publisher : Unknown
Page : 128 pages
File Size : 52,5 Mb
Release : 2014-08-15
Category : Electronic
ISBN : 0989852458
Author : Peter Stoltzman
Publisher : Unknown
Page : 128 pages
File Size : 40,6 Mb
Release : 2015-01-15
Category : Electronic
ISBN : 0989852466
Author : Peter Stoltzman
Publisher : Unknown
Page : 107 pages
File Size : 45,8 Mb
Release : 2017-06-15
Category : Electronic
ISBN : 0989852474
Commercial piano workbook for beginners to early intermediate level
Author : Peter Stoltzman
Publisher : Unknown
Page : 117 pages
File Size : 46,6 Mb
Release : 2019-01-11
Category : Electronic
ISBN : 0989852482
Creating harmony with chords is the primary function of what a commercial pianist does. Harmony generates the emotional trajectory of the music. This book leads you through expanding your technique and your understanding of chords and progressions, so that you are able to perform and compose contemporary commercial music on the piano in a way that sounds professional and expresses emotion with intention. Along the way, jam with over 60 play-along tracks, practice sight-reading and scales, and improvise over a jazzy 12-bar blues.
Author : Anonim
Publisher : Unknown
Page : 1046 pages
File Size : 40,8 Mb
Release : 2007
Category : New York (N.Y.)
ISBN : UOM:39015066152136
Author : Stuart Isacoff
Publisher : Vintage
Page : 384 pages
File Size : 51,5 Mb
Release : 2011-11-15
Category : Music
ISBN : 9780307701428
A beautifully illustrated, totally engrossing celebration of the piano, and the composers and performers who have made it their own. With honed sensitivity and unquestioned expertise, Stuart Isacoff—pianist, critic, teacher, and author of Temperament: How Music Became a Battleground for the Great Minds of Western Civilization—unfolds the ongoing history and evolution of the piano and all its myriad wonders: how its very sound provides the basis for emotional expression and individual style, and why it has so powerfully entertained generation upon generation of listeners. He illuminates the groundbreaking music of Mozart, Beethoven, Liszt, Schumann, and Debussy. He analyzes the breathtaking techniques of Glenn Gould, Oscar Peterson, Vladimir Ashkenazy, Arthur Rubinstein, and Van Cliburn, and he gives musicians including Alfred Brendel, Murray Perahia, Menahem Pressler, and Vladimir Horowitz the opportunity to discuss their approaches. Isacoff delineates how classical music and jazz influenced each other as the uniquely American art form progressed from ragtime, novelty, stride, boogie, bebop, and beyond, through Scott Joplin, Fats Waller, Duke Ellington, Bill Evans, Thelonious Monk, Chick Corea, Herbie Hancock, Cecil Taylor, and Bill Charlap. A Natural History of the Piano distills a lifetime of research and passion into one brilliant narrative. We witness Mozart unveiling his monumental concertos in Vienna’s coffeehouses, using a special piano with one keyboard for the hands and another for the feet; European virtuoso Henri Herz entertaining rowdy miners during the California gold rush; Beethoven at his piano, conjuring healing angels to console a grieving mother who had lost her child; Liszt fainting in the arms of a page turner to spark an entire hall into hysterics. Here is the instrument in all its complexity and beauty. We learn of the incredible craftsmanship of a modern Steinway, the peculiarity of specialty pianos built for the Victorian household, the continuing innovation in keyboards including electronic ones. And most of all, we hear the music of the masters, from centuries ago and in our own age, brilliantly evoked and as marvelous as its most recent performance. With this wide-ranging volume, Isacoff gives us a must-have for music lovers, pianists, and the armchair musician.
Author : Kenny Werner
Publisher : Alfred Music
Page : 192 pages
File Size : 54,6 Mb
Release : 1996
Category : Music
ISBN : 156224003X
My story -- Why do we play? -- Beyond limited goals -- Fear, the mind and the ego -- Fear-based practicing -- Teaching dysfunctions: fear-based teaching -- Hearing dysfunctions: fear-based listening -- Fear-based composing -- "The space"--"There are no wrong notes" -- Meditation #1 -- Effortless mastery -- Meditation #2 -- Affirmations -- The steps to change -- Step one -- Step two -- Step three -- Step four -- An afterthought -- I am great, I am a master -- Stretching the form -- The spiritual (reprise) -- One final meditation.
Author : DICK WEISSMAN
Publisher : Mel Bay Publications
Page : 132 pages
File Size : 49,9 Mb
Release : 2010-12-29
Category : Music
ISBN : 9781610652414
This book will appeal to pianists who want to learn to improvise in many of the styles current today including blues, rock, Latin-American, country, New Age, World Music, etc.The non-jazz improvisation series is a concept that germinated in Dick Weissman's mind while he was attending music school. He wrote a 15-piece arrangement of the old square dance tune, Cripple Creek, and wanted the trombone to take a solo as part of the arrangement. When the trombonist kept playing a bebop solo that was totally unsuitable for the chart, Dick realized that - in addition to the many musicians who do not improvise - there are even jazz musicians who don't know how to improvise outside the limits of their own stylistic backgrounds.The non-jazz improvisation series mostly includes new original tunes that are intended to show how to improvise in many musical styles, including:BluesCountryAmerican folkLatin-AmericanWorld music including South American, Eastern European and AsianOdd meters (playing in a variety of time signaturesNew AgeClassicalFolk-RockIn short, the books are an encyclopedia of virtually every musical style, excluding jazz.
Author : DICK WEISSMAN
Publisher : Mel Bay Publications
Page : 136 pages
File Size : 42,5 Mb
Release : 2010-12-29
Category : Music
ISBN : 9781610652407
The non-jazz improvisation series is a concept that germinated in Dick Weissman's mind while he was attending music school. He wrote a 15-piece arrangement of the old square dance tune, Cripple Creek, and wanted the trombone to take a solo as part of the arrangement. When the trombonist kept playing a bebop solo that was totally unsuitable for the chart, Dick realized that - in addition to the many musicians who do not improvise - there are even jazz musicians who don't know how to improvise outside the limits of their own stylistic backgrounds.Fingerstyle and flatpicking techniques demonstrate the use of the guitar as an incredibly versatile instrument that holds its own in a variety of musical genres. Various guitar tunings are included. All examples are written out in traditional and tablature notation.
Author : DICK WEISSMAN
Publisher : Mel Bay Publications
Page : 116 pages
File Size : 55,8 Mb
Release : 2011-01-04
Category : Music
ISBN : 9781610653275
The non-jazz improvisation series is a concept that germinated in Dick Weissman's mind while he was attending music school. He wrote a 15-piece arrangement of the old square dance tune, Cripple Creek, and wanted the trombone to take a solo as part of the arrangement. When the trombonist kept playing a bebop solo that was totally unsuitable for the chart, Dick realized that - in addition to the many musicians who do not improvise - there are even jazz musicians who don't know how to improvise outside the limits of their own stylistic backgrounds.The non-jazz improvisation series mostly includes new original tunes that are intended to show how to improvise in many musical styles, including;BluesCountryAmerican folkLatin-AmericanWorld music including South American, Eastern European and AsianOdd meters (playing in a variety of time signatures)New AgeClassicalFolk-RockIn short, the books are an encyclopedia of virtually every musical style, excluding jazz.
Author : DICK WEISSMAN
Publisher : Mel Bay Publications
Page : 128 pages
File Size : 42,5 Mb
Release : 2010-12-17
Category : Music
ISBN : 9781610652421
The non-jazz improvisation series is a concept that germinated in Dick Weissman's mind while he was attending music school. He wrote a 15-piece arrangement of the old square dance tune, Cripple Creek, and wanted the trombone to take a solo as part of the arrangement. When the trombonist kept playing a bebop solo that was totally unsuitable for the chart, Dick realized that - in addition to the many musicians who do not improvise - there are even jazz musicians who don't know how to improvise outside the limits of their own stylistic backgrounds. the non-jazz improvisation series mostly includes new original tunes that are intended to show how to improvise in many musical styles, including;BluesCountryAmerican folkLatin-AmericanWorld music including South American, Eastern European and AsianOdd meters (playing in a variety of time signatures)New AgeClassicalFolk-RockIn short, the books are an encyclopedia of virtually every musical style, excluding jazz.
Author : DICK WEISSMAN
Publisher : Mel Bay Publications
Page : 136 pages
File Size : 47,8 Mb
Release : 2010-12-29
Category : Music
ISBN : 9781610652445
The non-jazz improvisation series is a concept that germinated in Dick Weissman's mind while he was attending music school. He wrote a 15-piece arrangement of the old square dance tune, Cripple Creek, and wanted the trombone to take a solo as part of the arrangement. When the trombonist kept playing a bebop solo that was totally unsuitable for the chart, Dick realized that - in addition to the many musicians who do not improvise - there are even jazz musicians who don't know how to improvise outside the limits of their own stylistic backgrounds.This book approaches the five-string banjo as a musical instrument freed from the prison of specific musical genres. Old-time music, clawhammer, bluegrass and many eclectic adaptations of the banjo are utilized to demonstrate a variety of musical styles. A number of the selections are in different tunings. All examples are written out in traditional and tablature notation.
