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Author : Jonathan Rayner
Publisher : A&C Black
Page : 310 pages
File Size : 47,9 Mb
Release : 2006-09-01
Category : Social Science
ISBN : 0826419089
This fully revised and updated edition of Jonathan Rayner's acclaimed study takes an in-depth look at the career of a filmmaker who has, over the course of 30 years, put together a substantial and much-loved body of work.
Author : Michael Bliss
Publisher : SIU Press
Page : 288 pages
File Size : 53,8 Mb
Release : 2000
Category : Art
ISBN : 0809322846
"What we see, and what we seem, are but a dream, a dream within a dream." Michael Bliss views Miranda's voice-over at the beginning of Picnic at Hanging Rock as so pivotal in explaining the films of Peter Weir that he borrows her words to create the title of his own study of the Australian filmmaker's work. Bliss views Weir as an artist whose values are rooted in the realm of the dream, of the unconscious. Surrealistic in technique, Weir avoids the pedestrian assurances of a material realm in favor of an irresolution that, while potentially frustrating, is nonetheless for him a more truthful representation of what he considers reality. For Weir, as for Plato, Bliss demonstrates, "empirical reality is nothing more than a shadow of what is real." Bliss also considers Weir's heritage. Australian cinema, Bliss explains, is characterized by melodramatic narratives born of a desire to see good and evil portrayed in striking opposition. Weir, for example, dramatizes the contradictory forces of light versus darkness, reason versus mystery, and rationality versus magic in such films as Picnic at Hanging Rock and The Last Wave. This melodramatic emphasis is evident as well in the polarized characterizations in such films as Witness, Dead Poets Society, and The Truman Show. Bliss also discusses Weir's use of another staple of Australian cinema-- "mateship," the celebration of the bond between male companions. But by making self-knowledge dependent on action involving one's friends, Weir gives mateship a new meaning. Moreover, like other Australian filmmakers, Weir emphasizes the starkness of the Australian landscape, which functions either as a hazard or a deadly challenge, at least until American mythology caused him to see nature in a more positive light. Also prominent in Weir's films is an Australian spirit of rebellion coupled with the Aussie ambivalence toward all aspects of British culture. To help explain Weir's films, Bliss looks to Freud and Jung, whom Weir has studied, and also to two other prominent purveyors of myth and archetype, Northrop Frye and Joseph Campbell. Virtually all Weir characters struggle toward a new mode of awareness, a psychological awareness based on archetypal truths. Many of his films involve archetypal journeys heading through conflict to spiritual unity. Weir's quest is to find out what we really know and how we know what we know.
Author : John C. Tibbetts
Publisher : Univ. Press of Mississippi
Page : 304 pages
File Size : 49,6 Mb
Release : 2014-02-06
Category : Biography & Autobiography
ISBN : 9781617038976
The first published collection of interviews with the Australian director whose films include the Academy Award-nominated Witness, Dead Poets Society, Green Card, The Truman Show, and Master and Commander
Author : Marek Haltof
Publisher : Twayne Publishers
Page : 216 pages
File Size : 51,8 Mb
Release : 1996
Category : Performing Arts
ISBN : UOM:39015040667480
During the course of his twenty-odd-year filmmaking career, Peter Weir has accomplished what so many of his protagonists have failed to do: he has become an accepted, integral part of an unfamiliar culture. At the core of most of his films and at the least peripheral to all of them is the idea of the outsider trying - and ultimately failing - to come to terms with a culture vastly different from his own. Weir, a native of Australia whose name was synonymous with Australian cinema in the 1970s, turned to American filmmaking in the 1980s and never looked back. In Peter Weir: When Cultures Collide, Marek Haltof traces Weir's journey from intensely Australian filmmaker to successful Hollywood director, along the way finding surprisingly consistent evidence of Weir's thematic and visual interests despite dramatic changes in his choices of story and locale.
Author : Don Shiach
Publisher : Charles Letts (London)
Page : 232 pages
File Size : 45,6 Mb
Release : 1993
Category : Performing Arts
ISBN : UOM:39015033089429
Author : Theo Peeters
Publisher : Unknown
Page : 68 pages
File Size : 43,5 Mb
Release : 1983-01-01
Category : Motion picture producers and directors
ISBN : 0908023081
Author : Richard Leonard
Publisher : Academic Monographs
Page : 312 pages
File Size : 55,8 Mb
Release : 2009-02-15
Category : Performing Arts
ISBN : 0522859941
'Magical', 'out of this world', 'an experience you'll never forget': Peter Weir's films have enthralled audiences around the globe. Whether in iconic Australian works such as Picnic at Hanging Rock and Gallipoli or international mainstream thrillers such as Witness, Weir has deliberately created mystical movie experiences. Modern cinema studies is used to dissecting films on the basis of gender, class or race: now, for the first time, Richard Leonard shows that a mystical gaze also exists and is exercised in the secular multiplex temples of today. The Mystical Gaze of the Cinema is a meticulous and accessible book that uses a psychoanalytic approach incorporating the insights of Jung, film theory and theology to break new ground in what continues to be a hot topic in cinema studies: the spectator/screen relationship. Leonard provides a fresh and innovative perspective on what happens when we behold a film.
Author : Sue Mathews
Publisher : Penguin Group
Page : 316 pages
File Size : 55,9 Mb
Release : 1984
Category : Biography & Autobiography
ISBN : STANFORD:36105039957936
Conversations with five directors about the Australian film revival: Fred Schepisi, Peter Weir, Gillian Armstrong, John Duigan, George Miller.
Author : Slavomir Rawicz
Publisher : Constable
Page : 160 pages
File Size : 55,5 Mb
Release : 2010-06-29
Category : Biography & Autobiography
ISBN : 9781849016803
Slavomir Rawicz was a young Polish cavalry officer. On 19th November 1939 he was arrested by the Russians and after brutal interrogation he was sentenced to 25 years in the Gulags. After a three month journey to Siberia in the depths of winter he escaped with six companions, realising that to stay in the camp meant almost certain death. In June 1941 they crossed the trans-Siberian railway and headed south, climbing into Tibet and freedom nine months later in March 1942 after travelling on foot through some of the harshest regions in the world, including the Gobi Desert. First published in 1956, this is one of the world's greatest true stories of adventure, survival and escape, has been the inspiration for the film The Way Back, directed by Peter Weir and starring Colin Farrell and Ed Harris.
Author : John C. Tibbetts,James M. Welsh
Publisher : Unknown
Page : 0 pages
File Size : 48,9 Mb
Release : 2014
Category : Biography & Autobiography
ISBN : 1626741492
Douglas Fairbanks and the American Century brings to life the most popular movie star of his day, the personification of the Golden Age of Hollywood. At his peak, in the teens and twenties, the swashbuckling adventurer embodied the new American Century of speed, opportunity, and aggressive optimism. The essays and interviews in this volume bring fresh perspectives to his life and work, including analyses of films never before examined. Also published here for the first time in English is a firsthand production account of the making of Fairbanks's last silent film, The Iron Mask, /i>. Fairbanks (1883-1939) was the most vivid and strenuous exponent of the American Century, whose dominant mode after 1900 was the mass marketing of a burgeoning democratic optimism, at home and abroad. During those first decades of the twentieth century, his satiric comedy adventures shadowboxed with the illusions of class and custom. His characters managed to combine the American Easterner's experience and pretension and the Westerner's promise and expansion. As the masculine personification of the Old World aristocrat and the New World selfmade man--tied to tradition yet emancipated from history--he constructed a uniquely American aristocrat striding into a new age and sensibility. This is the most complete account yet written of the film career of Douglas Fairbanks, one of the first great stars of the silent American cinema and one of the original United Artists (comprising Fairbanks, Mary Pickford, Charles Chaplin, and D. W. Griffith). John C. Tibbetts and James M. Welsh's text is especially rich in its coverage of the early years of the star's career from 1915 to 1920 and covers in detail several films previously considered lost.
Author : Nadine Klemens
Publisher : GRIN Verlag
Page : 74 pages
File Size : 47,8 Mb
Release : 2007-07-16
Category : Electronic
ISBN : 9783638641456
Seminar paper from the year 2002 in the subject Communications - Movies and Television, grade: 1,0 (A), Technical University of Braunschweig (English Seminar), course: HS Documentary Film, 16 entries in the bibliography, language: English, abstract: Through a spy hole in a bathroom cabinet we see a man in pajamas talking to himself in the mirror. Or is he talking to us? After a while, we hear a voice of a woman, telling him that he will be late. With a sigh, the man turns around and leaves the bathroom. On a black screen, we read "Day 10, 909"- then we see the man through another spy hole, dressed in a business suit, leaving his house for work. He greets his neighbors with a wide grin, and the neighbors enthusiastically greet back. As he adds "Oh, and in case I don′t see ye: Good afternoon, good evening and good night ", they react as though they think this was extremely funny. When the dog of his next-door neighbor comes to greet him, the man freezes, on his face an expression of terror. He waits till the dog moves back and is about to get in his car when the camera suddenly pans and we see a theatrical light falling out of the sunny sky. Suspiciously, the man goes to examine what has crashed down on the street in front of his house. He does not know what to think of the light, which has a tag on it, designating it as "Sirius". In disbelief, he gazes into the sky- is this how stars look like? The man is called Truman Burbank, and we are watching Peter Weir′s movie The Truman Show (1998). The movie is not a typical feature film as it mixes feature film elements and docu-soap elements. By confronting his audience with elements of its daily TV-programming, the docu-soap, Peter Weir establishes a satire of the media that leaves its viewers with the uneasy feeling that reality is not always what it appears to be. This work gives a short summary of the movie, as well as it depicts its style and structure. Furthermore, Peter Weir′s thematic concerns are explained. The
Author : Rachel Palgan
Publisher : Pascal Press
Page : 116 pages
File Size : 55,5 Mb
Release : 2003
Category : Juvenile Nonfiction
ISBN : 1741250358
Author : Anonim
Publisher : Unknown
Page : 128 pages
File Size : 51,9 Mb
Release : 2024-06-28
Category : Electronic
ISBN : OCLC:949776769
Author : D. H. Lawrence
Publisher : Cambridge University Press
Page : 560 pages
File Size : 51,7 Mb
Release : 2002-08-08
Category : Fiction
ISBN : 0521294304
These thirteen short stories were written between 1924 and 1928. Eleven were collected in The Woman Who Rode Away (1928), though 'The Man Who Loved Islands' appeared in the American edition only and the other two in The Lovely Lady (1933). An unpublished fragment 'A Pure Witch' is also included.
Author : Jennifer Egan
Publisher : Anchor
Page : 274 pages
File Size : 49,8 Mb
Release : 2007-07-10
Category : Fiction
ISBN : 9781400079742
NATIONAL BESTSELLER • "Part horror tale, part mystery, part romance ... utterly fantastic.”—O, The Oprah Magazine • The bestselling, award-winning author of A Visit from the Goon Squad brilliantly conjures a world from which escape is impossible and where the keep—the tower, the last stand—is both everything worth protecting and the very thing that must be surrendered in order to survive. Two cousins, irreversibly damaged by a childhood prank, reunite twenty years later to renovate a medieval castle in Eastern Europe. In an environment of extreme paranoia, cut off from the outside world, the men reenact the signal event of their youth, with even more catastrophic results. And as the full horror of their predicament unfolds, a prisoner, in jail for an unnamed crime, recounts an unforgettable story that seamlessly brings the crimes of the past and present into piercing relation.
