Petrarch And Boccaccio In The First Commentaries On Dante S Commedia

Author : Luca Fiorentini
Publisher : Routledge
Page : 152 pages
File Size : 43,7 Mb
Release : 2020-04-30
Category : Business & Economics
ISBN : 9781000072426

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Petrarch and Boccaccio in the First Commentaries on Dante’s Commedia by Luca Fiorentini Pdf

This text proposes a reinterpretation of the history behind the canon of the Tre Corone (Three Crowns), which consists of the three great Italian authors of the 14th century – Dante, Petrarch, and Boccaccio. Examining the first commentaries on Dante’s Commedia, the book argues that the elaboration of the canon of the Tre Corone does not date back to the 15th century but instead to the last quarter of the 14th century. The investigation moves from Guglielmo Maramauro’s commentary – circa 1373, and the first exegetical text in which we can find explicit quotations from Petrarch and Boccaccio – to the major commentators of the second half of the 14th century: Benvenuto da Imola, Francesco da Buti and the Anonimo Fiorentino. The work focuses on the conceptual and poetic continuity between Dante, Petrarch, and Boccaccio as identified by the first interpreters of the Commedia, demonstrating that contemporary readers and intellectuals immediately recognized a strong affinity between these three authors based on criteria not merely linguistic or rhetorical. The findings and conclusions of this work are of great interest to scholars of Dante, as well as those studying medieval poetry and Italian literature.

Author : Luca Fiorentini
Publisher : Routledge
Page : 112 pages
File Size : 45,5 Mb
Release : 2020
Category : Business & Economics
ISBN : 0429324448

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Petrarch and Boccaccio in the First Commentaries on Dante's Commedia by Luca Fiorentini Pdf

"This text proposes a general reinterpretation of the history behind the canon of the Tre Corone ("Three Crowns"), which consists of the three great Italian authors of the 14th century - Dante, Petrarch, and Boccaccio. Examining the first commentaries on Dante's Commedia, the book argues that the elaboration of the canon of the Tre Corone does not date back to the 15th century but instead to the last quarter of the 14th century. The investigation moves from Guglielmo Maramauro's commentary - circa 1373, and the first exegetical text in which we can find explicit quotations from Petrarch and Boccaccio - to the major commentators of the second half of the 14th century: Benvenuto da Imola, Francesco da Buti and the Anonimo Fiorentino. The work focuses on the conceptual and poetic continuity between Dante, Petrarch, and Boccaccio as identified by the first interpreters of the Commedia, demonstrating that contemporary readers and intellectuals immediately recognized a strong affinity between these three authors based on criteria not merely linguistic or rhetorical. The findings and conclusions of this work are of great interest to scholars of Dante, as well as those studying medieval poetry and Italian literature"--

Author : Manuele Gragnolati,Elena Lombardi,Francesca Southerden
Publisher : Oxford University Press
Page : 752 pages
File Size : 45,5 Mb
Release : 2021-03-25
Category : Literary Criticism
ISBN : 9780192552594

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The Oxford Handbook of Dante by Manuele Gragnolati,Elena Lombardi,Francesca Southerden Pdf

The Oxford Handbook of Dante contains forty-four specially written chapters that provide a thorough and creative reading of Dante's oeuvre. It gathers an intergenerational and international team of scholars encompassing diverse approaches from the fields of Anglo-American, Italian, and continental scholarship and spanning several disciplines: philology, material culture, history, religion, art history, visual studies, theory from the classical to the contemporary, queer, post- and de-colonial, and feminist studies. The volume combines a rigorous reassessment of Dante's formation, themes, and sources, with a theoretically up-to-date focus on textuality, thereby offering a new critical Dante. The volume is divided into seven sections: 'Texts and Textuality'; 'Dialogues'; 'Transforming Knowledge'; Space(s) and Places'; 'A Passionate Selfhood'; 'A Non-linear Dante'; and 'Nachleben'. It seeks to challenge the Commedia-centric approach (the conviction that notwithstanding its many contradictions, Dante's works move towards the great reservoir of poetry and ideas that is the Commedia), in order to bring to light a non-teleological way in which these works relate amongst themselves. Plurality and the openness of interpretation appear as Dante's very mark, coexisting with the attempt to create an all-encompassing mastership. The Handbook suggests what is exciting about Dante now and indicate where Dante scholarship is going, or can go, in a global context.

Author : Victoria Kirkham,,Michael Sherberg,Janet Levarie Smarr
Publisher : University of Chicago Press
Page : 576 pages
File Size : 46,6 Mb
Release : 2014-01-09
Category : Literary Criticism
ISBN : 9780226079219

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Boccaccio by Victoria Kirkham,,Michael Sherberg,Janet Levarie Smarr Pdf

Long celebrated as one of “the Three Crowns” of Florence, Giovanni Boccaccio (1313–75) experimented widely with the forms of literature. His prolific and innovative writings—which range beyond the novella, from lyric to epic, from biography to mythography and geography, from pastoral and romance to invective—became powerful models for authors in Italy and across the Continent. This collection of essays presents Boccaccio’s life and creative output in its encyclopedic diversity. Exploring a variety of genres, Latin as well as Italian, it provides short descriptions of all his works, situates them in his oeuvre, and features critical expositions of their most salient features and innovations. Designed for readers at all levels, it will appeal to scholars of literature, medieval and Renaissance studies, humanism and the classical tradition; as well as European historians, art historians, and students of material culture and the history of the book. Anchored by an introduction and chronology, this volume contains contributions by prominent Boccaccio scholars in the United States, as well as essays by contributors from France, Italy, and the United Kingdom. The year 2013, Boccaccio’s seven-hundredth birthday, will be an important one for the study of his work and will see an increase in academic interest in reassessing his legacy.

Author : Ambra Moroncini,Aaron M. Kahn,Luca FIorentini,Eleonora Lima,Kristina M. Olson,Olivia Santovetti,Davide Dalmas,Gareth Wood,Mark Thornton Burnett,Yujia Jin,Carlotta Moro,Alena Gašparovičová,Victoria Ríos Castaño
Publisher : Quod Manet
Page : 365 pages
File Size : 42,8 Mb
Release : 2024-03-13
Category : Literary Criticism
ISBN : 9798375092638

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Early Modern Voices in Contemporary Literature and on Screen by Ambra Moroncini,Aaron M. Kahn,Luca FIorentini,Eleonora Lima,Kristina M. Olson,Olivia Santovetti,Davide Dalmas,Gareth Wood,Mark Thornton Burnett,Yujia Jin,Carlotta Moro,Alena Gašparovičová,Victoria Ríos Castaño Pdf

The “intangible power” of literature, which, in Umberto Eco’s words, “allows us to travel through a textual labyrinth (be it an entire encyclopaedia or the complete works of William Shakespeare) without necessarily ‘unravelling’ all the information it contains”, may be clearly identifiable in our contemporary age of intertextuality and, most importantly, of interdisciplinarity. It suffices to think of the countless film adaptations of Shakespeare’s works, or of the popular appeal of Dan Brown’s global bestsellers, the so-called Robert Langdon book series, which has made original (and contentious) use of literary and artistic masterpieces such as Dante’s Divine Comedy and Leonardo da Vinci’s The Last Supper. What is more, the investigation of literature’s verbality through the lenses of cinematic and media perspectives has greatly benefitted from scholarly insights into dialogism, heteroglossia, polyphony, and historiophoty, opening new aural and visual windows of interpretation and knowledge. With these considerations in mind, this book explores the enduring presence of some of the most revolutionary early modern voices and works in our contemporary time. It embraces a rich diversity of literary genres (from poetry to storytelling, novels, fairy tales, and historical colonial chronicles, while also considering musical theatre compositions), and broadens the scope of research to the world of media, with cutting edge insights into contemporary films, TV series, and videogames. It presents innovative scholarly perspectives on how early modern works and themes are explored, remediated and refashioned today to address cultural, political, and social issues germane to our global moment.

Author : Elisa Brilli,Giuliano Milani
Publisher : Reaktion Books
Page : 515 pages
File Size : 55,7 Mb
Release : 2024-01-22
Category : Biography & Autobiography
ISBN : 9781789148039

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Dante’s New Lives by Elisa Brilli,Giuliano Milani Pdf

From two leading scholars, a thrilling and rich investigation of the life and work of Dante Alighieri. Numerous books have attempted to chronicle the life of Dante Alighieri, yet essential questions remain unanswered. How did a self-taught Florentine become the celebrated author of the Divine Comedy? Was his exile from Florence so extraordinary? How did Dante make himself the main protagonist in his works, in a literary context that advised against it? And why has his life interested so many readers? In Dante’s New Lives, eminent scholars Elisa Brilli and Giuliano Milani answer these questions and many more. Their account reappraises Dante’s life and work by assessing archival and literary evidence and examining the most recent scholarship. The book is a model of interdisciplinary biography, as fascinating as it is rigorous.

Author : Alison Baird Lovell
Publisher : Walter de Gruyter GmbH & Co KG
Page : 283 pages
File Size : 51,8 Mb
Release : 2020-11-09
Category : History
ISBN : 9781501513596

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The Shadow of Dante in French Renaissance Lyric by Alison Baird Lovell Pdf

This book presents an interpretation of Maurice Scève’s lyric sequence Délie, object de plus haulte vertu (Lyon, 1544) in literary relation to the Vita nuova, Commedia, and other works of Dante Alighieri. Dante’s subtle influence on Scève is elucidated in depth for the first time, augmenting the allusions in Délie to the Canzoniere of Petrarch (Francesco Petrarca). Scève’s sequence of dense, epigrammatic dizains is considered to be an early example, prior to the Pléiade poets, of French Renaissance imitation of Petrarch’s vernacular poetry, in a time when imitatio was an established literary practice, signifying the poet’s participation in a tradition. While the Canzoniere is an important source for Scève’s Délie, both works are part of a poetic lineage that includes Occitan troubadours, Guinizzelli, Cavalcanti, and Dante. The book situates Dante as a relevant predecessor and source for Scève, and examines anew the Petrarchan label for Délie. Compelling poetic affinities emerge between Dante and Scève that do not correlate with Petrarch.

Author : Zygmunt G. Baranski,Theodore J. Cachey
Publisher : Unknown
Page : 426 pages
File Size : 41,7 Mb
Release : 2009-08-15
Category : Electronic
ISBN : 0268048770

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Petrarch and Dante by Zygmunt G. Baranski,Theodore J. Cachey Pdf

Since the beginnings of Italian vernacular literature, the nature of the relationship between Francesco Petrarch (1304-1374) and his predecessor Dante Alighieri (1265-1321) has remained an open and endlessly fascinating question of both literary and cultural history. In this volume nine leading scholars of Italian medieval literature and culture address this question involving the two foundational figures of Italian literature. Through their collective reexamination of the question of who and what came between Petrarch and Dante in ideological, historiographical, and rhetorical terms, the authors explore the emergence of an anti-Dantean polemic in Petrarch's work. That stance has largely escaped scrutiny, thanks to a critical tradition that tends to minimize any suggestion of rivalry or incompatibility between them. The authors examine Petrarch's contentious and dismissive attitude toward the literary authority of his illustrious predecessor; the dramatic shift in theological and philosophical context that occurs from Dante to Petrarch; and their respective contributions as initiators of modern literary traditions in the vernacular. Petrarch's substantive ideological dissent from Dante clearly emerges, a dissent that casts in high relief the poets' radically divergent views of the relation between the human and the divine and of humans' capacity to bridge that gap.

Author : Giovanni Boccaccio
Publisher : Scholarly Title
Page : 184 pages
File Size : 55,8 Mb
Release : 1990
Category : Literary Criticism
ISBN : UOM:39015017716377

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The Life of Dante (Tratatello in Laude DiDante) by Giovanni Boccaccio Pdf

Author : Simon A. Gilson
Publisher : Cambridge University Press
Page : 348 pages
File Size : 51,9 Mb
Release : 2005-01-13
Category : Art
ISBN : 0521841658

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Dante and Renaissance Florence by Simon A. Gilson Pdf

Simon Gilson explores Dante's reception in his native Florence between 1350 and 1481. He traces the development of Florentine civic culture and the interconnections between Dante's principal 'Florentine' readers, from Giovanni Boccaccio to Cristoforo Landino, and explains how and why both supporters and opponents of Dante exploited his legacy for a variety of ideological, linguistic, cultural and political purposes. The book focuses on a variety of texts, both Latin and vernacular, in which reference was made to Dante, from commentaries to poetry, from literary lives to letters, from histories to dialogues. Gilson pays particular attention to Dante's influence on major authors such as Boccaccio and Petrarch, on Italian humanism, and on civic identity and popular culture in Florence. Ranging across literature, philosophy and art, across languages and across social groups, this study fully illuminates for the first time Dante's central place in Italian Renaissance culture and thought.

Author : Martin Eisner
Publisher : Cambridge University Press
Page : 261 pages
File Size : 40,7 Mb
Release : 2013-09-12
Category : Literary Criticism
ISBN : 9781107513082

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Boccaccio and the Invention of Italian Literature by Martin Eisner Pdf

Giovanni Boccaccio played a pivotal role in the extraordinary emergence of the Italian literary tradition in the fourteenth century, not only as author of the Decameron, but also as scribe of Dante, Petrarch and Cavalcanti. Using a single codex written entirely in Boccaccio's hand, Martin Eisner brings together material philology and literary history to reveal the multiple ways Boccaccio authorizes this vernacular literary tradition. Each chapter offers a novel interpretation of Boccaccio as a biographer, storyteller, editor and scribe, who constructs arguments, composes narratives, compiles texts and manipulates material forms to legitimize and advance a vernacular literary canon. Situating these philological activities in the context of Boccaccio's broader reflections on poetry in the Decameron and the Genealogy of the Gentile Gods, the book produces a new portrait of Boccaccio that integrates his vernacular and Latin works, while also providing a new context for understanding his fictions.

Author : Christopher Kleinhenz,Kristina Olson
Publisher : Modern Language Association
Page : 212 pages
File Size : 42,8 Mb
Release : 2020-02-01
Category : Language Arts & Disciplines
ISBN : 9781603294287

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Approaches to Teaching Dante's Divine Comedy by Christopher Kleinhenz,Kristina Olson Pdf

Dante's Divine Comedy can compel and shock readers: it combines intense emotion and psychological insight with medieval theology and philosophy. This volume will help instructors lead their students through the many dimensions--historical, literary, religious, and ethical--that make the work so rewarding and enduringly relevant yet so difficult. Part 1, "Materials," gives instructors an overview of the important scholarship on the Divine Comedy. The essays of part 2, "Approaches," describe ways to teach the work in the light of its contemporary culture and ours. Various teaching situations (a first-year seminar, a creative writing class, high school, a prison) are considered, and the many available translations are discussed.

Author : Arthur Cayley Headlam
Publisher : Unknown
Page : 558 pages
File Size : 49,5 Mb
Release : 1898
Category : Theology
ISBN : UOM:39015065109210

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The Church Quarterly Review by Arthur Cayley Headlam Pdf

Author : Anonim
Publisher : Unknown
Page : 556 pages
File Size : 50,9 Mb
Release : 1898
Category : Electronic
ISBN : UCAL:B3078832

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Church Quarterly Review by Anonim Pdf

Author : Dante Alighieri,MR Alighieri Dante
Publisher : Createspace Independent Publishing Platform
Page : 300 pages
File Size : 41,6 Mb
Release : 2014-07-17
Category : Literary Collections
ISBN : 1500547581

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The Divine Comedy by Dante Alighieri,MR Alighieri Dante Pdf

Divine Comedy SummaryDante Alighieri (1265-1321) wrote his epic poem, the Divine Comedy, during the last thirteen years of his life (circa 1308-21), while in exile from his native Florence. There are three parts to this massive work: Inferno, Purgatory and Paradise. In each section Dante the poet recounts the travels of the Pilgrim—his alter ego—through hell, purgatory, and heaven, where he meets God face to face. The primary theme is clear. In a letter to his patron, Can Grande della Scala, Dante wrote that his poem was, on the literal level, about "The state of souls after death." It is, of course, that and much more. The poem works on a number of symbolic levels, much like the Bible, one of its primary sources. Like that sacred text, Dante meant his work and his Pilgrim traveler to serve as models for the reader. He hoped to lead that reader to a greater understanding of his place in the universe and to prepare him for the next life, for the life that begins after death.The greatness of the Divine Comedy lies in its construction as a summa, or a summation of knowledge and experience. Dante was able to weave together pagan myth, literature, philosophy; Christian theology and doctrine, physics, astrology, cartography, mathematics, literary theory, history, and politics into a complex poem that a wide audience, not just the highly educated, could read. For Dante boldly chose to write his poem of salvation in his own Italian dialect, not in Latin, which was the language of Church, State, and epic poetry during his time. Its impact was so great that Dante's Tuscan dialect became what we recognize as modern Italian.As one of the greatest works, not just of the late Middle Ages, but of world literature in its entirety, the influence of the Divine Comedy has been incalculable. The poem was immediately successful— Dante's own sons, Pietro and Jacopo, wrote the first commentaries on it—and it continues to be read and taught today. Many of western literature's major figures were indebted to Dante's masterwork. A highly selective list includes: Giovanni Boccaccio (1313-75); Geoffrey Chaucer (circa 1344-1400); Don Inigo Lopez de Mendoza, the first Marques de Santillana (1389-1458); John Milton (1608-74); William Blake (1757-1827); Victor Hugo (1802-85); Joseph Conrad (Teodor Josef Konrad Korzeniowski) (1857-1924); James Joyce (1882-1941); Ezra Pound (1885-1972); Jorge Luis Borges (1899-1986); and Italo Calvino (1923-85).