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Philip Roth's Postmodern American Romance by Jane Statlander Pdf
The central thesis of this book is that Philip Roth's work is most accurately viewed as postmodernist American Historical Romance, rather than marginalized as Jewish-American. Four works are analyzed in relation to this thesis and to the specific idea that Roth's contribution is entirely within mainstream American literature and culture. Emphasizing the importance and influence of Hebrew Scripture, the author demonstrates that, paradoxically, Roth's Jewishness locates him squarely within the canon of (a Hebraic) America and its letters.
Philip Roth's Postmodern American Romance by Jane Statlander Pdf
The central thesis of this book is that Philip Roth's work is most accurately viewed as postmodernist American Historical Romance, rather than marginalized as Jewish-American. Four works are analyzed in relation to this thesis and to the specific idea that Roth's contribution is entirely within mainstream American literature and culture. Emphasizing the importance and influence of Hebrew Scripture, the author demonstrates that, paradoxically, Roth's Jewishness locates him squarely within the canon of (a Hebraic) America and its letters.
Romantic Postmodernism in American Fiction by Alsen Pdf
Intended for teachers and students of American Literature, this book is the first comprehensive analysis of romantic tendencies in postmodernist American fiction. The book challenges the opinion expressed in the Columbia History of the American Novel (1991) and propagated by many influential scholars that the mainstream of postmodernist fiction is represented by the disjunctive and nihilistic work of such writers as Kathy Acker, Donald Barthelme, and Robert Coover. Professor Alsen disagrees. He contends that this kind of fiction is not read and taught much outside an isolated but powerful circle in the academic community. It is the two-part thesis of Professor Alsen's book that the mainstream of postmodernist fiction consists of the widely read work of the Nobel Prize laureates Saul Bellow and Toni Morrison and other similar writers and that this mainstream fiction is essentially romantic. To support his argument, Professor Alsen analyzes representative novels by Saul Bellow, J.D. Salinger, Norman Mailer, Flannery O'Connor, John Updike, Kurt Vonnegut, Philip Roth, Thomas Pynchon, Toni Morrison, the later John Barth, Alice Walker, William Kennedy, and Paul Auster. Professor Alsen demonstrates that the traits which distinguish the fiction of the romantic postmodernists from the fiction of their disunctive and nihilist colleagues include a vision of life that is a form of philosophical idealism, an organic view of art, modes of storytelling that are reminiscent of the nineteenth-century romance, and such themes as the nature of sin or evil, the negative effects of technology on the soul, and the quest for transcendence.
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • "A tough-minded, beautifully written memoir" (San Francisco Chronicle) about a son watching his elderly father battle with the brain tumor that will kill him—from the Pulitzer Prize–winning author of American Pastoral. Patrimony, a true story, touches the emotions as strongly as anything Philip Roth has ever written. Roth watches as his eighty-six-year-old father—famous for his vigor, charm, and his repertoire of Newark recollections—fights the brain tumor that will kill him. The son, full of love, anxiety, and dread, accompanies his father through each fearful stage of his final ordeal, and, as he does so, discloses the survivalist tenacity that has distinguished his father's long, stubborn engagement with life.
Romantic Postmodernism in American Fiction by Eberhard Alsen Pdf
Intended for teachers and students of American Literature, this book is the first comprehensive analysis of romantic tendencies in postmodernist American fiction. The book challenges the opinion expressed in the Columbia History of the American Novel (1991) and propagated by many influential scholars that the mainstream of postmodernist fiction is represented by the disjunctive and nihilistic work of such writers as Kathy Acker, Donald Barthelme, and Robert Coover. Professor Alsen disagrees. He contends that this kind of fiction is not read and taught much outside an isolated but powerful circle in the academic community. It is the two-part thesis of Professor Alsen's book that the mainstream of postmodernist fiction consists of the widely read work of the Nobel Prize laureates Saul Bellow and Toni Morrison and other similar writers and that this mainstream fiction is essentially romantic. To support his argument, Professor Alsen analyzes representative novels by Saul Bellow, J.D. Salinger, Norman Mailer, Flannery O'Connor, John Updike, Kurt Vonnegut, Philip Roth, Thomas Pynchon, Toni Morrison, the later John Barth, Alice Walker, William Kennedy, and Paul Auster. Professor Alsen demonstrates that the traits which distinguish the fiction of the romantic postmodernists from the fiction of their disunctive and nihilist colleagues include a vision of life that is a form of philosophical idealism, an organic view of art, modes of storytelling that are reminiscent of the nineteenth-century romance, and such themes as the nature of sin or evil, the negative effects of technology on the soul, and the quest for transcendence.
A Political Companion to Philip Roth by Claudia Franziska Brühwiler,Lee Trepanier Pdf
Philip Roth is widely acknowledged as one of the twentieth century's most prolific and acclaimed writers. Roth's first novel, Goodbye, Columbus (1959), received the National Book Award, and he followed this stunning debut with more than thirty books -- earning another National Book Award, two National Book Critics Circle awards, three PEN/Faulkner Awards, and the Pulitzer Prize. Throughout his career, Roth delighted in controversy but often denied that he sought a role as a public intellectual. His statements and vigorous support of suppressed writers in communist Czechoslovakia, however, tell a different story. In A Political Companion to Philip Roth, established and rising scholars explore the myriad political themes in the author's work. Several of the contributors examine Roth's writings on Jewish identity, Zionism, and American attitudes toward Israel, as well as the influence of his work in other countries. Others investigate Roth's articulation of the roles of gender and sexuality in US culture. This interdisciplinary examination offers a more complete portrait of Roth as a public intellectual and cultural icon. Not only will it fill a gap in scholarship, but it will also provide a broader perspective on the nature and purpose of the acclaimed writer's political thought.
Time Magazine Best American Novel (1993) In this fiendishly imaginative book (which may or may not be fiction), Philip Roth meets a man who may or may not be Philip Roth. Because someone with that name has been touring Israel, promoting a bizarre reverse exodus of the Jews. Roth is intent on stopping him, even if that means impersonating his own impersonator. With excruciating suspense, unfettered philosophical speculation, and a cast of characters that includes Israeli intelligence agents, Palestinian exiles, an accused war criminal, and an enticing charter member of an organization called Anti-Semites Anonymous, Operation Shylock barrels across the frontier between fact and fiction, seriousness and high comedy, history and nightmare.
Has anyone ever worked harder and longer at being immature than Philip Roth? The novelist himself pointed out the paradox, saying that after establishing a reputation for maturity with two earnest novels, he "worked hard and long and diligently" to be frivolous--an effort that resulted in the notoriously immature Portnoy's Complaint (1969). Three-and-a-half decades and more than twenty books later, Roth is still at his serious "pursuit of the unserious." But his art of immaturity has itself matured, developing surprising links with two traditions of immaturity--an American one that includes Emerson, Melville, and Henry James, and a late twentieth-century Eastern European one that developed in reaction to totalitarianism. In Philip Roth's Rude Truth--one of the first major studies of Roth's career as a whole--Ross Posnock examines Roth's "mature immaturity" in all its depth and richness. Philip Roth's Rude Truth will force readers to reconsider the narrow categories into which Roth has often been slotted--laureate of Newark, New Jersey; junior partner in the firm Salinger, Bellow, Mailer, and Malamud; Jewish-American regionalist. In dramatic contrast to these caricatures, the Roth who emerges from Posnock's readable and intellectually vibrant study is a great cosmopolitan in the tradition of Henry James and Milan Kundera.
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • A stunning novel about people enacting their dreams of renewal and escape, some of them going so far as to risk their lives to alter seemingly irreversible destinies. Wherever they may find themselves, the characters of The Counterlife are tempted unceasingly by the prospect of an alternative existence that can reverse their fate. Illuminating these lives in transition and guiding us through the book's evocative landscapes, familiar and foreign, is the miind of the novelist Nathan Zuckerman. His is the skeptical, enveloping intelligence that calculates the price that's paid in the struggle to change personal fortune and reshape history, whether in a dentist's office in suburban New Jersey, or in a tradition-bound English Village in Gloucestershire, or in a church in London's West End, or in a tiny desert settlement in Israel's occupied West Bank.
Philip Roth: Novels & Other Narratives 1986-1991 (LOA #185) by Philip Roth Pdf
"For the last half century, the novels of Philip Roth have re-energized American fiction and redefined its possibilities. Roth's comic genius, his imaginative daring, his courage in exploring uncomfortable truths, and his assault on political, cultural, and sexual orthodoxies have made him one of the essential writers of our time. By special arrangement with the author, The Library of America continues the definitive edition of Roth's collected works." "The Counterlife (1986) is a book of astonishing 180-degree turns, of conflicting perspectives and points of view, and, by far, Roth's most radical novel to date. The subject is people enacting their dreams of renewal and escape, some going so far as to risk their lives to alter seemingly irreversible destinies. Illuminating these lives in transition is the skeptical, enveloping intelligence of the writer Nathan Zuckerman." "In 1987, a year after the imaginative extravaganza of The Counterlife, Roth reverses field with The Facts, the first of the "Roth Books." The Facts presents the author's own battles defictionalized and unadorned, and concludes with the unique assault that Roth mounts against his own proficiencies as an autobiographer." "At the center of the second of the Roth Books, Deception (1990), are a married American named Philip, living in London, and the married Englishwoman - trapped with a little child in a loveless upper-middle-class household - who eloquently and minutely reveals herself to her lover as they talk before and after making love. With the skill of a brilliant observer of the illicit and the intimate, Roth presents the highly enclosed world of adultery with a directness that has no equal in American fiction." "In the third Roth Book, Patrimony (1991), Philip Roth watches as Herman Roth, his 86-year-old father - famous for his vigor, his charm, and his repertoire of Newark recollections - battles with the brain tumor that will kill him. The son accompanies his father through each fearful stage of his final ordeal, revealing the survivalist tenacity that has distinguished Herman's passionate engagement with life."--BOOK JACKET.
A young Hasidic Jew seeks his fortune in New York's Lower East Side. He turns from his religious studies to focus on the business world, where he discovers the high price of assimilation.
NATIONAL BESTSELLER • WINNER OF THE PEN/FAULKNER AWARD • The Pulitzer Prize–winning author of American Pastoral delivers “a master novelist's haunting parable about our troubled modern moment" (The Wall Street Journal). It is 1998, the year in which America is whipped into a frenzy of prurience by the impeachment of a president, and in a small New England town, an aging classics professor, Coleman Silk, is forced to retire when his colleagues decree that he is a racist. The charge is a lie, but the real truth about Silk would have astonished even his most virulent accuser. Coleman Silk has a secret, one which has been kept for fifty years from his wife, his four children, his colleagues, and his friends, including the writer Nathan Zuckerman. It is Zuckerman who stumbles upon Silk's secret and sets out to reconstruct the unknown biography of this eminent, upright man, esteemed as an educator for nearly all his life, and to understand how this ingeniously contrived life came unraveled. And to understand also how Silk's astonishing private history is, in the words of The Wall Street Journal, "magnificently" interwoven with "the larger public history of modern America."
Postmodern Love in the Contemporary Jewish Imagination by Efraim Sicher Pdf
Offering a radical critique of contemporary Israeli and diaspora fiction by major writers of the generation after Amos Oz and Philip Roth, this book asks searching questions about identity formation in Jewish spaces in the twenty-first century and posits global, transnational identities instead of the bipolar Israel/diaspora model. The chapters put into conversation major authors such as Jonathan Safran Foer, Nicole Krauss, Michael Chabon, and Nathan Englander with their Israeli counterparts Zeruya Shalev, Eshkol Nevo, and Etgar Keret and shows that they share common themes and concerns. Read through a postmodern lens, their preoccupation with failed marriage and failed ideals brings to the fore the crises of home, nation, historical destiny, and collective memory in contemporary secular Jewish culture. At times provocative, at others iconoclastic, this innovative study must be read by anyone concerned with Jewish culture and identity today, whether scholars, students, or the general reader.
