Philosophers On Music

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Philosophers on Music

Author : Kathleen Stock
Publisher : OUP Oxford
Page : 273 pages
File Size : 43,9 Mb
Release : 2010-06-03
Category : Philosophy
ISBN : 9780191615306

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Philosophers on Music by Kathleen Stock Pdf

Philosophers on Music: Experience, Meaning, and Work presents significant new contributions to central issues in the philosophy of music, written by leading philosophers working in the analytic tradition. Music is an increasingly popular object of reflection for professional philosophers, as it raises special questions not only of relevance to music practitioners, theorists, and philosophers of art, but also of wider philosophical interest to those working in metaphysics, the philosophy of emotion, and the philosophy of language, among other areas. The wide range of contributors to this volume reflects this level of interest. It includes both well-known philosophers of music drawing on a wealth of reflection to produce new and often startling conclusions, and philosophers relatively new to the philosophy of music yet eminent in other philosophical fields, who are able to bring a fresh perspective, informed by that background, to their topic of choice. The issues tackled in this volume include what sort of thing a work of music is; the nature of the relation between a musical work and versions of it; the nature of musical expression and its contribution to musical experience; the relation of music to metaphor; the nature of musical irony; the musical status of electro-sonic art; and the nature of musical rhythm. Together these papers constitute some of the best new work in what is an exciting field of research, and one which has much to engage philosophers, aestheticians, and musicologists.

Philosophy of New Music

Author : Theodor W. Adorno
Publisher : U of Minnesota Press
Page : 324 pages
File Size : 40,5 Mb
Release : 2020-06-02
Category : Philosophy
ISBN : 9781452965697

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Philosophy of New Music by Theodor W. Adorno Pdf

An indispensable key to Adorno’s influential oeuvre—now in paperback In 1949, Theodor W. Adorno’s Philosophy of New Music was published, coinciding with the prominent philosopher’s return to a devastated Europe after his exile in the United States. Intensely polemical from its first publication, every aspect of this work was met with extreme reactions, from stark dismissal to outrage. Even Arnold Schoenberg reviled it. Despite the controversy, Philosophy of New Music became highly regarded and widely read among musicians, scholars, and social philosophers. Marking a major turning point in his musicological philosophy, Adorno located a critique of musical reproduction as internal to composition, rather than a matter of musical performance. Consisting of two distinct essays, “Schoenberg and Progress” and “Stravinsky and Reaction,” Philosophy of New Music poses the musical extremes in which Adorno perceived the struggle for the cultural future of Europe: between human emancipation and barbarism, between the compositional techniques and achievements of Schoenberg and Stravinsky. In this translation, which is accompanied by an extensive introduction by distinguished translator Robert Hullot-Kentor, Philosophy of New Music emerges as an essential guide to the whole of Adorno's oeuvre.

Philosophy of Music

Author : Riccardo Martinelli
Publisher : Walter de Gruyter GmbH & Co KG
Page : 199 pages
File Size : 42,7 Mb
Release : 2019-10-21
Category : Philosophy
ISBN : 9783110624724

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Philosophy of Music by Riccardo Martinelli Pdf

Ranging from Antiquity to contemporary analytic philosophy, it provides a concise but thorough analysis of the arguments developed by some of the most outstanding philosophers of all times. Besides the aesthetics of music proper, the volume touches upon metaphysics, ethics, philosophy of language, psychology, anthropology, and scientific developments that have influenced the philosophical explanations of music. Starting from the very origins of philosophy in Western thought (Pythagoras, Plato, Aristotle) the book talks about what music is according to Augustine, Descartes, Leibniz, Rousseau, Kant, Hegel, the Romantics, Schopenhauer, Nietzsche, Wittgenstein, Susanne Langer, Bloch, Adorno, and many others. Recent developments within the analytic tradition are illustrated with particular attention to the ontology of the musical artwork and to the problem of music and emotions. A fascinating idea which recurs throughout the book is that philosophers allow for a sort of a secret kinship between music and philosophy, as means to reveal complementary aspects of truth.

Philosophical Perspectives on Music

Author : Wayne D. Bowman,W. D. Bowman
Publisher : Oxford University Press on Demand
Page : 488 pages
File Size : 53,9 Mb
Release : 1998
Category : Music
ISBN : 0195112962

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Philosophical Perspectives on Music by Wayne D. Bowman,W. D. Bowman Pdf

An introduction to diverse philosophical perspectives on the nature and value of music, ranging from the ancient Greeks to idealism to phenomenology to contemporary socio-cultural critiques. Designed to introduce the serious music student with no philosophical background to the vitality of music philosophical discourse, it explores a broad range of music philosophical terrain, showing the philsophers' reasons for holding what can seem to the non-philosopher like extraordinarily bizarre notions, while at the same time pointing out the philosophical shortcomings of what musicians often take for common-sense musical truths.

The Improvisation of Musical Dialogue

Author : Bruce Ellis Benson
Publisher : Cambridge University Press
Page : 218 pages
File Size : 47,9 Mb
Release : 2003-02-27
Category : Music
ISBN : 0521009324

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The Improvisation of Musical Dialogue by Bruce Ellis Benson Pdf

This book is an important contribution to the philosophy of music. Bruce Benson's concern is the phenomenology of music making as an activity. He offers a radical thesis that it is improvisation that is primary in the moment of music making.It will be a provocative read.

Understanding Music

Author : Roger Scruton
Publisher : Bloomsbury Publishing
Page : 253 pages
File Size : 50,9 Mb
Release : 2016-02-25
Category : Music
ISBN : 9781474270182

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Understanding Music by Roger Scruton Pdf

With Understanding Music and The Aesthetics of Music (1997) Roger Scruton set a new standard of rigour and seriousness in the philosophy of music. This collection of wide-ranging essays covers all aspects of the theory and practice of music, showing the significance of music as an expression of the moral life. The book is split into two parts, the first is devoted to the aesthetics and theory of music and the second consists of critical studies of individual composers, thinkers and works including essays on Mozart, Wagner, Beethoven's Ninth, Janácek & Schoenberg, Szymanowski and Adorno. Understanding Music will appeal to specialists in philosophy and musicology and also to music lovers who wish to find deeper meaning in this mysterious art. The Bloomsbury Revelations edition includes a new preface from the author.

Philosophy of Western Music

Author : Andrew Kania
Publisher : Routledge
Page : 301 pages
File Size : 44,9 Mb
Release : 2020-04-08
Category : Philosophy
ISBN : 9781351810234

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Philosophy of Western Music by Andrew Kania Pdf

This is the first comprehensive book-length introduction to the philosophy of Western music that fully integrates consideration of popular music and hybrid musical forms, especially song. Its author, Andrew Kania, begins by asking whether Bob Dylan should even have been eligible for the Nobel Prize in Literature, given that he is a musician. This motivates a discussion of music as an artistic medium, and what philosophy has to contribute to our thinking about music. Chapters 2-5 investigate the most commonly defended sources of musical value: its emotional power, its form, and specifically musical features (such as pitch, rhythm, and harmony). In chapters 6-9, Kania explores issues arising from different musical practices, particularly work-performance (with a focus on classical music), improvisation (with a focus on jazz), and recording (with a focus on rock and pop). Chapter 10 examines the intersection of music and morality. The book ends with a consideration of what, ultimately, music is. Key Features Uses popular-song examples throughout, but also discusses a range of musical traditions (notably, rock, pop, classical, and jazz) Explains both philosophical and musical terms when they are first introduced Provides publicly accessible Spotify playlists of the musical examples discussed in the book Each chapter begins with an overview and ends with questions for testing comprehension and stimulating further thought, along with suggestions for further reading

Music in German Philosophy

Author : Stefan Lorenz Sorgner,Oliver Fürbeth
Publisher : University of Chicago Press
Page : 312 pages
File Size : 46,8 Mb
Release : 2011-01-15
Category : Philosophy
ISBN : 9780226768397

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Music in German Philosophy by Stefan Lorenz Sorgner,Oliver Fürbeth Pdf

Though many well-known German philosophers have devoted considerable attention to music and its aesthetics, surprisingly few of their writings on the subject have been translated into English. Stefan Lorenz Sorgner, a philosopher, and Oliver Fürbeth, a musicologist, here fill this important gap for musical scholars and students alike with this compelling guide to the musical discourse of ten of the most important German philosophers, from Kant to Adorno. Music in German Philosophy includes contributions from a renowned group of ten scholars, including some of today’s most prominent German thinkers, all of whom are specialists in the writers they treat. Each chapter consists of a short biographical sketch of the philosopher concerned, a summary of his writings on aesthetics, and finally a detailed exploration of his thoughts on music. The book is prefaced by the editors’ original introduction, presenting music philosophy in Germany before and after Kant, as well as a new introduction and foreword to this English-language addition, which places contemplations on music by these German philosophers within a broader intellectual climate.

Introduction to a Philosophy of Music

Author : Peter Kivy
Publisher : Oxford University Press
Page : 283 pages
File Size : 44,5 Mb
Release : 2002
Category : Philosophy
ISBN : 0198250479

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Introduction to a Philosophy of Music by Peter Kivy Pdf

This title includes the following features: an accessible introductory guide to the philosophy of music; attractively priced; Peter Kivy is one of the most eminent philosophers of music; written in a friendly and entertaining style; no other good introduction to the subject

The Oxford Handbook of Western Music and Philosophy

Author : Tomás McAuley,Nanette Nielsen,Jerrold Levinson,Ariana Phillips-Hutton
Publisher : Oxford University Press
Page : 992 pages
File Size : 51,7 Mb
Release : 2020-12-04
Category : Music
ISBN : 9780199367320

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The Oxford Handbook of Western Music and Philosophy by Tomás McAuley,Nanette Nielsen,Jerrold Levinson,Ariana Phillips-Hutton Pdf

Whether regarded as a perplexing object, a morally captivating force, an ineffable entity beyond language, or an inescapably embodied human practice, music has captured philosophically inclined minds since time immemorial. In turn, musicians of all stripes have called on philosophy as a source of inspiration and encouragement, and scholars of music through the ages have turned to philosophy for insight into music and into the worlds that sustain it. In this Handbook, contributors build on this legacy to conceptualize the rich interactions of Western music and philosophy as a series of meeting points between two vital spheres of human activity. They draw together key debates at the intersection of music studies and philosophy, offering a field-defining overview while also forging new paths. Chapters cover a wide range of musics and philosophies, including concert, popular, jazz, and electronic musics, and both analytic and continental philosophy.

The Routledge Companion to Philosophy and Music

Author : Theodore Gracyk,Andrew Kania
Publisher : Routledge
Page : 672 pages
File Size : 48,6 Mb
Release : 2011-02-14
Category : Music
ISBN : 9781136821882

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The Routledge Companion to Philosophy and Music by Theodore Gracyk,Andrew Kania Pdf

The Routledge Companion to Philosophy and Music is an outstanding guide and reference source to the key topics, subjects, thinkers and debates in philosophy and music. Essential reading for anyone interested in philosophy, music and musicology.

Thinking about Music

Author : Lewis Eugene Rowell
Publisher : Amherst : University of Massachusetts Press
Page : 312 pages
File Size : 43,6 Mb
Release : 1983
Category : Music
ISBN : UCAL:B4347072

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Thinking about Music by Lewis Eugene Rowell Pdf

"This book is for readers who are insatiably curious about music -- "students of music" in the broadest sense of the word. In this category I include those whose musical concerns are more humanistic than technical, as well as those preparing for careers in music... In a library system of classification, Thinking About Music is apt to be filed under the heading "Music -- Aesthetics, history and problems of," and that is a fair description. " - Preface.

A Philosophy of Song and Singing

Author : Jeanette Bicknell
Publisher : Routledge
Page : 139 pages
File Size : 43,5 Mb
Release : 2015-07-03
Category : Philosophy
ISBN : 9781317653134

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A Philosophy of Song and Singing by Jeanette Bicknell Pdf

In Philosophy of Song and Singing: An Introduction, Jeanette Bicknell explores key aesthetic, ethical, and other philosophical questions that have not yet been thoroughly researched by philosophers, musicologists, or scientists. Issues addressed include: The relationship between the meaning of a song’s words and its music The performer’s role and the ensuing gender complications, social ontology, and personal identity The performer’s ethical obligations to audiences, composers, lyricists, and those for whom the material holds particular significance The metaphysical status of isolated solo performances compared to the continuous singing of opera or the interrupted singing of stage and screen musicals Each chapter focuses on one major musical example and includes several shorter discussions of other selections. All have been chosen for their illustrative power and their accessibility for any interested reader and are readily available.

Deep Refrains

Author : Michael Gallope
Publisher : University of Chicago Press
Page : 348 pages
File Size : 41,5 Mb
Release : 2017-11-14
Category : Literary Criticism
ISBN : 9780226483696

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Deep Refrains by Michael Gallope Pdf

Deep Refrains is a wide-ranging investigation of the philosophy of music. Michael Gallope asks what it means for music to "speak” when it is not saying anything in particular. To answer this question, he turns to the writings of some of the most revered thinkers of the twentieth century--Ernst Bloch, Theodor Adorno, Vladimir Jank�l�vitch, Gilles Deleuze, and F�lix Guattari. For these theorists, Gallope argues, the paradox that music is both ineffable and yet harbors deep philosophical wisdoms is fertile ground for thinking outside of conceptual boundaries. It provides the lens for a utopian potentiality that inspires hope (Bloch), an ethical critique of modernity (Adorno), an exemplification of the ephemeral movement of lived time (Jank�l�vitch), and a sonic extension of the syncopated, contrapuntal rhythms of sense and social life (Deleuze and Guattari). Gallope argues that a philosophical engagement with music’s ineffability rarely calls for silence or declarations of the unspeakable. Rather, it asks us to think through the ways in which the impact of music is made to address complex philosophical problems specific to the modern world.

The Philosopher’s Touch

Author : François Noudelmann
Publisher : Columbia University Press
Page : 177 pages
File Size : 41,7 Mb
Release : 2012-01-03
Category : Philosophy
ISBN : 9780231527200

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The Philosopher’s Touch by François Noudelmann Pdf

Renowned philosopher and prominent French critic François Noudelmann engages the musicality of Jean-Paul Sartre, Friedrich Nietzsche, and Roland Barthes, all of whom were amateur piano players and acute lovers of the medium. Though piano playing was a crucial art for these thinkers, their musings on the subject are largely scant, implicit, or discordant with each philosopher's oeuvre. Noudelmann both recovers and integrates these perspectives, showing that the manner in which these philosophers played, the composers they adored, and the music they chose reveals uncommon insight into their thinking styles and patterns. Noudelmann positions the physical and theoretical practice of music as a dimension underpinning and resonating with Sartre's, Nietzsche's, and Barthes's unique philosophical outlook. By reading their thought against their music, he introduces new critical formulations and reorients their trajectories, adding invaluable richness to these philosophers' lived and embodied experiences. The result heightens the multiple registers of being and the relationship between philosophy and the senses that informed so much of their work. A careful reader of music, Noudelmann maintains an elegant command of the texts under his gaze and appreciates the discursive points of musical and philosophical scholarship they involve, especially with regard to recent research and cutting-edge critique.