Philosophy Of Modern Music

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Philosophy of New Music

Author : Theodor W. Adorno
Publisher : U of Minnesota Press
Page : 324 pages
File Size : 47,9 Mb
Release : 2020-06-02
Category : Philosophy
ISBN : 9781452965697

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Philosophy of New Music by Theodor W. Adorno Pdf

An indispensable key to Adorno’s influential oeuvre—now in paperback In 1949, Theodor W. Adorno’s Philosophy of New Music was published, coinciding with the prominent philosopher’s return to a devastated Europe after his exile in the United States. Intensely polemical from its first publication, every aspect of this work was met with extreme reactions, from stark dismissal to outrage. Even Arnold Schoenberg reviled it. Despite the controversy, Philosophy of New Music became highly regarded and widely read among musicians, scholars, and social philosophers. Marking a major turning point in his musicological philosophy, Adorno located a critique of musical reproduction as internal to composition, rather than a matter of musical performance. Consisting of two distinct essays, “Schoenberg and Progress” and “Stravinsky and Reaction,” Philosophy of New Music poses the musical extremes in which Adorno perceived the struggle for the cultural future of Europe: between human emancipation and barbarism, between the compositional techniques and achievements of Schoenberg and Stravinsky. In this translation, which is accompanied by an extensive introduction by distinguished translator Robert Hullot-Kentor, Philosophy of New Music emerges as an essential guide to the whole of Adorno's oeuvre.

Philosophy of Modern Music

Author : Theodor W. Adorno
Publisher : A&C Black
Page : 244 pages
File Size : 53,8 Mb
Release : 2003-01-01
Category : Music
ISBN : 0826414907

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Philosophy of Modern Music by Theodor W. Adorno Pdf

A landmark work from the founder of the Frankfurt School. A key work in the study of Adorno, of interest to students and general readers alike.

The Philosophy of Modern Song

Author : Bob Dylan
Publisher : Simon and Schuster
Page : 429 pages
File Size : 55,5 Mb
Release : 2022-11-01
Category : Biography & Autobiography
ISBN : 9781451648720

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The Philosophy of Modern Song by Bob Dylan Pdf

The Philosophy of Modern Song is Bob Dylan’s first book of new writing since 2004’s Chronicles: Volume One—and since winning the Nobel Prize for Literature in 2016. Dylan, who began working on the book in 2010, offers his extraordinary insight into the nature of popular music. He writes over sixty essays focusing on songs by other artists, spanning from Stephen Foster to Elvis Costello, and in between ranging from Hank Williams to Nina Simone. He analyzes what he calls the trap of easy rhymes, breaks down how the addition of a single syllable can diminish a song, and even explains how bluegrass relates to heavy metal. These essays are written in Dylan’s unique prose. They are mysterious and mercurial, poignant and profound, and often laugh-out-loud funny. And while they are ostensibly about music, they are really meditations and reflections on the human condition. Running throughout the book are nearly 150 carefully curated photos as well as a series of dream-like riffs that, taken together, resemble an epic poem and add to the work’s transcendence. In 2020, with the release of his outstanding album Rough and Rowdy Ways, Dylan became the first artist to have an album hit the Billboard Top 40 in each decade since the 1960s. The Philosophy of Modern Song contains much of what he has learned about his craft in all those years, and like everything that Dylan does, it is a momentous artistic achievement.

Beethoven

Author : Theodor W. Adorno
Publisher : John Wiley & Sons
Page : 288 pages
File Size : 53,8 Mb
Release : 2015-10-02
Category : Social Science
ISBN : 9780745694290

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Beethoven by Theodor W. Adorno Pdf

Beethoven is a classic study of the composer's music, written by one of the most important thinkers of our time. Throughout his life, Adorno wrote extensive notes, essay fragments and aides-memoires on the subject of Beethoven's music. This book brings together all of Beethoven's music in relation to the society in which he lived. Adorno identifies three periods in Beethoven's work, arguing that the thematic unity of the first and second periods begins to break down in the third. Adorno follows this progressive disintegration of organic unity in the classical music of Beethoven and his contemporaries, linking it with the rationality and monopolistic nature of modern society. Beethoven will be welcomed by students and researchers in a wide range of disciplines - philosophy, sociology, music and history - and by anyone interested in the life of the composer.

Music, Philosophy, and Modernity

Author : Andrew Bowie
Publisher : Cambridge University Press
Page : 444 pages
File Size : 44,8 Mb
Release : 2009-02-05
Category : Philosophy
ISBN : 0521107822

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Music, Philosophy, and Modernity by Andrew Bowie Pdf

Modern philosophers generally assume that music is a problem to which philosophy ought to offer an answer. Andrew Bowie's Music, Philosophy, and Modernity suggests, in contrast, that music might offer ways of responding to some central questions in modern philosophy. Bowie looks at key philosophical approaches to music ranging from Kant, through the German Romantics and Wagner, to Wittgenstein, Heidegger and Adorno. He uses music to re-examine many ideas about language, subjectivity, metaphysics, truth and ethics, and he suggests that music can show how the predominant images of language, communication, and meaning in contemporary philosophy may be lacking in essential ways. His book will be of interest to philosophers, musicologists, and all who are interested in the relation between music and philosophy.

Music, Science, Philosophy

Author : Jamie C. Kassler
Publisher : Taylor & Francis
Page : 321 pages
File Size : 55,9 Mb
Release : 2023-05-31
Category : Music
ISBN : 9781000946697

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Music, Science, Philosophy by Jamie C. Kassler Pdf

This book stresses the interrelatedness of knowledge by extricating models that cut across traditional disciplinary boundaries. For example, science can find models from the technology and semantic field of music, music can find its models from the technology and semantic field of science, and each domain may be guided by a philosophical or metaphysical principle - thus, the title of the book. But the book itself is structured as a mirror image of its title. Chapters 1-6 provide instances of the role of music in such domains as epistemology and logic, as well as in the early modern sciences of developmental biology, continuum mechanics, anatomy and physiological psychology, whereas Chapters 7-10 provide instances of what some other domains of knowledge have given back to the philosophy and theory of music.

Philosophy of Music

Author : Riccardo Martinelli
Publisher : Walter de Gruyter GmbH & Co KG
Page : 199 pages
File Size : 54,5 Mb
Release : 2019-10-21
Category : Philosophy
ISBN : 9783110624724

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Philosophy of Music by Riccardo Martinelli Pdf

Ranging from Antiquity to contemporary analytic philosophy, it provides a concise but thorough analysis of the arguments developed by some of the most outstanding philosophers of all times. Besides the aesthetics of music proper, the volume touches upon metaphysics, ethics, philosophy of language, psychology, anthropology, and scientific developments that have influenced the philosophical explanations of music. Starting from the very origins of philosophy in Western thought (Pythagoras, Plato, Aristotle) the book talks about what music is according to Augustine, Descartes, Leibniz, Rousseau, Kant, Hegel, the Romantics, Schopenhauer, Nietzsche, Wittgenstein, Susanne Langer, Bloch, Adorno, and many others. Recent developments within the analytic tradition are illustrated with particular attention to the ontology of the musical artwork and to the problem of music and emotions. A fascinating idea which recurs throughout the book is that philosophers allow for a sort of a secret kinship between music and philosophy, as means to reveal complementary aspects of truth.

Understanding Music

Author : Roger Scruton
Publisher : Bloomsbury Publishing
Page : 253 pages
File Size : 44,7 Mb
Release : 2016-02-25
Category : Music
ISBN : 9781474270182

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Understanding Music by Roger Scruton Pdf

With Understanding Music and The Aesthetics of Music (1997) Roger Scruton set a new standard of rigour and seriousness in the philosophy of music. This collection of wide-ranging essays covers all aspects of the theory and practice of music, showing the significance of music as an expression of the moral life. The book is split into two parts, the first is devoted to the aesthetics and theory of music and the second consists of critical studies of individual composers, thinkers and works including essays on Mozart, Wagner, Beethoven's Ninth, Janácek & Schoenberg, Szymanowski and Adorno. Understanding Music will appeal to specialists in philosophy and musicology and also to music lovers who wish to find deeper meaning in this mysterious art. The Bloomsbury Revelations edition includes a new preface from the author.

The Routledge Companion to Philosophy and Music

Author : Theodore Gracyk,Andrew Kania
Publisher : Routledge
Page : 672 pages
File Size : 54,8 Mb
Release : 2011-02-14
Category : Music
ISBN : 9781136821882

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The Routledge Companion to Philosophy and Music by Theodore Gracyk,Andrew Kania Pdf

The Routledge Companion to Philosophy and Music is an outstanding guide and reference source to the key topics, subjects, thinkers and debates in philosophy and music. Essential reading for anyone interested in philosophy, music and musicology.

Boulez, Music and Philosophy

Author : Edward Campbell
Publisher : Cambridge University Press
Page : 299 pages
File Size : 49,5 Mb
Release : 2010-08-19
Category : Biography & Autobiography
ISBN : 9780521862424

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Boulez, Music and Philosophy by Edward Campbell Pdf

In this book, Campbell explores the relationships of music, philosophy and intellectual culture in the work of Pierre Boulez.

Bob Dylan and Philosophy

Author : Carl J. Porter,Peter Vernezze,William Irwin
Publisher : Open Court
Page : 225 pages
File Size : 49,6 Mb
Release : 2011-05-24
Category : Philosophy
ISBN : 9780812697605

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Bob Dylan and Philosophy by Carl J. Porter,Peter Vernezze,William Irwin Pdf

The legions of Bob Dylan fans know that Dylan is not just a great composer, writer, and performer, but a great thinker as well. In Bob Dylan and Philosophy, eighteen philosophers analyze Dylan’s ethical positions, political commitments, views on gender and sexuality, and his complicated and controversial attitudes toward religion. All phases of Dylan’s output are covered, from his early acoustic folk ballads and anthem-like protest songs to his controversial switch to electric guitar to his sometimes puzzling, often profound music of the 1970s and beyond. The book examines different aspects of Dylan’s creative thought through a philosophical lens, including personal identity, negative and positive freedom, enlightenment and postmodernism in his social criticism, and the morality of bootlegging. An engaging introduction to deep philosophical truths, the book provides Dylan fans with an opportunity to learn about philosophy while impressing fans of philosophy with the deeper implications of his intellectual achievements.

Philosophy of Western Music

Author : Andrew Kania
Publisher : Routledge
Page : 301 pages
File Size : 49,8 Mb
Release : 2020-04-08
Category : Philosophy
ISBN : 9781351810234

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Philosophy of Western Music by Andrew Kania Pdf

This is the first comprehensive book-length introduction to the philosophy of Western music that fully integrates consideration of popular music and hybrid musical forms, especially song. Its author, Andrew Kania, begins by asking whether Bob Dylan should even have been eligible for the Nobel Prize in Literature, given that he is a musician. This motivates a discussion of music as an artistic medium, and what philosophy has to contribute to our thinking about music. Chapters 2-5 investigate the most commonly defended sources of musical value: its emotional power, its form, and specifically musical features (such as pitch, rhythm, and harmony). In chapters 6-9, Kania explores issues arising from different musical practices, particularly work-performance (with a focus on classical music), improvisation (with a focus on jazz), and recording (with a focus on rock and pop). Chapter 10 examines the intersection of music and morality. The book ends with a consideration of what, ultimately, music is. Key Features Uses popular-song examples throughout, but also discusses a range of musical traditions (notably, rock, pop, classical, and jazz) Explains both philosophical and musical terms when they are first introduced Provides publicly accessible Spotify playlists of the musical examples discussed in the book Each chapter begins with an overview and ends with questions for testing comprehension and stimulating further thought, along with suggestions for further reading

Sound Art and Music

Author : John Dack,Tansy Spinks,Adam Stanović
Publisher : Cambridge Scholars Publishing
Page : 235 pages
File Size : 45,8 Mb
Release : 2020-11-12
Category : Art
ISBN : 9781527562042

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Sound Art and Music by John Dack,Tansy Spinks,Adam Stanović Pdf

This volume explores the mutually beneficial, but occasionally uneasy, relationship between sound art and music. It reveals how practices and theories associated with these art forms frequently result in corroboration, and contains chapters from both practitioners and theoreticians who work in areas where innovative synergies between sound art and music can be identified. Although practice and theory are inseparable, discourses surrounding practice are elusive but informative, and, as such, are given particular recognition and exploration in this volume. Taken as a whole, the book provides a snapshot of contemporary research across a range of sound art and music disciplines, showcasing the variety, scope and scale of this exciting, if bewildering, area of study.

Music as Philosophy

Author : Michael Spitzer
Publisher : Indiana University Press
Page : 430 pages
File Size : 48,9 Mb
Release : 2021-08-31
Category : Music
ISBN : 9780253060884

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Music as Philosophy by Michael Spitzer Pdf

Beethoven's late style is the language of his ninth symphony, the Missa Solemnis, the last piano sonatas and string quartets, the Diabelli Variations, the Bagatelles, as well as five piano sonatas, five string quartets, and several smaller piano works. Historically, these works are seen as forging a bridge between the Classical and Romantic traditions: in terms of their musical structure, they continue to be regarded as revolutionary. Spitzer's book examines these late works in light of the musical and philosophical writings of the German intellectual Theodor Adorno, and in so doing, attempts to reconcile the conflicting approaches of musical semiotics and critical theory. He draws from various approaches to musical, linguistic, and aesthetic meaning, relating Adorno to such writers as Derrida, Benjamin, and Habermas, as well as contemporary music theorists. Through analyses of Beethoven's use of specific musical techniques (including neo-Baroque fugues and counterpoint), Spitzer suggests that the composer's last works offer a philosophical and musical critique of the Enlightenment, and in doing so created the musical language of premodernism.

Themes in the Philosophy of Music

Author : Stephen Davies
Publisher : Clarendon Press
Page : 292 pages
File Size : 53,9 Mb
Release : 2003-01-02
Category : Philosophy
ISBN : 9780191529146

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Themes in the Philosophy of Music by Stephen Davies Pdf

Representing Stephen Davies's best shorter writings, these essays outline developments within the philosophy of music over the last two decades, and summarize the state of play at the beginning of a new century. Including two new and previously unpublished pieces, they address both perennial questions and contemporary controversies, such as that over the 'authentic performance' movement, and the impact of modern technology on the presentation and reception of musical works. Rather than attempting to reduce musical works to a single type, Davies recognizes a great variety of kinds, and a complementary range of possibilities for their rendition. Among the questions that Davies considers are these: How can expressiveness be in a musical work when music experiences nothing? Is music a language of the emotions? How do recorded pop songs and purely electronic pieces differ from works created for live performance? Is John Cage's silent piece, 4'33", music? To what extent is the performer free to create her own interpretation and to what extent is she constrained by the composer's score? Is training in musical technicalities a prerequisite for a full appreciation of musical works and performances? Is an awareness of the socio-historical setting in which a work is created relevant to its appreciation? How does the value of individual musical works go beyond the worth of an interest in music in general? Stimulating and insightful both as individual discussions and as a coherent argument, these essays will be greatly enjoyed by philosophers, aestheticians, art theorists, and musicologists.