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Author : Anne Tucker,Will Michels,Natalie Zelt
Publisher : Museum of Fine Arts (Houston)
Page : 0 pages
File Size : 49,8 Mb
Release : 2012
Category : Photography, Artistic
ISBN : 0300177380
Contains primary source material.
Author : David Shields
Publisher : Simon and Schuster
Page : 112 pages
File Size : 55,9 Mb
Release : 2019-06-11
Category : History
ISBN : 9781576879498
Bestselling author David Shields analyzed over a decade's worth of front-page war photographs fromTheNew York Timesand came to a shocking conclusion: the photo-editing process ofthe "paper of record,"by way of pretty, heroic, and lavishly aesthetic image selection, pullsthe woolover the eyes of its readers; Shields forces us to face not only the the media's complicity in dubious and catastrophic military campaigns but our own as well.This powerful media mouthpiece, the mightyTimes, far from being a check on governmental power, is in reality a massive amplifier for its dark forces by virtue of the way it aestheticizeswarfare. Anyone baffled by the willful American involvement in Iraq and Afghanistan can't help but see in this book how eagerly and invariably theTimesled the way in making the case for these wars through the manipulation of its visuals. Shields forces the reader to weigh the consequences of our own passivity in the face of these images' opiatic numbing. The photographs gathered inWar Is Beautiful, often beautiful and always artful, are filters of reality rather than the documentary journalism they purport to be.
Author : Anne-Marie Beckmann,Felicity Korn
Publisher : National Geographic Books
Page : 0 pages
File Size : 46,8 Mb
Release : 2019-09-03
Category : Photography
ISBN : 9783791358680
Discover eight remarkable women war photographers who have documented harrowing and unforgettable crises and combat around the world for the past eighty years. Women have been on the front lines of war for more than a century. With access to places men cannot go, the women who photograph war lend a unique perspective to the consequences of conflict. From intimate glimpses of daily life to the atrocities of war, this exhibition catalog reveals the range and depth of eight women photographers' contributions to wartime photojournalism. Each photographer is introduced by a brief, informative essay followed by reproductions of a selection of their works. Included here are images by Lee Miller, who documented the liberation of Dachau and Buchenwald. The first woman journalist to parachute into Vietnam, Catherine Leroy was on the ground during the Tet Offensive. Susan Meiselas raised international awareness around the Somoza regime's catastrophic effects in Nicaragua. German reporter Anja Niedringhaus worked on assignment in nearly every major conflict of the 1990s, from the Balkans to Libya, Iraq to Afghanistan. The work of Carolyn Cole, Françoise Demulder, Christine Spengler, and Gerda Taro round out this collective profile of courage under pressure and of humanity in the face of war.
Author : Caroline Brothers
Publisher : Routledge
Page : 295 pages
File Size : 43,8 Mb
Release : 2013-03-07
Category : History
ISBN : 9781135035297
Drawing on the work of Barthes, Eco, Foucault, Baudrillard, Burgin and Tagg, and on the historians of mentalities, War and Photography presents a theoretical approach to the understanding of press photography in its historical and contemporary context. Brothers applies her argument with special reference to French and British newspaper images of the Spanish Civil War, a selection of which is presented in the book. Rejecting analyses based upon the content of the images alone, she argues that photographic meaning is largely predetermined by its institutional and cultural context. Acting as witnesses despite themselves, photographs convey a wealth of information not about any objective reality, but about the collective attitudes and beliefs particular to the culture in which they operate.
Author : Marta Zarzycka
Publisher : Taylor & Francis
Page : 170 pages
File Size : 46,5 Mb
Release : 2016-09-13
Category : Social Science
ISBN : 9781317599258
Photographic stills of women, appearing in both press coverage and relief campaigns, have long been central to the documentation of war and civil conflict. Images of non-Western women, in particular, regularly function as symbols of the misery and hopelessness of the oppressed. Featured on the front pages of newspapers and in NGO reports, they inform public understandings of war and peace, victims and perpetrators, but within a discourse that often obscures social and political subjectivities. Uniquely, this book deconstructs – in a systematic, gender-sensitive way – the repetitive circulation of certain images of war, conflict and state violence, in order to scrutinize the role of photographic tropes in the globalized visual sphere. Zarzycka builds on feminist theories of representations of war to explore how the concepts of femininity and war secure each other’s intelligibility in photographic practices. This book examines the complex connections between photographic tropes and the individuals and communities they represent, in order to rethink the medium of photography as a discursive and political practice. This book interrogates both the structure and transmission of contemporary encounters with war, violence, and conflict. It will appeal to advanced students and scholars of gender studies, visual studies, media studies, photography theory, cultural anthropology, cultural studies, and trauma and memory studies.
Author : Pippa Oldfield
Publisher : Exposures
Page : 0 pages
File Size : 41,8 Mb
Release : 2019
Category : PHOTOGRAPHY
ISBN : 1789141451
There are countless books on war photography, most of them focusing on dramatic images made by photojournalists in combat zones. Photography and War instead proposes a radically expanded notion of war photography, one that encompasses a far broader terrain of geographies, chronologies, practices, and viewpoints. Pippa Oldfied considers photography's fundamental role in military reconnaissance, propaganda, and protest, as well as the exposure of war crimes and the memorialization of war, among other themes. While iconic images by well-known names such as Roger Fenton and Robert Capa are included, the viewpoints of people who have historically been overlooked--women and photographers from diasporic and non-Western backgrounds--are significantly gathered here. As a result, this book offers a nuanced and more inclusive understanding of war as a far-reaching undertaking in which anyone might be implicated and affected. Richly illustrated, with some photos published for the first time, Photography and War offers an accessible and well-rounded introduction to photography's perhaps most contested, complex, and emotive subject.
Author : Peter Howe
Publisher : Artisan Publishers
Page : 232 pages
File Size : 50,6 Mb
Release : 2002
Category : History
ISBN : UOM:39015059185465
The world was made aware of this because photographers were there to record the terror, bravery, and desolation of the assualt. One of them gave his life doing so.".
Author : Lynsey Addario
Publisher : Penguin
Page : 368 pages
File Size : 50,9 Mb
Release : 2015-02-05
Category : Biography & Autobiography
ISBN : 9781101599068
"A brutally real and unrelentingly raw memoir."--Kirkus (starred review) War photographer Lynsey Addario’s memoir It’s What I Do is the story of how the relentless pursuit of truth, in virtually every major theater of war in the twenty-first century, has shaped her life. What she does, with clarity, beauty, and candor, is to document, often in their most extreme moments, the complex lives of others. It’s her work, but it’s much more than that: it’s her singular calling. Lynsey Addario was just finding her way as a young photographer when September 11 changed the world. One of the few photojournalists with experience in Afghanistan, she gets the call to return and cover the American invasion. She makes a decision she would often find herself making—not to stay home, not to lead a quiet or predictable life, but to set out across the world, face the chaos of crisis, and make a name for herself. Addario finds a way to travel with a purpose. She photographs the Afghan people before and after the Taliban reign, the civilian casualties and misunderstood insurgents of the Iraq War, as well as the burned villages and countless dead in Darfur. She exposes a culture of violence against women in the Congo and tells the riveting story of her headline-making kidnapping by pro-Qaddafi forces in the Libyan civil war. Addario takes bravery for granted but she is not fearless. She uses her fear and it creates empathy; it is that feeling, that empathy, that is essential to her work. We see this clearly on display as she interviews rape victims in the Congo, or photographs a fallen soldier with whom she had been embedded in Iraq, or documents the tragic lives of starving Somali children. Lynsey takes us there and we begin to understand how getting to the hard truth trumps fear. As a woman photojournalist determined to be taken as seriously as her male peers, Addario fights her way into a boys’ club of a profession. Rather than choose between her personal life and her career, Addario learns to strike a necessary balance. In the man who will become her husband, she finds at last a real love to complement her work, not take away from it, and as a new mother, she gains an all the more intensely personal understanding of the fragility of life. Watching uprisings unfold and people fight to the death for their freedom, Addario understands she is documenting not only news but also the fate of society. It’s What I Do is more than just a snapshot of life on the front lines; it is witness to the human cost of war.
Author : Susan D. Moeller
Publisher : Unknown
Page : 540 pages
File Size : 43,9 Mb
Release : 1989-03-28
Category : Documentary photography
ISBN : UCAL:B4282910
Moeller (history, Princeton) brings her experience as a photojournalist to bear on her study of war photography in the five major American wars of the century. She identifies the factors that shape the images: the moral position of the photographer, the official censorship of the media; government propaganda needs; technological advances in weaponry and camera equipment. Annotation copyrighted by Book News, Inc., Portland, OR
Author : Caroline Moorehead
Publisher : New Internationalist
Page : 0 pages
File Size : 43,5 Mb
Release : 2009
Category : Red Cross and Red Crescent
ISBN : 1906523150
A photographic collection which traces the history of the largest humanitarian organisation in the world through its remarkable photographic archive. These iconic images show what can be achieved when aid to the suffering is given without discrimination. The collection of images from esteemed photographers such as Sebastian Salgado, Eric Bouvier and Nick Danziger is introduced by James Nachtway, a US photo journalist. Published on behalf of the Red Cross.
Author : Jeff L. Rosenheim,Gibbes Museum of Art (Charleston, S.C.),New Orleans Museum of Art
Publisher : Metropolitan Museum of Art
Page : 290 pages
File Size : 46,5 Mb
Release : 2013-05-07
Category : History
ISBN : 9780300191806
Published to coincide with the 150th anniverary of the battle of Gettysburg, features both familiar and rarely seen Civil War images from such photographers as George Barnard, Mathew Brady, and Timothy O'Sullivan.
Author : Thy Phu,Erina Duganne,Andrea Noble
Publisher : Duke University Press
Page : 289 pages
File Size : 53,9 Mb
Release : 2022-11-14
Category : Photography
ISBN : 9781478023197
Cold War Camera explores the visual mediation of the Cold War and illuminates photography’s role in shaping the ways it was prosecuted and experienced. The contributors show how the camera stretched the parameters of the Cold War beyond dominant East-West and US-USSR binaries and highlight the significance of photography from across the global South. Among other topics, the contributors examine the production and circulation of the iconic figure of the “revolutionary Vietnamese woman” in the 1960s and 1970s; photographs connected with the coming of independence and decolonization in West Africa; family photograph archives in China and travel snapshots by Soviet citizens; photographs of apartheid in South Africa; and the circulation of photographs of Inuit Canadians who were relocated to the extreme Arctic in the 1950s. Highlighting the camera’s capacity to envision possible decolonialized futures, establish visual affinities and solidarities, and advance calls for justice to redress violent proxy conflicts, this volume demonstrates that photography was not only crucial to conducting the Cold War, it is central to understanding it. Contributors. Ariella Azoulay, Jennifer Bajorek, Erina Duganne, Evyn Lê Espiritu Gandhi, Eric Gottesman, Tong Lam, Karintha Lowe, Ángeles Donoso Macaya, Darren Newbury, Andrea Noble, Sarah Parsons, Gil Pasternak, Thy Phu, Oksana Sarkisova, Olga Shevchenko, Laura Wexler, Guigui Yao, Donya Ziaee, Marta Ziętkiewicz
Author : Anonim
Publisher : Unknown
Page : 248 pages
File Size : 44,9 Mb
Release : 1980
Category : Photography
ISBN : STANFORD:36105035567119
Text and more than 300 photographs trace the evolution of war photography from the 1840s to the present, with an explanation of the changing role of the photographer and an introduction to the men and women who developed this art form.
Author : Stuart Allan,Tom Allbeson
Publisher : Taylor & Francis
Page : 288 pages
File Size : 47,8 Mb
Release : 2024-05-31
Category : Language Arts & Disciplines
ISBN : 9781136473678
In contrast with historical examinations centring the evolving role of the war correspondent, Conflicting Images focuses on the contribution of photographers and photojournalists, providing an evaluative appraisal of war photography in the news and its development from the nineteenth century to the twenty-first century. Stuart Allan and Tom Allbeson critically explore diverse genres of war photography across a broad historical sweep, encompassing events from the Crimean War (1853–56) and the Civil War in the United States (1861–65) up to and including conflicts unfolding in Syria and Ukraine. This book reflects on the relevance of different types of warfare to visual reporting, from colonial conquest via trench warfare and aerial bombardment, to the ideological dimensions of the Cold War, and ‘embedding’ and ‘winning hearts and minds’ during the ‘War on Terror’ and its aftermath. In pinpointing illustrative examples, the authors examine changing dynamics of production, dissemination, and public engagement. Readers will come to understand how current efforts to rethink the future of war photography in a digital age can benefit from a close and careful consideration of war photography’s origins, early development, and gradual, uneven transformation over the years. Conflicting Images aims to invigorate ongoing enquires and inspire new, alternative trajectories for future research and practice. This book is recommended reading for researchers and advanced students of visual journalism and conflict reporting.
Author : James Matthew Gallman,Gary W. Gallagher
Publisher : University of Georgia Press
Page : 270 pages
File Size : 42,7 Mb
Release : 2015
Category : Biography & Autobiography
ISBN : 9780820348100
This set of essays by twenty-seven historians of the Civil War describes a wide array of the war's photographs, examining them in unfamiliar ways.