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Judi Freeman,Los Angeles County Museum of Art,Metropolitan Museum of Art (New York, N.Y.)
Author : Judi Freeman,Los Angeles County Museum of Art,Metropolitan Museum of Art (New York, N.Y.) Publisher : Rizzoli International Publications Page : 226 pages File Size : 42,9 Mb Release : 1994 Category : Art ISBN : UOM:39015032971791
A collection of memorabilia brings together the art of the Surrealist photographer and artist while documenting her seven-year affair with Pablo Picasso and considering her role as a friend and sexually unconventional woman.
Merging biography, memoir, and cultural history, this compelling book, a bestseller in France, traces the life of Dora Maar (1907–1997) through a serendipitous encounter with the artist’s address book. In search of a replacement for his lost Hermès agenda, Brigitte Benkemoun’s husband buys a vintage diary on eBay. When it arrives, she opens it and finds inside private notes dating back to 1951—twenty pages of phone numbers and addresses for Balthus, Brassaï, André Breton, Jean Cocteau, Paul Éluard, Leonor Fini, Jacqueline Lamba, and other artistic luminaries of the European avant-garde. After realizing that the address book belonged to Dora Maar—Picasso’s famous “Weeping Woman” and a brilliant artist in her own right—Benkemoun embarks on a two-year voyage of discovery to learn more about this provocative, passionate, and enigmatic woman, and the role that each of these figures played in her life. Longlisted for the prestigious literary award Prix Renaudot, Finding Dora Maar is a fascinating and breathtaking portrait of the artist. “Beautifully written and fascinating.”—Paris Match “One of the happy surprises of the end of the literary season.”—Livres Hebdo “A highly moving portrait of the artist.”—Elle (France) This book received support from the French Ministry of Foreign Affairs and the Cultural Services of the French Embassy in the United States through their publishing assistance program.
A tribute to the renowned Picasso biographer Sir John Richardson (1924-2019), whose intimate account of the artist's life forever changed the understanding of Picasso's art. "The inspiration of nearly all his work comes from his daily life," the acclaimed Picasso biographer John Richardson wrote of the artist in 1962. This was nowhere more true than in Picasso's portraits of women. This volume traces the artist's depictions of eight women who played a prominent role in the artist's life and art: Fernande Olivier, Olga Khokhlova Picasso, Sara Murphy, Marie-Thérèse Walter, Dora Maar, Françoise Gilot, Sylvette David, and Jacqueline Roque Picasso. Each woman served as a catalyst for experiments in color and form that would continue to change as the contours of the relationship shifted. It is through this process that Picasso's work was constantly reinvented and renewed. Published in association with an exhibition organized in honor of the late art historian and biographer, this book features reproductions of thirty-six paintings and sculptures; an extensive two-part newspaper article by Richardson written in 1962, "Picasso in Private"; and an illustrated chronology of the extraordinary exhibitions of Picasso's work curated by Richardson at Gagosian between 2009 and 2018.
"Published on the occasion of the exhibition Picasso: the artist and his muses presented at the Vancouver Art Gallery, June 11 - October 2, 2016 ... created by Art Centre Basel, curated by Katharina Beisiegel, and produced in collaboration with the Vancouver Art Gallery"--Copyright page.
Printmaking was fundamental to Pablo Picasso's artistic vision. Over his long career, he made well over 2,000 printed images, focusing on the intaglio techniques of etching, engraving, drypoint and aquatint, as well as on lithography and linoleum cut. This book, published to accompany an exhibition at The Museum of Modern Art, explores Picasso's creative process in printmaking from the early years of the 20th century and his discovery of Cubism, right up to the last years of his life when he continually expanded the potential of the medium. Divided into twelve sections, the book presents highlights from the Museum's extraordinary collection of Picasso's prints. This includes such celebrated masterworks as The Minotauromachy and The WeepingWoman from the 1930s, as well as evolving states that reveal how Picasso's imagery developed. One example of such metamorphosis is seen in a series of lithographs from the 1940s in which a progression is established from the realistic depiction of a bull to one that is completely abstract and captured in a few lines. Other prints reveal changing interpretations of the women in Picasso's life, who served both as artistic subjects and catalytic forces for his creativity. Filled with full-page illustrations accompanied by extended captions, the volume features an essay by DeborahWye, Chief Curator of Prints and Illustrated Books at MoMA, and introductions to each thematic section. The book concludes with a chronology and bibliography focusing on Picasso's printmaking.
Art, landscape, and memory are interwoven strands in the fabric of Grace Nichols' latest collection, Picasso, I Want My Face Back. The book opens with a long poem in the voice of Dora Maar, who, as Picasso's muse and mistress, was the inspiration for his iconic painting, The Weeping Woman. The poems are almost interlocking reflections that echo the cubist manner of the painting and allow us to enter the shifting surfaces of Dora Maar's mind and her journey of self reclamation.
Dora Maar by Damarice Amao,Amanda Maddox,Karolina Ziebinska-Lewandowska Pdf
For the first time, a comprehensive exploration of Dora Maar’s enigmatic photography reveals her as an extraordinary and influential artist in her own right. Dora Maar (born Henriette Théodora Markovitch, 1907–1997) was active at the height of Surrealism in France. She was recognized as a key member of the movement and maintained professional relationships with many of its prominent figures, such as André Breton, Brassaï, Henri Cartier-Bresson, and Man Ray. However, her standing as the one-time muse and mistress of Pablo Picasso—his famous “Weeping Woman”—has long eclipsed her creative output and minimized her influence. Richly illustrated with 240 key works showcasing Maar’s inimitable acumen as a photographer, this book examines the full arc of her career for the very first time. Subjects include her innovative commercial and fashion photography, her approach to the nude and eroticism, engagement with political groups, interest in socially concerned photography, affiliation with the Surrealist movement, and hitherto unknown work from her reclusive late career, providing a dynamic and multifaceted examination of an important artist.
Of all the great paintings in the world, Picasso's Guernica has had a more direct impact on our consciousness than perhaps any other. In this absorbing and revealing book, Gijs van Hensbergen tells the story of this masterpiece. Starting with its origin in the destruction of the Basque town of Gernika in the Spanish Civil War, the painting is then used as a weapon in the propaganda battle against Fascism. Later it becomes the nucleus of the Museum of Modern Art in New York and the detonator for the Big Bang of Abstract Expressionism in the late 1940s. This tale of passion and politics shows the transformation of this work of art into an icon of many meanings, up to its long contested but eventually triumphant return to Spain in 1981.
