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Author : H. P. Robinson
Publisher : Unknown
Page : 240 pages
File Size : 44,6 Mb
Release : 1869
Category : Composition (Photography)
ISBN : BML:37001101427917
Author : Henry Peach Robinson
Publisher : Unknown
Page : 224 pages
File Size : 40,6 Mb
Release : 1869
Category : Composition (Photography)
ISBN : UCD:31175003649459
Author : Henry Peach Robinson
Publisher : Unknown
Page : 218 pages
File Size : 49,6 Mb
Release : 1893
Category : Composition (Photography)
ISBN : NYPL:33433069035594
Author : Anonim
Publisher : Unknown
Page : 0 pages
File Size : 52,7 Mb
Release : 1869
Category : Electronic
ISBN : OCLC:999585423
Author : H P (Henry Peach) 1830-1 Robinson
Publisher : Legare Street Press
Page : 228 pages
File Size : 41,6 Mb
Release : 2021-09-09
Category : Electronic
ISBN : 1014106389
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author : Henry Peach Robinson
Publisher : Forgotten Books
Page : 197 pages
File Size : 45,8 Mb
Release : 2015-06-24
Category : Photography
ISBN : 1330123778
Excerpt from Pictorial Effect in Photography: Being Hints on Composition and Chiaro-Oscuro for Photographers One of the greatest difficulties in writing a book for beginners in any art is to make it simple enough. Nine out of ten photographers are, unfortunately, quite ignorant of art; some think manipulation all-sufficient, others are too much absorbed in the scientific principles involved to think of making pictures; while comparatively a few only have regarded the science as a means of giving pictorial embodiment to their ideas. It is for the first-mentioned that I have dwelt so long, in Chapters III, IV, and V, on what may be termed the initial idea of composition - Balance and Contrast. It is denied by some that art and photography can be combined, and these ridicule the idea that a knowledge of the principles of art can be of use to the photographer. It is to counteract these erroneous notions that I have insisted so strongly on the legitimacy and necessity of understanding those guiding laws in composition and chiaro-oscuro which must, in all forms of art, be the basis of pictorial effect. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author : Henry Peach Robinson
Publisher : Theclassics.Us
Page : 52 pages
File Size : 54,5 Mb
Release : 2013-09
Category : Electronic
ISBN : 1230270248
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1893 edition. Excerpt: ... CHAPTER XIX. PORTRAITURE--GEOUPS--PROPORTION. The composition of a poitrait group depends very much upon the character of its constituents. Two or three children, if they are not excessively stupid samples, are very easy to group together, and, -when -well done, make the most agreeable and natural pictures; while two adults, especially of the male kind, although easier to photograph, seldom make an effective composition. The great art in the composition of a group is in so arranging -the figures that they shall have some relation to each other, as well as the ordinary elements of pictorial construction. There should be some bond of union between those who compose the group; some incident should be represented in which they are mutually interested; or something must be imagined out of the picture to attract the attention of both if only two are represented, or of many of them if there is a number. The figures should be massed together, and not scattered over the space so as to make it necessary to examine each portrait in detail, until it has been seen, and the effect agreeably felt, as a whole. Nothing has a more disagreeable effect than two figures in one picture which may be cut in two without much injury to either half--two figures, like Enid and Geraint in the wild land-- "Apart by all the chamber's width, and mute As creatures voiceless, through the fault of birth. Or two wild men supporters of a shield, Painted, who stare at open space, nor glance The one at other, parted by the shield." It is not necessary, in representing two persons in conversation, that they should be looking at each other; the effect of listeningcan be rendered without putting them to that trying ordeal. It constantly happens that in conversations even on the...
Author : Henry Peach Robinson
Publisher : Hardpress Publishing
Page : 246 pages
File Size : 46,9 Mb
Release : 2019-08-07
Category : History
ISBN : 0371549523
This is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the original versions are generally quite old, there may occasionally be certain imperfections within these reproductions. We're happy to make these classics available again for future generations to enjoy!
Author : Henry Peach Robinson
Publisher : Nabu Press
Page : 216 pages
File Size : 41,7 Mb
Release : 2014-03
Category : Electronic
ISBN : 1294817493
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Pictorial Effect In Photography: Being Hints On Composition And Chiaroscuro For Photographers 4 Henry Peach Robinson Piper & Carter, 1893 Photography; General; Composition (Photography); Photography / General; Photography / Individual Photographer; Photography, Artistic
Author : Henry Peach Robinson
Publisher : Franklin Classics Trade Press
Page : 204 pages
File Size : 40,8 Mb
Release : 2018-10-27
Category : Electronic
ISBN : 0344323498
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author : Henry Peach ROBINSON
Publisher : Unknown
Page : 150 pages
File Size : 51,7 Mb
Release : 1886
Category : Electronic
ISBN : OCLC:504358651
Author : Andrew E. Hershberger
Publisher : John Wiley & Sons
Page : 476 pages
File Size : 49,9 Mb
Release : 2014-01-07
Category : Photography
ISBN : 9781405198462
Hershberger is the winner of a 2015 Insight Award from the Society for Photographic Education for his work on this book and for his overall contributions to the field! Photographic Theory: An Historical Anthology presents a compendium of readings spanning ancient times to the digital age that are related to the history, nature, and current status of debates in photographic theory. Offers an authoritative and academically up-to-date compendium of the history of photographic theory Represents the only collection to include ancient, Renaissance, and 19th-, 20th-, and 21st-century writings related to the subject Stresses the drama of historical and contemporary debates within theoretical circles Features comprehensive coverage of recent trends in digital photography Fills a much-needed gap in the existing literature
Author : Diarmuid Costello
Publisher : Routledge
Page : 166 pages
File Size : 54,8 Mb
Release : 2017-09-22
Category : Philosophy
ISBN : 9781351970846
What is photography? Is it a source of knowledge or an art? Many have said the former because it records the world automatically, others the latter because it expresses human subjectivity. Can photography be both or must we choose? In On Photography: A Philosophical Inquiry, Diarmuid Costello examines these fascinating questions and more, drawing on images by Alfred Stieglitz, Berenice Abbott, Paul Strand, Lee Friedlander, James Welling, and Wolfgang Tillmans, among others, and the writings of Elizabeth Eastlake, Peter Henry Emerson, Edward Weston, Siegfried Kracauer, André Bazin, and Stanley Cavell. This sets the scene for the contemporary stand-off between "sceptical" and "non-sceptical" Orthodoxy in the work of Roger Scruton and Kendall Walton, and a New Theory of Photography taking its cue from László Moholy-Nagy and Patrick Maynard. Written in a clear and engaging style, On Photography is essential reading for anyone interested in the philosophy of photography, aesthetics, art, and visual studies.
Author : Juliet Hacking,Joanne Lukitsh
Publisher : Bloomsbury Publishing
Page : 248 pages
File Size : 46,5 Mb
Release : 2020-10-29
Category : Photography
ISBN : 9781350048546
Photography, both in the form of contemporary practice and that of historical material, now occupies a significant place in the citadels of Western art culture. It has an institutional network of its own, embedded within the broader art world, with its own specialists including academics, critics, curators, collectors, dealers and conservators. All of this cultural activity consolidates an artistic practice and critical discourse of photography that distinguishes what is increasingly termed 'art photography' from its commercial, scientific and amateur guises. But this long-awaited recognition of photography as high art brings new challenges. How will photography's newly privileged place in the art world affect how the history of creative photography is written? Modernist claims for the medium as having an aesthetic often turned on precedents from painting. Postmodernism challenged a cultural hierarchy organized around painting. Nineteenth-century photographs move between the symbolic spaces of the gallery wall and the archive: de-contextualised for art and re-contextualised for history. But what of the contemporary writings, images, and practices that negotiated an aesthetic status for 'the photographic'? Photography and the Arts revisits practices both celebrated and elided by the modernist and postmodernist grand narratives of art and photographic history in order to open up new critical spaces. Written by leading scholars in the fields of photography, art and literature, the essays examine the metaphorical as well as the material exchanges between photography and the fine, graphic, reproductive and sculptural arts.
Author : Henry P. Robinson
Publisher : Unknown
Page : 128 pages
File Size : 41,9 Mb
Release : 1879
Category : Electronic
ISBN : OCLC:953343790