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Author : W. J. T. Mitchell,William John Thomas Mitchell Publisher : University of Chicago Press Page : 466 pages File Size : 48,7 Mb Release : 1995-09 Category : Art ISBN : 0226532321
Picture Theory by W. J. T. Mitchell,William John Thomas Mitchell Pdf
What precisely, W. J. T. Mitchell asks, are pictures (and theories of pictures) doing now, in the late twentieth century, when the power of the visual is said to be greater than ever before, and the "pictorial turn" supplants the "linguistic turn" in the study of culture? This book by one of America's leading theorists of visual representation offers a rich account of the interplay between the visible and the readable across culture, from literature to visual art to the mass media.
A novel first published in French in 1982, 'Picture Theory' demonstrates Nicole Brossard's fiction théorique and her preoccupation with the difficulty of writing and reading woman. The title (taken from Wittgenstein) implies her reference to the hologram as a new pictorial model for woman; like the hologram which is intended to be read from an infinite number of changing conditions, Brossard's text abstracts the image of the feminine so that it can be read from all angles. Centred on four women, this novel of lesbian love moves from Curaçao to Montreal, from New York to Paris. Essentially, Picture Theory poses the question of what is a novel.
W.J.T. Mitchell's Image Theory by Krešimir Purgar Pdf
W.J.T. Mitchell – one of the founders of visual studies – has been at the forefront of many disciplines such as iconology, art history and media studies. His concept of the pictorial turn is known worldwide for having set new philosophical paradigms in dealing with our vernacular visual world. This book will help both students and seasoned scholars to understand key terms in visual studies – pictorial turn, metapictures, literary iconology, image/text, biopictures or living pictures, among many others – while systematically presenting the work of Mitchell as one of the discipline's founders and most prominent figures. As a special feature, the book includes three comprehensive, authoritative and theoretically relevant interviews with Mitchell that focus on different stages of development of visual studies and critical iconology.
"A novel first published in French in 1982, 'Picture Theory' demonstrates Nicole Brossard's fiction théorique and her preoccupation with the difficulty of writing and reading woman. The title (taken from Wittgenstein) implies her reference to the hologram as a new pictorial model for woman; like the hologram which is intended to be read from an infinite number of changing conditions, Brossard's text abstracts the image of the feminine so that it can be read from all angles. Centred on four women, this novel of lesbian love moves from Curaçao to Montreal, from New York to Paris. Essentially, Picture Theory poses the question of what is a novel."--back cover.
Wittgenstein's Philosophy of Language by James Bogen Pdf
First published in 2005. This book studies the often overlooked work of Ludwig Wittgenstein's Tractatus Logio-Philosophicus, the Tractatus and their later work being argued as being mutually illuminating. Bogen states that the works of Wittgenstein require a study of their points of contact which led to the formation of this title. This is accomplished by studying the text in two parts: its relevance to picture theory, the subsequent abandonment of the picture theory.
Inner and Outer Worlds by Anthony Uhlmann FAHA Pdf
Gail Jones is one of Australia’s foremost contemporary novelists. Her books have won or been shortlisted for the Prime Minister’s Literary Award, the Miles Franklin Award, the Stella Prize, and numerous state literary awards. They are taught in high schools and universities across the country. This collection of essays offers reflections on Jones’ fiction by leading Australian and international literary critics. For readers who loved Sixty Lights, Five Bells, Sorry and Jones’ other novels, and for students of Jones’ work, this book will be an illuminating companion. With chapters on her use of language, her thematic preoccupations, and her place in local and global literary culture, it is a timely guide to the work of an exceptional Australian writer.
"Image Studies provides an engaging introduction to visual studies analysis and an account of existing and emergent visual culture debates, along with chapters on a range of topics, including: consumer culture and identity; photography and digital imaging; painting and drawing; the moving image; the relationship between image and text (including reference to text in art, comics and animation); and scientific imaging. Written in an engaging and accessible way, the text will also include extracts of existing critical materials. Each chapter will include key set readings, including short extracts from existing literatures with accompanying study notes and questions. The chapters will also include a range of critical and creative tasks, designed to bring the academic study of visual culture into direct contact with practical aspects of visual culture and image-making. Image Studies is a new text aimed predominantly at undergraduate students in visual culture, but which will also be useful for media studies students and arts students more generally"--
Phenomenology and Deconstruction, Volume Two by Robert Denoon Cumming Pdf
In this final volume of Robert Denoon Cumming's four-volume history of the phenomenological movement, Cumming examines the bearing of Heidegger's philosophy on his original commitment to Nazism and on his later inability to face up to the implication of that allegiance. Cumming continues his focus, as in previous volumes, on Heidegger's connection with other philosophers. Here, Cumming looks first at Heidegger's relation to Karl Jaspers, an old friend on whom Heidegger turned his back when Hitler consolidated power, and who discredited Heidegger in the denazification that followed World War II. The issues at stake are not merely personal, Cumming argues, but regard the philosophical relevance of the personal.
Jaakko Hintikka on Knowledge and Game-Theoretical Semantics by Hans van Ditmarsch,Gabriel Sandu Pdf
This book focuses on the game-theoretical semantics and epistemic logic of Jaakko Hintikka. Hintikka was a prodigious and esteemed philosopher and logician, and his death in August 2015 was a huge loss to the philosophical community. This book, whose chapters have been in preparation for several years, is dedicated to the work of Jaako Hintikka, and to his memory. This edited volume consists of 23 contributions from leading logicians and philosophers, who discuss themes that span across the entire range of Hintikka’s career. Semantic Representationalism, Logical Dialogues, Knowledge and Epistemic logic are among some of the topics covered in this book's chapters. The book should appeal to students, scholars and teachers who wish to explore the philosophy of Jaako Hintikka.
Author : W. J. T. Mitchell Publisher : University of Chicago Press Page : 419 pages File Size : 52,9 Mb Release : 2013-12-23 Category : Art ISBN : 9780226245904
Why do we have such extraordinarily powerful responses toward the images and pictures we see in everyday life? Why do we behave as if pictures were alive, possessing the power to influence us, to demand things from us, to persuade us, seduce us, or even lead us astray? According to W. J. T. Mitchell, we need to reckon with images not just as inert objects that convey meaning but as animated beings with desires, needs, appetites, demands, and drives of their own. What Do Pictures Want? explores this idea and highlights Mitchell's innovative and profoundly influential thinking on picture theory and the lives and loves of images. Ranging across the visual arts, literature, and mass media, Mitchell applies characteristically brilliant and wry analyses to Byzantine icons and cyberpunk films, racial stereotypes and public monuments, ancient idols and modern clones, offensive images and found objects, American photography and aboriginal painting. Opening new vistas in iconology and the emergent field of visual culture, he also considers the importance of Dolly the Sheep—who, as a clone, fulfills the ancient dream of creating a living image—and the destruction of the World Trade Center on 9/11, which, among other things, signifies a new and virulent form of iconoclasm. What Do Pictures Want? offers an immensely rich and suggestive account of the interplay between the visible and the readable. A work by one of our leading theorists of visual representation, it will be a touchstone for art historians, literary critics, anthropologists, and philosophers alike. “A treasury of episodes—generally overlooked by art history and visual studies—that turn on images that ‘walk by themselves’ and exert their own power over the living.”—Norman Bryson, Artforum
Kazimierz Twardowski: A Grammar for Philosophy by Maria van der Schaar Pdf
In Kazimierz Twardowski: A Grammar for Philosophy Maria van der Schaar shows the importance of Twardowski’s method, his philosophical grammar, for both the Lvov-Warsaw School, and analytic philosophy today.
Controversy in Marketing Theory: For Reason, Realism, Truth and Objectivity by Shelby D. Hunt Pdf
In this book distinguished theorist and author Shelby D. Hunt analyzes the major controversies in the "philosophy debates" raging throughout the field of marketing. Using an historical approach, Hunt argues against relativism and for scientific realism as a philosophy for guiding marketing research and theory. He also shows how the pursuit of truth and objectivity in marketing research are both possible and desirable. Specific controversies analyzed in the book include: Does positivism dominate marketing research? Does positivism imply quantitive methods? Is relativism an appropriate foundation for marketing research? Does relativism imply pluralism, tolerance, and openness? Should marketing pursue the goal of objective research? An ideal companion to Hunt's classic text, Foundations of Marketing Theory, this volume will be equally useful on its own in any graduate level course on marketing theory.
Heinrich Hertz: Classical Physicist, Modern Philosopher by D. Baird,R.I. Hughes,Alfred Nordmann Pdf
The sub-title of this symposium is accurate and, in a curious way, promises more than it states: Classical Physicist, Modem Philosopher. Heinrich Hertz, as the con summate experimentalist of 19th century technique and as brilliant clarifying critic of physical theory of his time, achieved one of the fulfilments but at the same time opened one of the transition points of classical physics. Thus, in his 'popular' lecture 'On the Relations Between Light and Electricity' at Heidelberg in the Fall of 1889, Hertz identified the ether as henceforth the most fundamental problem of physics, as the conceptual mystery but also the key to understanding mass, electric ity, and gravity. Of Hertz's demonstration of electric waves, Helmholtz told the Physical Society of Berlin: "Gentlemen! I have to communicate to you today the most important physical discovery of the century. " Hertz, philosophizing in his direct, lucid, pithy style, once wrote "We have to imagine". Perhaps this is metaphysics on the horizon? In the early pages of his Principles of Mechanics, we read A doubt which makes an impression on our mind cannot be removed by calling it metaphysical: every thoughtful mind as such has needs which scientific men are accustomed to denote as metaphysical. (PM23) And at another place, concerning the terms 'force' and 'electricity' and the alleged mystery of their natures, Hertz wrote: We have an obscure feeling of this and want to have things cleared up.
Moving Image Theory by Joseph D Anderson,Joseph Anderson,Barbara Fisher Anderson Pdf
Looking at film through its communication properties rather than its social or political implications, this work draws on the tenets of James J. Gibson's ecological theory of visual perception and offers a new understanding of how moving images are seen and understood.
Analytic philosophy--arguably one of the most important philosophical movements in the twentieth century--has gained a new historical self-consciousness, particularly about its own origins. Between 1880 and 1930, the most important work of its founding figures (Frege, Russell, Moore, Wittgenstein) not only gained attention but flourished. In this collection, fifteen previously unpublished essays explore different facets of this period, with an emphasis on the vital intellectual relationship between Frege and the early Wittgenstein.