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Picturing Men and Women in the Dutch Golden Age by Muizelaar Klaske,Klaske Muizelaar,Derek L. Phillips Pdf
Taking as their premiss the subjective experience of art, the authors look at how paintings by Rembrandt, Vermeer & other masters were displayed & comprehended in the 17th century.
Heroines, Harpies, and Housewives by Martha Moffitt Peacock Pdf
A novel and female empowering interpretive approach to these artistic archetypes in her analysis of Imaging Women of Consequence in the Dutch Golden Age.
Well-being in Amsterdam's Golden Age by Derek L. Phillips Pdf
This captivating volume paints a broad portrait of daily life in seventeenth-century Amsterdam. Taking the reader into the heart of the Dutch Golden Age, Derek Phillips uses a wide variety of sources in order to provide a wealth of domestic detail: from how people washed their clothes and cooked their meals to how they lived, married, and raised their children. Well-Being in Amsterdam's Golden Age covers the terrain of merchants' offices, regents' drawing rooms, and servants' quarters through a range of multidisciplinary perspectives, revealing the processes linking equality and well-being in seventeenth-century Amsterdam and beyond.
Art and Social Change by Klare Scarborough,Susan Dixon Pdf
The scholarly essays in this book focus on the theme of art and social change in Western art from the Renaissance to about 1950. The edited volume includes contributions by scholars with a range of professional backgrounds and affiliations. Their essays address some aspect of the theme and engage with one or more artworks in the collection of La Salle University Art Museum. Topics include religious iconography, portraiture, landscape, journal illustrations, and Modernist abstraction. These essays on the collection add to the body of scholarship which situates works of art in contexts that help reveal and explain changes in social, political or cultural values. The book is lavishly illustrated, with 104 color illustrations.
Center or Margin: Revisions of the English Renaissance in Honor of Leeds Barroll includes essays by Catherine Belsey, Harry Berger, Jr., Philippa Berry, Raphael Falco, Jean E. Howard, Lena Cowen Orlin, Patricia Parker, Phyllis Rackin, Bruce R. Smith, Barbara Maria Stafford, Peter Stallybrass, and Susanne Woods. With sections on England at the Margins, Researching the Renaissance, The Human Figure on the Stage, and Artificial Persons, the collection makes interventions in historiography as well as history, literary interpretation, and also literary criticism. Some of the issues are England's marginal status in the sixteenth- and seventeenth- century world; the re-centering strategies of the Renaissance public theater in both time and space; mutually reinforcing fallacies engendered by common practices of canon formation and historical narrative; the central meanings of marginal characters in Shakespeare and Milton;
Early Modern Women's Writing by Martine van Elk Pdf
This book is the first comparative study of early modern English and Dutch women writers. It explores women’s rich and complex responses to the birth of the public sphere, new concepts of privacy, and the ideology of domesticity in the seventeenth century. Women in both countries were briefly allowed a public voice during times of political upheaval, but were increasingly imagined as properly confined to the household by the end of the century. This book compares how English and Dutch women responded to these changes. It discusses praise of women, marriage manuals, and attitudes to female literacy, along with female artistic and literary expressions in the form of painting, engraving, embroidery, print, drama, poetry, and prose, to offer a rich account of women’s contributions to debates on issues that mattered most to them.
Premodern Masculinities in Transition by Konrad Eisenbichler,Jacqueline Murray Pdf
Sheds new light on how masculinity was understood, lived, performed and viewed during a period of huge change. Premodern masculinity was multivalent and dynamic, a series of intersecting, conflicting, and mutating identities that nevertheless were distinct and recognizable to people and their societies. The articles collected here examine a variety of means by which masculinity was constructed, deconstructed, and transformed across time, geographies, and cultures. Articles range across the twelfth to seventeenth century, from western Europe to the Volga-Ural region, from the Christian west to the Muslim east, from Ottomans to Mongols and Persians, from Baudri of Bourgueil to Blaise de Monluc; while topics include the chivalric hero, the effeminate man, beards, and spurs, represented variously in literature, historical documents, and art. Finally, in that period of great transformation that is the sixteenth century, they show how masculinity moved away from the traditional and recognizable to become something different and distinct from its premodern expressions.
Manhood, Marriage, and Mischief by Harry Berger Pdf
A study of the theory and practice of seventeenth-century Dutch group portraits, Manhood, Marriage, and Mischief offers a account of the genre's comic and ironic features, which it treats as comments on the social context of portrait sitters who are husbands and householders as well as members of civic and proto-military organizations. The introduction picks out anomalous touches by which Rembrandt problematizes standard group portrait motifs in The Night Watch: a shooter who fires his musket into the company; two girls who appear to be moving through the company in the wrong direction; guardsmen who appear to be paying little or no attention to their leader's enthusiastic gesture of command. Were the patrons and sitters aware of or even complicit in staging the anomalies? If not, did the painter get away with a subversive parody of militia portrait conventions at the sitters' expense? Parts One and Two respond to these questions at several levels: first, by analyzing the aesthetic structure of group portraiture as a genre; second, by reviewing the conflicting accounts modern scholars give of the civic guard company as an institution; third, by marking the effect on civic guardsmen of a mercantile economy that relied heavily on wives and mothers to keep the homefires burning. Two phenomena persistently recur in the portraits under discussion: competitive posing and performance anxiety. Part Three studies these phenomena in portraits of married couples and families. Finally, Part Four returns to examine them in The Night Watch in the light of the first three parts. The result is an interpretation that reads Rembrandt's painting both as a deliberate parody by the sitters and as theartist's covert parody of the sitters.
The essays in this volume complement the recent exhibition of Printmakers of the Baroque: 17th-Century Explorations of Space and Light at La Salle University Art Museum during winter 2013-2014. Co-curated by La Salle Associate Professor of Art History Dr. Susan Dixon, the exhibition also provided a foundation for a Baroque art history course taught in spring 2014. This catalogue includes essays and labels written by undergraduate students enrolled in the course, along with reproductions of all 40 artworks included in the exhibition.
The Visible and the Invisible by Daniela Hammer-Tugendhat Pdf
The book addresses the scientific debates on Rembrandt, Metsu, Vermeer, and Hoogstraten that are currently taking place in art history and cultural studies. These focus mainly on the representation of gender difference, the relationship between text and image, and the emotional discourse. They are also an appeal for art history as a form of cultural studies that analyses the semantic potential of art within discursive and social contemporary practices. Dutch painting of the seventeenth century reflects its relationship to visible reality. It deals with ambiguities and contradictions. As an avant-garde artistic media, it also contributes to the emergence of a subjectivity towards the modern “bourgeois”. It discards subject matter from its traditional fixation with iconology and evokes different imaginations and semantizations - aspects that have not been sufficiently taken into account in previous research. The book is to be understood as an appeal for art history as a form of cultural science that analyses the semantic potential of art within discursive and social contemporary practices, and, at the same time, demonstrates its relevance today. Works by Rembrandt, Metsu, Vermeer, Hoogstraten, and others serve as exemplary case studies for addressing current debates in art history and cultural studies, such as representation of gender difference, relationship between text and image, and emotional discourse.
Early Modern Women in the Low Countries by Susan Broomhall,Jennifer Spinks Pdf
Combining historical, historiographical, museological, and touristic analysis, this study investigates how late medieval and early modern women of the Low Countries expressed themselves through texts, art, architecture and material objects, how they were represented by contemporaries, and how they have been interpreted in modern academic and popular contexts. Broomhall and Spinks analyse late medieval and early modern women's opportunities to narrate their experiences and ideas, as well as the processes that have shaped their representation in the heritage and cultural tourism of the Netherlands and Belgium today. The authors study female-authored objects such as familial and political letters, dolls' houses, account books; visual sources, funeral monuments, and buildings commissioned by female patrons; and further artworks as well as heritage sites, streetscapes, souvenirs and clothing with gendered historical resonances. Employing an innovative range of materials from written sources to artworks, material objects, heritage sites and urban precincts, the authors argue that interpretations of late medieval and early modern women's experiences by historians and art scholars interact with presentations by cultural and heritage tourism providers in significant ways that deserve closer interrogation by feminist researchers.
Author : Harriet Stone Publisher : University of Toronto Press Page : 311 pages File Size : 42,7 Mb Release : 2019-01-01 Category : Art ISBN : 9781487504427
Crowning Glories integrates Louis XIV's propaganda campaigns, the transmission of Northern art into France, and the rise of empiricism in the eighteenth century - three historical touchstones - to examine what it would have meant for France's elite to experience the arts in France simultaneously with Netherlandish realist painting. In an expansive study of cultural life under the Sun King, Harriet Stone considers the monarchy's elaborate palace decors, the court's official records, and the classical theatre alongside Northern images of daily life in private homes, urban markets, and country fields. Stone argues that Netherlandish art assumes an unobtrusive yet, for the history of ideas, surprisingly dramatic role within the flourishing of the arts, both visual and textual, in France during Louis XIV's reign. Netherlandish realist art represented thinking about knowledge that challenged the monarchy's hold on the French imagination, and its efforts to impose the king's portrait as an ideal and proof of his authority. As objects appreciated for their aesthetic and market value, Northern realist paintings assumed an uncontroversial place in French royal and elite collections. Flemish and Dutch still lifes, genre paintings, and cityscapes, however, were not merely accoutrements of power, acquisitions made by those with influence and money. Crowning Glories reveals how the empirical orientation of Netherlandish realism exposed French court society to a radically different mode of thought, one that would gain full expression in the Encyclop?die of Diderot and d'Alembert.
Winner of the MLA Prize for Independent Scholars Taking the reader on an inward journey from façades to closets, from physical to psychic space, Architectural Involutions offers an alternative genealogy of theater by revealing how innovations in architectural writing and practice transformed an early modern sense of interiority. The book launches from a matrix of related “platforms”—a term that in early modern usage denoted scaffolds, stages, and draftsmen’s sketches—to situate Alberti, Shakespeare, Jonson, and others within a landscape of spatial and visual change. As the English house underwent a process of inward folding, replacing a logic of central assembly with one of dissemination, the subject who negotiated this new scenography became a flashpoint of conflict in both domestic and theatrical arenas. Combining theory with archival findings, Mimi Yiu reveals an emergent desire to perform subjectivity, to unfold an interior face to an admiring public. Highly praised for its lucid writing, comprehensive supplementary material, and engaging tone, Architectural Involutions was the winner of the 2016 MLA Prize for Independent Scholars.
‘Blew my mind… so magically written and most of all that it is based on true events… a hard-hitting, soul-crushing book… I loved every moment of it… immersive, heart-wrenching, I feel emotional writing this review.’ Goodreads reviewer, 5 stars Wanted: Company Daughters. Virtuous young ladies to become the brides of industrious settlers in a foreign land. The Company will pay the cost of the lady’s dowry and travel. Returns not permitted, orphans preferred. Amsterdam, 1620. Jana Beil has learned that life rarely provides moments of joy. Having run away from a violent father, her days are spent searching for work in an effort to stay out of the city brothels, where desperate women trade their bodies for a mouthful of bread. But when Jana is hired as a servant for the wealthy and kind Master Reynst and his beautiful daughter Sontje, Jana’s future begins to look brighter. Then Master Reynst loses his fortune on a bad investment, and everything changes. The house is sold to creditors, leaving Jana back on the street and Sontje without a future. With no other choice, Jana and Sontje are forced to sign with the East India Company as Company Daughters: sailing to a colonial Dutch outpost to become the brides of male settlers they know nothing about. With fear in their hearts, the girls begin their journey – but what awaits them on the other side of the world is nothing like what they’ve been promised… Based on true history, this is a gripping and unputdownable historical novel, perfect for fans of Girl with a Pearl Earring, The Miniaturist and The Indigo Girl. WINNER OF THE 2021 GOLDEN CROWN LITERARY SOCIETY AWARD FOR DEBUT FICTION. FINALIST FOR THE 2021 BISEXUAL BOOK AWARDS. LONGLISTED FOR THE 2021 HWA DEBUT CROWN AWARD. What readers are saying about The Company Daughters: ‘Blew my mind… a book I've told so many people about purely because I'm still in disbelief that it exists, that it's so magically written and most of all that it is based on true events… a hard-hitting, soul-crushing book of a woman's struggle to survive… I loved every moment of it. Breathlessly, and in a way that took up my entire brain… immersive, heart-wrenching, and I feel emotional writing this review.’ Goodreads reviewer, 5 stars ‘From the moment I started reading The Company Daughters, I was captivated by this historical tale. Although it does contain a love story, it's not a romance…This was a gripping read.’ Goodreads reviewer ‘This book is so stunningly tender and beautiful, all mixed in with some seriously tragic and heart-wrenching events… Rajaram is an extremely skilled writer, and I love her writing style… The themes of sisterhood and female love were so present in this book and I found it very moving.’ Goodreads reviewer ‘I was enchanted by this book! It’s a delightful read that will have your emotions all over the place.’ Goodreads reviewer ‘I love historical fiction, and this book touched on a topic and time I knew nearly nothing about…There’s love, there’s loss, there’s surviving, there’s thriving… It was a very beautiful book.’ Goodreads reviewer ‘The Company Daughters is a beautifully written love story… a perfect example of the power of human will and the endurance and hope that love can give a person.’ Goodreads reviewer, 5 stars ‘This book has a beauty and grace to it. The author’s writing just flows off the page, and although there are struggles and upsets by the time you close the book over you are filled with a warm glow.’ Goodreads reviewer ‘A powerful and insightful read. I look forward to reading more historical work by Samantha Rajaram!’ Goodreads reviewer ‘Heartbreaking… a moving book… vivid, with amazing characters… This is a great read.’ Goodreads reviewer
