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Pindar's Songs for Young Athletes of Aigina by Pindarus,Anne Pippin Burnett Pdf
Consisting of individual studies of the poet Pindar's 11 odes for the victors of the athletic contests on Aigina, the author addresses questions of mythicself-presentation in this book, as well as Pindar's techniques for unifying his audience and leading it into a shared experience of inspired success.
Pindar's Songs for Young Athletes of Aigina by Anne Pippin Burnett Pdf
This book consists of individual studies of Pindar's eleven odes for Aiginetan victors, preceded by a brief survey of the history of the island and the nature of its aristocracy. Anne Pippin Burnett's discussion is particularly attentive to questions of mythic self-presentation, as exemplified in the pedimental sculptures of the Aphaia Temple and the parallel `narrative' sections of the odes. The overall concern is with Pindaric techniques for unifying an audience and leading it into a shared experience of inspired success, but there is also a concern with the realities of athletic contest and its celebration.
'we can speak of no greater contest than Olympia' The Greek poet Pindar (c. 518-428 BC) composed victory odes for winners in the ancient Games, including the Olympics. He celebrated the victories of athletes competing in foot races, horse races, boxing, wrestling, all-in fighting and the pentathlon, and his Odes are fascinating not only for their poetic qualities, but for what they tell us about the Games. Pindar praises the victor by comparing him to mythical heroes and the gods, but also reminds the athlete of his human limitations. The Odes contain versions of some of the best known Greek myths, such as Jason and the Argonauts, and Perseus and Medusa, and are a valuable source for Greek religion and ethics. Pindar's startling use of language - striking metaphors, bold syntax, enigmatic expressions - makes reading his poetry a uniquely rewarding experience. Anthony Verity's lucid translations are complemented by an introduction and notes that provide insight into competition, myth, and meaning. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
You've just won the gold medal, what are you going to do? In Ancient Greece, your patron could throw a feast in your honor and have a poet write a hymn of praise to you. The great poet Pindar composed many such odes for victorious athletes. Esteemed classicist Anne Pippin Burnett presents a fresh and exuberant translation of Pindar's victory songs. The typical Pindaric ode reflects three separate moments: the instant of success in contest, the victory night with its disorderly revels, and the actual banquet of family and friends where the commissioned poem is being offered as entertainment. In their essential effect, these songs transform a physical triumph, as experienced by one man, into a sense of elation shared by his peers—men who have gathered to dine and to drink. Athletic odes were presented by small bands of dancing singers, influencing the audience with music and dance as well as by words. These translations respect the form of the originals, keeping the stanzas that shaped repeating melodies and danced figures and using rhythms meant to suggest performers in motion. Pindar's songs were meant to entertain and exalt groups of drinking men. These translations revive the confident excitement of their original performances.
Pindar's Poetry, Patrons, and Festivals by Simon Hornblower,Catherine Morgan Pdf
Ancient sport made a huge if indirect contribution to the literature of ancient Greece, since some sixty poems by Pindar and Bacchylides ('epinikian odes'), written to commemorate victories, survive from the Classical period. This book is a collection of essays about that literature, and about the social and physical context for which it was written. The editors assembled an internationally distinguished team of speakers for the original 2002 seminar series held in London, and these papers form the backbone of the book. But to ensure coherence and comprehensive coverage, they have commissioned three further papers, and have themselves written a long thematic Introduction. The result is a stellar team of authors, and a book which looks at an important literary phenomenon in light of the latest archaeological and sociological insights, as well as evaluating the poetry both as poetry and as a performance genre with distinctive characteristics.
Of all the lyric poets of ancient Greece, Pindar is the one whose work has been best preserved. His odes to victorious Greek athletes were entertainments designed for performance in a hospitable atmosphere of drinking, dining and jokes. The victor has known the favour of the god whose contest he entered, and has brought back pan-Hellenic fame to his family, friends and city. To extend this glory and make it permanent, he has commissioned a song of praise, had dancers trained to sing it, and summoned an audience of kinsmen, neighbours and friends to enjoy it. Pindar's odes contain invocations and prayers, but their most characteristic effects are achieved thhrough the depiction of fragments of myth. Anne Pippin Burnett argues that these passages were meant neither as mere decoration nor as moral instruction, but served rather as a dramatic mechanism by which dancers brought an experience of another world to guests gathered in the banqueting suite of the victor.
Pindar's victory songs teem with divinity. By exploring them within the lived religious landscapes of the fifth century BCE, Hanne Eisenfeld demonstrates that they are in fact engaged in theological work. Focusing on a set of mythical figures whose identities blur the boundaries between mortality and immortality (Herakles, the Dioskouroi, Amphiaraos, and Asklepios), she newly interprets the value of immortality in the epinician corpus. Pindar's depiction of these figures responds to and shapes contemporary religious experience and revalues mortality as a prerequisite for the glory found in victory. The book combines close reading and philological analysis with religious historical approaches to Pindar's songs and his world. It highlights the inextricability of Greek literature and Greek religion, and models a novel approach to Greek lyric poetry at the intersection of these fields.
Truth and History in the Ancient World by Lisa Hau,Ian Ruffell Pdf
This collection of essays investigates histories in the ancient world and the extent to which the producers and consumers of those histories believed them to be true. Ancient Greek historiographers repeatedly stressed the importance of truth to history; yet they also purported to believe in myth, distorted facts for nationalistic or moralizing purposes, and omitted events that modern audiences might consider crucial to a truthful account of the past. Truth and History in the Ancient World explores a pluralistic concept of truth – one in which different versions of the same historical event can all be true – or different kinds of truths and modes of belief are contingent on culture. Beginning with comparisons between historiography and aspects of belief in Greek tragedy, chapters include discussions of historiography through the works of Herodotus, Xenophon, and Ktesias, as well as Hellenistic and later historiography, material culture in Vitruvius, and Lucian’s satire. Rather than investigate whether historiography incorporates elements of poetic, rhetorical, or narrative techniques to shape historical accounts, or whether cultural memory is flexible or manipulated, this volume examines pluralities of truth and belief within the ancient world – and consequences for our understanding of culture, ancient or otherwise.
Author : George Kazantzidis,Dimos Spatharas Publisher : Walter de Gruyter GmbH & Co KG Page : 407 pages File Size : 45,7 Mb Release : 2018-07-09 Category : History ISBN : 9783110598254
Hope in ancient literature, history, and art by George Kazantzidis,Dimos Spatharas Pdf
Although ancient hope has attracted much scholarly attention in the past, this is the first book-length discussion of the topic. The introduction offers a systematic discussion of the semantics of Greek elpis and Latin spes and addresses the difficult question of whether hope -ancient and modern- is an emotion. On the other hand, the 16 contributions deal with specific aspects of hope in Greek and Latin literature, history and art, including Pindar's poetry, Greek tragedy, Thucydides, Virgil's epic and Tacitus' Historiae. The volume also explores from a historical perspective the hopes of slaves in antiquity, the importance of hope for the enhancement of stereotypes about the barbarians, and the depiction of hope in visual culture, providing thereby a useful tool not only for classicist but also for philosophers, cultural historians and political scientists.
Pindar, Song, and Space by Richard Neer,Leslie Kurke Pdf
A groundbreaking study of the interaction of poetry, performance, and the built environment in ancient Greece. Winner of the PROSE Award for Best Book in Classics by the Association of American Publishers In this volume, Richard Neer and Leslie Kurke develop a new, integrated approach to classical Greece: a "lyric archaeology" that combines literary and art-historical analysis with archaeological and epigraphic materials. At the heart of the book is the great poet Pindar of Thebes, best known for his magnificent odes in honor of victors at the Olympic Games and other competitions. Unlike the quintessentially personal genre of modern lyric, these poems were destined for public performance by choruses of dancing men. Neer and Kurke go further to show that they were also site-specific: as the dancers moved through the space of a city or a sanctuary, their song would refer to local monuments and landmarks. Part of Pindar's brief, they argue, was to weave words and bodies into elaborate tapestries of myth and geography and, in so doing, to re-imagine the very fabric of the city-state. Pindar's poems, in short, were tools for making sense of space. Recent scholarship has tended to isolate poetry, art, and archaeology. But Neer and Kurke show that these distinctions are artificial. Poems, statues, bronzes, tombs, boundary stones, roadways, beacons, and buildings worked together as a "suite" of technologies for organizing landscapes, cityscapes, and territories. Studying these technologies in tandem reveals the procedures and criteria by which the Greeks understood relations of nearness and distance, "here" and "there"—and how these ways of inhabiting space were essentially political. Rooted in close readings of individual poems, buildings, and works of art, Pindar, Song, and Space ranges from Athens to Libya, Sicily to Rhodes, to provide a revelatory new understanding of the world the Greeks built—and a new model for studying the ancient world.
Creative Lives in Classical Antiquity by Richard Fletcher,Johanna Hanink Pdf
This book examines how the biographical traditions of ancient poets and artists parallel the creative processes of biographers themselves, both within antiquity and beyond. Each chapter explores a range of biographical material that highlights the complexity of how readers and viewers imagine the lives of ancient creator-figures.
This new translation of Pindar's songs for victorious athletes marries philological rigour with poetic sensibility in order to represent the beauty of his language for a modern audience as closely as possible. Pindar's poetry is synonymous with difficulty for scholars and students of classical studies. His syntax stretches the limits of ancient Greek, while his allusions to mythology and other poetic texts assume an audience that knows more than we now possibly can, given the fragmentary nature of textual and material culture records for ancient Greece. It includes an authoritative introduction, both to the poet and his art and to ancient athletics, alongside brief orientations to the historical context and mythological content of each victory song. The inclusion of a glossary supplies additional mythological and historical information necessary to understanding Pindar's poetry for those coming to the works for the first time. His is the largest body of textual remains that exists for ancient Greece between Homer (conventionally dated to 750 BCE) and the Classical Period (480323 BCE), and constitutes a rich resource for politics, history, religion, and social practices.
Pindar and the Emergence of Literature by Boris Maslov Pdf
For much of Western history, Pindar's work was recognized as the pinnacle of lyric poetry. This book presents an introduction to different aspects of Pindar's art, while demonstrating its importance for the coming into being of literature as it has been conceived of in the West.
Wells argues that the victory song is a traditional art form that appealed to a popular audience and served exclusive elite interests through the inclusive appeal of entertainment, popular instruction, and laughter. Wells offers a new take on old Pindaric questions: genre, unity of the victory song, tradition, and epinician performance.