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DigiCat Publishing presents to you this special edition of "The 'Piping Times'" by John Jeffery Farnol. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Old and New World Highland Bagpiping by John Graham Gibson Pdf
Old and New World Highland Bagpiping provides a comprehensive biographical and genealogical account of pipers and piping in highland Scotland and Gaelic Cape Breton.The work is the result of over thirty years of oral fieldwork among the last Gaels in Cape Breton, for whom piping fitted unself-consciously into community life, as well as an exhaustive synthesis of Scottish archival and secondary sources. Reflecting the invaluable memories of now-deceased new world Gaelic lore-bearers, John Gibson shows that traditional community piping in both the old and new world Gàihealtachlan was, and for a long time remained, the same, exposing the distortions introduced by the tendency to interpret the written record from the perspective of modern, post-eighteenth-century bagpiping. Following up the argument in his previous book, Traditional Gaelic Bagpiping, 1745-1945, Gibson traces the shift from tradition to modernism in the old world through detailed genealogies, focusing on how the social function of the Scottish piper changed and step-dance piping progressively disappeared. Old and New World Highland Bagpiping will stir controversy and debate in the piping world while providing reminders of the value of oral history and the importance of describing cultural phenomena with great care and detail.
Traditional Gaelic Bagpiping, 1745-1945 by John Graham Gibson Pdf
He argues that the dramatic depopulation of the Highlands in the nineteenth century was one of the main reasons for the decline of Gaelic piping. Gibson follows the emigration of the Highland Scots from the Old World to the New - to where an echo of traditional Gaelic music can still be heard.
The Highland bagpipe, widely considered 'Scotland's national instrument', is one of the most recognized icons of traditional music in the world. It is also among the least understood. But Scottish bagpipe music and tradition - particularly, but not exclusively, the Highland bagpipe - has enjoyed an unprecedented surge in public visibility and scholarly attention since the 1990s. A greater interest in the emic led to a diverse picture of the meaning and musical iconicism of the bagpipe in communities in Scotland and throughout the Scottish diaspora. This interest has led to the consideration of both the globalization of Highland piping and piping as rooted in local culture. It has given rise to a reappraisal of sources which have hitherto formed the backbone of long-standing historical and performative assumptions. And revivalist research which reassesses Highland piping's cultural position relative to other Scottish piping traditions, such as that of the Lowlands and Borders, today effectively challenges the notion of the Highland bagpipe as Scotland's 'national' instrument. The Highland Bagpipe provides an unprecedented insight into the current state of Scottish piping studies. The contributors – from Scotland, England, Canada and the United States – discuss the bagpipe in oral and written history, anthropology, ethnography, musicology, material culture and modal aesthetics. The book will appeal to ethnomusicologists, anthropologists, as well as those interested in international bagpipe studies and traditions.
Congressional Record by United States. Congress Pdf
The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)
Originally published in 1975, and written by an authority on Scottish music, this book traces the evolution of the bagpipe whilst also narrating the fortunes of the ‘Great Highland Bagpipe’ itself. Exploring history and archaeology of civilizations as far removed from the Scottish Highlands as Egypt and Mesopotamia, Greece and Rome this book offers a unique full-length history of one of the world’s most interesting and ancient musical instruments. Appendices list the bagpipes of other countries and the materials used in the instrument’s manufacture as well as a comprehensive bibliography.
Military History of Scotland by Edward M. Spiers Pdf
The Scottish soldier has been at war for over 2000 years. Until now, no reference work has attempted to examine this vast heritage of warfare.A Military History of Scotland offers readers an unparalleled insight into the evolution of the Scottish military tradition. This wide-ranging and extensively illustrated volume traces the military history of Scotland from pre-history to the recent conflict in Afghanistan. Edited by three leading military historians, and featuring contributions from thirty scholars, it explores the role of warfare in the emergence of a Scottish kingdom, the forging of a Scottish-British military identity, and the participation of Scots in Britain's imperial and world wars. Eschewing a narrow definition of military history, it investigates the cultural and physical dimensions of Scotland's military past such as Scottish military dress and music, the role of the Scottish soldier in art and literature, Scotland's fortifications and battlefield archaeology, and Scotland's military memorials and museum collections.
Eighteenth and nineteenth century European, British and American newspapers constitute a rich and largely untapped source of contemporary, often eyewitness accounts of historical events and opinions concerning Iran from the late Safavid (1712) through the Qajar (c. 1797-1920) period. This study collects and annotates thousands of articles published in the Colonial and early Republican American newspapers, from the first mention of events in Persia in the American press (1712) to the death of Mohammad Shah (1848), unlocking for the first time a wealth of information on Iran and its place in the world during the 18th and early 19th century.
In the year 1925, James McIntosh was born into humble beginnings, in a two-room structure that would soon house a family of seven. His home was a stone's throw from the beach in Broughty Ferry, then a thriving fishing village on the east coast of Scotland. This was a time of strict social obedience and even stricter social mores. Children were to be seen and not heard. They were expected to obey the man of the house without question or cavil. Thus did Jimmy find himself put to the bagpipes by his father and then packed off to the army as a naive teenager. He left behind brothers, sisters, and friends, as well as the familiar streets, buildings, and shoreline of his boyhood. Forced to depart the only environment he had ever known, he now had to face the big bad world alone, and off he went with his suitcase and pipes in hand, not knowing what fate awaited him. Never one to give in easily, Jimmy determined to see it through, to make the best of his lot. He saw action during WWII and, after demob, proceeded to carve out a life for himself and his family. Though lacking formal education, he never stopped studying and working to be the best at his music. He sought out the finest instructors and became a successful competitor in world-class competitions. He soon became a mentor to dozens of piping students and helped them do the same. Never satisfied to "rest on his laurels," Jimmy was always looking for new projects to share his knowledge and passion. One of those was establishing the world's first piping professorship at Carnegie Mellon University in Pittsburgh, Pennsylvania. He traveled internationally, giving recitals, teaching, adjudicating, and organizing piping schools. Such was the success of his work that he was recognized by Her Majesty Queen Elizabeth II, who, at Buckingham Palace, presented him with an MBE for his services to bagpipe music. In this memoir, Jimmy paints a picture in words of his lifelong dedication to his art, the people he met along the way, and the ups and downs in his life, both personal and professional. He writes as if you are sitting in the room with him, chatting by the fire. This touching memoir provides a link with the past, and through one man's vivid telling of his story, we learn how we can enrich our own.
