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Two months have elapsed since we left the Trail-Hunter commencing his adventurous journey, and we are in the heart of the desert. Before us immensity is unfolded. What pen, however eloquent, would venture to describe those illimitable oceans of verdure to which the North Americans have in their imagery, given the poetic and mysterious name of the Far West? That is to say, the truly unknown region, with its scenes at once grand and striking, soft and terrible; unbounded prairies in which may be found that rich and luxuriant Flora, against whose magic growth only the Indian can successfully struggle. These plains, at the first glance, offer the dazzled eye of the rash traveller who ventures on them a vast carpet of verdure embossed with flowers, furrowed by large streams; and they appear of a desperate regularity, mingling in the horizon with the azure of the sky.
Excerpt from Pirates of the Prairies: Adventures in the American Desert Rhea) anxious to follow the hero through the remainder of his adventures; and I sincerely trust that a perusal of the Pirates of the Prairies may lead to a demand for other volumes by the. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from The Pirates of the Prairies: Or Adventures in the American Desert I.-the Cache II - The Ambuscade iii.-an Old Acquaintance of the Reader IV. - Red Cedar at Bay f V. - The Grotto VL - The Proposition VIL - Ellen and Dona Clara 'iii. - The Flight IX. - The Teocali X. - The White Gazelle XL - The Apaches XIL - Black Cat XIII - The Great Medicine xiv-the Succor xv.-on the Island XVI - Sunbeam I XVII - Indian Hospitality. XVIII - Love l XIX - The Dance of the Old Dogs XX. - A Hand-to-hand Fight XXL - The Avenger XXII - Explanatory XXIII. - 'apaches and Comanches XXIV. - The scalp-dance. XXV - The Torture.. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The dramatic story of outlaws and vigilantes on the American frontier invariably calls to mind the Wild West of the latter nineteenth century. Yet, there was an earlier frontier, Illinois, that was every bit as wild and lawless as Dodge City or Tombstone. Between 1835 and 1850 several hundred outlaws and desperadoes descended on the prairie state, holding up stagecoaches, robbing homes and individuals, rustling cattle and horses, counterfeiting, murdering, and terrorizing residents with virtual impunity. In a state that was mostly wilderness, outlaws went undetected for years, often masquerading as law-abiding farmers and merchants while preying on isolated settlers and passing emigrants. If it was hard to detect the pirates, it was harder still to capture them and bring them to justice. With law enforcement incapable of checking outlaws, frustrated citizens eventually took matters into their own hands, administering frontier justice—vigilantism. Posses were formed; outlaws were swept from their lairs and whipped, shot, or hanged. Sometimes the miscreants got their just desserts; other times, the use of public tribunals to enact personal vendettas led to abuses, even chaos. Pirates of the Prairie brings the story of these wild times to life.
In Acts of Modernity, David Buchanan reads nineteenth-century historical novels from Scotland, America, France, and Canada as instances of modern discourse reflective of community concerns and methods that were transatlantic in scope. Following on revolutionary events at home and abroad, the unique combination of history and romance initiated by Walter Scott’s Waverley (1814) furthered interest in the transition to and depiction of the nation-state. Established and lesser-known novelists reinterpreted the genre to describe the impact of modernization and to propose coping mechanisms, according to interests and circumstances. Besides analysis of the chronotopic representation of modernity within and between national contexts, Buchanan considers how remediation enabled diverse communities to encounter popular historical novels in upmarket and downmarket forms over the course of the century. He pays attention to the way communication practices are embedded within and constitutive of the social lives of readers, and more specifically, to how cultural producers adapted the historical novel to dynamic communication situations. In these ways, Acts of Modernity investigates how the historical novel was repeatedly reinvented to effectively communicate the consequences of modernity as problem-solutions of relevance to people on both sides of the Atlantic.
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