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Plantation Memories is a compilation of episodes of everyday racism written in the form of short psychoanalytical stories. From the question “Where do you come from?” to Hair Politics to the N-word, the book is a strong, eloquent, and elaborate piece that deconstructs the normality of everyday racism and exposes the violence of being placed as the Other. Released at the Berlin International Literature Festival in 2008, soon the book became internationally acclaimed and part of numerous academic curricula. Known for her subversive practice of giving body, voice, and image to her own texts, Grada Kilomba has adapted her book into a staged reading and video installation. Plantation Memories is an important contribution to the global cultural discourse.
"Plantation Memories is a compilation of episodes of everyday racism written in the form of short psychoanalytical stories. From the question "Where do you come from?" to Hair Politics to the N-word, the book is a strong, eloquent, and elaborate piece, which deconstructs the normality of everyday racism and exposes the violence of being placed as the Other. Released at the Berlin International Literature Festival in 2008, soon the book became internationally acclaimed and part of numerous academic curricula. Known for her subversive practice of giving body, voice, and image to her own texts, Grada Kilomba has adapted her book into a staged reading and video installation. Plantation Memories is an important contribution to the global cultural discourse."--
Author : Angeles Monrayo Publisher : University of Hawaii Press Page : 297 pages File Size : 43,5 Mb Release : 2003-03-31 Category : History ISBN : 9780824865214
Angeles Monrayo (1912–2000) began her diary on January 10, 1924, a few months before she and her father and older brother moved from a sugar plantation in Waipahu to Pablo Manlapit’s strike camp in Honolulu. Here for the first time is a young Filipino girl’s view of life in Hawaii and central California in the first decades of the twentieth century—a significant and often turbulent period for immigrant and migrant labor in both settings. Angeles’ vivid, simple language takes us into the heart of an early Filipino family as its members come to terms with poverty and racism and struggle to build new lives in a new world. But even as Angeles recounts the hardships of immigrant life, her diary of "everyday things" never lets us forget that she and the people around her went to school and church, enjoyed music and dancing, told jokes, went to the movies, and fell in love. Essays by Jonathan Okamura and Dawn Mabalon enlarge on Angeles’ account of early working-class Filipinos and situate her experience in the larger history of Filipino migration to the United States.
"Bill Traylor (ca. 1853-1949) is regarded today as one of the most important American artists of the twentieth century. A black man born into slavery in Alabama, he was an eyewitness to history--the Civil War, Emancipation, Reconstruction, Jim Crow segregation, the Great Migration, and the steady rise of African American urban culture in the South. Traylor would not live to see the civil rights movement, but he was among those who laid its foundation. Starting around 1939, Traylor--by then in his late eighties and living on the streets of Montgomery--took up pencil and paintbrush to attest to his existence and point of view. In keeping with this radical step, the paintings and drawings he made are visually striking and politically assertive; they include simple yet powerful distillations of tales and memories as well as spare, vibrantly colored abstractions. When Traylor died, he left behind more than one thousand works of art. In Between Worlds: The Art of Bill Traylor, Leslie Umberger considers more than two hundred artworks to provide the most comprehensive and in-depth study of the artist to date; she examines his life, art, and powerful drive to bear witness through the only means he had, pictures. The author draws on a wealth of historical documents--including federal and state census records, birth and death certificates, slave schedules, and interviews with family members-- to clarify the record of Traylor's personal history and family life. The story of his art opens in the late 1930s, when Traylor first received attention for his pencil drawings on found board, and concludes with the posthumous success of his oeuvre"--
A Remembrance of Eden by Margaret Jones Bolsterli Pdf
In her perceptive chronicle of everyday life on an Arkansas plantation, Harriet Bailey Bullock Daniel sheds light on the plantation economy, medical practices, religion, slavery, and sex roles in the period from 1849 until Daniel's marriage in 1872. The work is a rich mixture of mundane details surrounded by momentous events, and Daniel's sure grasp of both provides enjoyment and enlightenment for any reader.
In this book Tiya Miles explores the popular yet troubling phenomenon of "ghost tours," frequently promoted and experienced at plantations, urban manor homes, and cemeteries throughout the South. As a staple of the tours, guides entertain paying customers by routinely relying on stories of enslaved black specters. But who are these ghosts? Examining popular sites and stories from these tours, Miles shows that haunted tales routinely appropriate and skew African American history to produce representations of slavery for commercial gain. "Dark tourism" often highlights the most sensationalist and macabre aspects of slavery, from salacious sexual ties between white masters and black women slaves to the physical abuse and torture of black bodies to the supposedly exotic nature of African spiritual practices. Because the realities of slavery are largely absent from these tours, Miles reveals how they continue to feed problematic "Old South" narratives and erase the hard truths of the Civil War era. In an incisive and engaging work, Miles uses these troubling cases to shine light on how we feel about the Civil War and race, and how the ghosts of the past are still with us.
While the memorialization of slavery has generated an impressive number of publications, relatively few studies deal with this subject from a transnational, transdisciplinary and transracial standpoint. As a historical phenomenon that crossed borders and traversed national communities and ethnic groups producing alliances that did not overlap with received identities, slavery as well as its memory call for comparative investigations that may bring to light aspects obscured by the predominant visibility of US-American and British narratives of the past. This study addresses the memory of slavery from a transnational perspective. It brings into dialogue texts and practices from the transatlantic world, offering comparative analyses which interlace the variety of memories emerging in diverse national contexts and fields of study and shed light on the ways local countermemories have interacted with and responded to hegemonic narratives of slavery. The inclusion of Brazil and the French, English, and Spanish Caribbean alongside the United States and Europe, and the variety of investigative approaches-ranging from cinema, popular culture and visual culture studies to anthropology and literary studies-expand the current understanding of the slave past and how it is reimagined today. This fascinating book brings freshness to the topic by considering objects of investigation which have so far remained marginal in the academic debate, such as heroic memorials, civic landscape, white family sagas, Young Adult literature of slavery, Latin American telenovelas and filmic narrations within and beyond Hollywood. What emerges is a multifarious set of memories, which keep changing according to generation, race, gender, nation and political urgency and indicate the advancing of a dynamic, mobilized memorialization of slavery willing to move beyond mourning towards a more militant stand for justice. This is an important book for those interested in African American, American, and Latin American studies and working across literature, cinema, visual arts, and public culture. It will also be useful to public official and civil servants interested in the question of slavery and its present memory.
Author : bell hooks,Cornel West Publisher : Taylor & Francis Page : 245 pages File Size : 46,5 Mb Release : 2016-11-10 Category : Social Science ISBN : 9781315437088
In this provocative and captivating dialogue, bell hooks and Cornel West come together to discuss the dilemmas, contradictions, and joys of Black intellectual life. The two friends and comrades in struggle talk, argue, and disagree about everything from community to capitalism in a series of intimate conversations that range from playful to probing to revelatory. In evoking the act of breaking bread, the book calls upon the various traditions of sharing that take place in domestic, secular, and sacred life where people come together to give themselves, to nurture life, to renew their spirits, sustain their hopes, and to make a lived politics of revolutionary struggle an ongoing practice. This 25th anniversary edition continues the dialogue with "In Solidarity," their 2016 conversation at the bell hooks Institute on racism, politics, popular culture and the contemporary Black experience.
Memories of Childhood's Slavery Days by Annie L. Burton Pdf
Memories of Childhood's Slavery Days by Annie L. Burton The memory of my happy, care-free childhood days on the plantation, with my little white and black companions, is often with me We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.
“Belvidere is underwater too deep for any eye but that of memory to reach,” begins Anne Sinkler Fishburne reverential recollections of her ancestral home. Located in between Santee River and Eutaw Creek near present day Eutaw Springs, South Carolina, Belvidere plantation once produced Santee long cotton (a hybrid between Upland cotton and Sea Island cotton) and short staple cotton on its nearly 800 acres of rich Lowcountry soil and served as the home of the Sinkler family from the 1770s until the 1940s. An elegant two-story timber house was built on the property in 1803, complete with full-brick basement, brick foundation, a welcoming piazza across the front, and a large wing balanced on the opposite side with a brick-paved sun piazza. In 1936, a race track was constructed at Belvidere to host races for the St. John’s Jockey Club (originally the Santee Jockey Club). The storied and vibrant life at Belvidere came to a close in 1941, however, with the completion of the huge Santee Cooper hydroelectric development. Belvidere, like many plantations of the parish, now rests below the waters of Lake Marion, but its past can still be experienced by the modern reader in this plantation memory. First published in 1949, Belvidere chronicles life at the plantation through letters, memoir, and historical research. When Fishburne gathered the materials that compose this volume, she merely wished to preserve for her grandchildren the story of the plantation that was her beloved home and that of many generations of her forebears. Written in an invitingly authentic Lowcountry voice, the resulting narrative is an opportunity to sit on the piazza and walk the gardens once more and share stories of a way of life from a bygone era. Featuring twenty-four illustrations, this commemorative edition of Belvidere is enhanced with a new introduction by Fishburne’s granddaughter Anne Sinkler Whaley LeClercq, an accomplished family historian, author, and editor.
Forgeries of Memory and Meaning by Cedric J. Robinson Pdf
Cedric J. Robinson offers a new understanding of race in America through his analysis of theater and film of the early twentieth century. He argues that economic, political, and cultural forces present in the eras of silent film and the early "talkies" firmly entrenched limited representations of African Americans. Robinson grounds his study in contexts that illuminate the parallel growth of racial beliefs and capitalism, beginning with Shakespearean England and the development of international trade. He demonstrates how the needs of American commerce determined the construction of successive racial regimes that were publicized in the theater and in motion pictures, particularly through plantation and jungle films. In addition to providing new depth and complexity to the history of black representation, Robinson examines black resistance to these practices. Whereas D. W. Griffith appropriated black minstrelsy and romanticized a national myth of origins, Robinson argues that Oscar Micheaux transcended uplift films to create explicitly political critiques of the American national myth. Robinson's analysis marks a new way of approaching the intellectual, political, and media racism present in the beginnings of American narrative cinema.
An Antebellum Plantation Household by Anne Sinkler Whaley LeClercq,Emily Wharton Sinkler Pdf
At the age of nineteen Emily Wharton married Charles Sinkler and moved eight hundred miles from her Philadelphia home to the swampy Low Country region of South Carolina. Suddenly she found herself living in a totally unfamiliar environment - a cotton plantation in an isolated area along the Santee River. In monthly letters to her family she recorded thoughtful musings about her adopted home, and in a receipt book she assembled a trusted collection of culinary and medicinal recipes that reflect her ties to both North and South. Together with an extensive biographical and historical introduction by Anne Sinkler Whaley LeClercq, these documents provide a flavorful record of plantation cooking, folk medicine, travel, and social life in the antebellum South.
A novel of the emotional intricacies of trauma and exile, from the author of international bestselling Ru Finalist of the New Academy Prize in Literature Finalist Scotiabank Giller Prize Winner du Prix du Gran Public au salon du livre de Montreal Winner of the Governor General's Literary Award for Fiction Winner of the Grand Prix RTL-Lire Emma-Jade and Louis are born into the havoc of the Vietnam War. Orphaned, saved and cared for by adults coping with the chaos of Saigon in free-fall, they become children of the Vietnamese diaspora. Em is not a romance in any usual sense of the word, but it is a word whose homonym--aimer, to love--resonates on every page, a book powered by love in the larger sense. A portrait of Vietnamese identity emerges that is wholly remarkable, honed in wartime violence that borders on genocide, and then by the ingenuity, sheer grit and intelligence of Vietnamese-Americans, Vietnamese-Canadians and other Vietnamese former refugees who go on to build some of the most powerful small business empires in the world. Em is a poetic story steeped in history, about those most impacted by the violence and their later accomplishments. In many ways, Em is perhaps Kim Thúy's most personal book, the one in which she trusts her readers enough to share with them not only the pervasive love she feels but also the rage and the horror at what she and so many other children of the Vietnam War had to live through. Written in Kim Thúy's trademark style, near to prose poetry, Em reveals her fascination with connection. Through the linked destinies of characters connected by birth and destiny, the novel zigzags between the rubber plantations of Indochina; daily life in Saigon during the war as people find ways to survive and help each other; Operation Babylift, which evacuated thousands of biracial orphans from Saigon in April 1975 at the end of the Vietnam War; and today's global nail polish and nail salon industry, largely driven by former Vietnamese refugees--and everything in between. Here are human lives shaped both by unspeakable trauma and also the beautiful sacrifices of those who made sure at least some of these children survived.
