Play Piercing Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Play Piercing book. This book definitely worth reading, it is an incredibly well-written.
Play piercing - the temporary insertion of sterile needles just under the surface of the skin - is acknowledged by many kinky players as one of the surest routes to bliss and transcendence (not to mention erotic excitement). Here you'll learn the nuts and bolts of safe, responsible play piercing, with lots of information on anatomy, safety and resources for play piercers. And you'll enjoy plenty of steamy real-life anecdotes of piercers, piercees and the very special connection between them.
Play piercing - the temporary insertion of sterile needles just under the surface of the skin - is acknowledged by many kinky players as one of the surest routes to bliss and transcendence (not to mention erotic excitement). Here you'll learn the nuts and bolts of safe, responsible play piercing, with lots of information on anatomy, safety and resources for play piercers. And you'll enjoy plenty of steamy real-life anecdotes of piercers, piercees and the very special connection between them.
The Piercing Bible, Revised and Expanded by Elayne Angel Pdf
Everything you need to know about ear, face, and body piercings—from how to find a skilled professional piercer to best practices for safe healing and optimal results. “As a piercer, nurse, and educator, I can say without a doubt that this is the most complete book ever written for all people in our industry.”—David A. Vidra, founder and president of Health Educators, Inc. Piercing expert Elayne Angel has performed over 50,000 piercings since the 1980s and has pioneered many placements, including tongue piercing and the triangle, lorum, and other genital piercings. Her authoritative and groundbreaking guidebook has been the definitive resource on body piercing since its publication in 2009. Many people are unaware of the elevated risks of getting pierced at a mall kiosk, by an untrained tattoo artist, or by a novice piercer; a skilled professional is necessary for safety and optimal results, whether piercing the ear, nose, or elsewhere. This revised and expanded edition is the only comprehensive reference book available to help you navigate the entire piercing process. It contains new illustrations, diagrams, and photos, along with fully updated information, including: • The best piercings and placements for various body parts and body types • Terminology, techniques, and tools of the trade • Vital sterility, sanitation, and hygiene information • Jewelry designs, sizes, materials, and quality • Piercing aftercare and troubleshooting advice for successful healing • How to become a piercer, piercing throughout history and in modern culture, and the future of body piercing The Piercing Bible, Revised and Expanded, includes essential medical and technical updates, as well as refreshed illustrations and jewelry photography, to reflect today's standards and best practices for safe, professional piercing.
The practice of inserting sharp objects into the skin or other body parts for beautification or other purposes is thousands of years old. The oldest mummy discovered in Egypt had a pierced ear. Ancient African civilizations had habits of piercing their lips and tongues. The oldest evidence of facial piercing was discovered in 2020 on the skeleton of a man who lived about 12,000 years ago. Ear piercing has been common throughout history. Often used for spiritual protection, people wore metal on their ears to prevent evil spirits from entering the brain through the ear canal. Ancient African tribes and the Egyptians also practiced body modification through earlobe stretching, as did people in Asia. This practice among royalty is evident on the death mask of the young Egyptian pharaoh Tutankhamun, as well as on statues of the Buddha, where his earlobes reach almost to his shoulders. Nose piercing is probably more than 4000 years old in the Middle East and was often offered as a gift and is still a tradition among some African tribes. In India, nose piercing was done for a completely different reason. The jewel is usually worn in the left nostril of a woman. In Ayurveda, the traditional Indian approach to health and well-being, the spot on the left nostril is associated with the female reproductive organs, and piercing here is believed to facilitate childbirth.
In a forgotten corner of a rainlashed park in Amsterdam, the body of a tramp is found. With scarring on his body which suggests he may be the latest victim of a serial killer terrorizing the city, the police can find no name, only the telephone number of a young Englishman. Jon Reed is summoned from London to identify the body, of the man he knew as Jake Colby. With a killer on the loose, he and the detective in charge of the case are determined to help uncover the truth of what happened to his mysterious friend, no matter where that may lead them.
"Body Style reveals the subcultural body as a site for understanding subcultural identity, resistance, agency and fashion. Analyzed, theorized, politicized, and sensationalized, the subcultural body functions as a framework where individuals build a sense of self and subcultural identity. Drawing on specific subcultural examples and interviews with subculture members, Body Style explores the subcultural body and its style within global culture. Body Style is the result of over eleven years of research examining these intersections within specific urban subcultures, including Urban Tribalists, Modern Primitives, Punks, Cybers, Industrials, Skates, and others. Divided into three main sections on subcultural body history, subcultural body identity and subcultural body styles, this book will be of particular interest to students of dress and fashion as well as those coming to subculture from sociology and cultural studies"--
This book investigates Yeats's experiments with the media of language and dance in his plays. He was allied to other artists of the 1890s in his fascination with the biblical dancer Salome and in his preoccupation with things Japanese, particularly 'Noh' Theatre with its central dance. The impact of Diaghliev's Ballets Russes also played its part in influencing Yeats's drama, and his interest in the 'dance-as-meaning' debate places him firmly not only in his time but also in our own.
Journalism of Ideas is a comprehensive field guide for brainstorming, discovering, reporting, digitizing, and pitching news, opinion, and feature stories within journalism 2.0. With on-the-job advice from professional journalists, activities to sharpen your multimedia reporting skills, and dozens of story ideas ripe for adaptation, Dan Reimold helps you develop the journalistic know-how that will set you apart at your campus media outlet and beyond. The exercises, observations, anecdotes, and tips in this book cover every stage of the story planning and development process, including how news judgment, multimedia engagement, records and archival searches, and various observational techniques can take your reporting to the next level. Separate advice focuses on the storytelling methods involved in data journalism, photojournalism, crime reporting, investigative journalism, and commentary writing. In addition to these tricks of the trade, Journalism of Ideas features an extensive set of newsworthy, timely, and unorthodox story ideas to jumpstart your creativity. The conversation continues on the author’s blog, College Media Matters. Reimold also shows students how to successfully launch a career in journalism: the ins and outs of pitching stories, getting your work published, and navigating the post-graduation job search. Related sections of the book highlight the art of freelancing 2.0, starting an independent site, blogging, constructing quality online portfolios, securing internships, and building a social media following.
Playing the Changes on the Jazz Metaphor by Morris B. Holbrook Pdf
Playing the Changes on the Jazz Metaphor proposes an expanded view of the jazz metaphor in a broadened perspective that embraces a wide range of possibilities in organizational, management, and marketing-related themes. This monograph presents a new Typology of Jazz Musicians based on different kinds of artistic offerings. This typology will combine three key distinctions or dimensions to construct a twelve-fold classification that - when extended to the sphere of organizational behavior and business strategy as a Typology of Management and Marketing Styles - will shed light on different ways in which the jazz metaphor relates to organizational design, business practice, management skills, and marketing opportunities. In order to describe these typologies, the author examines important aspects of a first-level jazz metaphor as it relates to organizational issues involved in shaping the jazz improvisation into a form of collective collaboration. This is followed by attention to a second-level linguistic metaphor based on viewing jazz as a kind of language at the foundation for a collaborative conversation.
“Mad world, mad kings, mad composition!” —King John In one volume, eminent Shakespearean scholars Jonathan Bate and Eric Rasmussen provide fresh new editions of two classic histories: Henry VIII and King John. THIS VOLUME ALSO INCLUDES MORE THAN A HUNDRED PAGES OF EXCLUSIVE FEATURES: • original Introductions to Henry VIII and King John • incisive scene-by-scene synopses and analyses with vital facts about the works • commentary on past and current productions based on interviews with leading directors, actors, and designers • photographs of key RSC productions • an overview of Shakespeare’s theatrical career and chronology of his plays Ideal for students, theater professionals, and general readers, these modern and accessible editions from the Royal Shakespeare Company set a new standard in Shakespearean literature for the twenty-first century.
The Mystery Play in Madame Bovary Moeurs de Province by Peter Séraphin Rogers Pdf
Drawing upon Flaubert's fictional works, travel writings, correspondence, and notes on his reading of the Bible and interest in iconography, Rogers traces the presence of a liturgical drama, a mystery play, in a text known as iconic of the realist novel. Showing how Flaubert's use of religious tales, topoi, and imagery extends beyond his retelling of saints' lives in the Tentation de Saint Antoine and the Trois contes, this study elucidates the biblical and devotional subcurrent in the story of Emma Bovary. Biblical episodes, religious emblems, and discussions of Catholic dogma link the adulterous heroine to the Virgin Mary, who emerges in the course of this subtle reading as the other heroine of the scandalous story. The 19th-century impulse to censor is embodied within the novel by two characters representing the secular and religious poles. The free-thinking pharmacist Homais and the parish priest concur only on the dangers of reading the Bible. When the novel itself was brought to trial for attacking religion, Flaubert's prosecutor and defense lawyer overlooked this condemnation of scripture. This study invites readers to pay close attention to the religious texts and traditions discussed and restaged in Madame Bovary to gain a new awareness of the narrow bond between theatre and religion in Flaubert's provinces.
Stanton Arthur Coblentz (1896-1982) was an American author and poet. His first published science fiction was "The Sunken World," a satire about Atlantis, in 1928.
Isn’t That Clever provides a new account of the nature of humor – the cleverness account – according to which humor is intentional conspicuous acts of playful cleverness. By defining humor in this way, answers can be found to longstanding questions about humor ethics (Are there jokes that are wrong to tell? Are there jokes that can only be told by certain people?) and humor aesthetics (What makes for a good joke? Is humor subjective?). In addition to humor in general, Isn’t That Clever asks questions about comedy as an art form such as whether there are limits to what can be said in dealing with a heckler and how do we determine whether one comedian has stolen jokes from another.
Why play is a productive, expressive way of being, a form of understanding, and a fundamental part of our well-being. What do we think about when we think about play? A pastime? Games? Childish activities? The opposite of work? Think again: If we are happy and well rested, we may approach even our daily tasks in a playful way, taking the attitude of play without the activity of play. So what, then, is play? In Play Matters, Miguel Sicart argues that to play is to be in the world; playing is a form of understanding what surrounds us and a way of engaging with others. Play goes beyond games; it is a mode of being human. We play games, but we also play with toys, on playgrounds, with technologies and design. Sicart proposes a theory of play that doesn't derive from a particular object or activity but is a portable tool for being—not tied to objects but brought by people to the complex interactions that form their daily lives. It is not separated from reality; it is part of it. It is pleasurable, but not necessarily fun. Play can be dangerous, addictive, and destructive. Along the way, Sicart considers playfulness, the capacity to use play outside the context of play; toys, the materialization of play—instruments but also play pals; playgrounds, play spaces that enable all kinds of play; beauty, the aesthetics of play through action; political play—from Maradona's goal against England in the 1986 World Cup to the hactivist activities of Anonymous; the political, aesthetic, and moral activity of game design; and why play and computers get along so well.