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Plein Airs and Graces examines the extraordinary life of George Collingridge de Tourcey, a landscape painter of the late nineteenth century, just ahead of the Australian impressionists. When he emigrated from France to Australia he grew passionate about the possibilities of his new country, and worked tirelessly to contribute to it - not least for his Discovery of Australia (1895), in which on the evidence of ancient maps he argued controversially for Portuguese and Hispanic pre-discovery of Australia.
Letters on Literature and Politics, 1912-1972 by Edmund Wilson Pdf
Letters on Literature and Politics, 1912-1972 contains a selection of the literary critic and author Edmund Wilson's personal correspondence. As editor Leon Edel states in his introduction to these papers: "More than a sampling, the present volume provides sufficient material to show the energy and vitality of Wilson's professional relations with friends and acquaintances; it shows even more the continuity of his imaginative life from his youth to the end."
Royal Dictionary English and French and French and English Compiled from the Dictionaries of Johnson, Todd ... by Professors Fleming and Tibbins by Charles Fleming Pdf
The Landscape Painter's Workbook by Mitchell Albala Pdf
"The Landscape Painter's Workbook takes a modern approach to the time-honored techniques and essential elements of landscape painting, from accomplished artist, veteran art instructor, and established author Mitchell Albala"--
Scenic Impressions by Estill Curtis Pennington,Martha R. Severens Pdf
The radical changes wrought by the rise of the salon system in nineteenth-century Europe provoked an interesting response from painters in the American South. Painterly trends emanating from Barbizon and Giverny emphasized the subtle textures of nature through warm color and broken brush stroke. Artists' subject matter tended to represent a prosperous middle class at play, with the subtle suggestion that painting was indeed art for art's sake and not an evocation of the heroic manner. Many painters in the South took up the stylistics of Tonalism, Impressionism, and naturalism to create works of a very evocative nature, works which celebrated the Southern scene as an exotic other, a locale offering refuge from an increasingly mechanized urban environment. Scenic Impressions offers an insight into a particular period of American art history as borne out in seminal paintings from the holdings of the Johnson Collection of Spartanburg, South Carolina. By consolidating academic information on a disparate group of objects under a common theme and important global artistic umbrella, Scenic Impressions will underscore the Johnsons' commitment to illuminating the rich cultural history of the American South and advancing scholarship in the field, specifically examining some forty paintings created between 1880 and 1940, including landscapes and genre scenes. A foreword, written by Kevin Sharp, director of the Dixon Gallery and Gardens in Memphis, Tennessee, introduces the topic. Two lead essays, written by noted art historians Estill Curtis Pennington and Martha R. Severens, discuss the history and import of the Impressionist movement—abroad and domestically—and specifically address the school's influence on art created in and about the American South. The featured works of art are presented in full color plates and delineated in complementary entries written by Pennington and Severens. Also included are detailed artist biographies illustrated by photographs of the artists, extensive documentation, and indices. Featured artists include Wayman Adams, Colin Campbell Cooper, Elliott Daingerfield, G. Ruger Donoho, Harvey Joiner, John Ross Key, Blondelle Malone, Lawrence Mazzanovich, Paul Plaschke, Hattie Saussy, Alice Ravenel, Huger Smith, Anthony Thieme, and Helen Turner.
Domesticity and Design in American Women’s Lives and Literature by Caroline Hellman Pdf
Domesticity and Design in American Women’s Lives and Literature explores the ways in which four American women writers from the mid-nineteenth to the early-twentieth century inhabited domestic space and portrayed it in their work. Hellman explores independent female authors who had intriguing and autonomous relationships with home, relocating frequently either to begin the creative processes of designing and decorating anew or to avoid domestic obligation altogether by remaining in transit. She also looks at how women authors wrote female characters into existence who had strikingly different relationships with home, and contended with profound burdens of housekeeping in an oppressive domestic sphere. The disjunction between the authors' individual existences and the characters to whom they gave life reveals multiple narratives about women at home in nineteenth- and twentieth- century America. This interdisciplinary inquiry undertakes a dual treatment of domesticity in an effort to synthesize a more complete understanding of the relationships between social history and literary accomplishment. Syncretising domestic literature with domestic practice, Hellman appraises the ways in which the authors appropriate domestic rhetoric to address issues of political import: economy, health, and social welfare in the case of Stowe, material feminism for Alcott, the landscape for Cather, and World War I for Wharton.
Scotland in Europe by Tom Hubbard,Ronald D. S. Jack Pdf
This volume counters the relative neglect of comparative literature in Scotland by exploring the fortunes of Scottish writing in mainland Europe, and, conversely, the engagement of Scottish literary intellectuals with European texts.
Royal Dictionary English and French and French and English ... (Grand Dictionnaire Français-Anglais Et Anglais-Français) by Charles Fleming (Professor at the College Louis-le-Grand.) Pdf
Just Looking (Routledge Revivals) by Rachel Bowlby Pdf
The spectacular development of early consumer society in Britain, France and the United States had a profound impact on constructions of femininity and masculinity, and commercial and cultural values in the late nineteenth and early twentieth centuries. Focusing on novels by Theodore Dreiser, George Gissing and Emile Zola, Just Looking, first published in 1985, addresses itself to a central paradox of the period: the perceived antithesis of the terms "commerce" and "culture" which emerged at a time which saw the actual drawing together of commercial and cultural practices. Drawing on structural, psychoanalytic and Marxist-feminist theory, Rachel Bowlby retrieves a relatively neglected literary area for contemporary political and theoretical concerns, re-establishing the naturalist novel as a rich source for feminists, literary theorists and cultural historians.