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Poetic License Confirmed - Further & More by NEIL E CLEMENT Pdf
MORE implausibly informative and humorously entertaining short poetry combined with illuminating philosophical and inspirational statements guaranteed to grab your attention and leave you with much to think about. 95 unique poems.
Literary Legacies of the South African TRC by Francesca Mussi Pdf
Since the 1970s, truth and reconciliation commissions have become increasingly popularised as options for addressing historical injustices, especially within the context of dictatorial regimes. Of the many truth commissions to date, the South African TRC has been the one that has captured public attention throughout the world, providing a model for subsequent truth commissions. The South African TRC has also constituted and still constitutes an intriguing source for writing. Literary Legacies of the South African TRC explores the capacities of fiction for providing the TRC and people’s testimonies with a productive afterlife, for challenging definitions of trauma, truth and reconciliation, for inviting readers to keep the dialogue about the past open, and to think actively about the strategies adopted in addressing that past and their implications in the present. It explores these capabilities as evidenced in the work of a wide range of writers, some known to international Anglophone readers, including J.M. Coetzee and Nadine Gordimer, some less well-known, including Afrikaans-language novelist Marlene van Niekerk, and others from a new generation including Marli Roode, Kopano Matlwa, and Thando Mgqolozana. The book aims to contribute to discourses of trauma, truth-telling, and reconciliation from a literary perspective, as well as placing emphasis on the profound interconnection between fiction, history, and trauma in conflict and post-conflict areas such as South Africa.
Judaic logic: A Formal Analysis of Biblical, Talmudic and Rabbinic Logic is an original inquiry into the forms of thought determining Jewish law and belief, from the impartial perspective of a logician. Judaic Logic attempts to honestly estimate the extent to which the logic employed within Judaism fits into the general norms, and whether it has any contributions to make to them.
The presence of these values, Deane contends, is not a curiosity but part of a vital and discernible tradition of modern neo-Augustanism that has been previously overlooked. By tracing these writers' common interest in Horace, John Dryden, and Samuel Johnson, he uncovers important links between seemingly diverse modern poets. Deane challenges the whole interpretation of literary modernism, which has traditionally linked the modern poets to the Romantics and seen both as anti-Augustan. Deane concludes that these modern poets share a ready and pragmatic acceptance of linear time, within which all acts of artistic and social creativity must take place - a crucial factor in both the form and substance of their writings. That art, language, and society are inseparable under such conditions was a bracing thought for the young Auden, but a potentially disturbing one for more recent poets.
Restoring to Catullus a provocative power that familiarity has tended to dim, this book argues that Catullus challenges us to think about the nature of lyric in new ways. Fitzgerald shows how Catullus's poetry reflects the conditions of its own consumption as it explores the terms and possibilities of the poet's license. Reading the poetry in relation to the drama of position played out between poet, poem, and reader, the author produces a fresh interpretation of almost all of Catullus's oeuvre. Running through the book is an analysis of the ideological stakes behind the construction of the author Catullus in twentieth-century scholarship and of the agenda governing the interpreter's position in relation to Catullus.
In 'Poetic License, ' Perloff insists that despite the recent interest in 'opening up the canon, ' our understanding of poetry and poetics is all too often rutted in conventional notions of the lyric that shed little light on what poets and artists are actually doing today.
Logic in the Talmud is a ‘thematic compilation’ by Avi Sion. It collects in one volume essays that he has written on this subject in Judaic Logic (1995) and A Fortiori Logic (2013), in which traces of logic in the Talmud (the Mishna and Gemara) are identified and analyzed. While this book does not constitute an exhaustive study of logic in the Talmud, it is a ground-breaking and extensive study.
The Royal Navy, a History from the Earliest Times to Present by Sir William Laird Clowes,Sir Clements Robert Markham,Alfred Thayer Mahan,Herbert Wrigley Wilson,Theodore Roosevelt Pdf
More than Homer Knew – Studies on Homer and His Ancient Commentators by Antonios Rengakos,Patrick Finglass,Bernhard Zimmermann Pdf
This book contains a collection of twenty-one essays in honour of Professor Franco Montanari by eminent specialists on Homer, ancient Homeric scholarship, and the reception of the Homeric Epics in both ancient and modern times. It covers a wide range of important subjects, including neoanalysis and oral poetry, the Doloneia, the Homeric scholia, the theoretical premises of Aristarchean scholarship, and Homer in Sappho, Pindar, Comedy, Plato, and Hellenistic Poetry. As a whole, the contributions demonstrate the vitality of modern scholarship on Homeric poetry.
Seductive Resistance: The Poetry of Théophile Gautier by Constance Gosselin Schick Pdf
Gautier's poetry merits an attentive reading which respects his own essential criterion of poeticity, namely, textuality. This is a poetry which puts on display its literariness, that is, its existence as cultural artifact. In so doing, however, it also puts on display the absence of and its resistance to whatever personal or real signified it would evoke or name. Its beauty and self-indulgent pleasure reveal their hollowness and inadequacy. Its chiseled, polished surface renders its borders or limits and its play unsatisfyingly and teasingly perceptible. Its very superficiality allows, invites and seduces the reader to go entre les lignes and perceive the mystery, not of what has been symbolically buried/unburied, concealed/revealed, but of the truly absent, the abîmes superficiels. Chapter 1, focusing on texts from the Poésies of 1830, studies the intextual repetition of Gautier's poetry, the citations, imitations and transpositions which make evident the poetry's displacement of the significant and the personal into aesthetic simulacra. Chapter 2 deals with the poems of Gautier's second collection, Albertus, and analyzes the use of allegory and of humor as further markers of textual substitution. The inherent lifelessness and illusoriness of the textual artifact is revealed in the poems of La Comédie de la Mort, the collection examined in chapter 3. Chapter 4 analyzes the so-called descriptive, referential poetry of España, and finds that the monde extérieur of Gautier's poetry functions to express an absence of self and is itself always shown to be other than the Other. The dimunition of the poetic effected in Emaux et Camées is the subject of chapter 5, and chapter 6 deals with the contextuality, the fetishism, and the eroticism revealed in a miscellany of poems - in particular the libertine poems - which do not figure in Gautier's five major collections. By short-circuiting significations and transforming them into seductive appearances, Gautier reveals himself to be the acknowledged maître of both Baudelaire and Mallarmé.