Poetry Modern Romance And Rhetoric

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Poetry, Modern Romance and Rhetoric

Author : George Moir,William Spalding
Publisher : Unknown
Page : 400 pages
File Size : 48,6 Mb
Release : 1851
Category : Fiction
ISBN : NYPL:33433087360628

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Poetry, Modern Romance and Rhetoric by George Moir,William Spalding Pdf

Poetry, Modern Romance and Rhetoric

Author : Anonim
Publisher : Unknown
Page : 406 pages
File Size : 54,9 Mb
Release : 2020-03-09
Category : History
ISBN : 0371591139

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Poetry, Modern Romance and Rhetoric by Anonim Pdf

Poetry Modern Romance and Rhetoric

Author : George Moir
Publisher : Unknown
Page : 128 pages
File Size : 44,8 Mb
Release : 1951
Category : Electronic
ISBN : OCLC:1247593955

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Poetry Modern Romance and Rhetoric by George Moir Pdf

Treatises on Poetry, Modern Romance, and Rhetoric

Author : George Moir,William Spalding
Publisher : Unknown
Page : 408 pages
File Size : 51,7 Mb
Release : 1995
Category : Criticism
ISBN : 0415118751

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Treatises on Poetry, Modern Romance, and Rhetoric by George Moir,William Spalding Pdf

The texts reprinted in this set cogently represent the emergence of literary theory as a new branch of literature.

Shelleyan Eros

Author : William A. Ulmer
Publisher : Princeton University Press
Page : 202 pages
File Size : 55,8 Mb
Release : 2014-07-14
Category : Literary Criticism
ISBN : 9781400861385

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Shelleyan Eros by William A. Ulmer Pdf

In this work William Ulmer boldly advances our understanding of Shelley's concept of love by exploring eros as a figure for the poet's political and artistic aspirations. Applying a combination of deconstructive, historicist, and psychoanalytic approaches to six major poems, Ulmer follows the logic of the writing's rhetoric of love by tracing links between such elements as imagination, eros, metaphor, allegory, mirroring, repetition, death, and narcissism. Ulmer takes the mutual desire of self and antitype as a paradigm for rhetorical and social relations throughout Shelley and, in a significant departure from critical consensus, argues that his poetics were predominantly idealist. Ulmer demonstrates how the idealism of Shelleyan eros centers on a symbiosis of contraries organized as a dialectical variation of metaphor. In so doing, he contends that this idealism is both a rhetorical construct and revolutionary agency, and traces the failure of Shelley's visionary humanism to the gradual emergence of contradictions latent in his idealism. What emerges are new readings of individual texts and a reconsideration of the poet's imaginative development. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The Rhetoric of Romantic Prophecy

Author : Ian Balfour
Publisher : Stanford University Press
Page : 372 pages
File Size : 46,6 Mb
Release : 2002
Category : Literary Criticism
ISBN : 0804745064

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The Rhetoric of Romantic Prophecy by Ian Balfour Pdf

The Romantic era in England and Germany saw a sudden renewal of prophetic modes of writing. Biblical prophecy and, to a lesser extent, classical oracle again became viable models for poetry and even for journalistic prose. Notably, this development arose out of the new-found freedom of biblical interpretation that began in the mid-eighteenth century, as the Bible was increasingly seen to be a literary and mythical text. Taking Walter Benjamin’s thinking about history as a point of departure, the author shows how the model for Romantic prophecy emerges less as a prediction of the future than as a call to change in the present, even as it quotes, at key turns, texts from the past. After surveying developments in eighteenth-century biblical hermeneutics, as well as the numerous instances of prophetic eruption in Romantic poetry, the book culminates in close readings of works by Blake, Hölderlin, and Coleridge. Each of these writers interpreted the Bible in strong, variously radical and conservative ways, and each reworked prophetic texts in often startling fashion. The author’s reading of Blake focuses on the complex temporal and rhetorical dynamics at work in a prophetic tradition, with attention paid to the key mediating figure of Milton. The chapter on Hölderlin investigates the truth-claim of poetry and the consequences of Hölderlin’s insight into the necessarily figural character of poetry. The analysis of Coleridge correlates his theory of allegory and symbol with his theory and practice of political writing, which often relies on mobilizing prophetic authority. Together, the readings force us to reexamine the claims and practices of Romantic poets and thinkers and their ideas and ideologies, not without engendering some allegorical resonance with issues in our own time.

The Anthology and the Rise of the Novel

Author : Leah Price
Publisher : Cambridge University Press
Page : 236 pages
File Size : 52,5 Mb
Release : 2003-07-17
Category : Literary Criticism
ISBN : 0521539390

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The Anthology and the Rise of the Novel by Leah Price Pdf

The Anthology and the Rise of the Novel, first published in 2000, brings together two traditionally antagonistic fields, book history and narrative theory, to challenge established theories of 'the rise of the novel'. Leah Price shows that far from leveling class or gender distinctions, as has long been claimed, the novel has consistently located them within its own audience. Shedding new light on Richardson and Radcliffe, Scott and George Eliot, this book asks why the epistolary novel disappeared, how the book review emerged, why eighteenth-century abridgers designed their books for women while Victorian publishers marketed them to men, and how editors' reproduction of old texts has shaped authors' production of new ones. This innovative study will change the way we think not just about the history of reading, but about the genealogy of the canon wars, the future of intellectual property, and the role that anthologies play in our own classrooms.