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Chinese Poetry in Times of Mind, Mayhem and Money by Maghiel van Crevel Pdf
Chinese Poetry in Times of Mind, Mayhem and Money is a groundbreaking study covering a range of contemporary authors and issues, from Haizi to Yin Lichuan and from poetic rhythm to exile-bashing. Its rigorous scholarship, literary sensitivity and lively style make it eminently fit for classroom use.
One for the Money by Gary Young,Christopher Buckley Pdf
The one-sentence poem has proven to be a compelling and persistent poetic device through the ages. This anthology offers strategies and prompts for using the single sentence as a principle of poetic structure, a rhetorical tool, and a stimulus. The book includes an extraordinary array of one-sentence poems from a wide range of historical periods, poetic perspectives, and lengths--from epigrams and aphorisms to sonnets, lyrics, and narratives that range over several pages. More than 80 poets are represented, from Shakespeare to Kay Ryan.
In AFTER I STOP LYING, women confront the mundane and strive for the sacred. One lonely student reaches out to touch a statue of Jesus. A new mother sees, for the first time, the beauty in the overhead lights of a grocery store. A sexual adventurer claims her dance with Apollo. Bacharach takes on pivotal moments in a woman's life-trying to conceive, leaving a child at day care, considering breast cancer-and does so with honesty, clarity, and intensity.
An insightful and haunting new collection from Pulitzer Prize-winning poet Charles Simic Irreverent and sly, observant and keenly imagined, Come Closer and Listen is the latest work from one of our most beloved poets. With his trademark sense of humor, open-hearted empathy, and perceptive vision, Charles Simic roots his poetry in the ordinary world while still taking in the wide sweep of the human experience. From poems pithy, wry, and cutting—“Time—that murderer/that no has caught yet”—to his layered reflections on everything from love to grief to the wonders of nature, from the story of St. Sebastian to that of a couple weeding side by side, Simic’s work continues to reveal to us an unmistakable voice in modern poetry. An innovator in form and a chronicler of both our interior lives and the people we are in the world, Simic remains one of our most important and lasting voices on the page.
Poetry. Alissa Quart's first book of poetry sifts brilliantly through our landscape of damaged Americana. From spam ads to tech speak, from self-help to real estate to the lingo of gossip or "mom" sites, these poems insistently limn a country where nearly everything has taken on the character of money. Quart, the acclaimed author of Branded and two other books of reported cultural criticism, cuts into our clamorous culture, summoning its strangeness and humor. MONETIZED also reflects upon a shared longing for the analogue era, as well as our longing for a less commercialized past. This book is a remarkable account of a state of yearning for the passing moment in a period of rapid acceleration, a feeling Quart calls "right-now-nostalgia." "Ninety- nine cent stores, Slimfast, Amtrak, 'Twitter Dead Souls, ' James Caan films and Matt Dillon posters: Alissa Quart's poems form a brilliant "check list of American self- destruction," exploring the absence and dreams of escape that mark the modern landscape." Barbara Ehrenreich "Alissa Quart's smart and sexy poems perform invasion and insurgency with utmost aplomb and analytical edge. I love her intensity, her compact lines, her clever harvesting of commerce's schizoid hysteria, as if media-speak's carnival (Times Square, the Internet) were reorchestrated, with tidy wit and formalist ingenuity, by a Bauhaus purist." Wayne Koestenbaum "The poems in Alissa Quart's MONETIZED are not only smart but ambitious as hell. Sharp, biting, and aphoristic, Quart's exact and exacting lines are extraordinary shots in and at our commodified American landscape. ('Let's hope we're perennial.') With their constant awareness of the dissonance found in this post-millennial tweet-filled, Facebook-ed, facsimile age of late capitalism, these poems convey a powerful sense of lost and found awareness: 'We could forgive ourselves / if only we knew our own story.'" Susan Howe "It's pretty unusual, it's almost unheard of, for poems to feature both the subtlest and most intricate word play and a pure, fierce, tell-it-like-it-is voice, as these poems do. They are stealthily virtuosic." Louis Menand"
Poetry & Money: A Speculation is a study of relationships between poets, poetry, and money from Chaucer to contemporary times. It begins by showing how trust is essential to the creation of value in human exchange, and how money can, depending on conditions, both enable and disable such trustfully collaborative generations of value. Drawing upon a vast range of poetry for its exemplifications, the book includes studies of poetic hardship, religious verse and debt redeeming, the South Sea Bubble and the economic revolution, debates over metallic and paper currency in the eighteenth and nineteenth centuries, as well as modernist struggles with the gold standard, depression, inflation, and the realised groundlessness of exchange value. With its practitioner’s attention to the minutiae of poetic technique, it considers analogies between words and coins, and between poetic rhythm and the circulation of currencies in an economy. Through its close readings of poems over many centuries directly or indirectly engaged with money, it proposes ways in which, while we cannot escape monetary economies, we can resist, to some extent, being ensnared and diminished by them – through a fresh understanding of values money may serve to enable, but ones which are nevertheless beyond price.
Why Poetry Matters by Axinn Professor of English Jay Parini,Jay Parini Pdf
This deeply felt meditation on poetry, its language and meaning, and its power to open minds and transform lives examines the importance of poetry and its diverse applications in the world.
Winner of the 2010 Pulitzer Prize for Poetry Winner of the Pulitzer Prize for Poetry (2010) Winner of the National Book Critics Circle Award (2009) Rae Armantrout has always organized her collections of poetry as though they were works in themselves. Versed brings two of these sequences together, offering readers an expanded view of the arc of her writing. The poems in the first section, Versed, play with vice and versa, the perversity of human consciousness. They flirt with error and delusion, skating on a thin ice that inevitably cracks: "Metaphor forms / a crust / beneath which / the crevasse of each experience." Dark Matter, the second section, alludes to more than the unseen substance thought to make up the majority of mass in the universe. The invisible and unknowable are confronted directly as Armantrout's experience with cancer marks these poems with a new austerity, shot through with her signature wit and stark unsentimental thinking. Together, the poems of Versed part us from our assumptions about reality, revealing the gaps and fissures in our emotional and linguistic constructs, showing us ourselves where we are most exposed. A reader's companion is available at http://versedreader.site.wesleyan.edu/
The Bees Make Money in the Lion by Lo Kwa Mei-en Pdf
Poetry. Winner of the 2015 CSU Poetry Center Open Book Competition, Selected by Lesle Lewis, Shane McCrae, & Wendy Xu. "THE BEES MAKE MONEY IN THE LION is a journey across a dizzying landscape of immigrants and androids, of alien romance and elegies. Here we encounter a language that is both familiar and estranging: phones burble, voices tune by 'auto-fable, ' and we are kicked 'in the essay.' Lo Kwa Mei-en is a formalist trickster: her aubades, sonnets, and pastorals are like none you've ever read before, stuttering with rapid- fire rhymes and repetitions, pulling you through unexpected swerves. Reading this remarkable collection is like 'downloading a copy of a consciousness FAQ, ' finding within it a fractured yet powerful voice. 'Voltas fail' and forms falter, but Lo Kwa Mei-en's poems declare: 'here we are, unhurt nowhere, / editing violence until we dawn.'" Timothy Yu "If rapture is a dizzy ecstasy brought on by a love no deeper than a hot mouth, then call me taken in and taken over. Lo Kwa Mei- en's THE BEES MAKE MONEY IN THE LION is bawdiness and bombast, a babel of tongues locked and loaded, vowel-drunk and pledging allegiance to the bones of a lion. These downloaded colonists and conquerors masquerading as citizens romance the future, drag you to the edge by your treacherous light. I want to lick these poems from z to a, wear this sonnet crown like a riddled king of this alien kingdom and its honeyed kingdom come." Traci Brimhall "Lo Kwa Mei-en's second collection rings with 'bravado's vibratto.' Her honeyed roar, itself golden and generously gilding, acknowledges an echo's willingness to submit, and cries 'Lo ' instead: clever reverberation in her 'self- landscape' as she recites 'a fable with no phobia.' Here, the alien non-citizen disassembles the colony by naming its simulacrum of fear in varying degrees of intimacy: the tourist, the migrant, the stranger, the immigrant. This is 'the futurist's job.' In THE BEES MAKE MONEY IN THE LION, the hive serves as metaphor for a postmodern diaspora to be at the mercy of a swarm, compliant within the biblical irresistible, an actor in a dystopian myth disguised as reality. Lo Kwa Mei-en's speaker pledges not to nation but to story. Her exquisite execution of form works to mythify this speaker, rendering her super capable." Ladan Osman"
Comic poetry is serious stuff, combining incongruity, satire and psychological effects to provide us a brief victory over reason—which could help us save ourselves, if not the world. This book champions the literary movement of comic poetry in the U.S., providing an historical context and exploring the work of such writers as Denise Duhamel, Campbell McGrath, Billy Collins, Thomas Lux and Tony Hoagland. Their techniques reveal how they make us laugh while addressing important social concerns.
How do we come to terms with loss? How do we find love after tragedy? How can art and language help us to cope with life, and honor the dead? How does one act responsibly in a world that is both beautiful, full of suffering, and balanced precariously on the edge of despair and ruin? With humor, anger and great tenderness, Richard Michelson’s poems explore the boundaries between the personal and the political, and the connections between history and memory. Growing up under the shadow of the Holocaust, in a Brooklyn neighborhood consumed with racial strife, Michelson’s experiences were far from ordinary, yet they remain too much a part of the greater circle of poverty and violence to be dismissed as merely private concerns, safely past. It is Michelson’s sense of humor and acute awareness of Jewish history, with its ancient emphasis on the fundamental worth of human existence that makes this accessible book, finally, celebratory and life-affirming.
One night, after an unsatisfying evening at a party, the author sat down and wrote her heartfelt poem 'The Invitation'. It travelled by word-of-mouth and the Internet across the globe. In this book, she expands on the ideas behind the poem and has created a guidebook for living a life full of integrity, commitment and passion.