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"An anthology of essays by such notables as W.B. Yeats, Gertrude Stein, and W.H. Auden offer their views on painting and works by such great painters as Picasso, Van Gogh, and Matisse." -- Amazon.com viewed January 25, 2021.
Ekphrasis, the description of pictorial art in words, is the subject of this bibliography. More specifically, some 2500 poems on paintings are catalogued, by type of publication in which they appear and by poet. Also included are 2000 entries on the secondary literature of ekphrasis, including works on sculpture, music, photography, film, and mixed media.
Cover -- Title -- Copyright -- Contents -- PREFACE AND ACKNOWLEDGMENTS -- INTRODUCTION: TWOMBLY'S BOOKS -- 1 MEDITERRANEAN PASSAGES: RETROSPECT -- 2 PSYCHOGRAM AND PARNASSUS: HOW (NOT) TO READ A TWOMBLY -- 3 TWOMBLY'S VAGUENESS: THE POETICS OF ABSTRACTION -- 4 ACHILLES' HORSES, TWOMBLY'S WAR -- 5 ROMANTIC TWOMBLY -- 6 THE PASTORAL STAIN -- 7 PSYCHE: THE DOUBLE DOOR -- 8 TWOMBLY'S LAPSE -- POSTSCRIPT: WRITING IN LIGHT -- NOTES -- BIBLIOGRAPHY -- INDEX
The world’s great poets interpret the world’s great art in this exquisite book that investigates the connection between art and words, deepening our understanding of both. The poet and the artist share a special kind of vision—an ability to see and penetrate the very essence of their subjects. This volume features poems by writers who turned to paintings for their inspiration, as well as paintings by artists who based their works on poems. Stretching across centuries and styles, this collection includes Rossetti’s haunting sonnet based on Botticelli’s Primavera; Wallace Stevens’s "The Man with the Blue Guitar," a masterful meditation on an iconic painting by Picasso; William Carlos Williams’s joyous interpretations of scenes by Breughel; and Adrienne Rich lending a compassionate voice to the subject of Edwin Romanzo Elmer’s The Mourning Chair. These and other pairings appear as elegant texts facing full page, glowing illustrations of the paintings. An introduction to some of the greatest poets and painters in history, this remarkable book makes a perfect gift, offering compelling insights into the worlds of art and literature, and the relationship between the two.
World Make Way by Metropolitan Museum of Art, The,Lee Bennett Hopkins Pdf
“Painting is poetry that is seen rather than felt, and poetry is painting that is felt rather than seen.” —Leonardo da Vinci Based on this simple statement by Leonardo, eighteen poets have written new poems inspired by some of the most popular works in the collection of The Metropolitan Museum. The collection represents a wide range of poets and artists, including acclaimed children’s poets Marilyn Singer, Alma Flor Alda, and Carole Boston Weatherford and popular artists such as Mary Cassatt, Fernando Botero, Winslow Homer, and Utagawa Hiroshige. Accompanying the artwork and specially commissioned poems is an introduction, biographies of each poet and artist, and an index.
New York School Painters & Poets by Jenni Quilter Pdf
New York School Painters & Poets charts the collaborative milieu of New York City poets and artists in the mid-twentieth century. This unprecedented volume comprehensively reproduces rare ephemera, collecting and reprinting collaborations, paintings, drawings, poetry, letters, art reviews, photographs, dialogues, manifestos, and memories. Jenni Quilter offers a chronological survey of this milieu, which includes artists such as Willem de Kooning, Robert Motherwell, Alex Katz, Jasper Johns, Fairfield Porter, Larry Rivers, George Schneeman, and Rudy Burckhardt, plus writers John Ashbery, Bill Berkson, Ted Berrigan, Joe Brainard, Edwin Denby, Larry Fagin, Frank O’Hara, Charles North, Ron Padgett, James Schuyler, Anne Waldman, and more. “Giving us for the first time a full picture of the scene these artists and writers shared,” writes Carter Ratcliff in his foreword, “this book illuminates the unities and tensions, the playfulness and glamour and startling authenticity of their collaborations. Here we not only see evidence of a modus operandi. We also feel the exuberance of a certain modus vivendi, a way of life.” By Jenni Quilter, Edited by Allison Power, with Advisory Editors: Bill Berkson and Larry Fagin, and Foreword by Carter Ratcliff.
Art and Artists: Poems is a sumptuous collection of visions in verse—the work of centuries of poets who have used their own art form to illuminate art created by others. A wide variety of visual art forms have inspired great poetry, from painting, sculpture, and photography to tapestry, folk art, and calligraphy. Included here are poems that celebrate Leonardo da Vinci’s Mona Lisa, Claude Monet’s Water Lilies, and Grant Wood’s American Gothic. Here are such well-known poems as John Keats’s “Ode on a Grecian Urn” and W. H. Auden’s “Musée des Beaux Arts,” Homer’s immortal account of the forging of the shield of Achilles, and Federico García Lorca’s breathtaking ode to the surreal paintings of Salvador Dalí. Allen Ginsberg writes about Cezanne, Anne Sexton about van Gogh, Billy Collins about Hieronymus Bosch, and Kevin Young about Jean-Michel Basquiat. Here too are poems that take on the artists themselves, from Michelangelo and Rembrandt to Frida Kahlo and Georgia O’Keeffe. Altogether, this brilliantly curated anthology proves that a picture can be worth a thousand words—or a few very well-chosen ones.
Author : J. D. McClatchy Publisher : University of California Presson Demand Page : 362 pages File Size : 41,8 Mb Release : 1990 Category : Art ISBN : 0520069714
An anthology of essays by such notables as W.B. Yeats, Gertrude Stein, and W.H. Auden offer their views on painting and works by such great painters as Picasso, Van Gogh, and Matisse
Previously known as an art-world figure, but now regarded as an important poet, Frank O'Hara is examined in this study. It traces the poet's "French connection" and the influence of the visual arts on his work. This edition includes a new introduction with a reconsideration of O'Hara's lyric.
The Lyrical Resonance Between Chinese Poets and Painters by Daan Pan Pdf
"This is the most comprehensive and insightful study on this topic in any language and the first written in English. In addition to its scholarly value, Professor Pan's book opens a window to a picturesque poetic world for Western readers who are interested in Chinese poetry and painting." - Zu-yan Chen, Professor of Chinese Literature, Binghamton University "In this book, Professor Pan provides a rare treat for the English-language reader with valuable information regarding this hitherto under-represented subject. He lucidly traces the development of this border-crossing genre from its prototype works to its maturity in the Tang Dynasty (618-907) and the subsequent expansion in late imperial China. He illustrates the tihuashi poetics of the master bard Du Fu (712-770) and that of the virtuoso poet-artist-philosopher Su Shi (1037-1101). Most remarkable of his contribution is the generous number of faithfully translated poems, all with great clarity and elegance. This book will help the reader better understand the relationship between Chinese painting, calligraphy and poetry, the interartistic, intertextual, and interdisciplinary characteristics of tihuashi, the cultural milieu of its creation, and its intellectual significance to the Chinese literati community." - Madeline Chu, Professor of Chinese Language & Literature, Kalamazoo College "A special value I find in this book lies in its bilingual texts of Chinese tihuashi poems, which will not only benefit scholars and students of classical Chinese poetry but also exemplify Professor Pan's insights on classical Chinese poetic language and the art of translating this language into contemporary English." - John S. Rohsenow, Professor Emeritus, The University of Illinois at Chicago
Confronting the elaborate topic of appetites, this collection of linguistic play features an array of uncommonly beautiful poems. By turns sassy and sumptuous, sparkling with mischief, and marked by deep feeling, these tall tales, off-color jokes, and cockamamie theories comment on everything and everyone. The result is imaginatively abundant, formally audacious, and one of the most arresting poetry debuts in recent memory.
A bilingual anthology by a Spanish poet, illustrated with paintings that inspired it. In the poem, Botticelli, accompanied by the painting, The Birth of Venus, he writes: "Upon the sea / all is curling witchery, / twirling curl / & rippling wave, / a geometric order / carried to the border / by uncooling winds that shower bird & flower."
Author : Mary Jacobus Publisher : University of Chicago Press Page : 232 pages File Size : 42,9 Mb Release : 2012-09 Category : Art ISBN : 9780226390666
Here, Jacobus discusses objects and attributes that test our perceptions and preoccupy both Romantic poetry and modern philosophy. John Clare, John Constable, W.G. Sebald, and Gerhard Richter make appearances around the central figure of William Wordsworth as Jacobus explores trees, rocks, clouds, and sleep in their work.