Poets Patrons And Printers

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Poets, Patrons, and Printers

Author : Cynthia J. Brown
Publisher : Cornell University Press
Page : 308 pages
File Size : 48,6 Mb
Release : 2019-03-15
Category : Literary Criticism
ISBN : 9781501742538

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Poets, Patrons, and Printers by Cynthia J. Brown Pdf

Cynthia J. Brown explains why the advent of print in the late medieval period brought about changes in relationships among poets, patrons, and printers which led to a new conception of authorship. Examining such paratextual elements of manuscripts as title pages, colophons, and illustrations as well as such literary strategies as experimentation with narrative voice, Brown traces authors' attempts to underscore their narrative presence in their works and to displace patrons from their role as sponsors and protectors of the book. Her accounts of the struggles of poets, including Jean Lemaire, Jean Bouchet, Jean Molinet, and Pierre Gringore, over the design, printing, and sale of their books demonstrate how authors secured the status of literary proprietor during the transition from the culture of script and courtly patronage to that of print capitalism.

Music, Authorship, and the Book in the First Century of Print

Author : Kate van Orden
Publisher : Univ of California Press
Page : 257 pages
File Size : 50,8 Mb
Release : 2013-10-19
Category : Music
ISBN : 9780520957114

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Music, Authorship, and the Book in the First Century of Print by Kate van Orden Pdf

What does it mean to author a piece of music? What transforms the performance scripts written down by musicians into authored books? In this fascinating cultural history of Western music’s adaptation to print, Kate van Orden looks at how musical authorship first developed through the medium of printing. When music printing began in the sixteenth century, publication did not always involve the composer: printers used the names of famous composers to market books that might include little or none of their music. Publishing sacred music could be career-building for a composer, while some types of popular song proved too light to support a reputation in print, no matter how quickly they sold. Van Orden addresses the complexities that arose for music and musicians in the burgeoning cultures of print, concluding that authoring books of polyphony gained only uneven cultural traction across a century in which composers were still first and foremost performers.

Poets, Patronage, and Print in Sixteenth-century Portugal

Author : Simon Park
Publisher : Oxford University Press
Page : 233 pages
File Size : 48,8 Mb
Release : 2021
Category : Literary Criticism
ISBN : 9780192896384

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Poets, Patronage, and Print in Sixteenth-century Portugal by Simon Park Pdf

Portugal was not always the best place for poets in the sixteenth century. Against the backdrop of an expanding empire, the country's annexation by Spain in 1580, and ongoing religious controversy, poets struggled to articulate their worth to rulers and patrons. This did not prevent them, however, from persisting in their craft. Indeed, many of their works reflected precisely on the question of what poetry could do and what, ultimately, its value was. The answers that poets like Luís de Camões, Francisco de Sá de Miranda, António Ferreira, and Diogo Bernardes offered to these questions, and which are explored in this book, ranged from lofty ideals to the more practical concerns of making ends meet when one depended on the whims of the powerful. This volume articulates a 'pragmatics of poetry' that combines literary analysis and book history with methods from sociology (network analysis, sociology of professions, valuation studies) to explore how poets thought about themselves and negotiated the value of their verse in the court, with patrons, or in the marketplace for books. It reveals how poets compared their work to that of lawyers and doctors and tried to set themselves apart as a special group of professionals. It shows how they threatened their patrons as well as flattered them and tried to turn their poetry from a gift into something like a commodity or service that had to be paid for. While poets set out to write in the most ambitious genres and to better their European rivals, they sometimes refused to spend months composing an epic without the prospect of reward. Their books of verse, when printed, were framed as linguistic propaganda as well as objects of material and aesthetic worth at a time when many said that non-devotional poetry was a sinful waste of time. This is a book about the various ways in which poets, metaphorically and more literally, tried to turn poetry and the paper it was written on into gold.

Print Culture and the Medieval Author

Author : Alexandra Gillespie
Publisher : Oxford University Press
Page : 296 pages
File Size : 53,6 Mb
Release : 2006-11-30
Category : Literary Criticism
ISBN : 9780199262953

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Print Culture and the Medieval Author by Alexandra Gillespie Pdf

Alexandra Gillespie takes a new look at hundreds of neglected old books containing works by Chaucer, the 'father' of English poetry, and his much-maligned follower, John Lydgate. She demonstrates that the shift from manuscript to print was part of the controversial process by which Chaucer earned his exclusive place in English literary history.

Music and the Cultures of Print

Author : Kate van Orden
Publisher : Routledge
Page : 384 pages
File Size : 45,8 Mb
Release : 2018-12-07
Category : Music
ISBN : 9781135638054

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Music and the Cultures of Print by Kate van Orden Pdf

This collection of essays explores the cultures that coalesced around printed music in previous centuries. It focuses on the unique modes through which print organized the presentation of musical texts, the conception of written compositions, and the ways in which music was disseminated and performed. In highlighting the tensions that exist between musical print and performance this volume raises not only the question of how older scores can be read today, but also how music expressed its meanings to listeners in the past.

Print and Power in France and England, 1500-1800

Author : Adrian Armstrong
Publisher : Routledge
Page : 239 pages
File Size : 42,7 Mb
Release : 2016-12-05
Category : Literary Criticism
ISBN : 9781351908894

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Print and Power in France and England, 1500-1800 by Adrian Armstrong Pdf

What was the relationship between power and the public sphere in early modern society? How did the printed media inform this relationship? Contributors to this volume address those questions by examining the interaction of print and power in France and England during the 'hand-press period'. Four interconnected and overlapping themes emerge from these studies, showing the essential historical and contextual considerations shaping the strategies both of power and of those who challenged it via the written word during this period. The first is reading and control, which examines the relationship between institutional power and readers, either as individuals or as a group. A second is propaganda on behalf of institutional power, and the ways in which such writings engage with the rhetorics of power and their reception. The Academy constitutes a third theme, in which contributors explore the economic and political implications of publishing in the context of intellectual elites. The last theme is clientism and faction, which examines the competing political discourses and pressures which influenced widely differing forms of publication. From these articles there emerges a global view of the relationship between print and power, which takes the debate beyond the narrowly theoretical to address fundamental questions of how print sought to challenge, or reinforce, existing power-structures, both from within and from without.

Gender, Rhetoric, and Print Culture in French Renaissance Writing

Author : Floyd Gray
Publisher : Cambridge University Press
Page : 241 pages
File Size : 43,9 Mb
Release : 2000-05-25
Category : Literary Criticism
ISBN : 9781139426831

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Gender, Rhetoric, and Print Culture in French Renaissance Writing by Floyd Gray Pdf

In this book Floyd Gray explores how the treatment of controversial subjects in French Renaissance writing was affected both by rhetorical conventions and by the commercial requirements of an expanding publishing industry. Focusing on a wide range of discourses on gender issues - misogynist, feminist, autobiographical, homosexual and medical - Gray reveals the extent to which these marginalized texts reflect literary concerns rather than social reality. He then moves from a close analysis of the rhetorical factor in the Querelle des femmes to consider ways in which writing, as a textual phenomenon, inscribes its own, sometimes ambiguous, meaning. Gray offers richly detailed readings of writing by Rabelais, Jean Flore, Montaigne, Louise Labé, Pernette du Guillet and Marie de Gournay among others, challenging the inherent anachronism of those forms of criticism that fail to take account of the rhetorical and cultural conditions of the period.

Herculean Labours: Erasmus and the Editing of St. Jerome's Letters in the Renaissance

Author : Hilmar Pabel
Publisher : BRILL
Page : 410 pages
File Size : 41,9 Mb
Release : 2008-07-31
Category : Literary Criticism
ISBN : 9789047442233

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Herculean Labours: Erasmus and the Editing of St. Jerome's Letters in the Renaissance by Hilmar Pabel Pdf

Offering a detailed examination of various editorial interventions, this book demonstrates Erasmus of Rotterdam’s self-promotion, religious purpose, and novelty in editing St. Jerome’s letters, as well as his debt to previous and influence on subsequent editions of the Church Father.

'Ungainefull Arte'

Author : Richard Anthony McCabe
Publisher : Oxford University Press
Page : 415 pages
File Size : 54,7 Mb
Release : 2016
Category : History
ISBN : 9780198716525

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'Ungainefull Arte' by Richard Anthony McCabe Pdf

'Ungainefull Arte' examines how traditional modes of literary patronage responded to the challenge of print, as the economies of gift-exchange competed with those of the marketplaces, allowing for the reassessment of patronage both as a social practice and a literary theme.

Divine Art, Infernal Machine

Author : Elizabeth L. Eisenstein
Publisher : University of Pennsylvania Press
Page : 384 pages
File Size : 51,7 Mb
Release : 2011
Category : Design
ISBN : 9780812222166

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Divine Art, Infernal Machine by Elizabeth L. Eisenstein Pdf

Annotation 'Divine Art, Infernal Machine' presents a history of the printing press & of the ambivalent attitudes of the public toward printers & printing since the days of Gutenberg & his business partner Johann Fust, a gentleman often tellingly confused with the notorious Doctor Faustus.

Textual Patronage in English Drama, 1570-1640

Author : David Moore Bergeron
Publisher : Ashgate Publishing, Ltd.
Page : 276 pages
File Size : 52,5 Mb
Release : 2006
Category : Literary Criticism
ISBN : 0754654052

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Textual Patronage in English Drama, 1570-1640 by David Moore Bergeron Pdf

Through an investigation of the dedications and addresses from various printed plays of the English Renaissance, David Bergeron recuperates the richness of these prefaces and connects them to the practice of patronage. The study includes discussion of plays by Shakespeare and his contemporaries, among them Marston, Jonson, and Heywood, as well as a chronological checklist of the dramatic prefaces here analyzed. The book contains an Appendix that lists the plays with prefatory dedications and addresses analyzed.

Book and Text in France, 1400–1600

Author : Malcolm Quainton
Publisher : Routledge
Page : 244 pages
File Size : 43,7 Mb
Release : 2016-12-05
Category : Literary Criticism
ISBN : 9781351954945

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Book and Text in France, 1400–1600 by Malcolm Quainton Pdf

In recent years, literary scholars have come increasingly to acknowledge that an adequate understanding of texts requires the study of books, the material objects through which the meanings of texts are constructed. Focusing on French poetry in the period 1400-1600, contributors to this volume analyze layout, illustration, graphology, paratext, typography, anthologization, and other such elements in works by a variety of writers, among them Charles d'Orléans, Jean Bouchet, Pierre de Ronsard and Louise Labé. They demonstrate how those elements play a crucial role in shaping the relationships between authors, texts, contexts, and readers, and how these relationships change as the nature of the book evolves. An introduction to the volume outlines the methodological implications of studying the materiality of literature in this period; situates the various papers in relation to each other and to the field as a whole; and indicates possible future directions of research in the field. By engaging with issues of major current methodological concern, this volume appeals to all scholars interested in the materiality of the literary text, including the burgeoning field of text-image studies, not only in French but also in other national literatures. In addition, it enables fruitful connections to be made between late-medieval and Renaissance literature, areas still often studied in isolation from each other.

Diverting Authorities

Author : Jane Griffiths
Publisher : OUP Oxford
Page : 258 pages
File Size : 42,7 Mb
Release : 2014-12-11
Category : Literary Criticism
ISBN : 9780191034381

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Diverting Authorities by Jane Griffiths Pdf

Diverting Authorities examines the glossing of a variety of fifteenth- and sixteenth-century texts by authors including Lydgate, Douglas, Chaloner, Baldwin, Bullein, Harington, and Nashe. It is concerned particularly with the use of glosses as a means for authors to reflect on the process of shaping a text, and with the emergence of the gloss as a self-consciously literary form. One of the main questions it addresses is to what extent the advent of print affects glossing practices. To this end, it traces the transmission of a number of glossed texts in both manuscript and print, but also examines glossing that is integral to texts written with print production in mind. With the latter, it focuses particularly on a little-remarked but surprisingly common category of gloss: glossing that is ostentatiously playful, diverting rather than directing its readers. Setting this in the context of emerging print conventions and concerns about the stability of print, Jane Griffiths argues that—-like self-glossing in manuscript—-such diverting glosses shape as well as reflect contemporary ideas of authorship and authority, and are thus genuinely experimental. The book reads across medieval-renaissance and manuscript-print boundaries in order to trace the emergence of the gloss as a genre and the way in which theories of authorship are affected by the material processes of writing and transmission.

Theatre of the Book, 1480-1880

Author : Julie Stone Peters,Professor of English and Comparative Literature Julie Stone Peters
Publisher : Oxford University Press on Demand
Page : 506 pages
File Size : 40,7 Mb
Release : 2000
Category : History
ISBN : 0198187149

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Theatre of the Book, 1480-1880 by Julie Stone Peters,Professor of English and Comparative Literature Julie Stone Peters Pdf

This volume explores the impact of printing on the European theatre in the period 1480-1880 and shows that the printing press played a major part in the birth of modern theatre.

Pindar's Poetry, Patrons, and Festivals

Author : Simon Hornblower,Catherine Morgan
Publisher : OUP Oxford
Page : 496 pages
File Size : 49,5 Mb
Release : 2007-02-22
Category : Literary Criticism
ISBN : 9780191537981

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Pindar's Poetry, Patrons, and Festivals by Simon Hornblower,Catherine Morgan Pdf

Ancient sport made a huge if indirect contribution to the literature of ancient Greece, since some sixty poems by Pindar and Bacchylides ('epinikian odes'), written to commemorate victories, survive from the Classical period. This book is a collection of essays about that literature, and about the social and physical context for which it was written. The editors assembled an internationally distinguished team of speakers for the original 2002 seminar series held in London, and these papers form the backbone of the book. But to ensure coherence and comprehensive coverage, they have commissioned three further papers, and have themselves written a long thematic Introduction. The result is a stellar team of authors, and a book which looks at an important literary phenomenon in light of the latest archaeological and sociological insights, as well as evaluating the poetry both as poetry and as a performance genre with distinctive characteristics.