Politics Ideology And Literary Discourse In Modern China

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Politics, Ideology, and Literary Discourse in Modern China

Author : Kang Liu,Xiaobing Tang
Publisher : Duke University Press
Page : 327 pages
File Size : 49,5 Mb
Release : 1993-11-16
Category : Literary Criticism
ISBN : 9780822381846

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Politics, Ideology, and Literary Discourse in Modern China by Kang Liu,Xiaobing Tang Pdf

This collection of essays addresses the perception that our understanding of modern China will be enhanced by opening the literature of China to more rigorous theoretical and comparative study. In doing so, the book confronts the problematic and complex subject of China's literary, theoretical, and cultural responses to the experience of the modern. With chapters by writers, scholars, and critics from mainland China, Hong Kong, and the United States, this volume explores the complexity of representing modernity within the Chinese context. Addressing the problem of finding a proper language for articulating fundamental issues in the historical experience of twentieth-century China, the authors critically re-examine notions of realism, the self/subject, and modernity and draw on perspectives from feminist criticism, ideological analysis, and postmodern theory. Among the many topics explored are subjectivity in Chinese cultural theory, Chinese gender relations, the viability of a Lacanian approach to Chinese identity, the politics of subversion in Chinese reportage, and the ambivalent status of the icon of paternity since Mao. At the same time this book offers a probing look into the transformation that Chinese culture as well as the study of that culture is currently undergoing, it also reconfirms private discourse as an ideal site for an investigation into a real and imaginary, private and collective encounter with history. Contributors. Liu Kang, Xiaobing Tang, Liu Zaifu, Stephen Chan, Lydia H. Liu, Wendy Larson, Theodore Huters, David Wang, Tonglin Lu, Yingjin Zhang, Yuejin Wang, Li Tuo, Leo Ou-fan Lee

Ideology, Power, Text

Author : Yi-tsi Mei Feuerwerker
Publisher : Stanford University Press
Page : 333 pages
File Size : 50,8 Mb
Release : 1998-10-01
Category : Literary Criticism
ISBN : 9780804765190

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Ideology, Power, Text by Yi-tsi Mei Feuerwerker Pdf

The division between the scholar-gentry class and the “people” was an enduring theme of the traditional Chinese agrarian-bureaucratic state. Twentieth-century elites recast this as a division between intellectuals and peasants and made the confrontation between the writing/intellectual self and the peasant “other” a central concern of literature. The author argues that, in the process, they created the “peasantry,” the downtrodden rural masses represented as proper objects of political action and shifting ideological agendas. Throughout this transition, language or discourse has been not only a weapon of struggle but the center of controversy and contention. Because of this primacy of language, the author’s main approach is the close reading or, rather, re-reading of significant narrative fictions from four literary generations to demonstrate how historical, ideological, and cultural issues are absorbed, articulated, and debated within the text. Three chapters each focus on one representative author. The fiction of Lu Xun (1881-1936), which initiated the literary preoccupation with the victimized peasant, is also about the identity crisis of the intellectual. Zhao Shuli (1906-1970), upheld by the Communist Party as a model “peasant writer,” tragically exemplifies in his career the inherent contradictions of such an assigned role. In the post-Mao era, Gao Xiaosheng (1928—) uses the ironic play of language to present a more ambiguous peasant while deflating intellectual pretensions. The chapter on the last of the four “generations” examines several texts by Mo Yan (1956—), Han Shaogong (1952—), and Wang Anyi (1954—) as examples of “root-searching” fiction from the mid-1980’s. While reaching back into the past, this fiction is paradoxically also experimental in technique: the encounter with the peasant leads to questions about the self-construction of the intellectual and the nature of narrative representation itself. Throughout, the focus is on texts in which some sort of representation or stand-in of the writer/intellectual self is present—as character, as witness, as center of consciousness, or as first-person or obtrusive narrator. Each story catches the writer in a self-reflective mode, the confrontation with the peasant “other” providing a theater for acting out varying dramas of identity, power, ideology, political engagement, and self-representation.

Cosmopolitanism, Nationalism, and Individualism in Modern China

Author : Xiaoqun Xu
Publisher : Lexington Books
Page : 277 pages
File Size : 49,8 Mb
Release : 2014-05-23
Category : History
ISBN : 9780739189153

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Cosmopolitanism, Nationalism, and Individualism in Modern China by Xiaoqun Xu Pdf

Cosmopolitanism, Nationalism, and Individualism in Modern China analyzes important aspects of Chinese intellectual life and cultural practices that formed and informed the historical phenomenon known as the New Culture era. Through examining an influential newspaper supplement published in Beijing during 1918–1928, along with other contemporary sources, the book explores the full dimensions and rich textures of the intellectual-literary discourses of the time period and contributes to a re-consideration and re-appreciation of the New Culture phenomenon in modern China. It highlights a key intellectual-moral paradox in Chinese discourses between cosmopolitanism as an idealistic aspiration and nationalism as a practical imperative, both in complex relationship to individualism, a paradox that ultimately speaks to the constant negotiations between Chinese tradition and Western culture in the making of Chinese modernity. These issues have remained vitally relevant to China and the world nearly a century later.

Gender Politics in Modern China

Author : Tani E. Barlow
Publisher : Duke University Press
Page : 326 pages
File Size : 41,9 Mb
Release : 1993
Category : Literary Criticism
ISBN : 0822313898

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Gender Politics in Modern China by Tani E. Barlow Pdf

Through the lens of modern Chinese literature, Gender Politics in Modern China explores the relationship between gender and modernity, notions of the feminine and masculine, and shifting arguments for gender equality in China. Ranging from interviews with contemporary writers, to historical accounts of gendered writing in Taiwan and semi-colonial China, to close feminist readings of individual authors, these essays confront the degree to which textual stategies construct notions of gender. Among the specific themes discussed are: how femininity is produced in texts by allocating women to domestic space; the extent to which textual production lies at the base of a changing, historically specific code of the feminine; the extent to which women in modern Chinese societies are products of literary canons; the ways in which the historical processes of gendering have operated in Chinese modernity vis à vis modernity in the West; the representation of feminists as avengers and as westernized women; and the meager recognition of feminism as a serious intellectual current and a large body of theory. Originally published as a special issue of Modern Chinese Literature (Spring & Fall 1988), this expanded book represents some of the most compelling new work in post-Mao feminist scholarship and will appeal to all those concerned with understanding a revitalized feminism in the Chinese context. Contributors. Carolyn Brown, Ching-kiu Stephen Chan, Sung-sheng Yvonne Chang, Yu-shih Chen, Rey Chow, Randy Kaplan, Richard King, Wolfgang Kubin, Wendy Larson, Lydia Liu, Seung-Yeun Daisy Ng, Jon Solomon, Meng Yue, Wang Zheng

Discourse, Politics and Media in Contemporary China

Author : Qing Cao,Hailong Tian,Paul Chilton
Publisher : John Benjamins Publishing Company
Page : 213 pages
File Size : 44,8 Mb
Release : 2014-04-23
Category : Language Arts & Disciplines
ISBN : 9789027270368

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Discourse, Politics and Media in Contemporary China by Qing Cao,Hailong Tian,Paul Chilton Pdf

After three and a half decades of economic reforms, radical changes have occurred in all aspects of life in China. In an authoritarian society, these changes are mediated significantly through the power of language, carefully controlled by the political elites. Discourse, as a way of speaking and doing things, has become an indispensable instrument for the authority to manage a fluid, increasingly fragmented, but highly dynamic and yet fragile society. Written by an international team of leading scholars, this volume examines socio-political transformations of contemporary Chinese society through a systematic account, analysis and assessment of its salient discourses and their production, circulation, negotiation, and consequences. In particular, the volume focuses on the interplay of politics and media. The book’s intended readership is academics and students of Chinese studies, language and discourse, and media and communication studies.

China in a Polycentric World

Author : Yingjin Zhang
Publisher : Stanford University Press
Page : 332 pages
File Size : 46,5 Mb
Release : 1998
Category : Literary Criticism
ISBN : 0804735093

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China in a Polycentric World by Yingjin Zhang Pdf

This collection provides a critical reexamination of the development and current status of comparative literature studies that engage the literary practices of both China and the West. In so doing, it attempts to refashion literary methodologies and cultural theories in Chinese studies and reread several noncanonical texts in ways that cut across disciplines, genders, and modernities. Eschewing conventional taxonomies such as the study of literary influences and parallels, this volume shifts the emphasis from Chinese-Western comparativism to a critical rereading of Chinese or China-related texts using a variety of new critical approaches. Essays that draw on literary history, comparative poetics, modernist aesthetics, feminist studies, gender theory, and postcolonial discourse exemplify how multifaceted approaches can enrich our understanding of this field. The essays are grouped in three parts: studies of disciplines, institutions, and canon formation; gender, sexuality, and the body; and technology, modernity, and aesthetics. They cover a range of subjects, including the challenge of East-West comparative literature, the impact of literary theory on Sinological research, canon formation in traditional Chinese poetry, gender and sexuality in Ming drama, contemporary Chinese fiction and television drama, the problem of translation, the influence of science fiction, and the "cult of poetry” in post-Mao China. The introductory chapter traces the rise of the Chinese school of comparative literature and addresses the issues facing Western scholars of Chinese-Western comparative literature. A concluding chapter summarizes recent remappings of the geocultural world and outlines future possibilities for comparative literature.

Ideology and Politics in Contemporary China

Author : John Israel,Joint Committee on Contemporary China. Subcommittee on Chinese Government and Politics
Publisher : Seattle : University of Washington Press
Page : 560 pages
File Size : 55,7 Mb
Release : 1973
Category : China
ISBN : STANFORD:36105000092424

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Ideology and Politics in Contemporary China by John Israel,Joint Committee on Contemporary China. Subcommittee on Chinese Government and Politics Pdf

Occidentalism

Author : Xiaomei Chen
Publisher : Rowman & Littlefield
Page : 292 pages
File Size : 44,5 Mb
Release : 2002
Category : History
ISBN : 0847698750

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Occidentalism by Xiaomei Chen Pdf

This revised and expanded edition of the first comprehensive study of Occidentalism in post-Mao China includes a new preface, foreword, and chapter on Chinese diaspora writings in the Chinese language. Xiaomei Chen offers an insightful account of the unremittingly favorable depiction of Western culture and its negative characterization of Chinese culture in post-Mao China since 1978. She examines the cultural and political interrelationship between the East and West from a vantage point more complex than that accommodated by most current theories of Western imperialism and colonialism. Going beyond Edward Said's construction in Orientalism of cross-cultural appropriations as a defining facet of Western imperialism, Chen argues that the appropriation of Western discourse--what she calls "Occidentalism"--can actually have a politically and ideologically liberating effect on contemporary non-Western culture. She maintains that simplistic allegations of Orientalism frequently found in current critical discourses seriously underestimate the complexities of intercultural and multicultural relationships. Using China as the focus of her analysis, Chen examines a variety of cultural media, from Shakespearean drama, to modernist poetry, to contemporary Chinese television and popular fiction. She thus places sinology in the general context of Western theoretical discourses, such as Eurocentrism, postcolonialism, nationalism, modernism, feminism, and literary hermeneutics, showing that it has a vital role to play in the study of Orient and Occident and their now unavoidable symbiotic relationship. Occidentalism presents a new model of comparative literary and cultural studies that reenvisions cross-cultural appropriation. It will be indispensable to future discussions of Orientalism, Occidentalism, and postcolonialism, as well as subaltern studies, Asian studies, comparative literature, cultural studies, and non-Western drama.

Configurations of the Real in Chinese Literary and Aesthetic Modernity

Author : Peter Button
Publisher : BRILL
Page : 332 pages
File Size : 40,8 Mb
Release : 2009-03-25
Category : Literary Criticism
ISBN : 9789047424260

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Configurations of the Real in Chinese Literary and Aesthetic Modernity by Peter Button Pdf

Tracing the formation of the modern concept of literature in 20th century China, this book examines the emergence of the Chinese socialist realist novel in relation to the literary and philosophical currents globalized in the wake of capitalist modernity.

Contending for the "Chinese Modern"

Author : Xiaoping Wang
Publisher : BRILL
Page : 616 pages
File Size : 41,6 Mb
Release : 2019-05-15
Category : Literary Criticism
ISBN : 9789004398634

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Contending for the "Chinese Modern" by Xiaoping Wang Pdf

In Contending for the "Chinese Modern", Xiaoping Wang studies the writing of fiction in 1940s China. It makes critical reappraisements of some famed Chinese writers, and sheds fresh lights on the theoretical issues pertaining to the problematic of plural modernities.

Writing Women in Modern China

Author : Amy D. Dooling,Kristina M. Torgeson
Publisher : Columbia University Press
Page : 420 pages
File Size : 54,8 Mb
Release : 1998
Category : Education
ISBN : 0231107013

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Writing Women in Modern China by Amy D. Dooling,Kristina M. Torgeson Pdf

The past few years have seen a burgeoning effort to rethink questions of women, writing, and gender in modern China. Here 22 works of fiction, drama, autobiography, essays, and poetry, each prefaced by the author's photograph and a short biographical sketch, introduce women whose literary careers coincided with an era of tremendous social, political, and cultural turbulence. 18 illustrations.

Masculinity Besieged?

Author : Xueping Zhong
Publisher : Duke University Press
Page : 228 pages
File Size : 42,5 Mb
Release : 2000
Category : Literary Criticism
ISBN : 0822324423

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Masculinity Besieged? by Xueping Zhong Pdf

A feminist psychoanalytic account of changing conceptions of men and masculinity as seen in recent Chinese literature.

Historical Dictionary of Modern Chinese Literature

Author : Li-hua Ying
Publisher : Scarecrow Press
Page : 496 pages
File Size : 43,9 Mb
Release : 2009-12-22
Category : Literary Criticism
ISBN : 9780810870819

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Historical Dictionary of Modern Chinese Literature by Li-hua Ying Pdf

Historical Dictionary of Modern Chinese Literature presents a broad perspective on the development and history of literature in modern China. This book offers a chronology, introduction, bibliography, and over 300 cross-referenced dictionary entries on authors, literary and historical developments, trends, genres, and concepts that played a central role in the evolution of modern Chinese literature.

The A to Z of Modern Chinese Literature

Author : Li-hua Ying
Publisher : Scarecrow Press
Page : 502 pages
File Size : 43,7 Mb
Release : 2010-04-01
Category : Literary Criticism
ISBN : 9781461731870

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The A to Z of Modern Chinese Literature by Li-hua Ying Pdf

The A to Z of Modern Chinese Literature presents a broad perspective on the development and history of literature in modern China. It offers a chronology, introduction, bibliography, and over 300 cross-referenced dictionary entries on authors, literary and historical developments, trends, genres, and concepts that played a central role in the evolution of modern Chinese literature.

The Subject in Crisis in Contemporary Chinese Literature

Author : Rong Cai
Publisher : University of Hawaii Press
Page : 300 pages
File Size : 40,5 Mb
Release : 2004-05-31
Category : Literary Criticism
ISBN : 0824828461

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The Subject in Crisis in Contemporary Chinese Literature by Rong Cai Pdf

Post-Mao China produced two parallel discourses on the human subject in the New Era (1976–1989). One was an autonomous, Enlightenment humanist self aimed at replacing the revolutionary paragon that had dominated under Mao. The other was a more problematic subject suffering from either a symbolic physical deformity or some kind of spiritual paralysis that undermines its apparent normalcy. How do we explain the stubborn presence, in the literature of the 1980s and 1990s, of this crippled agent who fails to realize the humanist autonomy envisioned by post-Mao theorists? What are the anxieties and tensions embedded in this incongruity and what do they reveal? This illuminating and original critical study of the crippled subject in post-Mao literature offers a detailed textual analysis of the work of five well-known contemporary writers: Han Shaogong, Can Xue, Yu Hua, Mo Yan, and Jia Pingwa. The author investigates not only the literary characters within the texts, but also their creators—real subjects in history, Chinese writers whose own agency was being tested and established in the search for a new subjectivity. She argues that, reenacting the Maoist legacy, the literary search failed to provide a viable model for a postrevolutionary China. In addition, the deficiency and inadequacy of the subject cannot always be contained in the Communist past—a history to be transcended in the design of modernity after Mao. The representation of the problematic subject thus punctured post-Mao optimism and foreshadowed the eventual abandonment of the move to rethink subjectivity in the 1990s. By diving beneath the euphoria of the 1980s and the confusion and frustration of the 1990s, these critical readings offer a unique perspective with which to gauge the complexity of China’s quest for modernity and a fuller understanding of the self’s multifaceted experience in the post-Mao era.