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Porgy and Bess™ Fantasy for Two Pianos by George Gershwin,DuBose Heyward,Dorothy Heyward,Ira Gershwin,Percy Aldridge Grainger Pdf
The unbeatable Gershwin melodies and rhythms provide great rewards for duo pianists! This arrangement by Percy Grainger sends one great tune flying to another and another, creating a fantasy-like medley. This is a full-bodied work for accomplished pianists, and a wonderful treat for discriminating performers and audiences.
This comprehensive biography of George Gershwin (1898-1937) unravels the myths surrounding one of America's most celebrated composers and establishes the enduring value of his music. Gershwin created some of the most beloved music of the twentieth century and, along with Jerome Kern, Irving Berlin, and Cole Porter, helped make the golden age of Broadway golden. Howard Pollack draws from a wealth of sketches, manuscripts, letters, interviews, books, articles, recordings, films, and other materials—including a large cache of Gershwin scores discovered in a Warner Brothers warehouse in 1982—to create an expansive chronicle of Gershwin’s meteoric rise to fame. He also traces Gershwin’s powerful presence that, even today, extends from Broadway, jazz clubs, and film scores to symphony halls and opera houses. Pollack’s lively narrative describes Gershwin’s family, childhood, and education; his early career as a pianist; his friendships and romantic life; his relation to various musical trends; his writings on music; his working methods; and his tragic death at the age of 38. Unlike Kern, Berlin, and Porter, who mostly worked within the confines of Broadway and Hollywood, Gershwin actively sought to cross the boundaries between high and low, and wrote works that crossed over into a realm where art music, jazz, and Broadway met and merged. The author surveys Gershwin’s entire oeuvre, from his first surviving compositions to the melodies that his brother and principal collaborator, Ira Gershwin, lyricized after his death. Pollack concludes with an exploration of the performances and critical reception of Gershwin's music over the years, from his time to ours.
A Basic Classical and Operatic Recordings Collection on Compact Discs for Libraries by Kenyon C. Rosenberg Pdf
Lists classical and operatic recordings that are specifically available in the new (and desirable) compact disc format. Individual titles are graded for their appropriateness to specific types and sizes of libraries. The main portion covers some 160 composers whose works are important in constituting a nuclear library collection of "serious" music. There are over 1,200 titles included and individually numbered (and fully cross-referenced) and graded. For numerous works, two or more performances are cited in order to provide the librarian with greater choices; monophonic works are specifically indicated. Many of the works are annotated. Annotation copyrighted by Book News, Inc., Portland, OR
Percy Grainger’s childhood imagining of a music capable of reproducing the sounds of nature was translated, in his later life, into the creation of wondrously inventive “Free Music” machines. Mostly made from found materials, these machines take their place in a proud tradition of sound art, at a point where the aural and the visual intersect. Two minds converged on the creation of the machines: the one self-taught and intuitive, the other scientifically trained and rigorous. The exchange of letters between the two men charts their journey of discovery and the friendship that grew from it: a grand passionate human adventure.
Richard Rodney Bennett: The Complete Musician by Paul Harris,Anthony Meredith Pdf
Sir Richard Rodney Bennett, in the enormous diversity of his activities, is arguably the most complete musician of all time. Not only does he have a remarkable 300 commissioned concert works to his credit, which have established him among the leading British twentieth-century composers, yet at the same time, with supreme success, he has also contrived to lead several completely different musical lives. For some, he is the ultimate exponent of 'crossover', as epitomised in his remarkable Concerto for Stan Getz and concert works for Cleo Laine. Others remember him as a concert pianist with a special enthusiasm for pioneering contemporary music, his partnerships with Susan Bradshaw, Jane Manning and Barry Tuckwell being particularly notable. Meanwhile, he also has over 70 film and television scores to his credit, the many classic titles ranging from Murder on the Orient Express and Far From the Madding Crowd to Equus and Four Weddings and a Funeral. For cabaret and jazz club devotees, he is, again, something completely different: one of the finest and most knowledgeable of all exponents of the Great American Songbook, a much-in-demand singer and accompanist over the past thirty-five years, and, as such, the stage partner of some of the most glamorous performers in the business. This, then, is a book about a uniquely gifted musician. It is also a study of a most engaging personality and a fascinatingly complex human being. Anthony Meredith, whose two previous collaborations with co-researcher Paul Harris were the highly praised biographies of Malcolm Arnold and Malcolm Williamson, has been a widely published writer over the past twenty-five years. He is a member of MCC, a Friend of Covent Garden and Northern Ballet. His co-researcher, Paul Harris, is a leading music educationalist, well-known for his seminars, workshops and masterclasses, with over 500 books to his name.
Author : George Gershwin,Gregory Stone Publisher : Alfred Music Page : 34 pages File Size : 40,8 Mb Release : 1994-11-02 Category : Music ISBN : 9781457493485
Cuban Overture by George Gershwin,Gregory Stone Pdf
After spending two weeks in Cuba, George Gershwin was inspired to write this masterpiece. Elements of Cuban rhythms and dance are incorporated, making this a colorful and exciting piece to play. Originally written for full orchestra, this version is expertly transcribed for two pianos, four hands by Gregory Stone.
“[Lawton’s] work stands head and shoulders above most other contemporary thrillers, earning those comparisons to Le Carré.” —The Boston Globe The latest novel from the master spy novelist John Lawton follows Inspector Troy, now Scotland Yard’s chief detective, deep into a scandal reminiscent of the infamous Profumo affair. England in 1963 is a country set to explode. The old guard, shocked by the habits of the war baby youth, sets out to fight back. The battle reaches uncomfortably close to Troy. While he is on medical leave, the Yard brings charges against an acquaintance of his, a hedonistic doctor with a penchant for voyeurism and young women, two of which just happen to be sleeping with a senior man at the Foreign Office as well as a KGB agent. But on the eve of the verdict, a curious double case of suicide drags Troy back into active duty. Beyond bedroom acrobatics, the secret affairs now stretch to double crosses and deals in the halls of power, not to mention murder. It’s all Troy can do to stay afloat in a country immersed in drugs and up to its neck in scandal. “John Lawton is so captivating a storyteller that I’d happily hear him out on any subject.” —Marilyn Stasio, The New York Times Book Review
Four Songs by George Gershwin by George Gershwin,Paul Posnak Pdf
Challenging and musically rewarding advanced duo piano arrangements of four of Gershwin's most popular songs: But Not for Me * It Ain't Necessarily So * Someone to Watch over Me * 'S Wonderful/Funny Face. This addition to the two-piano repertoire was an official requirement of the 2008 Murray Dranoff International Piano Competition. "But Not for Me," "It Ain't Necessarily So," and "'S Wonderful / Funny Face" are Federation Festivals 2016-2020 selections.
Gershwin's Concerto in F was a work commissioned by Walter Damrosch in the spring of 1925. Gershwin began the two-piano score in July, titling the original drafts the "New York Concerto." It was performed first in December, 1925, with Gershwin at the piano and Mr. Damrosch conducting the New York Symphony Orchestra. This is the 1927 2-piano score, technically advanced in level of difficulty. Two copies are needed for performance. Two-piano edition, with second piano playing a transcription of the orchestration.