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Portrait of a Life: Melanie Klein and the Artists by Roger Amos Pdf
Melanie Klein is one of the founding figures of psychoanalysis. In her lifetime, she was a controversial and powerful figure and her legacy has spread worldwide. Here is a comprehensive review of the many attempts to portray this elusive and complex woman, including the work of painters, sculptors, and portrait photographers. Its genesis was an article commissioned by the Melanie Klein Trust after a pair of delicate low relief sculptures of Klein by Oscar Nemon were re-discovered after eighty years in hiding. During his research, Roger Amos uncovered much material on depictions of Klein, including the fact that she had destroyed two significant works of art: a bust, also by Nemon, and a portrait by William Coldstream. What had driven her to destroy these representations of herself? Why did others survive? The complex and interrelated reasons are identified and discussed alongside the history of each artistic project, locating them in a narrative of Klein’s life. Through an understanding of the subject/artist relationship, Amos illuminates Klein’s professional life in a new, intriguing, and enjoyable approach. A must-read for all scholars and professionals in the fields of psychoanalysis and portraiture, plus those with an interest in Melanie Klein or aesthetics.
Life Portrait, Hannah Höch's last extensive photocollage, was created in 1973. This visual autobiography is the largest collage ever created by the artist. The artist provides rare insights into her work and her personality. She also ironically and poetically comments on the key political, social, and artistic events in her life. Hannah Höch selected 38 sections of the collage. These sections of the collage are complemented by explanatory texts and numerous quotations.
Named a Best Book of the Year by The Advocate “Catherine Cusset’s book caught a lot of me. I could recognize myself.” —David Hockney With clear, vivid prose, this meticulously researched novel draws an intimate, moving portrait of the most famous living English painter. Born in 1937 in a small town in the north of England, David Hockney had to fight to become an artist. After leaving his home in Bradford for the Royal College of Art in London, his career flourished, but he continued to struggle with a sense of not belonging, because of his homosexuality, which had yet to be decriminalized, and his inclination for a figurative style of art not sufficiently “contemporary” to be valued. Trips to New York and California—where he would live for many years and paint his iconic swimming pools—introduced him to new scenes and new loves, beginning a journey that would take him through the fraught years of the AIDS epidemic. A compelling hybrid of novel and biography, Life of David Hockney offers an insightful overview of a painter whose art is as accessible as it is compelling, and whose passion to create has never been deterred by heartbreak or illness or loss.
A Portrait of the Artist as a Young Cat by Nia Gould Pdf
A Portrait of the Artist as a Young Cat is a book of more than 20 influential artists reimagined as artistic felines. From Frida Catlo to Yayoi Catsama, Wassily Catdinski to Henri Catisse, each portrait of the artist as a young cat is accompanied by a clever tongue-in-cheek biography revealing the thrilling feline lives (all nine) behind their famed artwork. Loaded with clever cat puns, this playful romp through art history will twist the whiskers of any cat-loving creative, whether you're discovering the inspiration for Frida Catlo's renowned self-pawtraits to reflecting on the catmosphere that gave rise to Georgia O'Kitty's landscapes. • Features fantastic feline artists such as Mary Catsatt and Meow Weiwei • A cute and clever book that cat and art lovers alike will love • Packed with tons of real biographical info about each artist and plentiful cat puns For cat lovers with an artistic purr-suasion, this is the ultimate celebration of their favorite artists. • A purrfectly smart and sweet book for cat lovers, art lovers, pun enthusiasts, and those who love them • Great for those who loved Fat Cat Art by Svetlana Petrova, Cats Galore by Susan Herbert, Of Cats and Men: Profiles of History's Great Cat-Loving Artists, Writers, Thinkers and Statesmen by Sam Kalda
"Between the invention of photography in 1839 and the end of the nineteenth century, portraiture became one of the most popular and common art forms in the United States. ... images of human surfaces became understood as expressions of human depth during this era. Combining visual theory, literary close reading, and in-depth archival research, Blackwood examines portraiture's changing symbolic and aesthetic practices, from daguerreotype to X-ray. Considering painting, photography, illustration, and other visual forms alongside literary and cultural representations of portrait making and viewing, Blackwood argues that portraiture was a provocative art form used by writers, artists, and early psychologists to imagine selfhood as hidden, deep, and in need of revelation, ideas that were then taken up by the developing discipline of psychology"--
“Electric. A wildly astute plunge into the depths of love, rivalry, betrayal and the power of women.”—Bill Clegg An internationally renowned writer, Valeria Costas has dedicated her life to her work and to her secret lover, Martìn Acla, a prominent businessman. When his sudden stroke makes headlines, her world implodes; the idea of losing him is terrifying. Desperate to find a way to be present during her lover's final days, Valeria commissions his artist wife, Isla, to paint her portrait—insinuating herself into Martìn's family home and life. In the grand, chaotic London mansion where the man they share—husband, father, lover—lies in a coma, Valeria and Isla remain poised on the brink, transfixed by one another. Day after day, the two women talk to each other during the sittings, revealing truths, fragilities and strengths. But does Isla know of the writer's long involvement with Martìn? Does Valeria grasp the secrets that Isla harbors? Amidst their own private turmoil, the stories of their lives are exchanged, and as the portrait takes shape, we watch these complex and extraordinary women struggle while the love of their lives departs, in an unforgettable, breathless tale of deception and mystery that captivates until the very end.
Author : The Editors of LIFE Publisher : Time Inc. Books Page : 204 pages File Size : 54,9 Mb Release : 2016-03-15 Category : History ISBN : 9781618932303
On the 150th anniversary of Abraham Lincoln's assassination, the editors of LIFE bring readers everything that has been left to us from the life of one of history's most iconic figures. His pictures, actions, words in his speeches and his private letters are analyzed and pointed inward toward the person, to help us understand the man: the heart and soul of the man. This book is about the artifacts that are left us all these years later (letters, speeches and particularly pictures) — things that LIFE can show that allow us to know this man more intimately. And so we, with help from experts and several famous commentators, will show them in our pages, and lead the reader to the clues about Lincoln's essence. Includes chapters such as: "Lincoln Pictured," an introduction by Henry Louis Gates, Jr. A narrative by Allen C. Guelzo, explaining the man and his image — how the image reflects the true man "Who Was Mathew Brady?" — the famous photographer, his life and times, his truths and deceptions (before and after shots from the Gettysburg battlefield, detailing how he moved things around — even bodies — for dramatic impact) The words of Lincoln, in an artifact presentation with removable letters and speeches on archival paper that bring the reader back to the times "The Camera and the White House" — A fascinating chapter on American Presidents and their visual image — Thomas McAvoy's secret snaps of FDR, FDR hiding his legs, JFK's manipulation of photography taken of him, etc. The "book within a book" — the likes of David McCullough, Doris Kearns Goodwin, Richard Norton Smith, Walter Isaacson, Jon Meachem, Macklemore, Brad Pitt, Maya Angelou, Zadie Smith, Gay Talese, Tom Wolf and more in answer to the question "When you see Lincoln's face, what do you see?"
The Rise of Robert Millikan: Portrait of a Life in American Science by Robert H. Kargon Pdf
“I do not consider myself to be Robert Millikan’s biographer. This book is not a full record of Millikan’s life or even of his scientific career. It is an essay, very selective, on themes that are illustrated and illuminated by Millikan’s life in American science. It is, as well, a portrait of the development of a scientist... Robert Millikan was among the most famous of American scientists; to the public of the 1920s, Millikan represented science. The first American-born physicist to win the Nobel Prize, Millikan was a leader in the application of scientific research to military problems during World War I and a guiding force in the rise of the California Institute of Technology to a preeminent place in American scientific education and research. His life is therefore peculiarly suited to illuminate and provide texture for the vast changes that have taken place in science during the twentieth century. In this extended essay, I employ the biographical mode to explore several important aspects of this theme. Millikan was successively a teacher, researcher, administrator, entrepreneur, and sage. By describing the novel roles that he assumed, I suggest how science grew in complexity and carved out an essential place for itself in our general culture.” — Robert H. Kargon, from the Preface of The Rise of Robert Millikan: Portrait of a Life in American Science “Professor Kargon... has given us a sympathetic account of Millikan’s scientific career, including his great triumphs, his rearguard actions to defend untenable positions, and the eventual rejection or revision of every major result or standpoint. But he is more concerned with Millikan’s influence on the developing American physics community and with Millikan’s role in advancing American science generally and American higher education... Together with the chemist A.P. Noyes and the astronomer G.E. Hale, Millikan... believed in an American scientific destiny... This picture of American science is presented with great insight, tremendous learning, and wit... Professor Kargon’s book strikes a happy balance between being an interpretive story of a scientific life and a social history of science in America. Every reader interested in science or in the place of science in society will come away from this book with new information, important insights and a better understanding of the growth of scientific ideas and institutions in the twentieth century.” — I. Bernard Cohen, Nature “With the publication of this volume by Kargon, readers now have new and valuable access to much material about Millikan that was previously unavailable... Kargon states that he is not writing a biography of Millikan but rather a portrait of the man and the scientific scene in early 20th-century America... he has succeeded well in this endeavor... the book is well written, and readers who are already reasonably conversant with 20th-century developments in physics will find much that is illuminating... a genuine contribution to the history of science.” — Katherine R. Sopka, American Scientist “[H]ere is an admirable piece of work... Kargon has not sought to make his readers like his subject, but only to understand his scientific style, his achievements, and his character, and to perceive how his life was ‘a microcosm of new roles assumed by the scientist during the course of the twentieth century’... Kargon’s [...] insights [are] important, and his book [is] deserving of a careful study. “ — Robert C. Post, The American Historical Review “A useful corrective to Millikan’s self-portrait that reveals some of the blemishes, as well as the embellishments, of an important life in American science.” — Robert W. Seidel, Science “For over thirty years, the only overview of Millikan’s life available to the layman was his own selective autobiography. That book either omitted or told only one side (sometimes biased by hindsight) of many important controversial episodes associated with his achievements and views... Kargon’s portrait-essay deals with some of these neglected incidents in a well-written and coherent manner aimed at a wide readership.” — John L. Michel, Technology and Culture “A very readable work with the virtue of containing a great deal of information in a brief compass. Kargon’s book deserves and will receive a wide audience as the successor to its subject’s autobiography... [Kargon] also merits credit for interesting discussions on Millikan as a statesman, administrator, and spokesman for science... a clearly first-rate narrative...” — Nathan Reingold, Isis “Admirably, Kargon combines institutional with intellectual history... Kargon offers a fascinating discussion of Millikan’s and George Hale’s contributions to war research, the California Institute of Technology, and the Mount Wilson Observatory. Kargon rightly stresses the collaborators’ links with the leaders of finance and industry developing Los Angeles... as a brief sketch of Millikan the scientific institution builder, Kargon’s book deserves the wide audience he seeks.” — Peter Galison, The Journal of American History “The book leaves us in no doubt about [Millikan’s] ability, but does not gloss over his occasional obstinacy or his wishful thinking about past errors, matters on which some histories tend to be silent. Millikan was not a revolutionary who started new ideas, but the author stresses — rightly — the importance of men like him for the progress of science.” — Rudolf Peierls, The New York Review of Books “A gem of a book — thought-provoking, insightful, highly interesting reading.” — Lawrence Badash, University of California, Santa Barbara “The author skillfully weaves the story of Millikan with the story of modern science in a book that will be well received by a variety of audiences from professional historians of science to the general public.” — Choice “Kargon’s background in physics serves him well in placing Millikan’s work in its theoretical context, in the analysis of the work itself, and in generally managing to capture both the intense excitement and the routine involved in testing the ideas of the giants of that period in physics... Kargon... has certainly opened enough questions in this perceptive work — in addition to the large number that he has settled; and he has demonstrated an important use for the biographical mode. The general American historian as well as the historian of science can profit from reading this volume.” — George H. Daniels, The Historian “Robert Millikan’s scientific career, his character, and his roles as teacher, administrator at the California Institute of Technology, entrepreneur, and public figure are the topics covered in this biography. Even in discussing Millikan’s later decline as a front-line scientist, author Robert Kargon treats the scientist with compassion and fairness and portrays him as a many-faceted, often controversial man with doubts and uncertainties at the height of his fame... The high school physics student will find this book engaging and insightful in its description of a scientist struggling with science, self, and society.” — A. Cordell Perkes, The Science Teacher “[V]ery well researched and written. Robert Kargon gives an excellent picture of the rise of American physics, from the years when every aspiring young American physicist wanted to go to Germany to study, to the years when every aspiring young European physicist wanted to come to the United States for the same purpose. He clearly understands science, yet knows how to present its history so that it is interesting and meaningful to non-scientists. He tells not only of Millikan’s triumphs, but of his doubts as well; of his discoveries, and also of his mistakes... All in all, this is an excellent book, strongly recommended to the reader who is interested in the history of American science, and in the life of an outstanding practitioner of it.” — Donald E. Osterbrock, The Wisconsin Magazine of History
A rich, penetrating memoir about the author's relationship with a flawed but influential figure—the painter Lucian Freud—and the satisfactions and struggles of a life lived through art. One of Britain's most important contemporary painters, Celia Paul has written a reflective, intimate memoir of her life as an artist. Self-Portrait tells the artist's story in her own words, drawn from early journal entries as well as memory, of her childhood in India and her days as a art student at London's Slade School of Fine Art; of her intense decades-long relationship with the older esteemed painter Lucian Freud and the birth of their son; of the challenges of motherhood, the unresolvable conflict between caring for a child and remaining commited to art; of the "invisible skeins between people," the profound familial connections Paul communicates through her paintings of her mother and sisters; and finally, of the mystical presence in her own solitary vision of the world around her. Self-Portrait is a powerful, liberating evocation of a life and of a life-long dedication to art.
Greatest Portrait Moments by Igorʹ Babaĭlov,Joseph P. (Justice) Sullivan,Michael Novak Pdf
"This book represents a selection of the artist's portfolio of works throughout his career. Over the past 30 years, Igor Babailov has painted more than 2,000 portraits and hundreds of other works of art, including half of which are in distinguished public, private, corporate and museum collections around the world"--Page 15.
'Hey, you! Beautiful!' The voice was compelling—an order. So I turned around. 'Yeah, you,' he said. 'What are you doing in here? You look normal.' 'I am,' I said. Bettye Kronstad met Lou Reed in 1968 as a nineteen-year-old Columbia University student; they were married, briefly, in 1973. Their relationship spanned some of the most pivotal years of his life and career, from the demise of The Velvet Underground to the writing and recording of his seminal solo masterpieces Transformer, for which Lou wrote ‘Perfect Day’ about an afternoon they spent together in the park, and Berlin, which draws on tales from Bettye’s childhood. In Perfect Day, Bettye looks back on their initially idyllic life together on the Upper East Side; Lou’s struggle to launch a solo career after leaving perhaps the most influential rock band of all time; his work and friendships with fellow stars David Bowie and Iggy Pop; and his descent into drink and drug abuse following the success of Transformer, which sent him spinning out from gentle soul to rock’n’roll animal and brought a swift and calamitous end to their relationship. The result is a powerful and poignant meditation on love, loss, writing, and music.
A Portrait of the Artist as a Young Man by James Joyce Pdf
James Joyce’s deeply personal and “most memorable novel” (H. G. Wells) detailing the spiritual and artistic awakening of Stephen Dedalus, now freshly repackaged for the Union Square & Co. Signature Classics line. James Joyce’s semi-autobiographical first novel explores the author’s own love-hate relationship with Ireland through Stephen Dedalus, Joyce’s literary alter ego. Dedalus yearns to be an artist, but must first overcome the aspects of Irish society, like school and the church, that he feels restrains his creativity and stifles his soul. Joyce’s use of experimental literary techniques, including stream of consciousness, is on full display in his first novel, which he further develops in his later works, Ulysses and Finnegan’s Wake.
An intimate biography of the great songwriter, this is also a deeply affectionate memoir by one of Johnny Mercer’s best friends. “Moon River,” “Laura,” “Skylark,” ”That Old Black Magic,” “One for My Baby,” “Accentuate the Positive,” “Satin Doll,” “Days of Wine and Roses,” “Something’s Gotta Give”—the honor roll of Mercer’s songs is endless. Both Oscar Hammerstein II and Alan Jay Lerner called him the greatest lyricist in the English language, and he was perhaps the best-loved and certainly the best-known songwriter of his generation. But Mercer was also a complicated and private man. A scion of an important Savannah family that had lost its fortune, he became a successful Hollywood songwriter (his primary partners included Harold Arlen and Jerome Kern), a hit recording artist, and, as co-founder of Capitol Records, a successful businessman, but he remained forever nostalgic for his idealized childhood (with his “huckleberry friend”). A gentleman, a nasty drunk, funny, tender, melancholic, tormented—Mercer was a man immensely talented yet plagued by self-doubt, much admired and loved but never really understood. In music historian and songwriter Gene Lees, Mercer has his perfect biographer, who deals tactfully but directly with Mercer’s complicated relationships with his domineering mother; his tormenting wife, Ginger; and Judy Garland, who was the great love of his life. Lees’s highly personal examination of Mercer’s life is sensitive as only the work of a friend of many years could be to the conflicts in Mercer’s nature. And it is filled with insights into Mercer’s work that could come only from a fellow lyricist (whose own lyrics were much admired by Mercer). A poignant, candid, revelatory portrait of Johnny.
INSTANT NEW YORK TIMES BESTSELLER An Edgar Award Nominee for Best First Novel Longlisted for the Center for Fiction's First Novel Prize Named a New York Times Best Crime Novel of 2022 Named A Most Anticipated Book of 2022 by *Marie Claire* *Washington Post* *Vulture* *NBC News* *Buzzfeed* *Veranda* *PopSugar* *Paste* *The Millions* *Bustle* *Crimereads* Goodreads* *Bookbub* *Boston.com* and more! "The thefts are engaging and surprising, and the narrative brims with international intrigue. Li, however, has delivered more than a straight thriller here, especially in the parts that depict the despair Will and his pals feel at being displaced, overlooked, underestimated, and discriminated against. This is as much a novel as a reckoning." —New York Times Book Review Ocean's Eleven meets The Farewell in Portrait of a Thief, a lush, lyrical heist novel inspired by the true story of Chinese art vanishing from Western museums; about diaspora, the colonization of art, and the complexity of the Chinese American identity History is told by the conquerors. Across the Western world, museums display the spoils of war, of conquest, of colonialism: priceless pieces of art looted from other countries, kept even now. Will Chen plans to steal them back. A senior at Harvard, Will fits comfortably in his carefully curated roles: a perfect student, an art history major and sometimes artist, the eldest son who has always been his parents' American Dream. But when a mysterious Chinese benefactor reaches out with an impossible—and illegal—job offer, Will finds himself something else as well: the leader of a heist to steal back five priceless Chinese sculptures, looted from Beijing centuries ago. His crew is every heist archetype one can imagine—or at least, the closest he can get. A con artist: Irene Chen, a public policy major at Duke who can talk her way out of anything. A thief: Daniel Liang, a premed student with steady hands just as capable of lockpicking as suturing. A getaway driver: Lily Wu, an engineering major who races cars in her free time. A hacker: Alex Huang, an MIT dropout turned Silicon Valley software engineer. Each member of his crew has their own complicated relationship with China and the identity they've cultivated as Chinese Americans, but when Will asks, none of them can turn him down. Because if they succeed? They earn fifty million dollars—and a chance to make history. But if they fail, it will mean not just the loss of everything they've dreamed for themselves but yet another thwarted attempt to take back what colonialism has stolen. Equal parts beautiful, thoughtful, and thrilling, Portrait of a Thief is a cultural heist and an examination of Chinese American identity, as well as a necessary critique of the lingering effects of colonialism.
