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France, 1940. Nazi forces march towards Paris. Lili Rosenswig's wealthy and eccentric family is ensconced in their country chateau with their sumptuous collection of arts and antiques. The beloved Matisse portrait of Lili's mother has been brought from their Paris salon for safety. It is the day before young lovers Lili and Paul are to be married that they are forced to flee and their fortunes change irrevocably. Lili and her family escape but Paul must stay behind to defend his country. In their struggle to adapt to changing circumstances in an unpredictable world, all are pushed to reinvent themselves. When top Nazi Herman Goring loots their Matisse portrait, their story is intertwined with the fate of the painting. PORTRAIT OF A WOMAN IN WHITE is a moving family saga, an obsessive search for lost love and lost art and how far we will go to survive.
A fascinating look at the partnership of artist James McNeill Whistler and his chief model, Joanna Hiffernan, and the iconic works of art resulting from their life together “[A] lavish volume. . . . Illuminating. . . . MacDonald’s deep research has . . . unearthed important new facts.”—Gioia Diliberto, Wall Street Journal In 1860 James McNeill Whistler (1834–1903) and Joanna Hiffernan (1839–1886) met and began a significant professional and personal relationship. Hiffernan posed as a model for many of Whistler’s works, including his controversial Symphony in White paintings, a trilogy that fascinated and challenged viewers with its complex associations with sex and morality, class and fashion, academic and realist art, Victorian popular fiction, aestheticism and spiritualism. This luxuriously illustrated volume provides the first comprehensive account of Hiffernan’s partnership with Whistler throughout the 1860s and 1870s—a period when Whistler was forging a reputation as one of the most innovative and influential artists of his generation. A series of essays discusses how Hiffernan and Whistler overturned artistic conventions and sheds light on their interactions with contemporaries, including Gustave Courbet, for whom she also modeled. Packed with new insights into the creation, marketing, and cultural context of Whistler’s iconic works, this study also traces their resonance for his fellow artists, including Dante Gabriel Rossetti, Edgar Degas, John Singer Sargent, and Gustav Klimt.
Discover the story of Adélaïde Labille-Guiard—a long-ignored artist and feminist of eighteenth-century France—in this imaginative and illuminating biography from an award-winning writer. Born in Paris in 1749, Adélaïde Labille-Guiard rose from shopkeeper’s daughter to an official portraitist of the royal court—only to have her achievements reduced to ash by the French Revolution. While she defied societal barriers to become a member of the exclusive Académie Royale and a mentor for other ambitious women painters, she left behind few writings, and her legacy was long overshadowed by celebrated portraitist and memoirist Élisabeth Vigée-Lebrun. But Adélaïde Labille-Guiard’s story lives on. In this engaging biography, Bridget Quinn applies her insightful interpretation of art history to Labille-Guiard’s life. She offers a fascinating new perspective on the artist’s feminism, her sexuality, and her vision of the world. Quinn expertly blends close analyses of paintings with broader context about the era and inserts delicately fictionalized interpersonal scenes that fill the gaps in the historical record. This is a compelling and inspiring look at an artist too long overlooked. INSPIRING HISTORICAL NONFICTION: Despite numerous setbacks, Labille-Guiard built a legacy as an accomplished royal portraitist and a mentor to other young women artists of her era. This tale of solidarity, self-belief, and true passion for painting is sure to inspire contemporary creatives and women today. CREATIVE AND COMPELLING ART HISTORY BOOK: Bridget Quinn is an award-winning author and art historian who has spent years researching Adélaïde Labille-Guiard’s work and life. She vividly evokes both and weaves a compelling narrative at the intersection of art, gender, and politics. GORGEOUS ART REPRODUCTIONS THROUGHOUT: This biography features full-color images of artwork by Adélaïde Labille-Guiard, her rumored rival Élisabeth Vigée-Lebrun, and other artists of the era, including portraits of key players in the narrative. These images, interspersed throughout the book, offer valuable visual references to illuminate the engaging text even further. AN ARTFUL GIFT BOOK: Uniquely crafted and thoroughly researched, this volume makes an outstanding gift for art history enthusiasts and readers who love exploring untold stories in women's history. Perfect for: Readers of memoirs and biographies History buffs and fans of historical fiction and nonfiction Artists, art lovers, museumgoers, and art history students Feminists and readers seeking feminist books Francophiles and those interested in the French Revolution Fans of Portrait of a Lady on Fire and other historical dramas
Author : United States. Bureau of the Census Publisher : Unknown Page : 184 pages File Size : 53,5 Mb Release : 1980 Category : Women ISBN : UCSD:31822017619685
Portrait of a Woman in Silk by Zara Anishanslin Pdf
Through the story of a portrait of a woman in a silk dress, historian Zara Anishanslin embarks on a fascinating journey, exploring and refining debates about the cultural history of the eighteenth-century British Atlantic world. While most scholarship on commodities focuses either on labor and production or on consumption and use, Anishanslin unifies both, examining the worlds of four identifiable people who produced, wore, and represented this object: a London weaver, one of early modern Britain’s few women silk designers, a Philadelphia merchant’s wife, and a New England painter. Blending macro and micro history with nuanced gender analysis, Anishanslin shows how making, buying, and using goods in the British Atlantic created an object-based community that tied its inhabitants together, while also allowing for different views of the Empire. Investigating a range of subjects including self-fashioning, identity, natural history, politics, and trade, Anishanslin makes major contributions both to the study of material culture and to our ongoing conversation about how to write history.
As the inscription on his tombstone reveals, Wilkie Collins wanted to be remembered as the “author of The Woman in White,” for it was this novel that secured his reputation during his lifetime. The novel begins with a drawing teacher’s eerie late-night encounter with a mysterious woman in white, and then follows his love for Laura Fairlie, a young woman who is falsely incarcerated in an asylum by her husband, Sir Percival Glyde, and his sinister accomplice, Count Fosco. This edition returns to the original text that galvanized England when it was published in serial form in All the Year Round magazine in 1860. Three different prefaces Collins wrote for the novel, as well as two of his essays on the book’s composition, are reprinted, along with nine illustrations. The appendices include contemporary reviews, along with essays on lunacy, asylums, mesmerism, and the rights of women.
"Since the beginning of time, women have been sustainers of spiritual communities--now, they're strengthening them in leadership roles." -- inside cover.
Уильям Уилки Коллинз - известный английский писатель XIX века, драматург, автор многочисленных романов, пьес и рассказов. Роман “Женщина в белом” - одно из наиболее знаменитых произведений автора. Молодой учитель рисования Уолтер Хартрайт по дороге на работу в имение Лиммеридж встречает таинственную женщину в белых одеяниях. История нежной любви причудливо переплетается с захватывающим детективным сюжетом, но кто же эта незнакомка в белом?.. Читайте зарубежную литературу в оригинале!
In a spellbinding new masterpiece by #1 New York Times bestselling author Daniel Silva, Gabriel Allon undertakes a high-stakes search for the greatest art forger who ever lived Legendary spy and art restorer Gabriel Allon has at long last severed ties with Israeli intelligence and settled quietly in Venice, the only place where he has ever truly known peace. His beautiful wife, Chiara, has taken over the day-to-day management of the Tiepolo Restoration Company, and their two young children are discreetly enrolled in a neighborhood scuola elementare. For his part, Gabriel spends his days wandering the streets and canals of the watery city, bidding farewell to the demons of his tragic, violent past. But when the eccentric London art dealer Julian Isherwood asks Gabriel to investigate the circumstances surrounding the rediscovery and lucrative sale of a centuries-old painting, he is drawn into a deadly game of cat and mouse where nothing is as it seems. Gabriel soon discovers that the work in question, a portrait of an unidentified woman attributed to Sir Anthony van Dyck, is almost certainly a fiendishly clever fake. To find the mysterious figure who painted it—and uncover a multibillion-dollar fraud at the pinnacle of the art world—Gabriel conceives one of the most elaborate deceptions of his career. If it is to succeed, he must become the very mirror image of the man he seeks: the greatest art forger the world has ever known. Stylish, sophisticated, and ingeniously plotted, Portrait of an Unknown Woman is a wildly entertaining journey through the dark side of the art world—a place where unscrupulous dealers routinely deceive their customers and deep-pocketed investors treat great paintings as though they were just another asset class to be bought and sold at a profit. From its elegant opening to the shocking twists of its climax, the novel is a tour de force of storytelling and one of the finest pieces of heist fiction ever written. And it is still more proof that, when it comes to international intrigue and suspense, Daniel Silva has no equal.
This is the story of the internationally acclaimed American woman Margaret Bourke-White, who for over thirty years made photographic history: as the first photographer to see the artistic and storytelling possibilities in American industry, as the first to write social criticism with a lens, and as the most distinguished and venturesome foreign correspondent-with-a-camera to report wars, politics and social and political revolution on three continents. In this poignant autobiography, Bourke-White details her fight against Parkinson’s disease, and recounts tales of her struggles to master her art and craft, of photographing Stalin, Gandhi and many other notables, of being torpedoed off North Africa while reporting World War II, of flying combat missions, of photographing the dread murder camps of Nazi Germany, of touring Tobacco Road to produce the book You Have Seen Their Faces with Erskine Caldwell (whom she later married), of adventures—and wonderful picture-taking—in the mines of South Africa, in the frozen North, in war-torn Korea. Illustrated throughout with over 70 of Margaret Bourke-White’s fine photographs, this is the great life story of a great American, greatly yet modestly told.
The Woman in White by Wilkie Collins - Delphi Classics (Illustrated) by Wilkie Collins Pdf
This eBook features the unabridged text of ‘The Woman in White by Wilkie Collins - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Complete Works of Wilkie Collins’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Collins includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘The Woman in White by Wilkie Collins - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Collins’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
A New York Times Book Review Editors' Choice New York Times Notable author María Gainza, who dazzled critics with Optic Nerve, returns with the captivating story of an auction house employee on the trail of an enigmatic master forger In the Buenos Aires art world, a master forger has achieved legendary status. Rumored to be a woman, she specializes in canvases by the painter Mariette Lydis, a portraitist of Argentinean high society. But who is this absurdly gifted creator of counterfeits? What motivates her? And what is her link to the community of artists who congregate, night after night, in a strange establishment called the Hotel Melancólico? On the trail of this mysterious forger is our narrator, an art critic and auction house employee through whose hands counterfeit works have passed. As she begins to take on the role of art-world detective, adopting her own methods of deception and manipulation, she warns us “not to proceed in expectation of names, numbers or dates . . . My techniques are those of the impressionist.” Driven by obsession and full of subtle surprise, Portrait of an Unknown Lady is a highly seductive and enveloping meditation on what we mean by "authenticity" in art, and a captivating exploration of the gap between what is lived and what is told.
William Merritt Chase: Portraits in oil by Ronald G. Pisano,William Merritt Chase,D. Frederick Baker Pdf
V. 1. "This gorgeous book, the first of a four-volume definitive catalogue, features Chase's stunning paintings in pastel, which constitute a major and previously understudied body of work by the artist; monotypes; painted tiles and plates; watercolors; and prints. Reconstructing Chase's oeuvre is a daunting task, as the artist left few records of any kind, and no documentation of his individual works exists. Furthermore, Chase's paintings and pastels have been forged in great numbers throughout the years, and many of these works still surface on the art market. Making this long-awaited volume even more valuable is a list of every known exhibition of Chase's work during the artist's lifetime, selected examples of major post-1917 exhibitions, and an essay on Chase's innovative pastel technique"--Jacket.